Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Amore, sublime amore: Tenor Arias
Janez Lotric (tenor) Ukrainian National Opera Symphony Orchestra, Johannes Wildner | | | (also available to download from $6.00) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Wind Chamber Music Volume 1
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| |  | Diamonds20th Century Masterpieces for Male Choir
| | | (also available to download from $10.75) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Metropolitan Grand Opera Season 1948-1949
Puccini: | Gianni Schicchi Italo Tajo (Gianni Schicchi), Licia Albanese (Lauretta), Giuseppe di Stefano (Rinuccio), Cloe Elmo (Zita), Virgilio Lazzari (Simone), Gerhard Pechner (Marco), Thelma Votipka (Ciesca), Alessio de Paolis (Gherardo), George Cehanovsky (Betto), Melchiorre Luise (Spinelloccio), Reginald Tonry, Jr. (Gherardino), Louis D'Angelo (Amantio) Giuseppe Antonicelli | Strauss, R: | Salome Ljuba Welitsch (Salome), Herbert Janssen (Jokanaan), Frederick Jagel (Herod), Kerstin Thorborg (Herodias) Fritz Reiner |
Recorded 1949 | | | Usually despatched in 8 - 10 working days. |
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Baltic Chamber Orchestra of St Petersburg, Emmanuel Leducq-Barome | |
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| |  | Josef KripsHistoric Decca Recordings 1950-1958
Beethoven: | Ah! Perfido, Op. 65 | Brahms: | Symphony No. 4 in E minor, Op. 98 | Dvorak: | Cello Concerto in B minor, Op. 104 Zara Nelsova (cello) | Haydn: | Symphony No. 94 in G Major 'Surprise' Symphony No. 99 in E flat major | Mendelssohn: | Symphony No. 4 in A major, Op. 90 'Italian' | Mozart: | Symphony No. 31 in D, K297 'Paris' Symphony No. 39 in E flat major, K543 Symphony No. 40 in G minor, K550 Symphony No. 41 in C major, K551 'Jupiter' | Schubert: | Symphony No. 8 in B minor, D759 'Unfinished' | Schumann: | Symphony No. 4 in D minor, Op. 120 | Strauss, R: | Ah! Du wolltest mich nicht deinen Mund küssen lassen (from Salome) | Tchaikovsky: | Symphony No. 5 in E minor, Op. 64 |
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| |  | Sir Georg SoltiThe First Recordings as Pianist and Conductor 1947-1958
Bartók: | Dance Suite, BB 86, Sz. 77 Recorded in London in November 1952 London Philharmonic Orchestra, Georg Solti Music for Strings, Percussion & Celesta, BB 114, Sz. 106 Recorded in London in April 1955 London Philharmonic Orchestra, Georg Solti | Beethoven: | Violin Sonata No. 9 in A major, Op. 47 ‘Kreutzer' Recorded in June 1947 Georg Kulenkampff (violin), Georg Solti (piano) Violin Concerto in D major, Op. 61 Recorded in London in April 1955 Mischa Elman (violin), Georg Solti (piano) London Philharmonic Orchestra, Georg Solti | Brahms: | Violin Sonatas Nos. 1-3 (complete) Recorded in February 1947 & July 1948 Georg Kulenkampff (violin) | Kodály: | Háry János Suite Recorded in Munich in May 1949 Bayerisches Staatsorchester, Georg Solti | Schubert: | Symphony No. 5 in B flat major, D485 Recorded in Tel-Aviv in May 1958 Israel Philharmonic Orchestra, Georg Solti | Strauss, R: | Allein. Weh' ganz allein (from Elektra) Christel Goltz (Elektra) Ich will nichts hören! (from Elektra) Christel Goltz (Elektra), Elisabeth Höngen (Klytaemnestra) Was willst du, fremder Mensch? (from Elektra) Recorded in Munich, Aug. 1952 Christel Goltz (Elektra), Ferdinand Frantz (Orest) Bayerisches Staatsorchester, Georg Solti |
When Sir Georg Solti died in September 1997, a month before his 85th birthday, he had been an exclusive Decca artist for 50 years. During this incredible exclusive association (rivalled only by Isaac Stern who enjoyed an equally long exclusive association with CBS/Sony) Solti made some of the legendary recordings in the history of the gramophone — not least his acclaimed recording and the first-ever studio recording of Wagner's Ring (recorded in Vienna 1958–65). What is sometimes forgotten is that when Solti first signed to Decca in 1947 it was as a pianist and his first recordings were as partner to violinist Georg Kulenkampff. (All of their recordings are included here with the exception of one Mozart sonata.) Solti was a musician of broad sympathies who, during his long career, continued to explore repertory that was new to him (a notable example is his “discovery” of Shostakovich during the last years of his life), but at the same time there were several composers whom he felt a particularly affinity with and he performed, recorded and re-recorded them during his career. Those composers include Bartók and Kodály (both of whom had also been his teachers during his student days in Budapest), Beethoven, Brahms, Schubert and Richard Strauss. All of the recordings included here are receiving their first international CD release and the recordings of Kodály and Richard Strauss are released with the co-operation of Deutsche Grammophon. The three excerpts from Elektra (amounting to nearly half the complete opera) are particularly fascinating as this was an opera Solti conducted throughout his career and which he later recorded in its entirety in Vienna in the 1960s with the incomparable Birgit Nilsson in the title role. Even in this group of three scenes all the essential Solti characteristics are in evidence: tremendous rhythmic drive and an accute ear for orchestral colour and detail. | | (Sorry, download not available in your country) | |
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| |  | Vissi d'arteThe magnificent voice of Monterrat Caballé
Bellini: | Deh! Con te li prendi ... Mira,o Norma (from Norma) | Boito: | Notte cupa, truce (from Mefistofele) | Charpentier, G: | Depuis le jour (from Louise) | Donizetti: | Qui di sposa eterna...Ah! Verrano a te sull'aure (from Lucia di Lammermoor) Il dolce suono mi colpì di sua voce! … Spargi d'amaro pianto (from Lucia di Lammermoor) | Giordano, U: | La mamma morta (from Andrea Chénier) Vicino a te (from Andrea Chénier) | Meyerbeer: | O beau pays de la Touraine (from Les Huguenots) | Mozart: | Temerari!...Come scoglio! (from Così fan tutte) Ei parte...Per pietà (from Così fan tutte) | Ponchielli: | Suicidio! (from La Gioconda) Ecco la barca … addio (from La Gioconda) | Puccini: | Signore, ascolta! (from Turandot) Tu che di gel sei cinta (from Turandot) Vissi d'arte (from Tosca) | Rossini: | Quant'è grato all'alma mia (from Elisabetta, Regina d'Inghilterra) Questo cor ben lo comprende (from Elisabetta, Regina d'Inghilterra) | Strauss, R: | Es ist kein Laut zu vernehmen (from Salome) | Verdi: | Né sulla terra creatura alcuna...Vola talor dal carcere...Seide celebra non gioia e festa (from Il Corsaro) Ah conforto è sol la speme (from Il Corsaro) La terra, il ciel m'abborino (from La Corsaro) Venerabile Padre (from I Masnadieri) Lo sguardo avea degli angeli (from I Masnadieri) Qual mare, qual terra (from I Masnadieri) Ecco l'orrido campo … Ma dall'arido stelo divulsa (from Un ballo in maschera) Padre, ricevi l'estremo addio (from Luisa Miller) |
Monterrat Caballé (soprano) | | | (Sorry, download not available in your country) | Usually despatched in 8 - 10 working days. |
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