Christopher Tye

‘Precisely balanced, warm-sounding……… on splendid form’. (Gramophone)

‘Fretwork play together beautifully’ (Gramophone)

Our second October release from Westminster Abbey tells the story of the religious and political turmoil that engulfed England in the sixteenth century, and from which composers of liturgical music could find no escape. They were forced to follow the changing edicts about permitted texts as the pendulum of power oscillated between traditional and reformed religion. Interestingly, this period saw the greatest flowering of church music in England’s history; some of the most magnificent works of the age are recorded here.

November 1558 is the chronological centrepoint of this disc. The first half of the programme consists of music performed (not necessarily in all cases composed) during Mary’s reign; the second half, beginning with the evening canticles from Sheppard’s Second Service, explores something of the immense variety of sacred music produced during the subsequent, much longer and more celebrated reign of Mary’s Protestant half-sister.

“Of all the polyphony we have recorded, this early English style with its dazzling high treble parts and luminous sonorities is, for me, as good as it gets. Henry VIII would have known this sound from childhood and may well have included some of the music recorded here at his Coronation.” Peter Phillips