Katherine Broderick

Stephan Loges satisfies most consistently with his understanding, beauty of tone and care for legato. Asti is the admirable pianist throughout and in two of the items is responsible for the... — Gramophone Magazine More…

...the best of the young singers here is the mezzo Anna Grevelius...As in previous volumes, Eugene Asti plays with a refreshingly light touch and a lively sense of rhythm. — Gramophone Magazine, September 2010 More…

[Broderick] favours nuance and expression against raw dramatic power, enhanced by bright tone and diction clearer than many native singers. Sergey Rybin's accompaniments, strikingly fluent and... — BBC Music Magazine, March 2016, 4 out of 5 stars More…

Here's an irresistable recital of questing, late-Romantic songs...Katherine Broderick has just the voice and temperament to express these subtle and exciting shifts between innocence and experience,... — BBC Music Magazine, March 2013, 5 out of 5 stars More…

James Geer, a tenor with an instinct for the inflection of poetry that matches the composer's own, offers 'A Dirge'...Katherine Broderick brings by turns a forlorn beauty and a fiery plangency... — BBC Music Magazine, August 2011, 4 out of 5 stars More…

[Broderick’s] steely soprano and declamatory way with words serve her wonderfully well when it comes to Debussy and Ravel…James Baillieu is Broderick’s outstanding pianist, nowhere more so than... — Gramophone Magazine, November 2016 More…

A real disc of discovery: this is Schumann as he is seldom heard. In this final volume of his revelatory Songs of Robert Schumann series, Graham Johnson perceptively writes about, accompanies... — BBC Music Magazine, February 2009, 4 out of 5 stars More…

The variety of portraits is matched by the palette of voices chosen by deviser and accompanist Sholto Kynoch. The baritone, David Stout, is the very incarnation of the stalwart...Best of all,... — BBC Music Magazine, March 2015, 3 out of 5 stars More…