Andrea Luchesi: Requiem

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Release Date: 8th Sep 2017
Catalogue No: CNT2103
Label: Concerto
Length: 58 minutes

Luchesi: Requiem

Work length52:48

$14.00

$18.20

$24.50

Roberta Canzian (soprano), Elena Biscuola (mezzo-soprano), Riccardo Botta (tenor), Armando Badia (baritone)
Cappella Civica Trieste, Nuova Orchestra da Camera Ferruccio Busoni
Massimo Belli
Recorded: 19 November 2016
Recording Venue: Chiesa di San Michele, Trieste, Italy

I. Requiem

Track length4:09

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$1.30

$1.75

II. Dies Irae

Track length6:14

$1.00

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$1.75

III. Quantus Tremor

Track length1:32

$1.00

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$1.75

IV. Tuba Mirum

Track length3:53

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$1.75

V. Mors Stupebit

Track length2:28

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$1.75

VI. Liber Scriptus

Track length2:21

$1.00

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$1.75

VII. Judex Ergo

Track length4:42

$1.00

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VIII. Recitative

Track length1:48

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IX. Rex Tremendae

Track length4:49

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X. Juste Judex

Track length1:43

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XI. Ingemisco

Track length5:39

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XII. Qui Mariam

Track length3:23

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XIII. Oro Supplex

Track length5:46

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XIV. Lacrimosa

Track length4:21

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Luchesi: Offertorium in D Major "Ave Maria"

Work length5:33

$1.00

$1.30

$1.75

Roberta Canzian (soprano), Elena Biscuola (mezzo-soprano), Riccardo Botta (tenor), Armando Badia (baritone)
Cappella Civica Trieste, Nuova Orchestra da Camera Ferruccio Busoni
Massimo Belli
Recorded: 19 November 2016
Recording Venue: Chiesa di San Michele, Trieste, Italy

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The compositions recorded in this album are important works belonging to the sacred music repertoire of Andrea Luchesi: the Offertorium “Ave Maria” in D Major, for solo, four part choir, orchestra and basso continuo, the “Requiem” and the “Dies Irae”, all preserved in handwritten score and parts in Modena at the Library Estense (F. 661). The “Ave Maria”, recorded here for the first time, is without doubt a score of consistent quality and inspiration: it is highly original and seen as more interesting than some of the other major works recorded in this album. The “Requiem” for example, poses some historical and stylistic problems: it is an assembly of two works (the “Requiem” and the “Dies Irae” for solo, four-voice mixed choir and orchestra - Modena, F. 656) and the ‘Messa in F major’ for four-voice and orchestral (F. 647). The connection between the two creations, was clearly made because the tonality (F major) is the same for both works. However, there are also themes in the “Requiem” and in the “Dies irae” which echo parts of the mass. Luchesi’s sacred music, too, contains compositions of the most elevated quality, testament of a very important though forgotten composer of the eighteenth century.

Andrea Luchesi: Requiem

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