Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Tchaikovsky: Piano Concertos Nos. 1-3 & Concert Fantasia
“[Leonskaja] gets vivid orchestral support from Masur.” BBC Music Magazine, February 2011 **** | | | Usually despatched in 4 - 5 working days. |
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| |  | Complete ballet score
Frequently heard and recorded as an abbreviated orchestral suite, this rare recording is one of very few available featuring the complete score of this glittering ballet. The album boasts world-class artistry from the Royal Philharmonic Orchestra, conductor Nicolae Moldoveanu and solo violinst Clio Gould. Clio Gould is the Orchestra’s leader and an acclaimed soloist in her own right, performing as a soloist, director and leader throughout Britain and Europe, whilst Nicolae Moldoveanu’s work as a conductor has taken him to the top orchestras and opera houses throughout Europe and North America. This double CD was recorded at the Cadogan Hall, London, a wonderful venue with exceptional facilities and acoustics. | | | (also available to download from $21.00) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Idil Biret Concerto Edition - Volume 5
“Idil Biret was one of the greatest (child) prodigies of the 20th century. Her recital at the Boston Conservatory on Tuesday night demonstrated that she is no less prodigious today. She played a long and demanding program with the power, concentration and pouncing instincts of a crouching tiger…This is the kind of playing that makes reservations irrelevant; there is no one like her which is what defines a unique artist.” Richard Dyer Boston Globe USA Sept. 2000 & Nov. 2005 | | | (also available to download from $6.00) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Berliner Philharmoniker: Russian NightLive Recording from the Waldbühne Berlin, 1993
Directed by Brian Large. Being the typically “Berliner” events they are, the annual summer concerts of the Berliner Philharmoniker at the Berlin Waldbühne far surpass the usual in open-air shows and are generally sold out months in advance. A traditional part of these concerts involves the early arrival of the guests who, laden with the requisite picnic paraphernalia, take their seats with a view to enjoying the hours until “their” Philharmonic gala is ready to begin. While there is little likelihood of finding the majority of these concert-goers at a “regular” performance of the Berliner Philharmoniker, the unique atmosphere of the Waldbühne – one of the most attractive amphitheatres in Europe – is irresistibly appealing and has long been the Mecca of many classical music fans. The world-famous conductor, Seiji Ozawa, joined the Berliner Philharmoniker at the Waldbühne for the “Russian Night”, which naturally focused on music by great Russian composers. The outstanding Overture from Tchaikovsky’s 1812 Symphony, whose battle noise and canon fire are reminiscent of the Russian victory over the Napoleonic invaders, was just one of the items on the programme. With an orchestra as fabulous as the Berliner Philharmoniker plus a conductor as passionate as Seiji Ozawa, the success of the concert was a foregone conclusion. Sound Format: PCM STEREO, DD 5.1 Picture Format: 4:3 DVD Format: DVD 9, PAL Running Time: 98 mins FSK: 0 | | | Usually despatched in 2 - 3 working days. |
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| |  | Berliner Philharmoniker: Gala From Berlin – Songs of Love and DesireLive Recording from the Philharmonie Berlin, 1998
Berlioz: | Le carnaval romain Overture, Op. 9 | Bizet: | L'Arlesienne Suite No. 1: IV. Carillon L'Arlesienne Suite No. 2: IV. Farandole | Mozart: | Le nozze di Figaro, K492: Overture Deh vieni, non tardar (from Le nozze di Figaro) Christine Schäfer (soprano) Deh! vieni alla finestra (from Don Giovanni) Simon Keenlyside (baritone) Bei Männern, welche Liebe fühlen (from Die Zauberflöte) Christine Schäfer (soprano), Simon Keenlyside (baritone) La ci darem la mano (from Don Giovanni) Christine Schäfer (soprano), Simon Keenlyside (baritone) Fin ch'han dal vino (from Don Giovanni) Simon Keenlyside (baritone) | Rossini: | La gazza ladra Overture | Tchaikovsky: | Polonaise (from Eugene Onegin, Op. 24) Puskay pogibnu ya 'Tatiana's Letter Scene' (from Eugene Onegin) Mirella Freni (soprano) | Verdi: | Addio, addio, speranza ed anima (from Rigoletto) Christine Schäfer (soprano), Marcelo Alvarez (tenor) Caro nome (from Rigoletto) Christine Schäfer (soprano) La donna è mobile (from Rigoletto) Marcelo Alvarez (tenor) Libiamo, ne' lieti calici (from La Traviata) Christine Schäfer (soprano), Marcelo Alvarez (tenor) |
