Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Karajan - A Profile
Directed by Gernot Friedel English commentary with English, French and German subtitles Herbert von Karajan (1908-1989), one of the twentieth century’s most fascinating and complex geniuses, dominated the post-war classical music world like a colossus. He won unprecedented musical power and public acclaim; received far more adulation, sold far more records and made far more money than any other classical musician of his era. He also had many detractors -those alienated by his superstar status; those who found the purity and beauty of his music-making cold and superficial; those repelled by his headstrong ambition and endlessly demanding pursuit of his artistic ideals; and those for whom he was forever tainted by the shadow of the Third Reich. Yet his musical playboy image was at odds with the private man who was, in reality, a shy, often solitary figure, possessed of great directness, simplicity and wit, who craved inner quiet and concentration, and was deeply loyal to his closest associates. He loved the peace and quiet of lakes and mountains as much as he did his private aeroplane and his fast cars. Charismatic and enigmatic, Karajan was also the construct that was ‘Karajan’. This film reveals the phenomenon of the man and his music. And it is Karajan himself, in archive interviews, who talks of events in his life and relates them to his work as a conductor. Herbert von Karajan’s life, both on and off the podium, is charted. From the influential experiences of his childhood and student days; through his emergence as a young conductor with a reputation for being brilliant but difficult; to his years at the forefkont of classical music; and his last decade when, despite failing health, and beset by acrimonious musical politics, he continued to push himself to the limits of his creative and physical powers. The documentary also touches on the controversial issue of Karajan’s membership of the Nazi Party; his rivalry with FurtwSingler; his fitful association with Walter Legge of EM1 and with the Philharmonia orchestra, founded by Legge in 1945; his fascination with science, technology, art and architecture in relation to music and his conducting style and rapport with his musicians. All are brought into focus and illustrated with a wealth of archive material. And throughout the film there is Karajan’s music, drawn from the many sound and audiovisual recordings he made during the course of his extraordinary career. Extracts fiom works by Beethoven, Mozart, Wagner, J.S. Bach, Puccini, Johann Strauss II, Mahler, Verdi, Richard Strauss and Schoenberg testify to the vast range of the classical repertoire he mastered and summon up the sublime beauty of his music- making. | | | In stock - usually despatched within 1 working day. |
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| |  | The Blu-ray Experience - Opera & Ballet Highlights
"The Blu-ray Experience" includes opera and ballet highlights from the Opus Arte catalogue, and gives everyone the opportunity to experience the stunning quality of High Definition picture and sound, at an extremely competitive price. Including world-class artists such as Bryn Terfel, Cecilia Bartoli, Anne Sofie von Otter, Jose Cura, Simon Keenlyside and Agnes Letestu, this 60-minute introduction to the world of Blu-ray is a must-have purchase this autumn. Blu-ray offers an outstanding audio and visual experience, with up to six times the resolution of standard definition DVD, and up to 7.1 channels of High Definition surround sound. Note: This Blu-ray Disc (BD) is not compatible with standard DVD players PICTURE FORMAT: 1080i
LENGTH: 50 Mins
SOUND: PCM STEREO / PCM SURROUND / DTS-HD MASTER AUDIO SURROUND / DOLBY TRUEHD SURROUND
SUBTITLES: N/A
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| |  | Live Recording from The Zurich Opera House 2006
Leo Nucci (Rigoletto), Elena Mosuc (Gilda), Piotr Beczala (Il Duca di Mantova), László Polgár (Sparafucile), Katharina Peetz (Maddalena), Kismara Pessatti (Giovanna), Rolf Haunstein (Monterone), Valery Murga (Marullo), Boguslaw Bidzinski (Borsa), Morgan Moody (Il Conte di Ceprano) Chorus and Orchestra ff The Zurich Opera House, Nello Santi (conductor) & Gilbert Deflo (director) Set Design by William Orlandi Lighting by Jürgen Hoffmann Rigoletto tells the story of the crippled court jester Rigoletto and his adored daughter Gilda, whom he desperately tries to protect from the advances of the pleasure-loving Duke of Mantua. While Gilda naïvely gives credence to the Duke’s amorous advances, he is concerned only with constantly changing erotic relationships, of which he boasts in his famous aria Questa o quella. Rigoletto fails. A terrible curse uttered against him by Count Monterone, whom he had once ridiculed before the entire court, comes true: at the end he holds his beloved daughter dead in his arms. “It has long been a truism that Nello Santi is an exceptionally gifted conductor of Verdi, but it is always a pleasure to observe to what extent he in is control of every second of a musical evening – with his charisma, his calm gestures, his eyes and his physical presence. The emotional energy of the evening is concentrated in Santi’s person; he stands for nothing less than incontestable aplomb, and for music-making that, thanks to his sense of timing and style, is above reproach. This is the way, and no other, that this Verdi opera must sound.” (Tages-Anzeiger) Recording Date: 2006
