Maite Beaumont
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Handel: Alcina
RecommendedJoyce DiDonato (Alcina), Maite Beaumont (Ruggiero), Karina Gauvin (Morgana), Sonia Prina (Bradamante), Kobie Van Rensburg (Oronte), Laura Cherici (Oberto), Vito Priante (Melisso)
Il Complesso Barocco, Alan Curtis
…mezzo-soprano Joyce DiDonato brings firebrand fioritura (vocal embellishment), impeccably naturalistic recitative and an inimitable everywoman pathos to the soprano title-role. — More…
Awards:
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Gramophone Magazine, May 2009, Editor's Choice
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Building a Library, May 2016, Also Recommended
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Vivaldi: Motezuma
Vito Priante (Motezuma), Marijana Mijanovic (Mitrena), Roberta Invernizzi (Teutile), Maite Beaumont (Fernando), Romina Basso (Ramiro), Inga Kalna (Asprano)
Il Complesso Barocco, Alan Curtis
…the exotic story concerns the Spanish conquest of Mexico and the defeat of its ruler Montezuma by the conquistador Fernando Cortez. Curtis has assembled a vocally accomplished cast. Montezuma,... — More…
Awards:
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BBC Music Magazine, April 2006, Opera Choice
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Offer,
Verdi: Falstaff Roberto De Candia (Falstaff), Simone Piazzola (Ford), Rebecca Evans (Alice), Daniela Barcellona (Mistress Quickly), Ruth Iniesta (Nannetta), Joel Prieto (Fenton), Maite Beaumont (Meg Page)
Teatro Real, Daniele Rustioni, Laurent Pelly
None of Pelly’s characters is especially appealing...Fortunately, the musical performances are stronger than the production. Daniele Rustioni has proved his worth in Verdi, particularly with... — More…
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Offer,
Verdi: Falstaff Roberto De Candia (Falstaff), Simone Piazzola (Ford), Rebecca Evans (Alice), Daniela Barcellona (Mistress Quickly), Ruth Iniesta (Nannetta), Joel Prieto (Fenton), Maite Beaumont (Meg Page)
Daniele Rustioni, Teatro Real, Laurent Pelly
None of Pelly’s characters is especially appealing...Fortunately, the musical performances are stronger than the production. Daniele Rustioni has proved his worth in Verdi, particularly with... — More…
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La Maga Abbandonata: Donna Leon's Favourite Handel
Maite Beaumont (alto), Simone Kermes (soprano)
Il Complesso Barocco, Alan Curtis
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Haydn: Il mondo della luna
Dietrich Henschel (Buonafede), Vivica Genaux (Ernesto), Bernard Richter (Ecclitico), Christina Landshamer (Clarice), Maite Beaumont (Lisetta), Markus Schafer (Cecco)
Concentus Musicus Wien, Nikolaus Harnoncourt (conductor) & Tobias Moretti (director)
With the ever-responsive Concentus Musicus, [Harnoncourt] duly mines the comically disruptive potential of Haydn's music with unabashed glee... The comic leads are ideally cast...an inventive,... — More…
Awards:
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Gramophone Magazine, January 2011, DVD of the Month
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Offer,
Handel: Alcina & Tamerlano Sandrine Piau (Alcina), Maite Beaumont (Ruggiero), Angelique Noldus (Bradamante), Sabina Puertolas (Morgana), Chloe Briot (Oberto), Daniel Behle (Oronte), Giovanni Furlanetto (Melisso), Edouard Higuet (Astolfo), Sophie Karthäuser (Asteria), Ann Hallenberg (Irene), Delphine Galou (Andronico), Christophe...
The Alcina cast is led by Sandrine Piau’s involving enchantress, who keeps Maite Beaumont’s outstanding Ruggiero in thrall…[Tamerlano is] beautifully sung by Christophe Dumaux…Karthäuser is... — More…
Awards:
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Gramophone Magazine, January 2017, DVD of the Month
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Mozart: Don Giovanni (DVD)
The Nikolaus Harnoncourt Cycle
Andrè Schuen (Don Giovanni), Ruben Drole, Christine Schäfer (Donna Anna), Mauro Peter (Don Ottavio), Maite Beaumont (Donna Elvira), Mari Eriksmoen (Zerlina)
Concentus musicus Wien, Arnold Schoenberg Chor, Nikolaus Harnoncourt
this is a Mozart with a difference: rather than interpreting, singers and orchestra confront text and music with a liveliness and intensity that should also compel viewers to see things differently. — More…
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Mozart: Don Giovanni (Blu-ray)
Andrè Schuen (Don Giovanni), Ruben Drole, Christine Schäfer (Donna Anna), Mauro Peter (Don Ottavio), Maite Beaumont (Donna Elvira), Mari Eriksmoen (Zerlina)
Concentus musicus Wien, Arnold Schoenberg Chor, Nikolaus Harnoncourt
this is a Mozart with a difference: rather than interpreting, singers and orchestra confront text and music with a liveliness and intensity that should also compel viewers to see things differently. — More…
