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Juan Diego Flórez stars in the only available DVD version of Zelmira, filmed at the celebrated Rossini Festival in the composer’s home town of Pesaro. Recorded in high definition at the 2009 Festival, Giorgio Barberio Corsetti’s production places the classical tale, set during the Trojan Wars, in modern times and modern dress. The final opera Rossini wrote for Naples is a dramatic and musical tour de force and a magnificent showcase for the bel canto superstar of our time. Joining Juan Diego Flórez are a major international cast, described as “near miraculous” by Opera Today and led by American mezzo-soprano Kate Aldrich in the virtuosic title role. But the evening remained another distinguished triumph for Juan Diego Flórez as Prince Ilo, whose arrival in his homeland, to rescue Zelmira, was marked by “a dazzling tenorial display” which “evoked a nearly twenty-minute ovation” (Opera Today) | | | In stock - usually despatched within 1 working day. |
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| |  | Live Recording from The Rossini Opera Festival Pesaro, 2010
Daniela Barcellona (Sigismondo), Andrea Concetti (Ulderico / Zenovito), Olga Peretyatko (Aldimira) & Antonino Siragusa (Ladislao) Teatro Comunale di Bologna, Michele Mariotti (conductor) & Damiano Michieletto (stage director) World Premiere Recording. Early Rossini has something buoyant, vibrant, youthful about it – even when it is a „dramma per musica“ such as Sigismondo, a dark swirl of an opera revolving around a mad king and his delusions, his wife who is allegedly dead but very much alive, the fate of Poland and much more. Premiered in 1814 but rarely played thereafter, the work deserves to be resurrected, if only for its many beautiful and original arias and ensembles, some of which were such brilliant little masterpieces that he reused them in his later successes such as Il turco in Italia, La Cenerentola and Il barbiere di Siviglia. The work was given its first performance from the critical new edition at the 2010 Rossini Opera Festival in Pesaro. The press hailed the production as a „perfect symbiosis of music and stage work“ that yields „truly brilliant theater“. Director Damiano Michieletto sets the first act in a startlingly realistic „insane asylum“ of around 1900, where King Sigismondo has been placed after losing his mind over his wife’s death, which he, convinced of her infidelity, had ordered. The second act takes place in an elegantly appointed royal palace, where Sigismondo, who has now recovered, must confront an assault by the Bohemian army and decide upon Poland’s fate. Mezzo Daniela Barcellona – a sought-after Rossini and Verdi singer – portrays the mad King Sigismondo with fi erce intensity and effortlessly flowing coloraturas; restored to health in the second act, her Sigismondo dominates the stage as ruler of Poland, alongside Olga Peretyatko, Antonino Siragusa and Andrea Concetti. Bringing youthful exuberance and supreme musicality to his conducting is Michele Mariotti, principal conductor of the Teatro Comunale di Bologna and acclaimed maestro at La Scala, the Met and other leading houses. Special Feature: Making Of Sigismondo Sound Format: PCM Stereo, DD 5.1 (DVD) Format: DVD 9, NTSC, 25 GB (Single Layer) Subtitle Languages: IT (Original Language), GB, DE, FR, ES, Korean, JP Running Time: 164 mins + 19 mins (bonus) FSK: 0 | | | In stock - usually despatched within 1 working day. |
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| |  | Recorded live at the Rossini Opera Festival, Pesaro, August 2011
This thought-provoking, modern-day interpretation of Rossini’s “Mosè in Egitto” sets the scene for superior music-making at the prestigious Rossini Festival in Pesaro. For conductor Roberto Abbado, the transposition of the action to the present day releases the energy of Rossini’s music. At his disposal is a cast of top-quality vocalists such as the “refined bel canto artist” (Bresciaoggi) Sonia Ganassi as Elcia, and the “outstanding” Dmitry Korchak as the Pharaoh’s son, two lovers fatefully drawn into the political turmoil and catastrophes of their time. Also among the protagonists are the “thoroughly brilliant” (DeutschlandRadio Kultur) baritone Alex Esposito as Faraone and, in his Rossini Festival debut, young, full-bodied bass Riccardo Zanellato as Moses. Conductor Roberto Abbado “inspired his musicians to deliver a spectacular performance” (Salzburger Nachrichten). This is the premiere of the opera on DVD & Blu-ray. The second release on Opus