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Ramón Vargas (Don Carlos), Alastair Miles (Philippe II), Bo Skovhus (Rodrigue), Nadja Michael (La Princesse Eboli), Iano Tamar (Elisabeth de Valois), Simon Yang (Le Grand Inquisiteur), Cornelia Salje (Thibault), Dan Paul Dumitrescu (Un Moine), Benedikt Kobel (Le Compte de Lerme), Inna Los (Un Voix d'en Haut), Cosmin Ifrim (Un Hérault Royal) Orchester der Wiener Staatsoper, Chor der Wiener Staatsoper, Bertrand de Billy “This is an issue of major importance, which all lovers of Verdi should acquire, since it will enable them to hear about 45 minutes of his most mature music which is otherwise not available… For this production…Bertrand de Billy came as close as possible to presenting Verdi's score as originally written for the Paris Opera... the opera... a work of such grandeur and intimate passion that it carries all before it, and on the whole, apart from some languorous tempos, de Billy's conducting is idiomatic. Don Carlos... is given a high profile by the ardour of Ramón Vargas. The two leading ladies, singing Elisabeth and Eboli respectively, have surprisingly similar voices, guttural and raw, but exciting... Bo Skovhus is Rodrigue, the work's most moving figure, well up to his role.” BBC Music Magazine, January 2006 **** BBC Music Magazine
Opera Choice - January 2006 |
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Renato Bruson (Simon Boccanegra), Roberto Scandiuzzi (Fiesco), Mariana Nicolesco (Amelia/Maria), Giuseppe Sabbatini (Gabriele Adorno), Alberto Rinaldi (Paolo) Tokyo Symphony Orchestra, Roberto Paternostro “This live 1990 recording of Verdi's most sombre score features some excellent principals; Renato Bruson's Doge, Giuseppe Sabbatini's Gabriele and Roberto Scandiuzzi's Fiesco all stand out.” BBC Music Magazine, December 2005 **** | |
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| |  | Vocal TeamworkRare Operatic Ensembles by Donizetti, Mayr, Rossini, Meyerbeer, Verdi, Coccia & Mosca
Annick Massis, Bruce Ford, Majella Cullagh, Alastair Miles, Jennifer Larmore, Mirco Palazzi, Laura Claycomb, Peter Glossop, Della Jones, Alexander Oliver, Yvonne Kenny, Rockwell Blake, Daniela Barcellona, William Matteuzzi, Jane Eaglen, Christian du Plessis, Deborah Cook London Philharmonic Orchestra, BBC Concert Orchestra & Philharmonia Orchestra, David Parry, James Judd & Giuliano Carella “A fine tribute to the man who led us so rewardingly along opera's byways. …the late and lamented Patric Schmid. It is largely thanks to him and his colleagues at Opera Rara that we now have a fairly comprehensive familiarity and a greatly enhanced appreciation of early 19th-century Italian opera, a period which until recently was not only neglected but pretty widely despised.” Gramophone Magazine, May 2006 | | | (also available to download from $10.50) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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(the earliest complete Aida on tape and one of Simionato's signature roles - recorded 1951) | | | Usually despatched in 2 - 3 working days. |
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(Recorded Munich 1950 and Berlin & Cologne 1952 ) | | | Usually despatched in 2 - 3 working days. |
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Recorded Cologne 1955 | | | Usually despatched in 2 - 3 working days. |
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Recorded 1950 | | | Usually despatched in 2 - 3 working days. |
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| |  | Baner ein Gwlad
and traditional songs: Baner Ein Gwlad Yr Hen Gerddor Unwaith Eto 'Nghymru Annwyl Dy Garu Di O Dduw (Fenwick) Y Dieithryn Elen Fwyn I'll Walk Beside You
Gwyn Hughes Jones (tenor), Annette Bryn Parri (piano) | | | Usually despatched in 4 - 5 working days. |
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Vera Timashova, Alexander Gorbatsevich, Valery Trofemchuk Moscow Classical Ballet, Alexander Petuhof | | | Usually despatched in 2 - 3 working days. |
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PICTURE FORMAT: 16:9
LENGTH: 199 Mins
SOUND: DTS SURROUND / LPCM STEREO
SUBTITLES: EN/FR/DE/ES/IT/NL
“Decker's direction of the principals provides both intelligent insights into relationships along with many bêtises that surely go against the composer's intentions. …he certainly manages to get some revelatory performances from some of the singers, particularly from Villazón who enacts Carlos's neurotic, ill-adjusted personality more successfully than any tenor in my experience. That he sings the role with so much full-throated intensity and such arresting phraseology makes his portrayal something to treasure. ...virtually every respect... of the original French version is the one to have; there you sense the full value of Verdi's original and preferable thoughts in an intelligent, finely sung and directed performance.” Gramophone Magazine, December 2005 “[Chailly] has the measure of internal dynamicism within the work...
Rolando Villazón delivers a forthright, anguished performance as Don Carlo...In terms of an all-round Don Carlo Villazón has all that could be desired, and demonstrates fine duet singing too.” MusicWeb International “a fabulous summation of Chailly’s qualities as a Verdi conductor… A wonderful piece of stagecraft” The Guardian | | | Usually despatched in 2 - 3 working days. |
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