Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Dances and Waves: Sommernachtskonzert Schonbrunn 2012
Gustavo Dudamel, Gramophone magazine’s "Artist of the Year" 2011 and Grammy award winner 2012, leads the classical summer live and TV event of 2012: The Summer Night Concert with the Vienna Philharmonic. The concert takes place on June 7th in the gardens of Schönbrunn Palace. Last year’s Summer Night Concert was a huge success. In 2012 a total of 62 countries on five continents will share in the spectacle, including a BBC4 broadcast in the UK. This year the main theme is Dances and Waves, a programme showcasing symphonic and operatic highlights. “Dudamel conducts a popular but substantial programme, evoking the VPO's vividness and warmth” BBC Music Magazine, Christmas 2012 ***** | | | In stock - usually despatched within 1 working day. |
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| |  | Dances and Waves: Sommernachtskonzert Schonbrunn 2012
Gustavo Dudamel, Gramophone magazine’s "Artist of the Year" 2011 and Grammy award winner 2012, leads the classical summer live and TV event of 2012: The Summer Night Concert with the Vienna Philharmonic. The concert takes place on June 7th in the gardens of Schönbrunn Palace. Last year’s Summer Night Concert was a huge success. In 2012 a total of 62 countries on five continents will share in the spectacle, including a BBC4 broadcast in the UK. This year the main theme is Dances and Waves, a programme showcasing symphonic and operatic highlights. “Dudamel conducts a popular but substantial programme, evoking the VPO's vividness and warmth.” BBC Music Magazine, Christmas 2012 ***** | | | In stock - usually despatched within 1 working day. |
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| |  | The Very Best of Paul Tortelier
Bach, J S: | Cello Suite No. 1 in G major, BWV1007 | Haydn: | Cello Concerto No. 2 in D major, Hob. VIIb:2 (Op. 101): Rondo | Karjinsky: | Esquisse | Nin: | Granadina (from Cantos populares españoles) | Paganini: | Introduction & Variations on 'Dal tuo stellato soglio' from Rossini's 'Mosé in Egitto', MS23 (Op. 24) | Rachmaninov: | Vocalise, Op. 34 No. 14 | Ravel: | Vocalise-étude en forme de habanera | Rimsky Korsakov: | Flight of the Bumble Bee | Saint-Saëns: | Allegro Appassionato in B minor Op. 43 Mon cœur s'ouvre à ta voix (from Samson et Dalila) Le carnaval des animaux: Le Cygne | Sarasate: | Danza Española No. 6: Zapateado, Op. 23, No. 2 | Strauss, R: | Don Quixote, Op. 35 | Tchaikovsky: | Variations on a Rococo Theme, Op. 33 | Tortelier: | Miniatures (3) |
and movements from cello sonatas by Beethoven and Brahms and the Walton and Elgar Concertos
Paul Tortelier had the lean, ascetic look of an El Greco saint, yet possessed the turbulent idealism of Don Quixote, whom he portrayed so memorably in Richard Strauss’s tone poem. Tortelier was born in Paris in 1914, months before the outbreak of the Great War. Though the family knew poverty, it was his mother’s dream that her son should be a cellist. He started to learn the instrument at the age of six and at 12 he entered the Paris Conservatoire where he won several prizes before leaving at 16 to play freelance in cafés and cinemas in the days of silent films. A year later he made his professional debut playing Lalo’s Concerto at the Concerts Lamoureux. In 1935 he went to the Monte-Carlo Orchestra as principal cellist and two years later played Don Quixote under Strauss’s own direction. He began his solo career in 1938 in Boston, but this was interrupted by the war, during which he remained in Paris. In 1947 he played Don Quixote in Beecham’s Richard Strauss