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Recording Date: 1994
Place of recording: Reidar Särestöniemi- Museum, Lapland
Running Time: 75 min
Picture Format: 4:3
Sound Format: PCM Stereo
Menu Languages PAL: D, GB, F, SP
Subtitle Languages PAL: D, GB, F, SP
“The visual side of the production is handled with both taste and imagination, and the musical balance is well focused and natural. Hynninen and his admirable partner convey the poignancy of this music to splendid effect” Penguin Guide, 2010 edition **/*** | | | Usually despatched in 2 - 3 working days. |
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| |  | Voices of our Time - Ian Bostridge
Schubert: | Wehmut, D772 (Collin) Der Zwerg, D771 (Collin) Nacht und Träume, D827 Der Musensohn, D764 (Goethe) An die Entfernte, D765 (Goethe) Am Flusse D160 (Goethe) Willkommen und Abschied, D767 Wandrers Nachtlied II 'Über allen Gipfeln ist Ruh', D768 An die Leier, D737 (Bruchmann) Im Haine, D738 Erlkönig, D328 | Wolf, H: | Der Genesene an die Hoffnung (No. 1 from Mörike-Lieder) Der Knabe und das Immlein (No. 2 from Mörike-Lieder) Gebet (No. 28 from Mörike-Lieder) An den Schlaf (No. 29 from Mörike-Lieder) Neue Liebe (No. 30 from Mörike-Lieder) An die Geliebte (No. 32 from Mörike-Lieder) Begegnung (No. 8 from Mörike-Lieder) Nimmersatte Liebe (No. 9 from Mörike-Lieder) Peregrina II (No. 34 from Mörike-Lieder) Storchenbotschaft (No. 48 from Mörike-Lieder) Abschied (No. 53 from Mörike-Lieder) Peregrina I (No. 33 from Mörike-Lieder) |
“Wolf's Mörike-Lieder is where Bostridge's high literary intelligence comes into its own, with a highly compelling set of love-songs, both spiritual and sensual. Everywhere Vignoles is an inspired and inspiring accompanist.” BBC Music Magazine, July 2010 *** | | | Usually despatched in 2 - 3 working days. |
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Christian Ivaldi, Jean-Claude Pennetier (pianos) | | | Usually despatched in 3 - 4 working days. |
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| |  | Amadeus Quartet
Recorded at The Maltings, Snape, Aldeburgh, 1977 “The filming is very straightforward… one mainly has an ideal view of the Amadeus Quartet, enabling one to see the way in which the musical line is passed from one instrument to another. In Schubert's Quartettsatz, which launched the first recital, the qualities of the Amadeus are highlighted, for good or ill: a rich, luscious sound, with Norbert Brainin not only the leader but very much the dominant personality...” BBC Music Magazine, November 2005 **** “These first Testament issues present a compelling case for DVDs of four chaps sitting on chairs.” Gramophone Magazine, February 2006 | | | Usually despatched in 4 - 5 working days. |
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“As we know from his fine CD version, Thomas Quasthoff is a master of this cycle, his command of word and music consistently true and compelling. His interpretation here is once more imbued with sincere empathy with the suffering traveller, suggesting, as he says in the accompanying interview, a man at once at the end of his tether and yet defiant. He is also keen to show that each song could not exist without its being part of the whole, just one aspect of Schubert's genius. The cohesion of his reading is supported with deep acumen by Barenboim's thoughtfully felicitous playing. Some 30 years ago he recorded the cycle with Fischer-Dieskau, and again he manages to underpin his singer's intentions while managing to add his own mite of individuality. So why do the results rather underwhelm? The direction is too restless and in close-up Quasthoff constantly rocks from side to side; the effect becomes dizzying. For a DVD version Bostridge offers rich rewards, but for those allergic to any visual dimension outside the music as such, this DVD has much to offer purely in musical terms.” Gramophone Classical Music Guide, 2010 “…an exceptionally fine performance of Schubert's great song cycle… Filmed with great tact and concentration, we only see, apart