Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Viva Villazón! (STANDARD)The Best of Rolando Villazón
Berlioz: | Dieu tout puissant, Dieu de l’aurore Thomas Gounet d’après Thomas Moore Chœur « Les Eléments » & Orchestre du Capitole de Toulouse, Michel Plasson | Bizet: | La fleur que tu m'avais jetée (from Carmen) Münchner Rundfunkorchester, Michel Plasson A cette voix quel trouble… Je crois entendre encore (from Les Pêcheurs de Perles) Münchner Rundfunkorchester, Michel Plasson | Cilea: | È la solita storia 'Lamento di Federico' (from L'Arlesiana) | Donizetti: | Una furtiva lagrima (from L'elisir d'amore) Tombe degl'avi miei … Fra poco a me ricovero...Tu che a Dio spiegasti l'ali (from Lucia di Lammermoor) Münchner Rundfunkorchester, Marcello Viotti | Gounod: | Quel trouble inconnu me pénètre… Salut! Demeure chaste et pure (from Faust) Orchestre Philharmonique de Radio France, Evelino Pido Polyeucte: Source délicieuse L'amour, l'amour... Ah, lève-toi soleil (from Roméo et Juliette) | Gruber, F: | Stille Nacht arr.Philippe Rombi Orchestre Symphonique Bel Arte, Philippe Rombi | Mascagni: | Mamma, quel vino (from Cavalleria Rusticana) with Teresa Blank (mezzo-soprano) Münchner Rundfunkorchester, Michel Plasson | Massenet: | Ah ! Parais, astre de mon ciel Zarastra from Le Mage Chœur et Orchestre Philharmonique de Radio France, Evelino Pido Roma - Je vais la voir! Je suis seul, seul enfin... Ah fuyez douce image (from Manon) Traduire ! Ah ! Bien souvent mon rêve s’envole… Pourquoi me réveiller (Werther) Ah! Tout est bien fini... O souverain (from Le Cid) Orchestre Philharmonique de Radio France, Evelino Pído | Monteverdi: | Libro Nono di Magrigali e Canzonette: Si dolce è'l tormento Le Concert d’Astrée, Emmanuelle Haim Eri già tutta mia Le Concert d’Astrée, Emmanuelle Haim | Offenbach: | Il était une fois à la cour d'Eisenach (from Les contes d'Hoffmann) With Florian Laconi (ténor) Münchner Rundfunkorchester, Michel Plasson | Puccini: | Che gelida manina (from La Bohème) Donna non vidi mai (from Manon Lescaut) (previously unreleased) Münchner Rundfunkorchester, Marcello Viotti Recondita armonia (from Tosca) | Sorozábal: | La Taberna del Puerto – ‘No puede ser’ Orquesta de la Communidad de Madrid, Placido Domingo | Tchaikovsky: | Kuda, Kuda 'Lensky's Aria' (from Eugene Onegin) | Verdi: | La donna è mobile (from Rigoletto) Münchner Rundfunkorchester, Marcello Viotti Lunge da lei…De’ miei bollenti spiriti (from La Traviata) Io l'ho perduta (from Don Carlos) Ma se m'è forza perderti (from Un ballo in maschera) Chor des Bayerischen Rundfunks & Münchner Rundfunkorchester, Michel Plasson | Vives: | Por el humo se sabe donde esta el fuego Fernando from Dona Frasquita Orquesta de la Communidad de Madrid, Placido Domingo | Wade: | O come, all ye faithful arr.Philippe Rombi |
Standard Version ““Villazón's singing offers a combination of intelligence and glamour not seen since the ascendancy of Domingo” The New Yorker | | | In stock - usually despatched within 1 working day. |
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| |  | The Essential Plácido Domingo
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| |  | José Carreras Live - The Comeback Concerts
José Carreras (tenor), Vincenzo Scalera, Ronald Schneider (piano) Following his recovery from leukaemia in 1988 the great Spanish tenor José Carreras performed a series of comeback concerts, and this recording presents a collection of excerpts from these very special events. It includes not only operatic arias but also art-songs and items from Zarzuela, revealing the whole broad range of his repertoire. Spanish tenor José Carreras unquestionably numbers among the most important tenors of the second half of the twentieth century, yet in the consciousness of many people his biography is not only marked by his outstanding artistic achievements. The apparent tragic end of the career of the then 41-year-old singer as a result of a life-threatening illness, his triumph over death, and the entirely unexpected re-commencement of his career as singer have become just as much a part of public memory as the appearances with his tenor colleagues Domingo and Pavarotti who, as ‘The Three Tenors’, delighted an audience of millions throughout the world. José Carerras went on to establish a foundation that has collected millions of euros used to alleviate the suffering of the sick and provide scientists with financial support for their research into leukaemia. | 
