Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Géori Boué
The French soprano Géori Boué was particularly associated with French repertoire. This collection includes works by Gounod, Massenet, Bizet and Berlioz as well as Italian composers of opera. Many of the recordings date from 1942-1949. | | | Usually despatched in 2 - 3 working days. |
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| |  | from Zurich Opera House
Ambrogio Maestri (Falstaff), Barbara Frittoli (Alice Ford), Meg Page (Judith Schmid), Mistress Quickly (Yvonne Naef), Massimo Cavalletti (Ford), Eva Liebau (Nannetta), Javier Camarena (Fenton), Peter Straka (Dr. Cajus), Martin Zysset (Bardolfo), Davide Fersini (Pistola) Orchester der Oper Zürich & Chor der Oper Zürich, Daniele Gatti Staged by Sven-Eric Bechtolf Daniele Gatti, currently Music Director of the Orchestre National de France and Zurich Opera will conduct Verdi’s Falstaff at the Royal Opera House in May with Ambrogio Maestri in the leading rôle. Features a great cast: Ambrogio Maestri is one of the finest Falstaffs of our time. The Italian baritone brings a powerful, versatile voice to his role, but also brings his character a hilarious buffo quality. Daniele Gatti, one of the most acclaimed opera conductors working today, leads a stunning cast of singers including Barbara Fritolli as Alice Ford. Genuinely warm italianita in all of the music-making, combined with a boisterous production by stage director Sven-Eric Bechtolf, turns Verdi’s commedia lirica into a fireworks display of high spirits as well as what the Neue Zürcher Zeitung called “musically and dramaturgically a feast of life and of love of life.” Running Time Total: 126 minutes DVD: DTS 5.0, PCM Stereo Subtitles Italian (original language), English, German, French, Spanish, Chinese, Korean “the conductor starts apparently quite steadily. But this lack of a certain flick and bounce is compensated for by the focus of Daniele Gatti...places on Verdi's radically forward-looking orchestration...The cast, led by a secure Maestri, can boast a lovable Nannetta in Liebau and further clever variations on Quickly's eccentricity from Naef.” Gramophone Magazine, October 2012 “As usual in a good Falstaff, the heroes are the conductor and the protagonist. Daniele Gatti never lets pacing drag, he's alive to every nuance onstage...and the bounciness of his reading is never too heavily or obviously applied...Maestri's voice ideally suits the role - an attractively timbred, well-focused, wide-ranging baritone, with sufficient power and variety of colour. He works the text in detail, frequently risking a genuinely intimate delivery.” International Record Review, October 2012 | | | Usually despatched in 2 - 3 working days. |
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| |  | The Top Ten Opera Classics
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| |  | Banalites
Thomas Blondelle (ténor) & Daniel Blumenthal (piano) Thomas Blondelle, who finished second in the prestigious Concours Reine Elisabeth 2011, was chosen by the competition’s partner BNP Paribas Fortis to record a song recital and give concerts on tour throughout Belgium and elsewhere. This young tenor has an exceptional vocal range. He is currently a soloist with the Deutsche Oper Berlin, but he also appears at many international venues. Recent engagements include his début as Froh in a new production of Wagner’s Das Rheingold at the Bavarian State Opera (February 2012). With the pianist Daniel Blumenthal – the ideal partner for any young singer – he presents a programme of humorous French and German art songs, some of which nevertheless have an underlying seriousness. This unusual, and witty, recital has been put together very intelligently! | | | (also available to download from $10.50) | Usually despatched in 4 - 5 working days. (Available now to download.) |
