Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Tchaikovsky: Ballets
Tchaikovsky’s ballet compositions are known throughout the world and have become part of the genre of ballet. Here we are immersed in a magical world with works by the greatest Russian composer performed by the USSR State Academic Symphony Orchestra conducted by Svetlanov. | | | Usually despatched in 2 - 3 working days. |
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| |  | Tchaikovsky: Piano Concerto No. 1
These are stunning live recordings made at the Progetto Martha Argerich Festival, Lugano. This CD is an absolutely must-have for piano lovers. Whilst some might be astonished by the liberties taken by the artists, most will be thrilled by the sheer joy and excitement emanating from these performances. “he more than fulfills his early and extraordinary promise. Indeed, it is no exaggeration to say that he may well be the most dazzling and spontaneous pianist of his generation. At every point he turns up the heat to near boiling point, joyfully and unapologetically flaunting his virtuoso bird-of-paradise feathers...this is a record in a thousand.” Gramophone Magazine, April 2012 “Tiempo is not hidebound by barlines and regularity of metre, and there's a degree of rhythmic waywardness and freedom which allows him to unfold these works in an improvisatory manner..With so many performances these days that are somewhat conservative and predictable, it's wonderful to encounter a young firebrand who has so much to say, with a prodigious technique married with the widest range of tone and colour.” International Record Review, February 2012 “a pianist of electrifying brilliance. Liszt’s Totentanz is, of course, all demonic brilliance — Tiempo attacks it with ebullient swagger. If there’s a meandering feeling to much of his take on Tchaikovsky’s First Piano Concerto, the finale bristles with excitement.” Sunday Times, 22nd January 2012 “A strong sense of lyricism and a taut technique colour...Tiempo is a graduate of Martha Argerich's Lugano Project and it shows: the hurtling passions and moments of introversion in the Tchaikovsky are cleverly navigated.” The Independent on Sunday, 29th January 2012 **** | | | Usually despatched in 2 - 3 working days. |
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| |  | Tchaikovsky: Violin Concerto & Piano Trio
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| |  | Dedicated to the International Tchaikovsky CompetitionVan Cliburn - Valery Klimov - Natalia Shakhovskaya - Jane Marsh - Vladimir Atlantov
Beethoven: | Piano Sonata No. 23 in F minor, Op. 57 'Appassionata' recorded 1958 Van Cliburn (piano) | Bizet: | La fleur que tu m'avais jetée (from Carmen) recorded 1966 Vladimir Atlantov (tenor) Bolshoi Theater Orchestra, Mark Ermler | Borodin: | Medlenno den ugasal (Slowly the day has faded) (from Prince Igor) recorded 1966 Vladimir Atlantov (tenor) Bolshoi Theater Orchestra, Mark Ermler | Brahms: | Cello Sonata No. 1 In E Minor, Op. 38 recorded 1982 Natalia Shakhovskaya (cello), A Amentaeva (piano) | Gurilyov, A: | Monotonously Rings the Little Bell recorded 1973 Vladimir Atlantov (tenor) State Academic Bolshoi Theatre Sextet | Haydn: | Cello Concerto No. 1 in C major, Hob. VIIb:1 recorded 1969 Natalia Shakhovskaya (cello) Moscow Philharmonic Orchestra, Maxim Shostakovich | Leoncavallo: | Recitar!...Vesti la giubba (from I Pagliacci) recorded 1966 Vladimir Atlantov (tenor) Bolshoi Theater Orchestra, Mark Ermler | Liszt: | Liebestraum, S541 No. 3 (Nocturne in A flat major) recorded 1958 Van Cliburn (piano) | Mendelssohn: | Violin Concerto in E minor, Op. 64 recorded 1967 Valery Klimov (violin) USSR State Symphony Orchestra, Maxim Shostakovich | Mozart: | Ach, ich fühl's (from Die Zauberflöte, K620) recorded 1966 Jane Marsh (soprano) Bolshoi Theatre Orchestra, Mark Ermler | Nápravník: | I tak, vse koncheno, sud'boy neumolimoy (So, everything, is over) (from Dubrovsky, Op. 58) recorded 1966 Vladimir Atlantov (tenor) Bolshoi Theater Orchestra, Mark Ermler | Puccini: | Tu che di gel sei cinta (from Turandot) recorded 1966 Jane Marsh (soprano) Bolshoi Theatre Orchestra, Mark Ermler E lucevan le stelle (from Tosca) recorded 1973 Vladimir Atlantov (tenor) Bolshoi Theater Orchestra, Mark Ermler | Sheremetiev, A: | Ya vas ljubil (I Loved You) recorded 1973 Vladimir Atlantov (tenor) State Academic Bolshoi Theatre Sextet | Tchaikovsky: | Piano Concerto No. 1 in B flat minor, Op. 23 recorded 1958 Van Cliburn (piano) Moscow Philharmonic Orchestra, Kirill Kondrashin Violin Concerto in D major, Op. 35 recorded 1977 Valery Klimov (violin) Moscow Philharmonic Orchestra, Dmitri Kitayenko Zabït tak skoro (So soon forgotten) recorded 1966 Jane Marsh (soprano), L Farr (piano) Puskay pogibnu ya 'Tatiana's Letter Scene' (from Eugene Onegin) recorded 1966 Jane Marsh (soprano) USSR State Symphony Orchestra, Boris Haikin Den' li tsarit? (Does the day reign?), Op. 47 No. 6 recorded 1972 Vladimir Atlantov (tenor), Farida Khalilova (piano) None but the lonely heart, Op. 6 No. 6 recorded 1972 Vladimir Atlantov (tenor), Farida Khalilova (piano) Serenada Don-Zhuana (Don Juan's Serenade), Op. 38 No. 1 recorded 1971 Vladimir Atlantov (tenor), Farida Khalilova (piano) Zakatilos solntse (The sun has set), Op. 73 No. 4 recorded 1971 Vladimir Atlantov (tenor), Farida Khalilova (piano) Forgive me, loveliest of creatures (from Pique Dame) recorded 1966 Vladimir Atlantov (tenor) Bolshoi Theater Orchestra, Mark Ermler Chto nasha zhizn’? Igra! (The Queen of Spades) recorded 1966 Vladimir Atlantov (tenor) Bolshoi Theater Orchestra, Mark Ermler Forgive me, loveliest of creatures (from Pique Dame) recorded 1966 Vladimir Atlantov (tenor) USSR State Symphony Orchestra, Boris Haikin | Verdi: | Mia madre aveva...Piangea cantando...Ave Maria (from Otello) recorded 1966 Jane Marsh (soprano) Bolshoi Theatre Orchestra, Mark Ermler Giá nella notte densa (from Otello) recorded 1966 Vladimir Atlantov (tenor), Jane Marsh (soprano) USSR State Symphony Orchestra, Boris Haikin Se quel guerrier io fossi!…Celeste Aida (from Aida) recorded 1966 Vladimir Atlantov (tenor) Bolshoi Theater Orchestra, Mark Ermler |
The International Tchaikovsky Competition symbolises the prestige of world class art and is a true apotheosis of Russian culture. These are the Competition’s first-ever releases featuring the gold winners in each of the four disciplines. Listeners will appreciate exquisite performances by genius musicians. | | | Usually despatched in 2 - 3 working days. |
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| |  | Rachmaninov, Tchaikovsky & Grechaninov: Vespers
Here’s a fine conspectus of the Russian choral tradition; its ancient hymns and offices, given new and rich harmonic robes by great Russian composers, and sung by ensembles who have this music in their blood, as indeed they must if its peculiar timbres are to make their haunting effect upon the listener. Clouds of incense swirl around our listening room as we are transported back centuries – whether two or ten – to a style of worship in which beauty is offered to God as an end in itself. | | | Usually despatched in 4 - 5 working days. |
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| |  | Jascha Heifetz Miniatures Volume 2Recorded 1944-1948
This second of two volumes (Vol. 1 is available on 8111379) completes the repertoire recorded by Jascha Heifetz during his short wartime period with American Decca. Aware of the need for lighter music while touring for the US troops, Heifetz nonetheless refused to play down to his audiences, praising the G.I.s’ ‘interest in good music’. This more classical programme represents the violinist’s staggering virtuosity and range, from a spectacular paraphrase of Rossini’s The Barber of Seville to the lyrical expressiveness of Saint-Saens’s The Swan. The inclusion of four rare V-Disc recordings concludes a remarkable legacy of uniquely vibrant performances. | | | (also available to download from $9.00) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Tchaikovsky: Complete Works for Violin & Piano
Sasha Rozhdestvensky (violin) & Josiane Marfurt (piano) With this release, distinguished Russian violinist Sasha Rozhdestvensky and acclaimed Swiss pianist Josiane Marfurt offer the only available collection of P. I. Tchaikovsky’s music for violin and piano that can be considered truly “complete.” The original score to the composer’s transcription of his early song for these instruments – Oh! Chante Encore, Op. 16, No. 4 – was long believed lost, until Rozhdestvensky discovered it recently at the National Library of France in Paris. This delightful and engaging work is offered here in its world premiere recording. Rozhdestvensky’s playing is noted for its rare technical wizardry, gorgeous tone, and plenty of Russian “soul.” Emerging young pianist Marfurt is rapidly building a glowing reputation as both a top-tier soloist and chamber artist. As regular chamber partners, they form an ideal Tchaikovsky “team” – able to realize the composer’s distinctive melodic-harmonic beauty, lush sound and searing sentiment to perfection. “Sasha Rozhdestvensky and Josiane Marfurt give gentle and intelligent performances of both pieces (Rozhdestvensky very effectively drops the use of vibrato in favour of a grey, numbed tone at the most moving moment of the Andante funebre)” Gramophone Magazine, February 2012 | | | (also available to download from $10.50) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Another Night Before Christmas and Scrooge