Place of recording: Live from the Zurich Opera House
Running Time: 140 min
Picture Format: 16:9
Sound Format: PCM Stereo, dts-HD Master Audio 7.1
Blue Ray Disc, 25 GB (Single Layer)
Subtitle Languages: IT, GB, D, F, SP
Menu Language: GB
“First we must salute the 64-year old Leo Nucci's Rigoletto. Visually, the pathetic figure with the haunted, apprehensive expression will prove memorable, as well those notes and phrases which still proclaim him one of the most richly endowed baritones of our time.” Gramophone Magazine, March 2008 | | | In stock - usually despatched within 1 working day. |
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| |  | René Pape - Gods, Kings and Demons
Rene Pape’s solo debut for DG gives an overview of the roles that have made his career plus a few rarities.. Accompanied by the Dresden Staatskapelle under Sebastian Weigle, Pape performs his signature piece: King Mark’s monologue from Tristan und Isolde, as well as arias from Gounod’s Faust (the role of Méphistophélès), Mussorgsky’s Boris Godunov and wonderful arias of the rarely performed Demon (Rubinstein) among others. “René Pape is an artist who thrills his audiences with charisma, intelligence and a one-in-a-million voice.” (Opera News) The operatic roles on this album have to a large extend been performed by Pape to the highest critical acclaim in the world’s major opera houses, from the Metropolitan Opera to the Berlin Staatsoper. As Pape’s first solo recording and his DG solo debut, this album is long overdue and is eagerly awaited not only by the music press but also by the singer’s international fan base. “Very welcome on this recording… are less usual arias from Mefestofele… and Dvorák's Rusalka… with brisk support provided throughout by the Dresden Saatskapelle and Staatsopernchor under the direction of Sebastian Weigle, this is a fine showcase.” BBC Music Magazine, November 2008 **** “Probably the premier basso cantante of our time, René Pape is a good god, a good king and a still better singer…” Gramophone Magazine, December 2008 | | | (Sorry, download not available in your country) | In stock - usually despatched within 1 working day. |
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| |  | The Opera Gala - Live from Baden-Baden
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| |  | The Berlin Concert
“For all the reek of marketing hype, there's a real sense of occasion, our greatest living tenor benignly crowning superstar successors who promise comparable art and intelligence.” BBC Music Magazine, March 2007 ***** | | | In stock - usually despatched within 1 working day. |
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| |  | Ténors: Pavarotti, Domingo, CarrerasTrois recital ultimes
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| |  | Five-act version in Italian
Studio recording, 1965. A strong addition to DECCA Originals, Solti's long-admired recording of Don Carlo is remastered at 96/24 and appears at mid-price for the first time. “A five-Act version of Verdi's opera, in the standard Italian translation, conducted with energy and boasting superior soloists. Carlo Bergonzi is especially fine in the title role.” BBC Music Magazine, January 2009 **** “[Tebaldi] gives a magnificent account of Tu che la vanita. Bumbry and Bergonzi both sing splendidly, and after some rather gritty singing early on Fischer-Dieskau rises fittingly to Rodrigo's great death-scene. The recording is one of Decca's best” Penguin Guide, 2010 edition *** | | | In stock - usually despatched within 1 working day. |
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| |  | Jussi Björling: The Swedish Caruso