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| |  | Dietrich Fischer-Dieskau: Seine Größten Erfolge
Beethoven: | Ha! Welch ein Augenblick! (from Fidelio) Adelaide, Op. 46 Andenken, WoO 136 Der Zufriedene, Op. 75 No. 6 Lied aus der Ferne, WoO 137 Sehnsucht (Die stille Nacht undunkelt), WoO 146 Der Wachtelschlag, WoO 129 An die Hoffnung, Op. 94 Der Kuss, Op. 128 Die Liebe, Op. 52 No. 6 Das Liedchen von der Ruhe, Op. 52 No. 3 Abendlied unter'm gestirten Himmel, WoO 150 Resignation, WoO 149 Zärtliche Liebe 'Ich liebe dich', WoO 123 In questa tomba oscura, WoO.133 Maigesang, Op. 52 No. 4 Marmotte, Op. 52 No. 7 Lieder (6), Op. 75: excerpts Songs (3) , Op. 83 Lieder von Gellert (6), Op. 48 | Bizet: | Au fond du temple saint (from Les Pêcheurs de Perles) sung in German as 'Im tempel Brahmas kniet' | Brahms: | Wie bist du, meine Königin Op. 32 No. 9 Nicht mehr zu dir zu gehen, Op. 32 No. 2 Der Strom, der neben mir verrauschte, Op. 32 No. 4 Du sprichst, daß ich mich täuschte, Op. 32 No. 6 Wehe, so willst du mich wieder, Op. 32 No. 5 Nachtwandler, Op. 86 No. 3 In Waldeseinsamkeit, Op. 85 No. 6 Die schöne Magelone, Op. 33 Denn wir haben hie keine bleibende Statt (from Ein Deutsches Requiem, Op. 45) Vier ernste Gesänge, Op. 121 | Donizetti: | Cruda, funesta smania (from Lucia di Lammermoor) sung in German as 'Wut, heissen Durst nach Rache' | Gluck: | O du, die ich so innig liebe (from Iphigenie in Aulis) | Humperdinck: | Wohin bist du gegangen? (from Königskinder) Verdorben! Gestorben! (from Königskinder) | Lortzing: | Einst spielt' ich mit Zepter, mit Krone und Stern (from Zar und Zimmermann) Nun ist's vollbracht!...Schwanensang, Schwanenklang (from Undine) Wie freundlich strahlt...Heiterkeit und Fröhlichkeit (from Der Wildschütz) | Mahler: | Lieder eines fahrenden Gesellen (4 songs, complete) Kindertotenlieder | Mozart: | Der Vogelfänger bin ich, ja (from Die Zauberflöte) Bei Männern, welche Liebe fühlen (from Die Zauberflöte) Fin ch'han dal vino (from Don Giovanni) sung in German as 'Auf, zu dem Feste' La ci darem la mano (from Don Giovanni) sung in German as 'Reich mir die Hand, mein Leben' Deh! vieni alla finestra (from Don Giovanni) sung in German as 'Feinsliebchen, komm ans Fenster' Hai gia vinta la causa! (from Le nozze di Figaro) sung in German as 'Der Prozess schon gewonnen' | Nicolai, C O: | In einem Waschkorb? (from Die lustigen Weiber von Windsor) | Pfitzner: | Den heil'gen Geist, der die Konzilien leitet (from Palestrina) | Puccini: | O Mimi, tu piu non torni (from La Bohème) sung in German as 'Ach Geliebte, nie kehrst du wieder' Addio dolce svegliare (from La Bohème) sung in German as 'Lebt wohl, ihr süssen Stunden' Addio, fiorito asil (from Madama Butterfly) sung in German as 'Leb wohl, mein Blütenreich' Rudolf Schock (tenor) | Schubert: | An die Musik D547 An Mignon D161 Wandrers Nachtlied II 'Über allen Gipfeln ist Ruh', D768 An den Frühling, D338 Nacht und Träume, D827 Erlkönig, D328 Rastlose Liebe, D138 Der Zwerg, D771 (Collin) Der Kreuzzug D932 (Leitner) Schwanengesang, D957 Die schöne Müllerin, D795 Winterreise D911 | Schumann: | Wanderlied (No. 3 from 12 Gedichte, Op. 35) Erstes Grün, Op. 35 No. 4 Sehnsucht nach der Waldgegend, Op. 35 No. 5 'Wär' ich nie aus euch gegangen' Auf das Trinkglas eines verstorbenen Freundes Stille Liebe, Op. 35 No. 8 Lust der Sturmnacht, Op. 35 No. 1 Wanderung, Op. 35 No. 7 'Wohlauf und frisch gewandert ins unbekannte Land!' Liederkreis, Op. 39 Dichterliebe, Op. 48 Myrthen, Op. 25 | Strauss, R: | Sie woll'n mich heiraten, sagt mein Vater (from Arabella) Wozu noch, Mädchen Op. 19 No. 1 O wärst du