festival in London to great acclaim. This effectively relaunched his international career and he went on to become one of the world’s most distinguished cellists. He died suddenly in 1990 at the age of 76. Bach’s solo Cello Suites were always an integral part of Tortelier’s repertoire and CD 1 opens with the first three movements of Suite No.1 in G. Following this is another Baroque work, the Cello Concerto in D by Vivaldi, in which Tortelier also directs the English Chamber Orchestra. Next comes the finale from Haydn’s Cello Concerto No.2 in D recorded with Jörg Faerber conducting the Wurtemburg Chamber Orchestra in Heilbronn. We then hear movements from Beethoven’s Cello Sonata No.4 in C with the French pianist Eric Heidsieck, and Brahms’s Cello Sonata No.2 in F in which the pianist is Tortelier’s daughter, Maria de la Pau. The CD ends with Tortelier’s third EMI recording of his signature work, Don Quixote by Richard Strauss with the Staatskapelle Dresden under Rudolf Kempe. CD 2 begins with the first two movements of another of the works central to Tortelier’s repertoire, Elgar’s Cello Concerto, a performance of which won him a prize while he was studying at the Paris Conservatoire. This is followed by an extract from the Walton Cello Concerto conducted by Paavo Berglund and then Paganini’s variations on an operatic aria by Rossini to show off Tortelier’s technical skill as a virtuoso of his instrument, this recording conducted by Tortelier’s cellist wife, Maud Tortelier. Next comes a group of encore pieces, including the inevitable ‘Flight of the Bumblebee’ and ‘Le Cygne’, culminating in Three Miniatures for two cellos composed by Tortelier himself and played here with his wife Maud as the second cellist. The programme finishes with a spirited performance of Tchaikovsky’s ‘Rococo’ Variations with the Northern Sinfonia of England conducted by Tortelier’s son Jan Pascal Tortelier. | | | In stock - usually despatched within 1 working day. |
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| |  | A Romantic Songbook
Loewe, C: | Odins Meeresritt "Meister Oluf, der Schmied auf Helgoland", Op. 118 Herr Oluf "Herr Oluf reitet spät und weit", Op. 2/2 Tom der Reimer "Der Reimer Thomas lag am Bach", Op. 135a | Mendelssohn: | Frühlingsglaube Op. 9/8 Auf Flügeln des Gesanges, Op. 34 No. 2 | Schubert: | Frühlingsglaube, D686 Heidenröslein, D257 Die Forelle, D550 Im Frühling, D882 Auf der Bruck, D853 Im Abendrot, D799 Ungeduld (No. 7 from Die schöne Müllerin, D795) | Schumann: | Belsazar, Op. 57 Du bist wie eine Blume, Op. 25 No. 24 Widmung, Op. 25 No. 1 Freisinn, Op. 25 No. 2 | Strauss, R: | Zueignung, Op. 10 No. 1 Allerseelen, Op. 10 No. 8 Heimliche Aufforderung, Op. 27 No. 3 Morgen, Op. 27 No. 4 | trad.: | Londonderry Air | Wolf, H: | Auf einer Wanderung (No. 15 from Mörike-Lieder) Der Genesene an die Hoffnung (No. 1 from Mörike-Lieder) Storchenbotschaft (No. 48 from Mörike-Lieder) |
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Theo Adam (Sir Morosus), Annelies Burmeister (His Housekeeper), Wolfgang Schöne (The Barber), Eberhard Büchner (Henry Morosus), Jeanette Scovotti (Aminta), Carola Nossek (Isotta), Trudeliese Schmidt (Carlotta), Klaus Hirte (Morbio), Werner Haseleu (Vanuzzi), Helmut Berger-Tuna (Farfallo) & Johannes Kemter (The Parrot) Chor der Staatsoper Dresden & Staatskapelle Dresden, Marek Janowski | | | In stock - usually despatched within 1 working day. |
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| |  | 1912 version
