Browse: Instrumental, Clarinet Solos, Boulez (composer)
This page lists all classical by Pierre Boulez (1925–2016), in genre: Instrumental » Clarinet Solos.
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Pierre Boulez: Anthemes 1 & 2, Dialogue de l'Ombre Double
Carolin Widmann (violin), Jorg Widmann (clarinet), SWR Experimentalstudio
Carolin Widmann gives glistening performances of these texturally fascinating works, while her brother, Jörg, delivers an equally alluring reading of the theatrical Dialogue de l’ombre double... — More…
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Boulez: Le marteau sans maître, Éclat & Dialogue de l'ombre double
RecommendedKatalin Károlyi (mezzo), Pascal Gallois (bassoon)
International Contemporary Ensemble
Here is an American ensemble who show that nothing is impossible…one understands at last what the young Boulez heard in his head. Katalin Karolyi adds both expression and ferocity to the mix. — More…
Awards:
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Building a Library, February 2018, Also Recommended
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A superb tribute comprising live recordings of solo and chamber pieces…Le Marteau sans maître [is] conducted with age-defying vigour by Boulez himself and exquisitely sung by Hilary Summers…Dérive... — More…
Awards:
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The New York Times, Recordings of the Year 2017
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Boulez: Répons & Dialogue de L'Ombre Double
RecommendedAlain Damiens (clarinet)
Ensemble InterContemporain, Pierre Boulez
Awards:
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Grammy Awards, 42nd Awards (1999), Best Contemporary Classical Composition
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Dialogue, Chemins, Récit…
Vincent David (saxophone)
Ensemble Quaerendo Invenietis, Renaud Déjardin (director)
Chemins IV is better known in its oboe-and-strings manifestation, though David's incisive playing provides a much sharper contrast to the body of strings than any oboe could, while the Duos for... — More…
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Few bassoonists could hope to match Pascal Gallois when it comes to his extending of an all too limited repertoire...Nor does [the Berio] risk outstaying its welcome when the performance is attentive... — More…
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The ways in which the seven pieces 'bleed' into each other proves absorbing, as does Tamminga's virtuoso manipulation of spatial ambience as an expressive backdrop within which Bosgraaf's playing... — More…
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