mein Op. 26 No. 2 Befreit, Op. 39 No. 4 Herr Lenz Op. 37 No. 5 Die Nacht, Op. 10 No. 3 Ach weh mir unglückhaftem Mann, Op. 21 No. 4 Schlichte Weisen, Op. 21 | Verdi: | Alla vita che t'arride (from Un ballo in maschera) sung in German as 'Für dein Glück und für dein Leben' Alzati…Eri tu che macchiavi quell'anima (from Un Ballo in Maschera) sung in German as 'Erhebe dich!...Ja, nur du hast dies Herz mir entwendet' In braccio alle dovizie (from I Vespri Siciliani) sung in German as 'In Glanz und Pracht regier' ich hier' Dio, che nell'alma infondere (from Don Carlo) sung in German as 'Gott, der entflammte der Liebe heisse Glut' Signora! Per vostra maestà (from Don Carlo) sung in German as 'Vernehmt, ich komme' Son io, mio Carlo... Io morro (from Don Carlo) sung in German as 'Ich bin's, mein Carlos' | Wagner: | O du, mein holder Abendstern (from Tannhäuser) Als du in kuhnem Sange uns bestrittest (from Tannhäuser) Blick ich umher in diesem edlen Kreise (from Tannhäuser) | Wolf, H: | Harfenspieler I (No. 1 from Goethe-Lieder) Harfenspieler II (No. 2 from Goethe-Lieder) Harfenspieler III (No. 3 from Goethe-Lieder) Phänomen (No. 32 from Goethe-Lieder) Ob de Koran von Ewigkeit sei? (No. 34 from Goethe-Lieder) Erschaffen und Beleben (No. 33 from Goethe-Lieder) Lebe wohl (No. 36 from Mörike-Lieder) In der Frühe (No. 24 from Mörike-Lieder) Verschwiegene Liebe (No. 3 from Eichendorff-Lieder) |
The death has recently been announced of one of the greatest singers of the 20th century, the German baritone Dieterich Fisher-Dieskau. Over a career spanning almost half a century Fisher-Dieskau performed all over the world with most of the major conductors, orchestras, and opera companies. He was particularly renowned for his interpretations of the lieder repertoire, especially the songs of Schubert. This 10CD set which was originally released in July 2011 covers a wide range of his performances in all areas of the vocal art. | | | Usually despatched in 4 - 5 working days. |
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| |  | René Kollo: The Opera Singer
Albert, E: | Hast du's gehört? Ich krieg' ein Weib (from Tiefland) Schu her, das ist ein Taler (from Tiefland) | Beethoven: | Gott! Welch Dunkel hier! (from Fidelio) | Bizet: | La fleur que tu m'avais jetée (from Carmen) | Flotow: | Ach, so fromm (from Martha) | Giordano, U: | Come un bel dì di maggio (from Andrea Chénier) Vicino a te (from Andrea Chénier) | Kienzl: | Der Evangelimann: Selig sind die Verfolgung leiden | Lortzing: | Lied: Vater, Mutter, Schestern, Bruder (from Undine) | Mascagni: | Mamma, quel vino (from Cavalleria Rusticana) | Meyerbeer: | Pays merveilleux... Ô paradis (from L'Africaine) | Puccini: | Addio, fiorito asil (from Madama Butterfly) Nessun dorma (from Turandot) | Schultze, N: | Ach, ich hab in meinem Herzen (from Schwarzer Peter) | Verdi: | Niun mi tema (from Otello) Celeste Aida (from Aida) Ah sì ben mio (from Il trovatore) | Wagner: | In fernem Land (from Lohengrin) | Weber: | Nein! länger trag' ich nicht die Qualen…Durch die Wälder (from Der Freischütz) |
The “heroic” tenor René Kollo was born in Berlin in 1937. He arrived at Bayreuth, the Wagner sanctum, in 1969 and, for almost a decade and a half, he would be numbered among its greatest stars. An extensive catalogue of recordings, including many award-winning recordings, shows that Kollo was the most active German tenor of his generation. This wide range of repertoire as well as his frequent television appearances have greatly contributed to his popularity over the years. | | | (also available to download from $21.00) | Usually despatched in 4 - 5 working days. (Available now to download.) |
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| |  | Lucia Popp: The Unforgotten
