Mozart: Lucio Silla, K135

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Catalogue No: CDS524
Label: Dynamic
Length: 2 hours 23 minutes

Usually despatched in 3 - 4 working days

Excerpt, Mozart: Lucio Silla, K135

Work length7:17

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$2.60

Roberto Saccà, Annick Massis, Monica Bacelli, Veronica Cangemi, Julia Kleiter, Stefano Ferrari
Teatro la Fenice Chorus, Teatro la Fenice Orchestra
Tomáš Netopil

Overture

Track length7:17

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Mozart: Lucio Silla, K. 135, Act I Scene 1

Work length9:10

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Roberto Saccà, Annick Massis, Monica Bacelli, Veronica Cangemi, Julia Kleiter, Stefano Ferrari
Teatro la Fenice Chorus, Teatro la Fenice Orchestra
Tomáš Netopil

Ah ciel, l'amico Cinna qui attendo invan (Cecilio, Cinna)

Track length1:48

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Vieni ov'amor t'invita (Cinna)

Track length7:22

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Mozart: Lucio Silla, K. 135, Act I Scene 2

Work length7:31

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$2.60

Roberto Saccà, Annick Massis, Monica Bacelli, Veronica Cangemi, Julia Kleiter, Stefano Ferrari
Teatro la Fenice Chorus, Teatro la Fenice Orchestra
Tomáš Netopil

Dunque sperar poss'io di pascer gli occhi miei (Cecilio)

Track length2:16

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Il tenero momento premio di tanto amore (Cecilio)

Track length5:15

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Mozart: Lucio Silla, K. 135, Act I Scene 3

Work length5:39

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$2.60

Roberto Saccà, Annick Massis, Monica Bacelli, Veronica Cangemi, Julia Kleiter, Stefano Ferrari
Teatro la Fenice Chorus, Teatro la Fenice Orchestra
Tomáš Netopil

A te dell'amor mio, del mio riposo (Silla)

Track length0:20

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Se lusinghiera speme pascer non sa gli amanti (Celia)

Track length5:19

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Mozart: Lucio Silla, K. 135, Act I Scene 4

Work length8:18

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$2.60

Roberto Saccà, Annick Massis, Monica Bacelli, Veronica Cangemi, Julia Kleiter, Stefano Ferrari
Teatro la Fenice Chorus, Teatro la Fenice Orchestra
Tomáš Netopil

Sempre dovro vederti lagrimosa e dolente? (Silla, Giunia)

Track length1:28

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Dalla sponda tenebrosa vieni o padre (Giunia)

Track length6:50

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Mozart: Lucio Silla, K. 135, Act I Scene 5

Work length6:11

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$2.60

Roberto Saccà, Annick Massis, Monica Bacelli, Veronica Cangemi, Julia Kleiter, Stefano Ferrari
Teatro la Fenice Chorus, Teatro la Fenice Orchestra
Tomáš Netopil

E tollerare io posso si temerari oltraggi? (Sillia)

Track length1:30

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Il desio di vendetta, e di morte (Silla)

Track length4:41

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Mozart: Lucio Silla, K. 135, Act I Scene 6

Work length4:31

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$1.30

Roberto Saccà, Annick Massis, Monica Bacelli, Veronica Cangemi, Julia Kleiter, Stefano Ferrari
Teatro la Fenice Chorus, Teatro la Fenice Orchestra
Tomáš Netopil

Morte, morte fatal della tua mano ecco le prove in queste (Cecilio)

Track length4:31

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Mozart: Lucio Silla, K. 135, Act I Scene 7

Work length7:30

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$2.60

Roberto Saccà, Annick Massis, Monica Bacelli, Veronica Cangemi, Julia Kleiter, Stefano Ferrari
Teatro la Fenice Chorus, Teatro la Fenice Orchestra
Tomáš Netopil

Fuor di queste urne dolenti (Chorus, Giunia)

Track length5:46

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Se l'empio Silla, o padre (Giunia) - Scene 8: Eccomi, o cara [Cecilio, Guinia]

Track length1:44

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Mozart: Lucio Silla, K. 135, Act I Scene 8

Work length5:41

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Roberto Saccà, Annick Massis, Monica Bacelli, Veronica Cangemi, Julia Kleiter, Stefano Ferrari
Teatro la Fenice Chorus, Teatro la Fenice Orchestra
Tomáš Netopil

D'Eliso in sen m'attendi ombra dell'idol mio (Giunia, Cecilio)

Track length5:41

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Mozart: Lucio Silla, K. 135, Act II Scene 1

Work length5:03

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$2.60

Roberto Saccà, Annick Massis, Monica Bacelli, Veronica Cangemi, Julia Kleiter, Stefano Ferrari
Teatro la Fenice Chorus, Teatro la Fenice Orchestra
Tomáš Netopil

L'amico tuo fedele puo libero parlar? (Aufidio, Silla)

