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See Terms & Conditions for p&p rates. | |  | Works for Violin Solo
Timothy Schwarz (baroque violin) | |
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| |  | Music for Viola da Gamba
| | | Usually despatched in 2 - 3 working days. |
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| |  | Music from Cranberry Isles18th Century Instrumental and Vocal Masterworks
Bach, W F: | Nun komm der Heiden Heiland Peter Sykes (organ) | Gluck: | Orfeo ed Euridice (Orphée et Euridice): Dance of the Blessed Spirits Julius Baker (flute), Peter Sykes (organ) | Handel: | Neun deutsche Arien, HWV202-210: No. 5. Süßer Blumen Ambraflocken, HWV204 Paul Wolfe (violin), Susan Storey Frank (soprano), Julius Baker (flute), Peter Sykes (organ) Neun deutsche Arien, HWV202-210: No. 8. Flammende Rose, Zierde der Erden HWV210 Paul Wolfe (violin), Susan Storey Frank (soprano), Julius Baker (flute), Peter Sykes (organ) Chi t'intende? (from Berenice) Susan Storey Frank (soprano), Peter Sykes (organ) Violin Sonata in F major, HWV 370: Adagio Paul Wolfe (violin), Peter Sykes (organ) | Scarlatti, A: | Le violette Susan Storey Frank (soprano), Peter Sykes (organ) | Schaffrath: | Duetto in G minor for Bassoon & obbligato Harpsichord William Winstead (bassoon), Peter Sykes (organ) | Telemann: | Quartet TWV 43:d1 in D minor for 2 flutes, recorder (or bassoon or cello) & b.c. Sara Lambert Bloom (oboe), Julius Baker (flute), William Winstead (bassoon) | Vivaldi: | Cello Sonata in G minor, RV42 Benjamin Karp (cello), Peter Sykes (organ) Concerto in G minor, RV107 Paul Wolfe (violin), Sara Lambert Bloom (oboe), Julius Baker (flute), William Winstead (bassoon) |
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CD1: Part I - Overture in E minor, Quartet in G major, Concerto for flute, violin & cello in A major CD2: Part I - Trio in E flat major, Flute Sonata in B minor, Sinfonia in E minor, ‘Conclusion’ Part II - Overture in D major, Quartet in D minor CD3: Part II - Concerto for 3 violins in F major, Trio in E minor, Violin Sonata in A major, Conclusion in D major CD4: Part III - Overture in B flat major, Quartet in E minor, Concerto for two horns & strings in E flat major, Trio in D major, Oboe Sonata in G minor, Conclusion in B flat major
In his Musique de Table, through skilful organisation, breadth of imagination and sheer masterful inspiration, Telemann concentrates the entire range of European musical styles. This bravura display brings together ‘what stern custom had divided’. Here is the ultimate glittering banquet of late Baroque goût in all its rich diversity. The Freiburger Barockorchester can look back on a success story lasting over 20 years and is a popular guest at the foremost concert halls and opera houses. The Freiburgers’ artistic credo, however, remains unchanged: the creative curiosity of each individual member, with the aim of playing a composition in as lively and expressive a manner as possible. This also involves assigning demanding solo concertos to players from the orchestra’s own ranks. Cultivated, yet at the same time exciting, ensemble playing has thus become the orchestra’s international trademark. The FBO collaborates with leading artists such as René Jacobs, Andreas Staier and Thomas Quasthoff, and enjoys a close cooperation with harmonia mundi France. Under the artistic directorship of its two Konzertmeisters Gottfried von der Goltz and Petra Müllejans, and under the baton of selected conductors, the FBO presents around 100 performances per year in a variety of formations from chamber to opera orchestra: a self-governing ensemble with its own subscription concerts at the Konzerthaus in Freiburg, the Liederhalle in Stuttgart and the Berlin Philharmonie in addition to a worldwide touring programme. “Telemann’s worklist is vast enough to scare off the crowds. Here he’s at his best, creating three lavish menus of suites, concertos and chamber music. The Freiburg players attack it all with light-footed grace.” The Times, 16th October 2010 “I was reminded time and again that Telemann's music is extraordinarily good, and amazed at the quality of the Freiburg Baroque Orchestra's performances. This is an unmitigated joy.” Gramophone Magazine, January 2011 “Readers familiar with the accomplishments of the Freiburg Baroque Orchestra will be expecting great things and, by and large, they are unlikely to be disappointed. Tempos are judicious...the many solo contributions of the Freiburg set make considerable appeal.” International Record Review, December 2010 | | | Usually despatched in 3 - 4 working days. |
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| |  | Telemann: Lust und Vernügen
David Walter (oboe), Fany Maselli (bassoon), Mathieu Dupouy (keyboard) & Rémi Cassaigne (theorbo), Valérie Dulac (cello) This CD includes Telemann’s Sonatas in F minor and E minor for bassoon, as well as his Sonata in E minor for oboe and Partita No.4 in G minor. Telemann never became a professional virtuoso, but studied various instruments. All his music displays his intimate knowledge of the instruments and includes pieces for rare instruments and combinations that are unique in the history of music. | | | Usually despatched in 2 - 3 working days. |
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Much of Telemann’s finest music is contained in this specially priced 4-CD set of his Tafelmusik, a collection encompassing the forms of the late Baroque: French overture and dance suite, quartet, concerto, trio, and solo sonata. Reinhard Goebel, a champion of this composer, and his Musica Antiqua Köln offer these outstanding performances of precision and clarity with “dazzling virtuosity and unanimity of ensemble and musical thinking” –The Penguin Guide The benchmark recording of Telemann’s wide-ranging anthology of orchestral, chamber, and solo music Acclaimed recording quality: “Vivid and fresh” The Penguin Guide | | | Usually despatched in 2 - 3 working days. |
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| | | | | |  | Telemann: Die Tageszeiten
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| |  | Telemann: Cantatas and Odes
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Gramophone Awards 2011
Gramophone Magazine
