Champs Hill Records
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The Emanuel Ensemble
The Emanuel Ensemble: Anna Stokes (flute), Louisa Tuck (cello) & John Reid (piano), Anna Stokes (flute)
this excellent group...offers a generously wide range of 19th- and 20th-century music, much of it unfamiliar, all of it diverting...it is Astor Piazzolla who is chosen to provide the unpredictable... — More…
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Production and recording values are invariably high from this source and the present issue continues this trend. I note that a previous Frances-Hoad chamber music issue The Glory Tree on Champs... — More…
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This Other Eden: A Landscape of English Poetry and Song
Kitty Whately (mezzo), Joseph Middleton (piano), with Kevin Whatley, Madelaine Newton, Magnus Johnston, Brian O'Kane
Navarra Quartet
Whately's choice is eclectic…[and] she sings them with attractive brightness and fervour. Her tone is not yet as distinctive as Janet Baker or Sarah Connolly, say, but there's a plangent shading... — More…
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Contrasts: Impressions of Hungary
Robert Plane (clarinet), Lucy Gould (violin), David Adams (viola), Alice Neary (cello), Alec Frank-Gemmill (horn), Benjamin Frith (piano)
Robert Plane is always inquiring as to repertoire and his new disc surveys almost six decades of Hungarian music…Plane’s musicianship is abetted throughout by that of his colleagues…Collecting... — More…
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Anybody disinclined to take the accordion seriously as a classical instrument should listen to the opening track here...[the Nordheim and Berio] are advertisements for the accordion's expressive... — More…
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Chanson Perpétuelle
French Chamber Songs
Katherine Broderick (soprano), James Baillieu (piano), Adam Walker (flute) & Tim Lowe (cello)
Heath Quartet
[Broderick’s] steely soprano and declamatory way with words serve her wonderfully well when it comes to Debussy and Ravel…James Baillieu is Broderick’s outstanding pianist, nowhere more so than... — More…
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Mendelssohn & Sterndale Bennett: Sonatas for Cello & Piano
Alice Neary (violin) & Benjamin Frith (piano)
Neary and Frith achieve an ideal effervescence, at no tonal expense, which also lifts Bennett’s gracefully vocal Allegro. Frith’s crystalline touch here, ideally recorded, is a joy, complemented... — More…
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Energetic playing here from the Benyounes; the Bartók and Beethoven blister, while the Debussy is an animated delight in their hands. — More…
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