Biagio Marini: Concerti a quatro 5.6. Voci & Instromenti Opera Settima

Listen on Presto Music. Free thirty day trial. Find out more.

Release Date: 1st Feb 2019
Catalogue No: TC591390
Label: Tactus
Length: 81 minutes

Usually despatched in 3 - 4 working days

Marini, B: Per le musiche di camera concerti, Op. 7

Work length1:21:18

$17.00

$22.10

Costanzo Porta Choir, Cremona Antiqua
Antonio Greco
Recorded: May 2015
Recording Venue: Salone delle Scenografie Teatro Grande, Brescia, Italy

I. Ecco o Cinzia

Track length9:34

$2.00

$2.60

II. Ahi Filli

Track length5:05

$1.00

$1.30

III. Non lagrimar

Track length3:41

$1.00

$1.30

IV. O dolcissime

Track length6:59

$1.00

$1.30

V. Deh come ancor

Track length8:35

$2.00

$2.60

VI. Ridon le piagge

Track length4:29

$1.00

$1.30

VII. Crudel tu vuoi partire

Track length8:25

$2.00

$2.60

VIII. Donna mi chiami

Track length7:05

$2.00

$2.60

IX. Tu pur partisti

Track length5:00

$1.00

$1.30

X. Tirinto mio

Track length6:30

$1.00

$1.30

XI. Credetel voi

Track length3:26

$1.00

$1.30

XII. A Dio begli occhi

Track length6:04

$1.00

$1.30

XIII. La bella Erminia

Track length6:25

$1.00

$1.30

About
Explore

About

Biagio Marini (1594-1663) now is remembered not only as one of the most famous violin virtuosos of his time and an innovator of instrumental music, but also as a masterly composer of vocal pieces, both sacred and profane. The Concertos, Op. 7 reveal the composers mastery. Adopting some traditional forms of music of the Renaissance such as the canto a ballo and the romanesca, and using ritornellos and refrains interspersed with different formal systems, Marini created complex, dynamic pieces, achieving a splendid synthesis of styles. The Costanzo Porta ensemble from Cremona, directed by Antonio Greco supported by the instrumental ensemble Cremona Antiqua, performs for the first time this previously unknown collection of madrigals including texts by famous poets of the time, inspired by themes and subjects from the pastoral poetry from the early seventeenth century. These are superbly set to music using 'madrigalisms' that, apart from the voices, are extended to the accompanying instruments.

Biagio Marini: Concerti a quatro 5.6. Voci & Instromenti Opera Settima

2 CDs

Downloads

Contents

Download queue