Adam: | O, helga natt | Alfvén: | Saa tag mit Hjerte (Text: Tove Ditlevsen) | Althen: | Land, du välsignade (Thou Blessed Country) | Atterberg: | Fanal: Final Scene | Beach: | Ah, Love, but a day! Op. 44, No. 2 | Beethoven: | Adelaide, Op. 46 | Bizet: | La fleur que tu m'avais jetée (from Carmen) Je crois entendre encore (from Les Pêcheurs de Perles) | Campbell-Tipton: | A Spirit Flower | Capua: | O sole mio | Cilea: | È la solita storia 'Lamento di Federico' (from L'Arlesiana) | Donizetti: | Una furtiva lagrima (from L'elisir d'amore) | Flotow: | M'appari (from Martha) | Foster, S: | I Dream of Jeanie with the Light Brown Hair | Friml: | Only A Rose (from The Vagabond King) | Geehl: | For You Alone | Giordano, U: | Come un bel dì di maggio (from Andrea Chénier) Amor ti vieta (from Fedora) | Godard, B: | Berceuse from Jocelyn | Gounod: | Quel trouble inconnu me pénètre… Salut! Demeure chaste et pure (from Faust) L'amour, l'amour... Ah, lève-toi soleil (from Roméo et Juliette) De grâce demeurez… Ange adorable (Roméo et Juliette) | Hardelot: | Because | Leoncavallo: | Recitar!...Vesti la giubba (from I Pagliacci) Mattinata - 'L'aurora di bianco vestita' I Pagliacci: excerpts Victoria de los Angeles (Nedda), Leonard Warren (Tonio), Paul Franke (Beppe), Robert Merrill (Silvio) | Mascagni: | Mamma, quel vino (from Cavalleria Rusticana) O Lola, ch'ai di latti la cammisa (from Cavalleria Rusticana) | Massenet: | Instant charmant … En fermant les yeux (from Manon) Je suis seul, seul enfin... Ah fuyez douce image (from Manon) | Meyerbeer: | Mi batte il cor … O paradiso (from L'Africana) | Millöcker: | Soll ich redden…Ich setz’ den Fall (from Der Bettelstudent) Sung in Swedish Ich hab' kein Geld, bin vogelfrei (from Der Bettelstudent) Sung in Swedish | Nordqvist: | Bön I ofredstid (Prayer in Time of War) Bisp Thomas frihetssång (Bishop Thomas' Song of Freedom) Till havs (Towards the Sea) | Offenbach: | Le jugement de Pâris - Au Mont Ida (from La Belle Hélène) | Peterson-Berger: | När jag för mig själv (When I Walk by Myself) Bland skogens höga furustammar (Among the High Fir-Trees in the Forest) Jungfrun under lind (Ernst von der Recke) | Ponchielli: | Cielo e mar! (from La Gioconda) | Puccini: | Che gelida manina (from La Bohème) Recondita armonia (from Tosca) E lucevan le stelle (from Tosca) Ch'ella mi creda libero e lontano (from La Fanciulla del West) O soave fanciulla (from La Bohème) Hjödis Schymberg (Mimi) Nessun dorma (from Turandot) Donna non vidi mai (from Manon Lescaut) Recondita armonia (from Tosca) E lucevan le stelle (from Tosca) La Bohème (highlights) Victoria de los Angeles (Mimi), Lucine Amara (Musetta), Robert Merrill (Marcello), John Reardon (Schaunard), Giorgio Tozzi (Colline) Madama Butterfly (highlights) Victoria de los Angeles (Butterfly), Miriam Pirazzini (Suzuki), Mario Sereni (Sharpless), Piero de Palma (Goro) | Rachmaninov: | In the silence of the secret night, Op. 4 No. 3 Lilacs, Op. 21 No. 5 | Rimsky Korsakov: | Song of the Hindu Guest (from Sadko) | Rossini: | Stabat Mater: Cujus animam gementem | Salén: | Sången till havet (Song to the Sea) Visa kring slånblom och månskära (Song of Blackthorn and Crescent Moon) | Schrader, M: | Sommarnatt (Summer Night) | Sibelius: | Demanten på marssnön, Op. 36 No. 6 (Wecksell) | Sjöberg: | Tonerna (text: Erik Gustaf Geijer) | Söderman: | Kung Heimer och Aslög (Text: Frans Hedberg) Trollsjön | Speaks: | Sylvia | Stenhammar: | Sverige (Sweden) | Strauss, J, II: | Wer uns getraut? (from Der Zigeunerbaron) Sung in Swedish | Strauss, R: | Morgen, Op. 27 No. 4 Cäcilie, Op. 27 No. 2 | Tosti: | Ideale L'alba separa dalla luce l'ombra | Verdi: | Se quel guerrier io fossi!…Celeste Aida (from Aida) La donna è mobile (from Rigoletto) Ingemisco (from Requiem) Ah sì ben mio (from Il trovatore) (two recordings) Di quella pira (from Il trovatore) (two recordings) Questa o quella (from Rigoletto) (two recordings) Di' tu se fedele (from Un ballo in maschera) | Widestedt: | Nämner du Sverige (If You Mention Sweden) |
This 5 CD set covers the best of Björling’s EMI solo recordings and includes highlights from the three complete operas: CD 1 contains Opera and Oratorio Arias and Songs in their original language recorded between 1936 and 1941. CD 2 covers similar repertoire from 1941 to 1950. CD 3 goes back to the period from 1929 when Björling was still a local Swedish artist and recorded all his material in Swedish. The CD opens with the two recently discovered test recordings that Björling made for EMI Sweden on 4 September 1929: ‘For You Alone’ and ‘Mattinata’, both sung in Swedish. CD 4 contains a selection of Lieder and Songs, all sung in their original language, recorded between 1939 and 1959. CD 5 contains a generous selection of highlights from Björling’s three complete EMI operas: La bohème, Pagliacci and Madama Butterfly. He is partnered in all three recordings by the soprano Victoria de los Angeles. All tracks, except those from Pagliacci and Madama Butterfly on CD 5, have been transferred and digitally remastered at Abbey Road Studios from the best available source material in the EMI Archives by the award-winning audio restoration engineer Andrew Walter. | | | In stock - usually despatched within 1 working day. |
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