Johann Strauss

(1825-99)

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My Heart Alone

My Heart Alone

Favorite Operetta Arias and Duets


Kalman:

Weisst du es noch (from Die Csárdásfürstin)

Tanzen Möcht' ich (from Die Csárdásfürstin)

Heut' Nacht hab' ich geträumt von Dir (from Das Veilchen von Montmartre)

Wieder hinaus ins strahlende Licht (from Die Zirkusprinzessin)

Lehár:

Meine Lippen (from Giuditta)

Da geh' ich zu Maxim (from Die Lustige Witwe)

Viljalied (from Die lustige Witwe)

Lippen schweigen (from Die Lustige Witwe)

Nur die Liebe macht uns jung (from Zigeunerliebe)

Dein ist mein ganzes Herz (from Das Land des Lächelns)

Millöcker:

Dunkelrote Rosen (from Gasparone)

Stoltz:

Du sollst der Kaiser meiner Seele sein (from Der Favorit)

Strauss, J, II:

Ich lade gern mir Gäste ein (from Die Fledermaus)

Draußen im Sievering blüht schon der flieder (from Die Tänzerin Fanny Elssler)

Suppe:

Mir bella fiorentina (from Boccacio)

Hab' ich nur deine Liebe (from Boccacio)


Angelika Kirchschlager & Simon Keenlyside

Austrian Tonkünstler Orchestra, Alfred Eschwé

My Heart Alone is the new recording from Austrian mezzo-soprano Angelika Kirchschlager and British baritone Simon Keenlyside, and proves that Operetta is still alive. Both singers are highly respected in the fields of opera and Lieder recital, and have appeared several times as a partnership, notably in the title roles in Pelléas et Mélisande at the Salzburg Easter Festival and at Covent Garden, where they have been feted as the dream couple of the opera world. This is the duo’s first Operetta recording, following in the great tradition of famous opera singers like Elisabeth Schwarzkopf, Fritz Wunderlich and Hermann Prey, whose careers blossomed beyond the opera stage. The choice of repertoire for this programme ranges widely from the golden age to the silver age, and includes gems from Die Fledermaus and Die Tänzerin Fanny Elssler by the father of Viennese operetta and waltz king Johann Strauss, as well as titles from popular works such as Franz von Suppé's masterwork Boccaccio and Franz Léhar's Merry Widow. The duet Nur die Liebe macht uns jung from Franz Léhar's Zigeunerliebe however, is an absolute rarity.

“Keenlyside sings operetta like a student, learning the ropes, too quick to pitch volume and intensity at a level fit for Verdi, but not the sweetmeats of Vienna...Best to concentrate on Kirchschlager, who is frequently marvellous. As an Austrian, the operetta lilt lives in Kirchschlager’s blood; she’s a natural at pausing and easing the speeds, and she sings with that indefinable glow.” The Times, 4th July 2008 ***

GGramophone Magazine

Editor's Choice - September 2008

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Carlos Kleiber - Rehearsal and Performance

Carlos Kleiber - Rehearsal and Performance


Strauss, J, II:

Die Fledermaus Overture

Weber:

Der Freischütz Overture


Carlos Kleiber

Carlos Kleiber, conducting genius or madman? This highly intelligent, well-read, sensitive and charming, disarmingly humorous, sometimes cynical and irascible man was often dismissed as an eccentric and his notorious refusals, his curiously short recording career, his complete rejection of publicity were regarded not so much as the expression of a deep-felt artistic sensitivity as the arbitrary behaviour of a talented but fl amboyant personality … When Carlos Kleiber made these recordings of rehearsals and concert performance of the overtures to Die Fledermaus and Der Freischütz for SDR in the spring of 1970 with the Südfunk Symphony Orchestra in Stuttgart’s Villa Berg, he was already more in demand as a conductor than most of his contemporaries. This DVD offers a rare glimpse of Kleiber’s often highly original attempts to verbally communicate his ideas to his musicians. Here was a man who preferred to avoid the limelight: even at the height of his fame in the mid 1970s, when he was being celebrated as a star conductor, the fi rst signs of a slow withdrawal were already discernible.

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Strauss, J, II: Eine Nacht in Venedig

Strauss, J, II: Eine Nacht in Venedig

A film by Vaclav Kaslik


Anton De Ridder, Sylvia Geszty, Jon Piso, Julia Migenes, Cesare Curzi, Erich Kunz, Trudeliese Schmidt, Karl Dönch & Ljuba Welitsch

Chor des Bayerischen Rundfunks & Münchner Rundfunkorchester, Kurt Eichhorn

This beloved operetta, which takes place during Carnival celebrations in 18th-century in Venice, shows Strauss’s descriptive writing at its best, helped by his love of Italy. Eine Nacht in Venedig inspired Strauss to compose some of his most successful operetta-music. The Italian atmosphere, the sun, the sea and the Venetian way of life appealed to his creative imagination The stellar cast includes such eminent singer as Anton de Ridder, Sylvia Geszty, Julia Migenes and Trudeliese Schmiedt; Kurt Eichhorn conducts the Münchner Rundfunkorchester This film-production from 1973 was made by the well known Czech conductor and stage director Vaclav Kaslik Among other songs in this operetta, two in particular immediately come to the music-lover´s mind: the infatuating yearning “Komm in die Gondel mein Liebchen” and the captivating waltz “Ach wie so herrlich zu schauen sind all die reizenden Frauen”

