Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Live Recording From The Glyndebourne Festival Opera, 1973
Le nozze di Figaro, Mozart’s timeless opera buffa, is one of the greatest of all operatic masterpieces. It is based on Beaumarchais’ comedy Le Mariage de Figaro and tells the tale of the servant Figaro, who is about to marry the maid Susanna. Count Almaviva, keeping an eye on Susanna himself, tries to prevent this marriage with the help of Bartolo, the doctor, but is continually thwarted. This classic 1973 production by legendary director Peter Hall features a cast of renowned opera singers lead by Kiri Te Kanawa as the Countess, arguably her finest role and certainly the role that made her an international superstar. Knut Skram’s charming and charismatic take on the character of Figaro complements Ileana Cotrubas’ gentle Susanna, and also noteworthy is the outstanding performance by Frederica von Stade as Cherubino. It is doubtless thanks to the supreme conductorship of John Pritchard that excellent singers, who perform even in supporting roles, provide a well-rounded ensemble performance. Pritchard had been associated to the Glyndebourne theatre since 1947, and he gradually took over to continue Fritz Busch’s initial work as a Choirmaster and Assistant. Sound Format: PCM Stereo Picture Format: 4:3 DVD Format: DVD 9 / NTSC Subtitle Languages: IT (Original Language), GB, DE, FR, ES Running Time: 185 mins FSK: 0 | 
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| |  | A Musical Journey: SalzburgThe City of Mozart
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| |  | Live Recording from The Glyndebourne Festival Opera, 1977
Since its debut in 1934 the Glyndebourne Festival has put a focus on Mozart operas and developed a great competence in staging them. Mozart’s operas seem to be made for the small but fine opera house in Glyndebourne and it’s not surprising that the 1977 Don Giovanni, one of Mozart’s great masterpieces, was a huge success. This production is conducted by Bernard Haitink who holds the opinion, that no other composer had more opera in his blood than Mozart. It has been proven, for example, that Mozart had no overture for Don Giovanni until the evening before the premiere in Prague and wrote it down in just one night. Like the premiere’s success of the opera in Prague in 1787 the Glyndebourne’s version staged by Peter Hall was praised by audience and critics alike: “We witness a lively and wide-awake ensemble piece that has easily survived all these decades, and still manages to teach many directors the art of playing theatre.” (WDR) With outstanding performances by Horiana Branisteanu, Benjamin Luxon, Stafford Dean and Leo Goeke this production is a real highlight. Sound Format: PCM Stereo Picture Format: 4:3 DVD Format: DVD 9 / NTSC Subtitle Languages: IT (Original Language), GB, DE, FR, ES Running Time: 174 mins FSK: 0 | 
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| |  | Mozart: Great Piano Concertos Box (4 DVD)
Mozart: | Piano Concerto No. 9 in E-flat major, K271 "Jeunehomme" Mitsuko Uchida (piano) Mozarteum Orchester Salzburg Piano Concerto No. 12 in A major, K414 Vladimir Ashkenazy (piano) Royal Philharmonic Orchestra Piano Concerto No. 26 in D major, K537 'Coronation' Homero Francesch (piano) Deutsche Kammerphilharmonie Piano Concerto No. 1 in F major, K37 Heidrun Holtmann (piano) Orchestra della Radiotelevisione della Svizzera Italiana, Marc Andreae Piano Concerto No. 4 in G major, K41 Heidrun Holtmann (piano) Orchestra della Radiotelevisione della Svizzera Italiana, Marc Andreae Piano Concerto No. 23 in A major, K488 Zoltán Kocsis (piano) Virtuosi di Praga, Jiri Belohlávek Piano Concerto No. 24 in C minor, K491 André Previn (piano & conductor) Royal Philharmonic Orchestra Piano Concerto No. 6 in B flat major, K238 rec. Schwetzingen Palace on May 29th, 1989 Christian Zacharias (piano) Stuttgart Radio Symphony Orchestra, Gianluigi Gelmetti Piano Concerto No. 19 in F major, K459 rec. Sophiensaal, Munich on July 12th, 1990 Radu Lupu (piano) Deutsche Kammerphilharmonie, David Zinman Piano Concerto No. 20 in D minor, K466 rec. Rittersaal of Palais Waldstein on November 19th-20th, 1990 Ivan Klánský (piano) Virtuosi di Praga, Jirí Belohlávek Piano Concerto No. 5 in D major, K175 rec. Teatro Bibiena, Mantua, Italy, 19 April 1989 Malcolm Frager (Steinway piano) Orchestra della Radiotelevisione della Svizzera Italiana, Marc Andreae Piano Concerto No. 8 in C major, K246 "Lützow" rec. Schwetzingen Palace, Schwetzingen, Germany, 17 May 1989 Christian Zacharias (piano) Radio-Sinfonieorchester Stuttgart, Gianluigi Gelmetti Piano Concerto No. 17 in G major, K453 rec. Imperial Palace of Schönbrunn, Vienna, Austria, 15 November 1990 Dezsö Ránki (Steinway piano w/o lid) English Chamber Orchestra, Jeffrey Tate Piano Concerto No. 27 in B flat major, K595 rec. Imperial Palace of Schönbrunn, Vienna, Austria, 29 November 1990 Aleksandar Madžar (piano) Royal Philharmonic Orchestra, André Previn |
