Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Mendelssohn: Concerto for Violin and Piano in D minor
Deutsches Musikschulorchester, Hanns-Martin Schneidt | |
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| |  | Live Recording from The Bolshoi Theatre, Moscow, 2000
Maria Gavrilova (Tatyana), Vladimir Redkin (Eugene Onegin), Nikolay Baskov (Lensky) & Aik Martirosyan (Prince Gremin) Bolshoi Theatre, Mark Ermler (conductor) & Boris Pokrovsky (stage director) Choreography by Yuri Papko Set Design Alena Pikalova This DVD presents a lavish and naturalistic staging of Eugene Onegin performed in Moscow, the city where the work had its world premiere on 29 March 1879. In their production, the Bolshoi not only adopted a traditional music theatre approach, they also successfully revived a previous and popular production. A feast of music is spread before the audience for their pure enjoyment. The gifted singers are so secure in their command of the Russian idiom that the music’s inner content, its lyrismo, is constantly at the fore. Vladimir Redkin with his profound, glowing baritone takes the title-role, and Maria Gavrilova sings Tatyana, her soprano gleaming at the top, is almost unequalled for warmth and radiance. This Eugene Onegin is a sumptuously arrayed feast of singing. But it is also a feast of good theatre, because it concentrates on the most important element of the tale it tells; namely the tragedy of the human soul and its suffering. The setting and costumes are naturalistic and the drama develops its intensity primarily from the music and the text. Sound Format: PCM Stereo, DD 5.1, DTS 5.1 Picture Format: 4:3 DVD Format: 1 DVD9 & 1 DVD5, NTSC Subtitle Languages: GB, DE, FR, IT, ES, CN Running Time: 157 mins FSK: 0 | | | Usually despatched in 2 - 3 working days. |
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| |  | Emil Gilels plays TchaikovskyLive recordings 1959
Emil Gilels has been a leading light of the extraordinary Russian piano school. These 1959 live recordings from Turin and Lenningrad feature Tchaikovsky’s First and Second Piano Concertos | |
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| |  | Modern Mandolin Quartet: Nutcracker Suite
The Modern Mandolin Quartet presents a delightful alternative to a Christmas classic with the Dorian Sono Luminus release of Nutcracker Suite, an enchanting collection of music reinvisioned with instruments from the mandolin family: two mandolins, a mandola and mandocello. The Modern Mandolin Quartet was formed in 1985 to give a new voice to that most American of musical instruments, the mandolin. Following the tradition of the mandolin orchestras and chamber groups from the early twentieth century, the MMQ uses the instruments of the mandolin family which correspond to the conventional string quartet (two mandolins, mandola, and mandocello). To date the Quartet has arranged and performed over 90 works originally written for orchestra, chamber ensemble, piano, guitar, and string quartet. Miguel Llobet’s most popular works are the arrangements of Catalan folk songs (Canciones populares Catalanas). Llobet’s original solo guitar melodies have been re-arranged for mandolin quartet. The interesting, often strange harmonies he chose and the delicate texture of the guitar music made these pieces quite fun and natural for the MMQ. MMQ has been performing their own fun version of Tchaikovsky’s masterpiece since 1991. Influenced by Mstislav Rostropovich’s extraordinary Berlin Philharmonic recording, MMQ brings its own other-worldly magic to this perennial musical favorite. Fauré’s haunting Pavane is bathed in harmonies which are quite rich and reminded the MMQ of jazz chords, and through improvisation the members of MMQ decided to include two solos in the finished product. The Vivaldi Concerto in D Major is MMQ’s nod to the traditional plucked string repertoire. Its joyful energy and the quieter evocative quality of the second movement made this concerto a pleasure to play. Léo Delibes composed his operatic masterpiece Lakme in 1883. This gorgeous musical selection (originally for soprano and mezzosoprano) translates beautifully in MMQ’s treatment and is a fitting close to the program. Lovers of traditional classical music, fans of plucked instruments, as well as fans of modern crossover arrangements are sure to flock to this intriguing re-imagination of these classical favorites. | | | (also available to download from $10.50) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Claudio Abbado conducts Prokofiev, Berg & TchaikovskyLucerne Festival at Easter 2010
