Insight: Music by Biber, Bach, Enescu, Ysaÿe

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Release Date: 26th Apr 2019
Catalogue No: CCS41619
Label: Channel
Length: 53 minutes

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Biber: From 'Rosary Sonatas' - Passacaglia: Part 1

Work length6:01

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Rosanne Philippens

Improv.: Intermezzo I

Work length0:34

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Rosanne Philippens

Excerpt, Bach, J S: Partita for solo violin No. 2 in D minor, BWV1004

Work length6:10

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Rosanne Philippens

I. Allemande

Track length4:09

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II. Courante

Track length2:01

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Enescu: Sarabanda

Work length5:07

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Rosanne Philippens

Excerpt, Bach, J S: Partita for solo violin No. 2 in D minor, BWV1004

Work length6:28

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Rosanne Philippens

III. Sarabande

Track length3:11

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IV. Gigue

Track length3:17

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Improv.: Intermezzo II

Work length0:58

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Rosanne Philippens

Enescu: From 'Airs dans le Genre Roumain'

Work length10:09

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Rosanne Philippens

Moderato - Molto rubato, Allegro giusto

Track length4:49

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Andante

Track length3:20

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Allegro giocoso

Track length2:00

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Improv.: Intermezzo III

Work length0:57

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Rosanne Philippens

Ysaÿe: Sonata No. 3 in D Minor 'Ballade'

Work length9:29

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Rosanne Philippens

Improv.: Intermezzo IV

Work length0:47

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Rosanne Philippens

Biber: From 'Rosary Sonatas' - Passacaglia: Part 2

Work length2:59

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Rosanne Philippens

Improv.: Outro

Work length3:30

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Rosanne Philippens

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Interview, Rosanne Philippens on Insight

18th July 2019

The violinist discusses her recent album of solo works by Biber, Bach, Enescu and Ysaÿe, released on Channel Classics in late April and curated in response to audience feedback from a European recital tour.

'I am used to creating my performance programs in solitude. For this solo album INSIGHT I wanted to take on a new challenge: to compile a program together with my public. Discovering new insights for both of us. So I took my violin and started a journey with concerts throughout Europe, trying out a collection of pieces. After each concert I asked the audience for feedback: which pieces should I leave out or add? What was your general feeling of the atmosphere? Instead of considering my audience as a passive listener, I invited them to participate and feel involved. On the way to the next concert I thought about the reactions. During the tour the programme slowly started to make sense. This is what INSIGHT is about. The booklet gives you insight in the process of making a programme, the music itself is the final result. To be expected: this is not your regular classical programme. Don't be surprised if a baroque piece from 1676 is cut in two or if the Sarabande of the 20th-century composer Enescu is embraced by dances by Bach. Be open to new insights and enjoy!' (Rosanne Philippens)

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Interview, Rosanne Philippens on Insight

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