This DVD Box includes 14 of the most acclaimed performances of Mozart’s Great Piano Concertos: 1, 4, 5, 6, 8, 9, 12, 17, 19, 20, 23, 24, 26, 2, performed by the most outstanding artists such as Mitsuko Uchida (Mozarteum Orchester, Salzburg), Zoltán Kocsis (Virtuosi di Praga) and André Previn (Royal Philharmonic Orchestra). The extraordinary DVD Box allows an impression of Mozart’s diversity in his musical work. All the performances are filmed on the original places of Mozart’s journeys and follow his musical development with reference to his piano concertos. Picture format DVD: NTSC 4:3 Sounds format DVD: PCM Stereo, Dolby Digital 5.1, DTS 5.1 Region code: 0 Booklet notes: English, German, French Running time: 394 mins in total | 
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| |  | Live Recording from The Glyndebourne Festival Opera, 1978
Felicity Lott (Pamina), Leo Goeke (Tamino), Benjamin Luxon (Papageno), Thomas Thomaschke (Sarastro), May Sandoz (Queen of the Night), Teresa Cahill (Erste Dame), Patricia Parker (Zweite Dame), Fiona Kimm (Dritte Dame), Willard White (Sprecher), John Fryatt (Monostatos), Elisabeth Conquet (Papagena), Neil McKinnon (Erste Geharnischter), John Rath (Zweite Geharnischter), Kate Flowers (Erste Knabe), Lindsay John (Zweiter Knabe), Elisabeth Stokes (Dritter Knabe) The London Philharmonic Orchestra, Bernard Haitink (conductor) & John Cox (stage director) Stage Designer DAVID HOCKNEY Glyndebourne’s 1978 production of Mozart’s Zauberflöte received as much critical acclaim for the imaginative David Hockney sets as for the operatic performance. Hockney, known internationally for his pop art, emphasised the magical and mystical qualities of one of Mozart’s best known operas – and the spirit was wonderfully refl ected in John Cox’s production. The London Philharmonic Orchestra is conducted by Bernard Haitink. Mozart’s tale of Papageno and Pince Tamino’s quest to rescue Pamina and overthrow the Queen of the Night is one of his best loved operas and here receives an impressive treatment with Leo Goeke, Felicity Lott and Benjamin Luxon in the leading roles. Essential for such an opera, there is a great happy end: Tamino and Pamina overcome their trials and become a loving couple, the malicious Queen of the Night is humbled and even Papageno finds his Papagena. Sound Format: PCM Stereo Picture Format: 4:3 DVD Format: DVD 9 / NTSC Subtitle Languages: DE (Original Language), FR, GB, ES Running Time: 163 mins FSK: 0 | 
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| |  | A Musical Journey: AustriaHohenwerfen, Weissensee, Styria, Linz, Aggstein, Hallein & Baden
The Places The places visited include Hohenwerfen Castle, the Weissensee, Styria, Linz, Aggstein, Hallein and Baden. The Music The music chosen for this tour of Austria consists of Mozart’s Violin Concertos Nos. 3 and 5, written during his early adulthood in Salzburg. Video Format • NTSC / Colour / 4:3 Audio Format • PCM Stereo 2.0 Region Coding • No Region Coding | 
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Robert Lloyd (Boris), Olga Borodina (Marina), Alexei Steblianko (Girgory/False Dmitry), Sergei Leiferkus (Rangoni), Larissa Diadkova (Fyodor), Evgeni Boitsov (Shuisky), Alexander Morozov (Pimen), Vladimir Ognovienko (Varlaam), Olga Kondina (Xenia), Ludmila Filatova (Hostess), Vladimir Solodovnikov (Simpleton), Mikail Kit (Tchelkalov), Evgenia Perlasova (Nurse), Evgeny Fedotov (Nikitich), Grigory Karasev (Mityukha) Kirov Opera, Valery Gergiev “Film director Andrei Tarkovsky, famous for science- fiction classics Solaris and Stalker and the historical epic Andrei Rublev, was a master of symbolic effect – the gigantic pendulum, the grotesquely faceless Idiot, living statuary, the angelic murdered child amid falling snow. But against such stylisation the action, vividly captured by video director Humphrey Burton, comes correspondingly alive, no stiff Bolshoi pageant; chorus and soloists act their hearts out. Borodina is an ideal Marina, beautiful and burnished of tone but chillingly self-absorbed; perhaps rightly, she strikes more sparks with Leiferkus's vampiric, honey-toned Rangoni than with Steblianko's stolid but lyrical Pretender. Ognovenko's Varlaam is somewhat young and baritonal, but foreshadows stardom, as does Dyadkova's superbly touching, plangent Feodor. Boitsov's