Five years after first conducting the Simón Bolívar Youth Orchestra in their Venezuelan home, Claudio Abbado continues his commitment to this stunning ensemble in this first joint audiovisual concert recording. Prokofiev’s extrovert Scythian Suite is a gift for the boundless energy of these young players, while the intricacy and anguish of Berg’s Lulu-Suite are an Abbado speciality, with soprano Anna Prohaska, in her Lucerne Festival debut, singing the heroine’s dazzling statement of self-justification. The concert ends with an impassioned account of Tchaikovsky’s Pathétique, his final symphony, one of the most moving works in music history. Picture Format Blu-Ray: HDCAM 1080/59,94 Sound Formats Blu-Ray: DTS HD Master Audio PCM Stereo Region Code: 0 (worldwide) Booklet notes: Songtexts in German Running Time: 111:45 Disc Format: BD 25 FSK: 0 “It's amazing the way Abbado brings the melodic writing to the fore in the very different worlds of the Prokofiev and the Berg Lulu Suite, crowned by Anna Prohaska's meaningful characterisation...As for Tchaikovsky's Pathétique, I challenge you to sit unshaken through the way Abbado nurtures string tone, body and vibrato from his Latin players.” BBC Music Magazine, January 2011 **** “Aided by superb camera work, we see him, gaunt but energised, bringing sophistication and élan to Prokofiev’s monster canvas, conjuring magic and fragrance from the Berg and driving the Pathétique to the edge of the abyss.” Financial Times, 14th January 2011 **** | | | Usually despatched in 2 - 3 working days. |
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| |  | Bjarke Mogensen: Winter Sketches
Bjarke Mogensen (accordion) Bjarke Mogensen is a rising star in his native Denmark, much in demand as soloist, having made his debut aged 13 in a live TV broadcast with the Munich Symphony Orchestra. Concerts for 2011 include a solo recital at Carnegie Hall. The repertoire on this disc is taken from a rich repertoire of accordion music, much of it based on folk music of Russia, and includes Mogensen’s own transcriptions for the instrument of works by Tchaikovsky and Mussorgsky. | | | (also available to download from $10.50) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Kyung Wha Chung: Con Amore
“A violinist at the height of her powers, in performances that are affectionate, powerful, playful or virtuosic, as the music requires. Especially attractive are the many Kreisler originals or arrangements.” BBC Music Magazine, September 2011 ***** | | | Usually despatched in 2 - 3 working days. |
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| |  | Jascha Heifetz: 1951-1954 Recordings
Chausson: | Poème for Violin & Orchestra, Op. 25 Recorded 2 December 1952 RCA Victor Symphony Orchestra, Izler Solomon | Lalo: | Symphonie espagnole, Op. 21 Recorded 12-13 June 1951 RCA Victor Symphony Orchestra, William Steinberg | Ravel: | Tzigane Recorded 8 December 1953 Los Angeles Philharmonic Orchestra, Alfred Wallenstein | Saint-Saëns: | Introduction & Rondo capriccioso, Op. 28 Recorded 19 June 1951 RCA Victor Symphony Orchestra, William Steinberg | Tchaikovsky: | Sérénade Mélancolique for Violin & Orchestra in B minor, Op. 26 Recorded 29 October 1954 Los Angeles Philharmonic Orchestra, Alfred Wallenstein | Wieniawski: | Violin Concerto No. 2 in D minor, Op. 22 Recorded 5 November 1954 RCA Victor Symphony Orchestra, Izler Solomon |
Reissue Producer and Restoration Engineer: Mark Obert-Thorn The recordings on this album come from the second part of Jascha Heifetz’s extraordinary career. Heifetz’s strong command of structure and attention to sensuous detail are evident in each of the recordings heard here, the music’s technical difficulties dispatched with consummate ease. “Six works, including a mesmerising Ravel Tzigane, a highly lyrical Chausson Poeme and spellbinding Wieniawski” BBC Music Magazine, July 2011 ***** | | | (also available to download from $8.75) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Yuri Temirkanov conducts Tchaikovsky & Rachmaninov
Signum’s fourth disc with the St Petersburg Philharmonic Orchestra continues their survey of the core Russian repertoire in which they excel. This recording follows their January 2010 releases of Verdi’s Requiem (SIGCD184), Shostakovich’s Symphony No. 7 'Leningrad' (SIGCD194) and Prokofiev’s ‘Cinderella’ and ‘Romeo & Juliet’ Orchestral Suites (SIGCD214). | | | Usually despatched in 3 - 4 working days. |
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| |  | Russian Overtures and Orchestral works
A stunning 2CD of Russian music from Mikhail Pletnev and the Russian National Orchestra that includes a mix of the familiar and the not so familiar. Liadov’s exquisite miniature tone poems and Glinka’s effervescent overture to Ruslan and Ludmila rub shoulders with a rare Tchaikovsky overture and two preludes by Tcherepnin. All the composers here had a deep knowledge and respect for the traditional music of Mother Russia, and every work on these discs has the unmistakable sound of Russia irrespective of whether it was composed under the Tsarist or Soviet regime. Recordings made in 1993/94 “Russian lollipops familiar (Glinka Ruslan, Borodin Prince Igor) and deeply unfamiliar (Tchaikovsky's very early Overture in F, for instance, or Nikolai Tcherepnin's Enchanted Kingdom).” BBC Music Magazine, April 2011 **** “Pletnev is at his most successful with the more reflective introduction to Semyon Kotko, and with the beautiful evocation of dawn over the Moscow River that opens Khovanshchina. Tchaikovsky's almost
unknown early overture is a curiosity. It is not hard to observe some of the features that were to distinguish Tchaikovsky's style, with hindsight, but who could have had the foresight to see the genius that would charge
them?” Gramophone Magazine, December 1994 | | | Usually despatched in 2 - 3 working days. |
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