Bach, J S: | Cantata BWV51 'Jauchzet Gott in allen Landen' | Brahms: | Mädchenfluch (No. 9 from Neun Gesänge, Op. 69) Vorschneller Schwur (No. 5 from Sieben Lieder, Op. 95) Mädchenlied, Op. 107 No. 5 Mädchenlied (No. 6 from Sieben Lieder, Op. 95) Mädchenlied, Op. 85 No. 3 Das Mädchen spricht, Op. 107 No. 3 Die Trauernde, Op. 7 No. 5 Sehnsucht 'Mein Schatz ist nicht da', Op. 14 No. 8 Wie komm ich denn zur Tur herein (No. 34 from Deutsche Volkslieder, WoO 33) In stiller Nacht (No. 42 from Deutsche Volkslieder, WoO 33) Es steht ein Lind (No. 41 from Deutsche Volkslieder, WoO 33) Regenlied, WoO23 | Charpentier, G: | Depuis le jour (from Louise) sung in German | Dvorak: | Mesícku na nebi hlubokém 'Song to the Moon' (from Rusalka) sung in German In Folk Tone - four songs, Op. 73 | Goetz: | Die Kraft versagt | Handel: | Samson: Let the bright seraphim | Janacek: | Moravian Folk Songs (15), JW VIII/23: excerpts | Kodály: | Hungarian Folk Songs | Lortzing: | Die Eifersucht ist eine Plage (from Zar und Zimmermann) | Mahler: | Frühlingsmorgen (Lieder und Gesänge aus der Jugendzeit) Ich ging mit Lust (Lieder und Gesänge aus der Jugendzeit) Nicht wiedersehen (Lieder und Gesänge aus der Jugendzeit) Scheiden und Meiden (Lieder und Gesänge aus der Jugendzeit) Um schlimme Kinder artig zu machen (Lieder und Gesänge aus der Jugendzeit) Hans und Grete (Lieder und Gesänge aus der Jugendzeit) Starke Einbildungskraft (Lieder und Gesänge aus der Jugendzeit) Ablösung im Sommer (Lieder und Gesänge aus der Jugendzeit) Erinnerung (Lieder und Gesänge aus der Jugendzeit) | Massenet: | Allons! Il le faut pour lui-même!... Adieu, notre petite table (from Manon) | Monteverdi: | L'Orfeo: excerpts | Mozart: | E Susanna non vien! … Dove sono i bei momenti (from Le nozze di Figaro) Ach, ich fühl's (from Die Zauberflöte, K620) | Prokofiev: | Russian Folksongs, Op. 104 | Puccini: | O mio babbino caro (from Gianni Schicchi) sung in German | Smetana: | Endlich allein (from Die verkaufte Braut) | Telemann: | Arias from Psalm 111 "Ich danke dem Herrn von ganzem Herzen" | Verdi: | Caro nome (from Rigoletto) sung in German | Weber: | Wie nahte mir der Schlummer … Leise, leise, fromme Weise (from Der Freischütz) |
Soprano Lucia Popp (1939-1993) was one of the most acclaimed singers of her generation. In this four-CD set she is heard in arias from operas by Weber, Mozart, Lortzing, Puccini, Verdi, Massenet and Monteverdi, songs by Brahms, Mahler, Prokofiev, Dvorak, Kodaly, Janacek, and sacred music by Telemann and Bach. After making her debut at the Vienna State Opera in the modest role of Barbarina in The Marriage of Figaro, Lucia Popp worked with all the great conductors of her day including Leonard Bernstein, Sir George Solti, Rafael Kubelik, Lorin Maazel, Sir Neville Marriner, Bernard Haitink and Carlos Kleiber. The State Operas of Vienna and Munich honoured Lucia Popp with the title of Kammersängerin and the Vienna Philharmonic Orchestra awarded her the “Silver Rose”. In 2007 she was placed 7th on BBC Music Magazine's list ‘20 All-time Best Sopranos’ based on a poll of 21 British critics and BBC presenters. | | | (also available to download from $16.00) | Usually despatched in 4 - 5 working days. (Available now to download.) |
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| |  | EuropaChorAkademie: Choral Masterpieces
5CD (+3 bonus DVDs) This set provides a great opportunity to enjoy the talents of the excellent EuropaChorAcademie performing a wide range of choral works. “A truly breathtaking purity of intonation, rhythmic precision and collective engagement.” BBC Music Magazine | | | Usually despatched in 2 - 3 working days. |
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| |  | Giulietta Simionato - Portrait of a Legendrecordings 1949-1960