Ernst Theo Richter (Monsieur Jourdain), Veronica Cangemi (Singer), Doris Lamprecht (Shepherd/Dryad), Brigitte Fournier (Shepherdess/Naiad), Virginie Pochon (Echo), Margaret Price (Ariadne), Sumi Jo (Zerbinetta), Thomas Mohr (Harlequin), Markus Schafer (Brighella), Steven Cole (Scaramuccio), Alfred Kuhn (Truffaldino) & Gosta Winbergh (Bacchus) Orchestre de l’Opéra National de Lyon, Kent Nagano “It is high time we had the chance to hear the artistic collaboration that Strauss and Hofmannsthal originally intended. For Strauss enthusiasts this excellent set is self-recommending. For those wanting to broaden their operatic outlook, it offers much to discover and delight.” Gramophone Magazine | | | In stock - usually despatched within 1 working day. |
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| |  | Jacqueline du Pré: The Complete EMI Recordings
Bach, J S: | Cello Suite No. 1 in G major, BWV1007 7 January 1962, BBC Studios, London Cello Suite No. 2 in D minor, BWV1008 26 January 1962, BBC Studios, London Viola da Gamba Sonata No. 2 in D major, BWV1028 15 July 1962, No.1 Studio, Abbey Road, London Ronald Kinloch Anderson Adagio (from Toccata, Adagio & Fugue, BWV564) 15 July 1962, No.1 Studio, Abbey Road, London Roy Jesson | Beethoven: | Cello Sonatas Nos. 1-5 (complete) and variations Recorded live: 25-26 August 1970, Usher Hall, Edinburgh Daniel Barenboim (piano) Piano Trio No. 1 in Eb major, Op. 1 No. 1 29, 30 December 1969 & 3 January 1970, No.1 Studio, Abbey Road, London Pinchas Zukerman (violin) & Daniel Barenboim (piano) Piano Trio No. 2 in G major, Op. 1 No. 2 29, 30 December 1969 & 3 January 1970, No.1 Studio, Abbey Road, London Pinchas Zukerman (violin) & Daniel Barenboim (piano) Piano Trio No. 10 in E flat major, Op. 44 'Variations on an Original Theme' 29, 30 December 1969 & 3 January 1970, No.1 Studio, Abbey Road, London Pinchas Zukerman (violin) & Daniel Barenboim (piano) Piano Trio No. 3 in C minor, Op. 1 No. 3 29, 30 December 1969 & 3 January 1970, No.1 Studio, Abbey Road, London Pinchas Zukerman (violin) & Daniel Barenboim (piano) Piano Trio No. 7 in B flat Major, Op. 97 'Archduke' 29, 30 December 1969 & 3 January 1970, No.1 Studio, Abbey Road, London Pinchas Zukerman (violin) & Daniel Barenboim (piano) Piano Trio No. 9 in B flat major, WoO 39 29, 30 December 1969 & 3 January 1970, No.1 Studio, Abbey Road, London Pinchas Zukerman (violin) & Daniel Barenboim (piano) Allegretto in E flat major for Piano Trio, Hess 48 29, 30 December 1969 & 3 January 1970, No.1 Studio, Abbey Road, London Pinchas Zukerman (violin) & Daniel Barenboim (piano) Piano Trio No. 5 in D major, Op. 70 No. 1 'The Ghost' 29, 30 December 1969 & 3 January 1970, No.1 Studio, Abbey Road, London Pinchas Zukerman (violin) & Daniel Barenboim (piano) Piano Trio No. 6 in E flat Major, Op. 70 No. 2 29, 30 December 1969 & 3 January 1970, No.1 Studio, Abbey Road, London Pinchas Zukerman (violin) & Daniel Barenboim (piano) Variations in G major on Wenzel Muller's Ich bin der Schneider Kakadu, Op. 121a 29, 30 December 1969 & 3 January 1970, No.1 Studio, Abbey Road, London Pinchas Zukerman (violin) & Daniel Barenboim (piano) Piano Trio No. 8 in E flat major, WoO 38 29, 30 December 1969 & 3 January 1970, No.1 Studio, Abbey Road, London Pinchas Zukerman (violin) & Daniel Barenboim (piano) Piano Trio No. 4 in B flat major, Op. 11 'Gassenhauer', for clarinet, cello & piano 30 January & 30 March 1970, No.1 Studio, Abbey Road, London Gervase de Peyer (clarient) & Daniel Barenboim (piano) Cello Sonata No. 1 in F major, Op. 5 No. 1 11 December 1971, No.1 Studio, Abbey Road, London Daniel Barenboim (piano) Cello Sonata No. 3 in A major, Op. 69 19-23 December 1965, Abbey Road Studios, Stephen Bishop-Kovacevich (piano) Cello Sonata No. 5 in D major, Op. 102 No. 2 19-23 