Track length1:30

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Guerrier, che d'un acciaro (Aufidio)

Track length3:33

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Mozart: Lucio Silla, K. 135, Act II Scene 2

Work length3:09

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Roberto Saccà, Annick Massis, Monica Bacelli, Veronica Cangemi, Julia Kleiter, Stefano Ferrari
Teatro la Fenice Chorus, Teatro la Fenice Orchestra
Tomáš Netopil

Ad affrettar si vada in Campidoglio (Silla, Celia) - Scene 3: Qual furor ti transporta? [Cinna, Cecilio]

Track length3:09

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Mozart: Lucio Silla, K. 135, Act II Scene 3

Work length2:45

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Roberto Saccà, Annick Massis, Monica Bacelli, Veronica Cangemi, Julia Kleiter, Stefano Ferrari
Teatro la Fenice Chorus, Teatro la Fenice Orchestra
Tomáš Netopil

Quest'improvviso tremito che in sen di più s'avanza (Cecilio)

Track length2:45

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Mozart: Lucio Silla, K. 135, Act II Scene 4

Work length5:02

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Roberto Saccà, Annick Massis, Monica Bacelli, Veronica Cangemi, Julia Kleiter, Stefano Ferrari
Teatro la Fenice Chorus, Teatro la Fenice Orchestra
Tomáš Netopil

Non m'arrestar … (Cinna, Celia)

Track length0:24

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Se il labbro timido scoprir non osa (Celia)

Track length4:38

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Mozart: Lucio Silla, K. 135, Act II Scene 5

Work length10:28

$3.00

$3.90

Roberto Saccà, Annick Massis, Monica Bacelli, Veronica Cangemi, Julia Kleiter, Stefano Ferrari
Teatro la Fenice Chorus, Teatro la Fenice Orchestra
Tomáš Netopil

Silla m'impone che al popolo (Giunia, Cinna)

Track length2:03

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Ah se il crudel periglio (Giunia)

Track length8:25

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Mozart: Lucio Silla, K. 135, Act II Scene 6

Work length5:06

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$2.60

Roberto Saccà, Annick Massis, Monica Bacelli, Veronica Cangemi, Julia Kleiter, Stefano Ferrari
Teatro la Fenice Chorus, Teatro la Fenice Orchestra
Tomáš Netopil

Ah si, scuotasi omai (Cinna)

Track length0:35

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Nel fortunato istante che' ei gia co' voti affretta (Cinna)

Track length4:31

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Mozart: Lucio Silla, K. 135, Act II Scene 7

Work length1:14

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Roberto Saccà, Annick Massis, Monica Bacelli, Veronica Cangemi, Julia Kleiter, Stefano Ferrari
Teatro la Fenice Chorus, Teatro la Fenice Orchestra
Tomáš Netopil

Signor, ai cenni tuoi il Senato fia pronto (Aufidio, Silla) - Scene 8: Sentimi … [Silla, Giunia]

Track length1:14

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Mozart: Lucio Silla, K. 135, Act II Scene 8

Work length1:58

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Roberto Saccà, Annick Massis, Monica Bacelli, Veronica Cangemi, Julia Kleiter, Stefano Ferrari
Teatro la Fenice Chorus, Teatro la Fenice Orchestra
Tomáš Netopil

D'ogni pieta mi spoglio perfida donna audace (Silla)

Track length1:58

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Mozart: Lucio Silla, K. 135, Act II Scene 9

Work length3:13

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Roberto Saccà, Annick Massis, Monica Bacelli, Veronica Cangemi, Julia Kleiter, Stefano Ferrari
Teatro la Fenice Chorus, Teatro la Fenice Orchestra
Tomáš Netopil

Che intesi, eterni Dei? (Giunia, Cecilio) - Scene 10: Perche mi balzi in seno [Giunia, Celia]

Track length3:13

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Mozart: Lucio Silla, K. 135, Act II Scene 10

Work length5:13

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Roberto Saccà, Annick Massis, Monica Bacelli, Veronica Cangemi, Julia Kleiter, Stefano Ferrari
Teatro la Fenice Chorus, Teatro la Fenice Orchestra
Tomáš Netopil

Quando sugl' arsi campi (Celia)

Track length5:13

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Mozart: Lucio Silla, K. 135, Act II Scene 11

Work length2:42

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Roberto Saccà, Annick Massis, Monica Bacelli, Veronica Cangemi, Julia Kleiter, Stefano Ferrari
Teatro la Fenice Chorus, Teatro la Fenice Orchestra
Tomáš Netopil

In un istante oh come (Giunia)

Track length2:42

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Mozart: Lucio Silla, K. 135, Act II Scene 12

Work length3:48

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Roberto Saccà, Annick Massis, Monica Bacelli, Veronica Cangemi, Julia Kleiter, Stefano Ferrari
Teatro la Fenice Chorus, Teatro la Fenice Orchestra
Tomáš Netopil

