Champs Hill Records
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Paul Patterson: Phoenix Concerto
Emily Pailthorpe (oboe), with Hugh Webb (harp)
English Chamber Orchestra, Benjamin Wallfisch
[Pailthorpe] plays with an exceptionally sweet and pure tone...As well as Pailthorpe's fine playing, it is good to have the ECO in splendid form under Benjamin Wallfisch, recorded with fine... — More…
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Larchet: Songs and Airs
Niall Kinsella (piano), Gavan Ring (baritone), Raphaela Mangan (mezzo-soprano), Mia Cooper (violin), Verity Simmons (cello)
It’s a light, pleasant set of recordings, pairing choral and chamber works. — More…
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I’m not sure I’ve ever appreciated how lovely the saxophone can sound until hearing this. Radford shines a light on an early champion of the instrument, Rudy Wiedoeft, in this colourful selection... — More…
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The whimsical performance of Charles Ives’s ‘The Children’s Hour’ which opens the recital sets high standards of interpretation, John’s mellifluous singing offset by Vann’s tenderly undulating... — More…
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[de Pledge] brings to this CD his trademark transparency of touch. The sound is bright and firm as he beings the first promenade, and 'Gnomus' emerges with expansive breadth...And so it goes,... — More…
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Elegy: Toby Hughes
Works for double bass and piano by Glière, Dubugnon, Desenclos, Mišek and Bottesini
Toby Hughes (double bass), Benjamin Powell (piano)
there’s a lot more to this recital than elegiac gloom. A fine showcase of double bass virtuosity, in fact. — More…
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Unto The Hills
Music by David W Bowerman
Thomas Carroll (cello), Julian Milford (piano), Daniel Pailthorpe (flute), Emily Pailthorpe (oboe), Sophie Bevan (soprano) & Hannah Bishop (trumpet)
Sacconi Quartet & Choir of St Patrick’s Church
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these are careful and insightful performances of pieces whose identities are predicated upon profoundly different principles...In fact, all three sonatas are conjoined by [the] need to combine... — More…
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There’s a heartfelt quality to Jamal Aliyev’s playing that comes across strongly on this debut disc. — More…
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The virtuoso performance given Sofia Gubaidulina’s early Chaconne (1962) achieves a terrifying intensity…Gulyak also makes a strong case for the rarely heard Sarabande and Chaconne from Handel’s... — More…
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