December 1965, Abbey Road Studios, Stephen Bishop-Kovacevich (piano) | Boccherini: | Cello Concerto No. 9 in B flat major, G 482 17 & 24 April 1967, No.1 Studio, Abbey Road, London English Chamber Orchestra, Daniel Barenboim | Brahms: | Cello Sonata No. 1 In E Minor, Op. 38 20 May & 18 August 1968, No.1 Studio, Abbey Road, London Daniel Barenboim (piano) Cello Sonata No. 2 in F major, Op. 99 20 May & 18 August 1968, No.1 Studio, Abbey Road, London Daniel Barenboim (piano) Cello Sonata No. 1 In E Minor, Op. 38 April 1968, London Daniel Barenboim (piano) Cello Sonata No. 2 in F major, Op. 99 April 1968, London Daniel Barenboim (piano) Cello Sonata No. 2 in F major, Op. 99 Recorded live at the Edinburgh Festival: 3 September 1962, Freemason's Hall Ernest Lush (piano) | Britten: | Sonata for cello and piano in C major, Op. 65 25 February 1965, BBC Studios, London Stephen Kovacevich (piano) | Bruch: | Kol Nidrei, Op. 47 15 July 1962, No.1 Studio, Abbey Road, London Gerald Moore (piano) Kol Nidrei, Op. 47 June 1968, London Israel Philharmonic Orchestra, Daniel Barenboim | Chopin: | Cello Sonata in G minor, Op. 65 10-11 December 1971, No.1 Studio, Abbey Road, London Daniel Barenboim (piano) | Couperin, F: | Concert No. 13 (les Goûts réunis) in G major, à deux instrumens à l’unisson 17 March 1963, BBC Studios, London William Pleeth | Delius: | Cello Concerto 12 & 14 January 1965, Kingsway Hall, London Royal Philharmonic Orchestra, Sir Malcolm Sargent | Dvorak: | Cello Concerto in B minor, Op. 104 11 November 1970, Medinah Temple, Chicago Chicago Symphony Orchestra, Daniel Barenboim Waldesruhe (Silent woods) for cello and orchestra, Op. 68 No. 5 11 November 1970, Medinah Temple, Chicago Chicago Symphony Orchestra, Daniel Barenboim | Elgar: | Cello Concerto in E minor, Op. 85 19 August 1965, Kingsway Hall, London London Symphony Orchestra, Sir John Barbirolli | Falla: | Suite populaire espagnole 22 March 1961, BBC Studios, London Ernest Lush Jota (No. 4 from Siete canciones populares españolas) 21 July 1962, No.1 Studio, Abbey Road, London John Williams (piano) | Fauré: | Élégie in C minor, Op. 24 1 April 1969, No.1 Studio, Abbey Road, London Gerald Moore (piano) | Franck, C: | Cello Sonata in A major (arr. Delsart) 10-11 December 1971, No.1 Studio, Abbey Road, London Daniel Barenboim (piano) | Handel: | Oboe Concerto No. 3 in G minor, HWV 287 )arr. J W Slatter) 22 March 1961, BBC Studios, London | Haydn: | Cello Concerto No. 2 in D major, Hob. VIIb:2 (Op. 101) 13 December 1967, No.1 Studio, Abbey Road, London London Symphony Orchestra, Sir John Barbirolli Cello Concerto No. 1 in C major, Hob. VIIb:1 17 & 24 April 1967, No.1 Studio, Abbey Road, London English Chamber Orchestra, Daniel Barenboim | Lalo: | Cello Concerto in D minor Recorded live: 4 & 6 January 1973, Severance Hall, Cleveland Cleveland Orchestra, Daniel Barenboim | Mendelssohn: | Song without Words for Cello & Piano, Op. 109 15 July 1962, No.1 Studio, Abbey Road, London Gerald Moore (piano) | Monn: | Cello Concerto in G minor 20 September 1968, No.1 Studio, Abbey Road, London Valda Aveling (harpsichord continuo) London Symphony Orchestra, Sir John Barbirolli | Paradis: | Sicilienne 16 July 1962, No.1 Studio, Abbey Road, London Gerald Moore (piano) Sicilienne (arr. Dushkin) 8 October 1963, No.1 Studio, Abbey Road, London Gerald Moore (piano) | Saint-Saëns: | Cello Concerto No. 1 in A minor, Op. 33 24 September 1968, No.1 Studio, Abbey Road, London New Philharmonia Orchestra, Daniel Barenboim Le carnaval des animaux: Le Cygne 21 July 1962, No.1 Studio, Abbey Road, London Osian Ellis (piano) | Schumann: | Cello Concerto in A minor, Op. 129 