Bellini: | Deh! Tu bell'anima (from I Capuleti) recorded in 1954 | Berlin, I: | Anything you can do I can do better (from Annie Get Your Gun) recorded in 1956 Luciano Bettarini (piano) | Bizet: | L'amour est un oiseau rebelle 'Habanera' (from Carmen) recorded in 1951; sung in Italian as 'E l'amore uno strano augello' | Donizetti: | O mio Fernando (from La Favorita) recorded in 1955 Orchestra Maggio Musicale Fiorentino, Alberto Erede | Gordigiani: | L’addio del pastore recorded in 1960 (taken from a complete performance of Die Fledermaus) Ettore Bastianini (baritone) Wiener Philharmoniker, Herbert von Karajan | Mascagni: | Voi lo sapete o mamma (from Cavalleria rusticana) recorded in 1954 Orchestra RAI Torino, Arturo Basile | Massenet: | Va! Laisse couler mes larmes (from Werther) recorded in 1951; sung in Italian as 'Va non e mal se piango' | Paër: | Il bacio della partenza recorded in 1956 Luciano Bettarini (piano) | Rossini: | Nacqui all'affanno, al pianto...Non più mesta (from La Cenerentola) recorded in 1949 Orchestra RAI Torino, Mario Rossi Una voce poco fa (from Il barbiere di Siviglia) recorded in 1950 Orchestra RAI Milano, Fernando Previtali Cruda sorte! Amor tiranno! (from L'Italiana in Algeri) recorded in 1954 Orchestra del Teatro alla Scala Milano, Carlo Maria Giulini O patria...Di tanti palpiti (from Tancredi) recorded in 1956 Orchestra RAI Milano, Nino Sanzogno | Saint-Saëns: | Printemps qui commence (from Samson et Dalila) recorded in 1951; sung in Italian as 'O Aprile foriero' | Thomas, Ambroise: | Connais-tu le pays (from Mignon) recorded in 1949; sung in Italian as 'Non conosci il bel suol?' | Verdi: | O don fatale (from Don Carlo) recorded in 1954 Stride la vampa (from Il Trovatore) recorded in 1956 Orchestre du Grand Théâtre de Genève, Alberto Erede Re dell’abisso affretati (Un ballo in maschera) recorded in 1960 Orchestra and Chorus of the Accademie Santa Cecilia Roma, Sir Georg Solti |
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| |  | Mirella Freni: The First Recitals 1959-1961
Bellini: | Ah! Se una volta sola (from La Sonnambula) Münchner Rundfunkorchester, Ino Savini Eccomi in lieta vesta...Oh! quante volte (from I Capuleti e I Montecchi) Münchner Rundfunkorchester, Ino Savini | Bizet: | Je dis que rien ne m'épouvante (from Carmen) sung in Italian (as 'Io dico, no, non son paurosa') with preceding recitative Münchner Rundfunkorchester, Ino Savini | Mascagni: | Son pochi fiori (from L'Amico Fritz) Münchner Rundfunkorchester, Ino Savini | Puccini: | Senza mamma, o bimbo (from Suor Angelica) Münchner Rundfunkorchester, Ino Savini O mio babbino caro (from Gianni Schicchi) Münchner Rundfunkorchester, Ino Savini Si, mi chiamano Mimi (from La Bohème) Orchester der Wiener Volksoper, Argeo Quadri O soave fanciulla (from La Bohème) Viktor Remsey (tenor) Orchester der Wiener Volksoper, Argeo Quadri Donde lieta usci (from La Bohème) Orchester der Wiener Volksoper, Argeo Quadri Signore, ascolta! (from Turandot) Orchester der Wiener Volksoper, Argeo Quadri Tu che di gel sei cinta (from Turandot) Orchester der Wiener Volksoper, Argeo Quadri Viene la sera (from Madama Butterfly) Gino del Ferro (tenor) Orchester der Wiener Volksoper, Argeo Quadri | Verdi: | Sul fil d'un soffio etesio (from Falstaff) Münchner Rundfunkorchester, Ino Savini |
The first of these solo recitals (1959) is with the orchestra of the Bavarian State Opera, conducted by Savini.The second with the Vienna’ s Volksoper orchestra,devoted to Puccini, is taken from a very rare LP and is released on CD for the first time in its entirety. | | | Usually despatched in 2 - 3 working days. |
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