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Strauss, J, II: Wiener Blut (operetta)

Strauss, J, II: Wiener Blut (operetta)

Directed by Hermann Lanske


Ingeborg Hallstein, René Kollo, Dagmar Koller, Benno Kusche, Helga Papouschek, Ferry Gruber, Fritz Muliar & Hilde Sochor

Symphonie-Orchester Kurt Graunke, Anton Paulik

From the Wien-Film Atelier and Bavaria Studios, 1971

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Elisabeth Schwarzkopf  - Operetta Arias & Duets

Elisabeth Schwarzkopf - Operetta Arias & Duets


Lehár:

Bitte meine Herren

Viljalied (from Die lustige Witwe)

Heia, Mädel aufgeschaut

Ganz a Pariser art

Lippen schweigen (from Die Lustige Witwe)

Ich danke fur die Huldigung…Ger, gern wär’ich verliebt

Es ist nicht das erstemal

Bei einem Tee en deux

Wer hat die Liebe uns ins Herz gesenkt

Ich möchte einmal

Strauss, J, II:

Frutti di mare

Annina! Caramello

Was mir der Zufall gab

Hör mich, Annina

Gruss dich Gott, du liebes Nesterl

Wiener Blut Waltz, Op. 354

Mein Herr Marquis from Die Fledermaus

Dieser Anstand, so manierlich

Klänge der Heimat (Die Fledermaus)

Zigeunerlied: So elend und so true…O habet acht

Schatz-Walzer, Op. 418

Wer uns getraut


Elisabeth Schwarzkopf (soprano)

Philharmonia Orchestra, Otto Ackermann & Herbert Von Karajan

“The whole collection heightens admiration for the delights of the music and the quality of Schwarzkopf's soprano.” Gramophone Magazine, July 2008

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Strauss, J, II: Die Fledermaus

Strauss, J, II: Die Fledermaus


Gundula Janowitz, Eberhard Wächter, Wolfgang Windgassen, Heinz Holecek & Erich Kunz

Wiener Philharmoniker, Karl Böhm

Staged and Directed by: Otto Schenk

"Optimally captured on film” (Die Presse, Vienna)

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Opera Without Words

Opera Without Words


Bellini:

Casta Diva (from Norma)

(arr. Yvar Mikashoff)

Gluck:

Melodie from the opera Orfeo ed Euridice

(transcribed G. Sgambati)

Korngold:

Die tote Stadt: Marietta's Lied

(arr. Thibaudet/Kerber)

Puccini:

Gianni Schicchi: 'O mio babbino caro'

(arr. Yvar Mikashoff)

Tosca: 'Vissi d'arte'

(arr. Yvar Mikashoff)

A Portrait of Madama Butterfly

(arr. Yvar Mikashoff)

Saint-Saëns:

Medley on themes from Samson et Delilah

(arr.Thibaudet/Kerber)

Strauss, J, II:

Soirée de Vienne

(arr. A.Grunfeld)

Strauss, R:

Fantasia on the love duet from Der Rosenkavalier

(arr. Percy Grainger)

Wagner:

Die Walküre: Ride of the Valkyries

(arranged Louis Brassin)


Jean Yves Thibaudet (piano)

Decca - 4757668

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Strauss, J, II: Eine Nacht in Venedig

Strauss, J, II: Eine Nacht in Venedig


Elisabeth Schwarzkopf, Nicolai Gedda, Erich Kunz, Karl Dönch, Peter Klein, Emmy Loose & Hanna Ludwig

Philharmonia Orchestra and Chorus, Otto Ackermann

Recorded 25th – 28th and 31st May and 25th September, 1954 in Kingsway Hall, London

When this recording appeared in 1955, the Gramophone critic wrote: “A Night in Venice (1883), with the canals running with schmaltz and many a German joke about macaroni and La donna being mobile,may put off the ultra austere, but I think you would have to be pretty stiff not to surrender… This set speaks for itself. Outside the world of the gramophone you would never expect to encounter an operetta with a cast like this one”.

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Strauss, J, II: Die Fledermaus

Strauss, J, II: Die Fledermaus


Wiener Staatsopernchor & Wiener Philharmoniker, Herbert von Karajan

Recorded: Sofiensaal, Vienna, June 1960

“The sound is sparklingly clear,...The performance of the opera itself has all the sparkle one could ask for...and the Decca recording is scintillating in its clarity.” The Penguin Guide to Opera on Compact Disc

Decca - Originals - 4758319

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New Year's Concert 2007

New Year's Concert 2007

Once again, the program is a tasteful mixture of well-known classics and New Year´s Concert premieres, which include Joseph Strauss´s 'Irenen'-Polka and the valse 'Flattergeister' as well as Johann Strauss' 'Einzugs-Galopp'


Hellmesberger:

Elfenreigen

Leichtfüssig

Strauss, J, I:

Einzugs-Galopp, Op. 35

Erinnerungen an Ernst

Furioso-Galopp

Radetsky March, Op. 228

Strauss, J, II:

Zivio! - Marsch, Op. 456

Waldmeister: overture

Wo die Zitronen blühen, Op. 364

An der schönen, blauen Donau, Op. 314

Strauss, Josef:

Flattergeister

Moulinet-Polka

Delirien Waltz, Op. 212

Irenen-Polka

Matrosen-Polka

Dynamiden - Waltz Op. 173


Wiener Philharmoniker, Zubin Mehta

Penguin Guide

Rosette Winner

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