Katherine Watson
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Bach, J S: Mass in B minor, BWV232 RecommendedKatherine Watson (soprano), Tim Mead (countertenor), Reinoud Van Mechelen (tenor) & André Morsch (baritone)
Les Arts Florissants, William Christie
This account was recorded ‘live’ at the Paris Philharmonie and there’s a sheen of polished spontaneity to it… Tempos are brisk and breezy…and Christie puts the ballet shoes on Bach, so that... — More…
Awards:
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Presto Recording of the Week, 30th March 2018
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Record Review, 17th February 2018, Recording of the Week
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The Guardian Classical Albums of the Year, 2018
2 CDs
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The two top voices here – Sandrine Piau and Katherine Watson – are well matched, with Anthea Pichanick the even, steady contralto and Rupert Charlesworth the clean, fresh-toned tenor…While Niquet’s... — More…
Awards:
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Presto Editor's Choice, October 2017
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Presto Recording of the Week, 1st December 2017
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Record Review, 16th December 2017, Recording of the Week
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Record Review, 14th October 2017, Recording of the Week
2 CDs
$36.75Downloads
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Britten: A Ceremony of Carols & St Nicolas
RecommendedSally Pryce (harp), Katherine Watson (soprano) & Zoë Brown (soprano), Allan Clayton (tenor)
Trinity College Choir Cambridge, City of London Sinfonia, Holst Singers & Temple Church Choristers, Stephen Layton
The clear-toned adult voices of the Choir of Trinity College, Cambridge, highlight qualities in the work often missed when performed by the more usual boys' choir...Perhaps Trinity sound too... — More…
Awards:
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Presto Recording of the Week, 3rd December 2012
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Gramophone Magazine, December 2012, Editor's Choice
CD
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Bach, J S: Christmas Oratorio, BWV248 RecommendedKatherine Watson (soprano), Iestyn Davies (countertenor), James Gilchrist (tenor) & Matthew Brook (bass)
Orchestra of the Age of Enlightenment & Trinity College Choir Cambridge, Stephen Layton
Layton unwraps it with all due festive pomp and circumstance...In a work incontestably smitten with the alto voice, Iestyn Davies triumphs...Gilchrist's relaxed and lyrical Evangelist maintains... — More…
Awards:
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Presto Recording of the Week, 2nd December 2013
2 CDs
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All handsomely sung: there’s not a single dud track on this album — More…
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Reliquie di Roma II: Caro Sposo
Nadine Balbeisi (Testo), Katherine Watson (Santa Caterina), Christian Immler (Massimino), Juan Sancho (Soldato I), Steve Dugardin (Soldato II/Speranza) & Emily Van Evera (Fede), Emily Van Evera (Cain)
Atalante, Erin Headley
Marazzoli moves from recitative to arioso to aria in the manner of Monteverdi and - in a performance as good as this, anyway - he holds one's attention throughout...Emily van Evera and Steve... — More…
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Bach, J S: Mass in B minor, BWV232 Katherine Watson (soprano), Helen Charlston (mezzo-soprano), Iestyn Davies (countertenor), Gwilym Bowen (tenor), Neal Davies (bass)
Trinity College Choir Cambridge, Orchestra of the Age of Enlightenment, Stephen Layton
[Iestyn Davies] discharges a beautifully inflected ‘Qui sedes’, impeccably warmed and coloured by a discreet vibrato that instinctively knows its expressive place…Watson’s soaring soprano also... — More…
2 CDs
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Son of England - Music by Jeremiah Clarke & Purcell Katherine Watson, Nicholas Tamagna, Jeffrey Thompson, Geoffroy Buffière
Le Poème Harmonique, Les Cris de Paris, Vincent Dumestre, Geoffroy Jourdain
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Brahms - Zigeunerlieder and other secular choral works
Christopher Glynn (piano)
Consortium, Andrew-John Smith
Delightfully sung choral works that focus on unrequited love and nostalgia. All 26 songs are sung with sympathy and ardour by this excellent chamber choir, with apt accompaniments by Christopher... — More…
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Monteverdi: Madrigals of Love and Loss Thomas Walker (tenor), James Gilchrist (tenor), Katherine Watson (soprano) & Anna Dennis (soprano)
Arcangelo, Jonathan Cohen
These are not easy pieces, but the opening ballet swings along with panache, and there is some excellent tenor solo singing in the first section. — More…
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