The Christmas net is cast wide in this captivating collection of seasonal music. John Fox has crafted a delightful Carol Fantasia. Bryan Kelly’s Scrooge is an action-packed Dickens compression, brought to visceral life by esteemed actor Simon Callow, who also narrates Philip Lane’s Another Night Before Christmas, an update by Poet Laureate Carol Ann Duffy of the classic poem. Lane’s Old Christmas Music is expressively rich, and spans the centuries. Smaller pieces from Liszt, orchestrated by Gordon Jacob, Rebikov and more recent works, complete a delightful selection. “Bryan Kelly’s Dickens distillation Scrooge, exuberantly narrated by Simon Callow, is one of the main items here, alongside Philip Lane’s Old Christmas Music, Matthew Curtis’s Christmas Rush and other pieces with a Christmas backdrop.” The Telegraph, 9th December 2011 | | | (also available to download from $6.00) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Holiday Classics
Seattle Symphony’s first holiday album embraces works composed specifically for Christmas as well as other pieces that convey a universal message of peace, love and hope—the essence of humanity’s highest aspirations. Music Director Gerard Schwarz asked two composers, the Symphony’s Composer in Residence Samuel Jones and Seattle Symphony Principal Oboe Ben Hausmann, to “make the music their own” by scoring several of the pieces to retain the unaffected simplicity of these well-known Christmas and concert works. Schwarz joined them in this task, arranging or editing several of the pieces, with the resulting works celebrating the remarkable artistry of the musicians of the Orchestra. In these new settings, recorded entirely in Benaroya Hall, the music emerges with honest, untarnished beauty. “This album is a class act. The programming is clever. Highlights from Tchaikovsky’s Nutcracker suite and the baroque era form bookends and interludes between chic arrangements of traditional carols. The concept is clever since it features the Seattle Symphony’s own composers, arrangers, and very talented soloists. The results are wonderful too. In the world of purely orchestral Christmas albums, this is about as good as it gets.” MusicWeb International, November 2012 | | | (also available to download from $6.00) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Michael Spyres: A Fool For LoveTenor Arias
“Michael Spyres has a lovely, liquid tenor, all honey for love duets and some metal for cries of outraged honor.” John Yohalem, from Opera Today You may well be hard-pressed to name a classic opera that lacks a love-story – or a tenor as the main romantic hero. Accordingly, emerging American tenor Michael Spyres has come up with a fresh and fascinating pretext for A Fool for Love: his new collection of tenor arias on Delos. Michael has carefully selected thirteen mostly well-known arias by composers ranging from Mozart to Stravinsky, encompassing a staggering array of love-related circumstances and emotions. He then sequenced them so as to tell the love-story of a single romantic protagonist. The album’s booklet contains a two-act “plot synopsis,” in which each segment of our hero’s story is indexed to the corresponding aria. As Michael puts it in his booklet introduction, “What I seek to present to you in this album is a fanciful musical story of a typical war-torn couple, and their struggle to cope with the raptures and ravages of this intangible enigma called love.” Michael, a Missouri native, completed his studies at the Vienna Conservatory, and is already well-known to European audiences for his critically-acclaimed work in recital, oratorio, and opera. He has appeared at such distinguished houses as Milan’s La Scala and Deutsche Oper Berlin, and worked with conductors like Ricardo Muti and John Eliot Gardner. Blessed with a supremely versatile instrument, Michael has successfully performed the music of composers from Bach to Wagner, encompassing music of many periods and styles: Baroque, Classical, Bel Canto, and Verismo. He has recorded Rossini’s La Gazzetta, Otello, and Le Siège de Corinthe for Naxos. “The voice itself is that of a lyric tenor with a bit of beef when needed. Neat touches enhance the singing in a number of places...[In Cessa di piu resistere] he dances through the roulades with sure steps, avoids aspirating tricky passages and maintains an attractive tone...the sound is clear, and there is much to be admired in Spyres's singing.” International Record Review, February 2012 | | | (also available to download from $10.50) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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