from a few distance shots, Barenboim weighing in with his accompaniment and Thomas Quasthoff close up, with his expressive features. Bold, seemingly spontaneous yet deeply pondered, this is one of the great performances of this masterwork that I have ever witnessed. There is also half an hour of illuminating interviews with the artists, and rehearsal sequences.” BBC Music Magazine, January 2006 ***** “As we know from his fine CD version, Thomas Quasthoff is a master of this cycle, he command of word and music consistently true and compelling. The cohesion of his reading is supported with deep acumen by Barenboim's thoughtfully felicitous playing.” Gramophone Magazine, February 2006 BBC Music Magazine
DVD Choice - January 2006 |
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| |  | Christa Ludwig - The Birthday Edition
| | Vienna Masterclass Part I Lieder Recital with Songs by Franz Schubert, Hugo Wolf, Gustav Mahler, Richard Strauss und Leonard Bernstein Vienna Masterclass Part II | Schubert: | Winterreise D911 |
Recording Date: 1994
Running Time: 227 min/2 DVD
Picture Format: 16:9 / 4:3
Sound Format: PCM Stereo
Menu Languages NTSC: D, F, GB, SP
Subtitle Languages NTSC: D, F, GB, SP
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| |  | Karl Böhm Conducts Schubert
Subtitles: Latin (Mass), German, English, French, Spanish “An uncommonly weighty performance of the great C major Symphony, but Böhm carries it off, while the E flat Mass, a late work, sounds most convincing in this heartfelt interpretation in austere and beautiful surroundings.” BBC Music Magazine, October 2006 **** | | | Usually despatched in 2 - 3 working days. |
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| |  | Alfred Brendel plays and introduces Schubert Piano WorksRecorded at the Hörfunkstudio, Radio Bremen, 1976/1977
Schubert: | Fantasie in C major, D760 'Wanderer' Piano Sonata No. 14 in A minor, D784 Piano Sonata No. 15 in C major, D840 'Reliquie' Piano Sonata No. 16 in A minor, D845 Piano Sonata No. 17 in D major, D850 Piano Sonata No. 18 in G major, D894 4 Impromptus, D899 4 Impromptus, D935 Piano Sonata No. 19 in C minor, D958 Moments Musicaux (6), D780, Op. 94 Klavierstücke (3), D946 Piano Sonata No. 20 in A major, D959 Piano Sonata No. 21 in B flat major, D960 |
5 CDs for price of 3 “A perfectionist at the piano...master pianist Alfred Brendel.” Sunday Times | | | Usually despatched in 2 - 3 working days. |
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| |  | Schubert: Winterreise
The 1970 colour film of Peter Pears singing Schubert’s great song cycle, Winterreise (sung in German), was produced by the legendary Decca producer, John Culshaw. The songs are staged (Britten accompanying on the piano is not in vision), and introduced with a brief voice-over. | | | Usually despatched in 2 - 3 working days. |
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Eva Mei (soprano), Rainer Trost (tenor), Markus Werba (baritone) & Alfred Muff (bass) Orchestra e Coro del Teatro Lirico di Cagliari, Gérard Korsten (conductor) & Luca Ronconi (director) Most of Schubert’s operas were written without a specific commission, in the hope that, once completed, some theatre might find them interesting simply by virtue of their musical value. This unrealistic optimism proved almost always wrong and Schubert suffered bitter disappointments, very often working for nothing. Begun on 20th September 1821, Alfonso und Estrella was completed on 27th February 1822 but was first staged, on the initiative of Franz Liszt, only in 1854, after Schubert’s death. Alfonso und Estrella has the characteristic climate of a romantische Oper. If it is true that Schubert lacks the sense of theatre which is typical of the best operatic composers of his day (for example Weber), the power of his creativity and beauty of many arias cannot be denied. The DVD version comes with subtitles in German, English, Italian, French and Spanish. | | | Usually despatched in 2 - 3 working days. |
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