Arte from the acclaimed Pesaro Rossini Festival; a highly contrasting production following the release of La Scala di Seta. Alex Esposito, who was recently acclaimed as Papageno in the La Scala production of Magic Flute, stars as Pharaoh. Running time: 170 minutes Subtitles: EN/FR/DE Sound format: 2.0LPCM + 5.1(5.0) DTS “Vick and his designers use the space to the fullest...Roberto Abbado gives a well-proportioned reading, avoiding the temptation to turn the piece into early Verdi...Mancini's video direction is excellent in this tricky assignment...Opus Arte includes a superb 'Making of...' featurette” International Record Review, December 2012 | | | In stock - usually despatched within 1 working day. |
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| |  | Live Recording From The Rossini Opera Festival Pesaro, 2010
María José Moreno (Lisinga), Victoria Zaytseva (Demetrio-Siveno), Yijie Shi (Demetrio-Eumene) & Mirco Palazzi (Polibio) Orchestra Sinfonica G. Rossini & Prague Chamber Choir, Corrado Rovaris (conductor) & Davide Livermore (stage director) World Premiere Recording “What a pleasure to listen to Demetrio e Polibio”, wrote major Italian daily La Stampa after the premiere of Rossini‘s very first opera at the 2010 Rossini Opera Festival in Pesaro, attributing it „an undeniable fascination“. The work was given its first performance in Rome in 1812. It is still unclear whether Rossini was 14 or 18 when he wrote it; what is beyond doubt, however, is the anticipation of great things to come. The libretto is a far-fetched tale of feuding kings, mistaken identities, disguises and cruel fates typical of the late 18th-century opera seria. Young stage director Davide Livermore, heading a production of the Accademia di Belle Arti di Urbino, turns the libretto into a ghost story, setting the action behind the stage of an opera house, when everyone has left and all that remains are the spirits of an opera that yearns for the breath of life – much like the practically forgotten Demetrio e Polibio itself. With the help of little flames that flare up from the singers‘ palms and other "phantasmagorical" tricks, Livermore creates an enchanting atmosphere that is given a perfect musical rendering by conductor Corrado Rovaris (Music Director of the Opera Company of Philadelphia) and the Orchestra Sinfonica Rossini. Each giving outstanding performances are the four stand-out soloists Maria José Moreno, Victoria Zaytseva, Yijie Shi and Mirco Palazzi, „stars … of the highest international order“ (Süddeutsche Zeitung). Once again, the Rossini Opera Festival fulfills its dual goal of performing unknown Rossini works in new, critical editions, and of fostering young singers on their path towards the world‘s great stages. SPECIAL FEATURE: Making Of Demetrio e Polibio Sound Format: PCM Stereo, DD 5.1 Picture Format: 16:9 Format: DVD 9, NTSC Subtitle Languages: IT (Original Language), GB, DE, FR, ES, JP, Korean Running Time: 115 mins + 15 mins (bonus) FSK: 0 Region Code: 0 Worldwide available | | | In stock - usually despatched within 1 working day. |
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| |  | Live Recording from The Rossini Opera Festival Pesaro, 2011
Daniela Barcellona (Ottone), Jessica Pratt (Adelaide), Bogdan Mihai (Adelberto), Nicola Ulivieri (Berengario) & Jeannette Fischer (Eurice) Teatro Comunale di Bologna, Dmitri Jurowski (conductor) & Pier’ Alli (stage director) World Premiere Recording „It can be truly said of Adelaide di Borgogna that, like a rose, it bloomed but a day - l’espace d’un matin.” First performed in Rome on the 27th December 1817, it enjoyed very few revivals. In 2011 the Rossini Festival in Pesaro presented the second staged performance of Adelaide di Borgogna since 1825. The story of the opera was taken from a historical event that took place in the medieval period, marking the end of an independent Italian kingdom and leading to the birth of the German Holy Roman Empire through the efforts of Otto I of Saxony. Caught between political rivalry and the love of two men, Adelaide of Burgundy struggles to fight for her people and chooses Otto, the better ruler, for herself and her kingdom. Adelaide stars sought-after mezzo Daniela Barcellona as Ottone, young Australian soprano Jessica Pratt, who possesses a natural-born bel canto voice, in the role of Adelaide, and Bogdan Mihai gives proof of his versatile coloratura-tenor. Director Pier’ Alli devised a modern, stylish look for his production, which interweaves medieval aspects with ironically used elements from the