7-8 April & 11 May 1968, No.1 Studio, Abbey Road. London New Philharmonia Orchestra, Daniel Barenboim Fantasiestücke, Op. 73 16 July 1962, No.1 Studio, Abbey Road, London Gerald Moore (piano) Fantasiestücke, Op. 73 8 October 1963, No.1 Studio, Abbey Road, London Gerald Moore (piano) | Strauss, R: | Don Quixote, Op. 35 6-7 & 9 April 1968, No.1 Studio, Abbey Road, London Herbert Downes & Desmond Bradley New Philharmonia Orchestra, Sir Adrian Boult | Tchaikovsky: | Piano Trio in A minor, Op. 50 'In Memory of a Great Artist' Recorded in concert by Israel Radio: July 1972, F. Mann Auditorium, Tel Aviv Daniel Barenboim (piano) & Pinchas Zukerman (violin) |
Jacqueline du Pre’s career, though tragically brief, coincided with a golden age of recording. This 17-disc treasury unites her entire EMI Classics legacy and includes – for the first time on CD – two Bach sonata movements from her 1962 debut recital for the label. Interpretations long recognised as classic are joined by further rarities, among them the Lalo Cello Concerto, recorded with Daniel Barenboim and the Cleveland Orchestra in 1973, and, from 1968, Strauss’s Don Quixote under Sir Adrian Boult. This collection includes the very latest Abbey Road remasters of Du Pré’s recordings in one definitive boxed set and offers the listener the ultimate listening experience with a fantastic clarity of sound and dynamic range. The collection includes a full-colour 32-page booklet detailing the life and art of Du Pré in both words and pictures as well as a timeline overview of her career. | | | In stock - usually despatched within 1 working day. |
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| |  | Edita Gruberova: The Teldec Recordings
Donizetti: | Il dolce suono mi colpì di sua voce! … Spargi d'amaro pianto (from Lucia di Lammermoor) | Haydn: | The Creation (extracts) | Mozart: | Mia speranza adorata... Ah, non sai qual pena, K416 Chamber Orchestra of Europe, Nikolaus Harnoncourt Voi avete un cor fedele, K217 Chamber Orchestra of Europe, Nikolaus Harnoncourt No, che non sei capace, K419 Chamber Orchestra of Europe, Nikolaus Harnoncourt Ma che vi fece, o stelle...Sperai vicino il lido, K368 Chamber Orchestra of Europe, Nikolaus Harnoncourt Misera, dove son? - Ah! non son' io che parlo! K369 Chamber Orchestra of Europe, Nikolaus Harnoncourt A questo seno deh vieni…Or che il cielo, K374 Chamber Orchestra of Europe, Nikolaus Harnoncourt Vorrei spiegarvi, oh Dio! K418 Chamber Orchestra of Europe, Nikolaus Harnoncourt Ah se in ciel, benigne stelle, K538 Chamber Orchestra of Europe, Nikolaus Harnoncourt Der Hölle Rache kocht in meinem Herzen (from Die Zauberflöte) Or sai chi l'onore (from Don Giovanni) Crudele? Ah no, mio bene! ... Non mi dir, bell'idol mio (from Don Giovanni) Dalla sponda tenebrosa (from Lucio Silla) | Strauss, J, II: | Klänge der Heimat (from Die Fledermaus) | Strauss, R: | Rote Rosen, AV76 Zueignung, Op. 10 No. 1 Nichts, Op. 10 No. 2 Die Nacht, Op. 10 No. 3 Allerseelen, Op. 10 No. 8 Wer hat’s getan Op. 10 No. 6 bis Barkarole, Op. 17 No. 6 Breit' über mein Haupt Op. 19 No. 2 Du meines Herzens Krönelein, Op. 21 No. 2 Cäcilie, Op. 27 No. 2 Morgen, Op. 27 No. 4 Blauer Sommer, Op. 31 No. 1 Wenn ..., Op. 31 No. 2 Liebeshymnus, Op. 32 No. 3 Wir beide wollen springen, AV 90 Glückes genug Op. 37 No. 1 Leises Lied, Op. 39 No. 1 Junghexenlied, Op. 39 No. 2 In der Campagna Op. 41 No. 2 Weihnachtsgefühl, WoO. 94 Ein Obdach gegen Sturm und Regen, Op. 46 No. 1 Morgenrot, Op. 46 No. 4 Einkehr, Op. 47 No. 4 Kling! Op. 48 No. 3 Winterweihe, Op. 48 No. 4 Waldseligkeit, Op. 49 No. 1 In goldener Fülle Op. 49 No. 2 Blindenklage, Op. 56 No. 2 An die Nacht, Op. 68 No. 1 Ich wollt ein Sträusslein binden, Op. 68 No. 2 Säusle, Liebe Myrte, Op. 68 No. 3 Als mir dein Lied erklang, Op. 68 No. 4 Amor, Op. 68 No. 5 Lied der Frauen, Op. 68 Der Stern, Op. 69 No. 1 Der Pokal, Op. 69, No. 2 Blick vom oberen Belvedere, Op. 88 No. 2 Malven, AV 304 | Verdi: | È strano! è strano!...Ah! fors è lui (from La traviata) |
