François Bayle’ s works span over five decades through which music renovated its material through the sensible use of technology. The terms Musique Concrète, Electroacoustics or Acousmatics - as proposed by François Bayle - ultimately explore a similar artistic approach: creative and expressive work in recorded sound. This last half-century saw many major technical mutations and Bayle seized and introduced them, through his function as director of GRM.
The fifty works in this set are markers illuminating this musical adventure and listening to them is to witness how yesterday’ s strange sounds become part of our audible landscape.