Se gloria il crin ti cinse (Chorus)

Track length2:07

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Padri Coscritti, io che pugnai per Roma (Silla, Giunia, Aufidio) - Scene 13: Sposa, ah no, non termer [Cecilio, Silla, Giunia] - Scene 14: Nella prigion più nera [Silla]

Track length1:41

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Mozart: Lucio Silla, K. 135, Act II Scene 14

Work length3:27

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Roberto Saccà, Annick Massis, Monica Bacelli, Veronica Cangemi, Julia Kleiter, Stefano Ferrari
Teatro la Fenice Chorus, Teatro la Fenice Orchestra
Tomáš Netopil

Quell'orgoglioso sdegno oggi umiliar sapro (Silla, Cecilio, Giunia)

Track length3:27

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Mozart: Lucio Silla, K. 135, Act III Scene 1

Work length5:37

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Roberto Saccà, Annick Massis, Monica Bacelli, Veronica Cangemi, Julia Kleiter, Stefano Ferrari
Teatro la Fenice Chorus, Teatro la Fenice Orchestra
Tomáš Netopil

Ah si tu solo, amico (Cinna, Celia)

Track length1:31

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Strider sento la procella (Celia)

Track length4:06

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Mozart: Lucio Silla, K. 135, Act III Scene 2

Work length5:05

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Roberto Saccà, Annick Massis, Monica Bacelli, Veronica Cangemi, Julia Kleiter, Stefano Ferrari
Teatro la Fenice Chorus, Teatro la Fenice Orchestra
Tomáš Netopil

Ogni pensier di morte (Cinna)

Track length0:22

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De' più superbi il core (Cinna)

Track length4:43

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Mozart: Lucio Silla, K. 135, Act III Scene 3

Work length1:20

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Roberto Saccà, Annick Massis, Monica Bacelli, Veronica Cangemi, Julia Kleiter, Stefano Ferrari
Teatro la Fenice Chorus, Teatro la Fenice Orchestra
Tomáš Netopil

Ah dolce sposo … (Giunia, Cecilio)

Track length1:20

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Mozart: Lucio Silla, K. 135, Act III Scene 4

Work length4:14

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Roberto Saccà, Annick Massis, Monica Bacelli, Veronica Cangemi, Julia Kleiter, Stefano Ferrari
Teatro la Fenice Chorus, Teatro la Fenice Orchestra
Tomáš Netopil

Pupille amata non lagrimate (Cecilio)

Track length4:14

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Mozart: Lucio Silla, K. 135, Act III Scene 5

Work length6:01

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Roberto Saccà, Annick Massis, Monica Bacelli, Veronica Cangemi, Julia Kleiter, Stefano Ferrari
Teatro la Fenice Chorus, Teatro la Fenice Orchestra
Tomáš Netopil

Sposo … Mia vita … (Giunia)

Track length3:01

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Fra i pensier più funesti di morte (Giunia)

Track length3:00

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Mozart: Lucio Silla, K. 135, Act III Scene 6

Work length6:09

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$2.60

Roberto Saccà, Annick Massis, Monica Bacelli, Veronica Cangemi, Julia Kleiter, Stefano Ferrari
Teatro la Fenice Chorus, Teatro la Fenice Orchestra
Tomáš Netopil

Roma, il Senato e 'l popolo m'ascolti (Silla, Giunia, Cecilio, Aufidio, Cinna)

Track length2:40

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Il gran Silla a Roma in seno (Chorus, Giunia, Cecilio, Cinna, Silla)

Track length3:29

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sing the traditional structures of Neapolitan opera as a basis, in Lucio Silla Mozart gave life to a style that was very advanced in both forms and ontents: the choruses, the great number accompanied recitatives, the arias that were not necessarily scored with the ”da capo” structure represent the opera’s main novelties alongside wholly unusual, bold harmonic and melodic features.

The use of various forms of solo aria - and the consequent abandonment of the single ”da capo” model - confirms the composer’s wish to find the structures best suited to the expression of various different emotional states. Alongside the characters of Neapolitan theatre, accentuated compared to the models, we thus find traces of an impassioned spirit, seeking to reach beyond conventional patterns. This comes about not only through decidedly massive use of the orchestra, which accompanies and illustrates the action with a very marked poetic sense and does not limit itself to redoubling the song, but indeed

inserts new melodies and denotes independent treatment of the single timbres, but also through a wholly personal representation of emotions overstepping the situations offered by the libretto as it aims for almost an passionate tragic nature. With this his third ”dramma per musica” Mozart successfully concludes his activity in Italian theatres; he does not achieve any concrete openings for his profession, but does draw artistic profit from the experiments he carries out here, which will be exploited in later titles in his catalogue.

Mozart: Lucio Silla, K135

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