Collected Teldec recordings from one of the most acclaimed coloraturas of recent decades. | | | In stock - usually despatched within 1 working day. |
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| |  | Renée Fleming in ConcertRecorded live at the Salzburg Festival, August 2011
Gloriously affirming the Salzburg Festival’s long-standing reputation as a supreme musical event, this concert honours one of its founding fathers, Richard Strauss. Renée Fleming, Christian Thielemann and the Vienna Philharmonic Orchestra unite for a programme of song, opera and tone poem, genres central to the composer’s extraordinarily fruitful career. Fleming interprets four of his songs with orchestra, including the deeply moving Befreit, and provides a substantial taste of perhaps her finest operatic role, Arabella. New vistas then open as Thielemann and the Vienna Philharmonic take the spectacular mountain journey mapped by the composer in his titanic Alpine Symphony. Running time: 84 minutes Subtitles: EN/FR/DE/ES Sound format: 2.0LPCM + 5.1(5.0) DTS “This is a rare case of visuals enhancing the listening experience, and the Vienna Philharmonic’s Strauss tradition is there for all to see. Thielemann doesn’t push or pull the music, but he is not a pretty sight: his left hand remains inexpressive...there is still no soprano I would rather hear in the soaring lines of “Traum durch die Dämmerung” and “Gesang der Apollopriesterin”.” Financial Times, 19th May 2012 **** “You can immediately hear the classiness of the orchestral support...Thielemann's journey up the mountain is more a question of inner feeling than outward tone-painting...But the summit sequence and the epilogue rival Herbert von Karajan's Berlin Philharmonic for tonal opulence...the cameras always know what to pinpoint in order to highlight visually Strauss's most ingenious orchestral passages.” BBC Music Magazine, August 2012 ***** “Thielemann, whose reading is satisfyingly spacious, reveals the work's structural mastery in intermingling and transforming its many themes. The excellent video director Michael Beyer expertly lays out the orchestra in front of us, following the music sensibly so that we can relish Strauss's detailed scoring...[Fleming] sings gloriously and the result is ravishing” Gramophone Magazine “it is more fun to actually see the players (kudos to video director Michael Beyer) than merely to listen...And no one will accuse the reading [of Ein Alpensinfonie] of not being exciting and the playing superb...In all, this is clearly a treat for Straussians and Fleming fans; she has been both better and worse, but overall, she's lovely here.” International Record Review, September 2012 BBC Music Magazine
DVD/Blu-ray Choice - August 2012 |
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| |  | R. Strauss: Vier letzte Lieder & 12 Lieder
Strauss, R: | Four Last Songs Für fünfzehn Pfennige Op. 36 No. 2 Schlechtes Wetter, Op. 69 No. 5 Weißer Jasmin, Op 31 No 3 Heimkehr, Op. 15 No. 5 Schlagende Herzen Op. 29 No. 2 Begegnung (Meeting), AV 72 Die erwachte Rose, TrV 90, AV 66 Rote Rosen, AV76 Die Zeitlose, Op. 10 No. 7 Die Verschwiegenen, Op. 10 No. 6 Geduld Op. 10 No. 5 Nichts, Op. 10 No. 2 Wo ist mein Bruder? (from Capriccio) |
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