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| |  | The Day Opens with the New LightCatalan Choral Music
Cobla Sant Jordi-Ciutat de Barcelona & Orfeó Català, Josep Vila Casañas The title reflects the intention of this CD, to shed a real “new light” on Catalan choral music. It features the choral sardana and includes works by the classic creators in this genre such as Morera and Millet. | | | Usually despatched in 2 - 3 working days. |
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| |  | Victoria de los AngelesSpanish Songs
“Recorded near the start of her career, the Spanish soprano here sings art songs and folk songs in her own language, with impeccable technique, style and expressive power. Her piano accompanist is the marvellous Gerald Moore.” BBC Music Magazine, March 2008 ***** | | | Usually despatched in 4 - 5 working days. |
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| | | |  | Spanish Classics - Preludes & Choruses from Zarzuelas(a distinctive and historic form of Spanish operetta)
Comunidad de Madrid Orchestra & Chorus, Miguel Roa | | | (also available to download from $6.00) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | O Crux: Spanish Choral Music
Tansy Castledine (organ) Coro Cervantes, Carlos Fernandez Aransay | | | Usually despatched in 8 - 10 working days. |
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| |  | Victoria de los Angeles: The Early Recordings 1942-1953
Brahms: | Von ewiger Liebe, Op. 43 No. 1 | Falla: | El pano moruna (No. 1 from Siete canciones populares españolas) Seguidilla murciana (No. 2 from Siete canciones populares españolas) Jota (No. 4 from Siete canciones populares españolas) | Fuste: | Háblame de amores | Granados: | Tonadillas: No. 3, La maja dolorosa Tonadillas: No. 4, El majo discreto Tonadillas: No. 8, El mirar de la maja | Guridi Bidaola: | Jota (from Six canciones castellanas) No quiero tus avellanas (from Six canciones castellanas) | Handel: | Joshua: Oh! had I Jubal's lyre | Nin: | El paño murciano (from Cantos populares españoles) El Vito (from Cantos populares españoles) | Respighi: | Stornellatrice E se un giorno tornasse, P. 96 | Schumann: | Widmung, Op. 25 No. 1 Der Nussbaum, Op. 25 No. 3 Ich grolle nicht (No. 7 from Dichterliebe, Op. 48) | Toldrá: | Madre, unos ojuelos ví | trad.: | Hungarian folksongs & Csárdás | Turina: | Farruca (from Triptico, Op. 45) Saeta en forme de Salve a la Virgen de la Esperanza, Op. 60 Poema en forma de canciones, Op. 19: No. 3, 'Cantares' | Valverde: | Clavelitos | Vives: | El retrato de Isabela El amor y los ojos |
“The two Respighi songs are magical performances – Stornellatrice, with the golden voice at its richest and E se un giorno tornasse, a study in subtle shading of tone, a dialogue between a mother and her dying, jilted daughter. For those two brief items alone, superbly transferred, this collection is an essential for all admirers of this singer, but there's much more. Handel's 'O had I Jubal's lyre' in German rather than English may be odd, but the performance sparkles and among the Lieder it's good to have not just 'Der Nussbaum' – the Schumann song which was always special to her – but two previously unpublished, 'Widmung' from the Myrthe songs and 'Ich grolle nicht' from Dichterliebe. Through the whole collection the superb transfers capture the full–throated glory of los Angeles's voice at the beginning of her career. The 1942 recordings of two Hungarian folk– songs, previously unpublished, may be rough and limited – made when the singer was only 18 – but they amply demonstrate that already the voice was fully developed in its beauty. No fewer than 18 of the 27 items are of Spanish songs, and though in one or two instances los Angeles was destined to make even more idiomatic readings later with a Spanish accompanist, these ones with Gerald Moore as her partner have a freshness and brilliance that has rarely been matched in this repertory. In particular it's good to have her first recording of the encore number which she made her own, Clavelitos.” Gramophone Classical Music Guide, 2010 | | | Usually despatched in 4 - 5 working days. |
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