Love is the motto of the 1998 New Year‘s Eve Concert. And who wrote better music about love than Mozart and Verdi? Maestro Claudio Abbado has chosen two of the best Mozart interpreters of our day, Christine Schäfer and Simon Keenlyside, for this traditionally meaningful event. Marcelo Álvarez from Argentina, compared by some to a young Domingo, sings highlights of the tenor repertoire, and Italian Primadonna Mirella Freni tops the occasion with a breathtaking performance of the Letter scene of Tchaikovsky‘s Eugene Onegin. Sound Format: PCM STEREO, DD 5.1 Picture Format: 16:9 DVD Format: DVD 9, PAL Running Time: 90 mins FSK: 0 Directed by Hans Hulscher | | | Usually despatched in 2 - 3 working days. |
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| |  | Tchaikovsky: Symphony No. 1
The Deutsche Radio Philharmonie’s Tchaikovsky cycle, conducted by Christoph Poppen, has its own special character, which emphasises finely differentiated chamber-music interplay. On the second CD of the series, Poppen contrasts two poetically motivated works. | | | (also available to download from $10.50) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | From Mozart to Wagner
Lucio Gallo is regarded as one of the leading baritones and recently triumphed in two Verdi roles in Covent Garden. He continues to perform in some of the greatest venues in the world. This CD features arias by Mozart, Rossini, Donizetti, Gounod, Wagner, Tchaikovsky, Puccini and Giordano. | | | Usually despatched in 2 - 3 working days. |
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| |  | Great Australasian Organs Vol 8: The Norman & Beard Organ of Wellington Town Hall, New Zealand
This fine Norman and Beard Organ stands untouched in Wellington Town Hall in New Zealand. Douglas Mews, the Town hall organist plays an exciting progamme of little recorded music to suit this fabulous instrument. Recorded January 25th and 26th 2010 | | | Usually despatched in 8 - 10 working days. |
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1 SACD with bonus CD 'Ein Leben in Tönen' (speaker: Harald Schmidt). NB The spoken word CD is ONLY in German. | | | Usually despatched in 2 - 3 working days. |
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| |  | The Art of Ivry Gitlis
Ivry Gitlis was born in Haifa, Israel in 1922. He gave his first recital when he was just nine years old, and was heard by the great Bronislav Huberman, who recommended that he go to Paris to study at the National Conservatory. He won the Premiere Prix at the age of 13, and went on to study with George Enescu, Jacques Thibaud and Carl Flesch. During the Second World War he moved to London, where he was assigned to the British Army artist branch, giving many concerts for Allied troops. Gitlis has always been a difficult violinist to categorise – maverick, with an unwillingness to conform, he has cultivated a unique style, and is at home in Wieniawski as he is in Xenakis, on prime time TV shows and in the great recital rooms of the world. He is a devoted champion of new music and has premiered works by Maderna and Xenakis. He is also proud of his appearance on The Rolling Stones album ‘Rock and Roll Circus’. Vox made the recordings on this set in the late 1950s and the 60s. The Berg and Stravinsky concertos won a Grand Prix du Disque, and as well as being highly regarded by fellow musicians, were apparently a favourite of Marilyn Monroe. ‘It seems to me, though I should like to have longer to think about it, that Ivry Gitlis gives the finest performance of both the Bartok works above that I have ever heard’ Gramophone, Bartok, 1955 ‘Ivry Gitlis is a technical master, and he brings to both the Bruch and Sibelius concertos an address that stands them in very good stead…The Sibelius relaxes less often; and indeed Gitlis's attack on it is pursued with an intensity and ferocity that are substantially rewarding in their own right’ Gramophone 1956 | | | Usually despatched in 4 - 5 working days. |
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