Shuisky, Morosov's noble Pimen and Solodovnikov's Idiot are less outstanding but still excellent. The only outsider is at the centre. Robert Lloyd's Boris first appears (reflecting contemporary portraits) moustached but beardless; the customary hedge appears in later acts, neatly marking the passing years. His finely shaded bassocantante has been criticised for being too light, but such doubts fade before his idiomatic-sounding Russian and magnificent characterisation, culminating in a truly harrowing death scene. Gergiev's reading is less brilliant than his dual recording, often rather soft-centred; but he still brings out the sheer anguished beauty of the score. The excellent stereo soundtrack has also been remastered into DTS surround-sound, and very airy and ambient this sounds, from the opening wave of applause sweeping across the auditorium.” Gramophone Classical Music Guide, 2010 “an outstanding film...admirably conducted by Valery Gergiev, joined by Robert Lloyd as Boris, one of his greatest performances, and a superb supporting cast.” Penguin Guide, 2011 edition | | | In stock - usually despatched within 1 working day. |
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| |  | The Glory of Russian Opera
Subtitles: English, French, German, Italian, Spanish, Chinese Complete operas also sold separately | | | In stock - usually despatched within 1 working day. |
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| |  | Recorded live from the Teatro Regio, Turin 7, 10 & 13 October 2010
Orlin Anastassov (Boris), Alessandra Marianelli (Xenia), Pavel Zubov (Fyodor), Ian Storey (Grigory), Vladimir Vaneev (Pimen), Peter Bronder (Prince Shuisky), Vasily Ladjuk (Andrey Shchelkalov), Vladimir Matorin (Varlaam), Luca Casalin (Missail), Nadezhda Serdjuk (Innkeeper), Evgeny Akimov (Holy Fool), Elena Sommer (Nurse), John Paul Huckle (Nikitich), Oliviero Giorgiutti (Mityukha), Matthias Stier (Boyar-in-attendance) & Andrei Konchalovsky (Khrushchyov) Chorus and Orchestra of the Teatro Regio, Torino, Gianandrea Noseda (conductor) & Andrei Konchalovsky (director) Boris Godunov is the story not only of a troubled leader but of an entire nation, and its history is as eventful as that of Mother Russia herself. In this new production, the legendary director Andrei Konchalovsky presents a personal vision of the opera that takes Mussorgsky’s bare and monumental first version as its basis, while adding the final scene from the composer’s revision, in which not only the Tsar but the people themselves reveal their fatal flaws. Orlin Anastassov stars in the title role, conducted by Gianandrea Noseda. ‘’Orchestrally and vocally outstanding’’ The Opera Critic Extra features: Cast gallery Interviews with Andrei Konchalovsky & Gianandrea Noseda Running time 164 mins Region Code All regions Picture format 16:9 Anamorphic Sound format 2.0LPCM + 5.1(5.0) DTS Menu languages EN Subtitles EN/FR/DE/ES “Konchalovsky sticks to the 1869 original...Orlin Anastassov makes a rich-voiced but wildly over-the-top Godunov...It's good to have the superlative treble Pavel Zubov as Boris's son Fyodor...Best is Gianandrea Noseda's fluent and urgent conducting” BBC Music Magazine, October 2011 *** “[Noseda] paces and balances Boris most naturally, eschewing brassy climaxes or over-melodramatic spookiness...Konchalovsky's detailed work with his responsive soloists has some of the over-the-top manic energy of Orson Welles in his Shakespeare films: the glinting, desperate, trapped eyes of Orlin Anastassov's Tsar and the fussy sweat-wiping mannerisms of Peter Bronder's Shuisky create an apt other-worldly presence. Both too are in fine voice.” Gramophone Magazine, January 2012 “Anastassov is vocally and physically imposing as the Tsar. It is not, I think, being fanciful to say that from early on his staring eyes reflect the first signs of Boris's mental derangement. His voice emerges with deep resonance, focused, flowing, dark of timbre...The cast has no weaknesses...I rate the performance highly.” International Record Review, October 2011 “Noseda is well-schooled in this repertoire through Valery Gergiev’s mentorship and offers a viscerally exciting performance of the score. His tempi are keen and there is plenty of thrust to his orchestra’s attack...Orlin Anastassov is a much younger Boris than we’re used to seeing, but then the real Boris Godunov became regent at the age of 34. Opulently costumed, he cuts a noble figure from the start and has the vocal resources to match.” Opera Britannia, 30th October 2011 ****/***** | | | In stock - usually despatched within 1 working day. |
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