time of the opera’s genesis. His video installations create a beautifully abstract world for Rossini’s colourful music. SPECIAL FEATURE: Making Of Adelaide di Borgogna Sound Format: PCM Stereo, DD 5.1 Picture Format: 16:9, 1080i FULL HD Format: DVD 9 & DVD 5, NTSC, Subtitle Languages: IT (Original Language), GB, DE, FR, ES, JP, Korean Running Time: 137 mins + 17 mins (Bonus) FSK: 0 “[Pratt] understands the style, her Italian is more than satisfactory, her florid ability inspires admiration, and she sounds well at full volume...she has yet to learn how to move with the regality that this kind of role requires...In firm control throughout, Jurowski gets excellently disciplined playing from the Comunale di Bologna Orchestra” International Record Review, May 2013 “[Pratt's] coloratura is exact and the top of the voice gleams...There has been nobody of [Barcellona's] singing and acting skill in these roles and this repertoire since the formidable Marilyn Horne...[Mihai's] flexible pleasant tone and formidable technique are heard to good effect” MusicWeb International, 27th May 2013 | 
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Recording Date: 1988
Place of recording: Schwetzinger Festspiele
Running Time: 157 min
Picture Format: 4:3
Sound Format: PCM Stereo
Menu Languages PAL: D, F, GB, SP
Subtitle Languages PAL: D, F, GB, I, SP
Menu Languages NTSC: F, GB, JP, SP
Subtitle Languages NTSC: F, GB, I, JP, SP
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Doris Soffel (Isabella), Gunther von Kannen (Mustafa), Robert Gamgil (Lindoro), Enric Serra (Taddeo), Nuccia Focile (Elvira), Susan McLean (Zulma), Rudolf A. Hartmann (Haly) Radio Symphonieorchester Stuttgart, Bulgarischer Männerchor Sofia, Ralf Weikert, stage direction by Michael Hampe Recording Date: 1987
Place of recording: Schwetzinger Festspiele
Running Time: 148 min
Picture Format: 4:3
Sound Format: PCM Stereo
Menu Languages PAL: D, F, GB, SP
Subtitle Languages PAL: D, F, GB
Menu Languages NTSC: F, GB, JP, SP
Subtitle Languages NTSC: F, GB, JP
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Recording Date: 1988
Place of recording: Salzburger Festspiele
Running Time: 171 min
Picture Format: 4:3
Sound Format: PCM Stereo
Menu Languages NTSC: D, F, GB, SP
Subtitle Languages NTSC: D, F, GB, JP, SP
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Recording Date: 1990
Place of recording: From the Metropolitan Opera House New York
Running Time: 223 ( 2 DVD) min
Picture Format: 16:9
Sound Format: PCM Stereo
Menu Languages PAL: D, F, GB, SP
Subtitle Languages PAL: D, F, GB, I, SP
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Recording Date: 1992
Place of recording: Amsterdam
Running Time: 154 min
Picture Format: 4:3
Sound Format: PCM Stereo
Menu Languages PAL: D, F, GB, SP
Subtitle Languages PAL: D, F, GB, I, SP
“We've cursed modern producers and their productions often enough, but here's a delight. The conductor, working with his own edition of the opera, is Alberto Zedda. But when the director and designer, Dario Fo, takes the last, climatic bow, he deserves every cheer he gets. The performance was filmed at the Netherlands Opera in 1991, but the production dates back to 1987, and was Fo's first for the operatic stage. Employing a group of mime artists, he places the action in a commedia dell'arte setting and opens with a brilliant pantomime-accompaniment to the overture. The ideas match the music, and the visual style suits the elegance of Zedda's orchestral players. Throughout the opening solos, chorus and duet, a delightful ingenuity of movement plays along with the singers, who have the youth and elasticity of voice, limb and spirit to cope with the thousandand- one tasks thrown at them. There's very little sense of distraction or overloading; just a feast of melody, wit and energy. The tenor Robert Croft impresses most: his tone is clear; his scales are fluent and evenly articulated, and he can apply vocal decoration with panache and delicacy. The Figaro, another American, David Malis, has personality and bright high notes. Jennifer Larmore's Rosina, better when seen than merely heard, is strongvoiced and technically accomplished. Renato Capecchi is a memorable Bartolo, distinct from the potbellied bumbler of convention. In the theatre the production might be found too restless, but, expertly filmed, it's just about the most enjoyable comic opera production available on DVD.” Gramophone Classical Music Guide, 2010 | | | Usually despatched in 2 - 3 working days. |
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