Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Music Triennial 1Koln, 2000
| | | Usually despatched in 2 - 3 working days. |
|
|
| |  | Recorded live at the Glyndebourne Opera House, 18 & 19 December, 2010
In this celebrated Glyndebourne Festival production, David Hockney’s designs for director John Cox reinterpret the Hogarth etchings that inspired the opera’s libretto, written for Stravinsky by W.H. Auden and Chester Kallman. In 2010, this revival under Glyndebourne’s Music Director, Vladimir Jurowski, captured the opera’s neo-classical spirit and its juxtaposition of whimsy, cynicism and compassion, prompting the Financial Times to call it, ‘‘as enjoyable a performance of Stravinsky’s opera as any that has come along". Extra features: Documentary includes interview with David Hockney Introduction to the Rakes’s Progress Running time 150 mins Region Code All regions Picture format 16:9 Anamorphic Sound format 2.0LPCM + 5.1(5.0) DTS Menu languages EN Subtitles EN/FR/DE/ES “Full of colour and light, and brimming with wit, this is a production that lifts the performers...Lehtipuu conveys [Tom's] fresh-faced innocence, making his gradual demise all the more heart-breaking. Bass Matthew Rose is not the most chilling Nick Shadow, but is all the more believable as an apparently supportive, and likeable, friend to Tom, until the veil drops...[Persson] underpins [Anne's] heartfelt love with a steely determination...An absolute triumph.” BBC Music Magazine, January 2012 ***** “It is hard to imagine a Tom Rakewell who looks the part better than the lanky, almost adolescent Topi Lehtipuu, his wide-eyed innocence an open invitation to corruption, and he sings the role with elegance. Miah Persson is almost his equal...The combination of Vladimir Jurowski and the London Philharmonic Orchestra ensures crisp ensemble of the highest quality.” Gramophone Magazine, March 2012 “Star of the show - as she is so often - is Miah Persson, who turns out to be a radiant and steadfast Anne...[Lehtipuu] manages to give us a Tom whoe fundamentally endearing qualities shine through, even when he's at his most cocky...Matthew Rose's portrayal of Nick Shadow has been criticized in some quarters for its lack of venom, but I find that the mellifluous coating to his malevolence only adds to the effect.” International Record Review, February 2012 BBC Music Magazine
DVD Choice - January 2012 |
| | | Usually despatched in 2 - 3 working days. |
|
|
| |  | Quartet Choreography
This DVD explores the interaction between the members whilst performing these four key 20th Century works for String Quartet. The quartet firmly believes that music should be seen as well as heard. The mechanics of playing and the communication of the players are what create the art. The Kreutzer Quartet comprise Peter Sheppard Skærved (violin), Mihailo Trandafilovski (violin), Morgan Goff (viola) and Neil Heyde (cello). The Kreutzer Quartet has forged an enviable reputation as one of the Europe’s most dynamic and innovative string quartets. The ‘Independent’ newspaper summed up their playing as ‘Passion, Grace and Steel…’. They are the dedicatees of numerous works, and over many years forged creative partnerships with composers including Sir Michael Tippett, David Matthews, Michael Finnissy, Judith Weir, and Haflidi Hallgrimsson. They have a particularly strong relationship to a cross-section of leading American composers, having collaborated intensively with the great George Rochberg in the last few years of his life, as long as working closely with figures as Elliott Schwartz, and the prolific symphonist Gloria Coates. As recording artists they have won critical acclaim for their discs on the Naxos, Metier, and Chandos labels. Their work in collaboration with art galleries has garnered much attention, and large audiences, particularly their annual residency at the Tate Gallery, St Ives. In 2008 they appeared at several Festivals including the Venice Biennale, and the Montpelier Festival. They are ‘Artists in association’ at York University. Double sided DVD - one side NTSC, one side PAL “These films are edited to mirror something of the composer's approach to structure but, more significantly, to allow viewers to see the physical interaction between player and instrument...Faces darken, moods change, body language becomes slightly defensive. And Stravinsky was right: we hear these moves, see the sound differently.” Gramophone Magazine, October 2012 | | | Usually despatched in 4 - 5 working days. |
|
|
| |  | Paavo Järvi conducts Stravinsky & DebussyRecorded live at the Salle Pleyel, Paris, September and November 2012
Conducted by Grammy award winning Paavo Järvi the Orchestre de Paris exquisitely performs three landmark pieces of orchestral music. Both of Stravinsky’s ballet scores and Debussy’s L’Après-midi d’un faune are well suited for a DVD recording. The wildly varying moods under Järvi’s expert guidance are superbly caught in this high quality production. The orchestra undertake international tours and aims to reach all genres of people. Järvi became the Music Director at the beginning of the 2010/11 season, and after just seven months his contract was extended to the end of 2016. | 
| | | Usually despatched in 2 - 3 working days. |
|
|
| |  | Stravinsky: Rite of Spring, FirebirdStravinsky & the Ballets Russes, 100th anniversary collector's edition
Stravinsky: | The Firebird Ekaterina Kondaurova (Firebird), Ilya Kuznetsov (Ivan Tsarevich), Marianna Pavlova (The Princess) & Vladimir Ponomarev (Kachtcheï the Immortal) The Rite of Spring
and staged by Millicent Hodson, Kenneth Archer, lighting: Vladimir Lukin Alexandra Iosifidi (The Chosen One), Elena Bazhenova (300-Year-Old Woman) & Vladimir Ponomarev (Shaman) |
The Firebird: Choreography & libretto: Michel Fokine (1910) reconstruction Isabelle Fokine, Andris Liepa; Set & costume design:Anna & Anatoly Nezhny after original sketches by Alexander Golovin, Léon Bakst & Michel Fokine The Rite of Spring Choreography after Vaslav Nijinsky (1913) Scene plan: Igor Stravinsky & Nicholas Roerich, reconstructed and staged by Millicent Hodson; Set and costume design: Nicholas Roerich, reconstructed and supervised by Kenneth Archer; Lighting: Vladimir Lukin
In celebration of the creation of 'Le Sacre du printemps' in Paris in 1913, Bel Air present a new edition in a DVD-book of a wonderful Stravinsky night at the Mariinsky with the original Nijinsky version of the 'Rite of Spring' and 'The Firebird' both conducted by Valery Gergiev. The premiere of 'The Rite of Spring' at the Théâtre des Champs Élysées, Paris, on May 1913 caused a veritable scandal. The audience was shocked by the primitive violence of the ballet. It was so radically rejected that the ballet was taken off after eight performances. Although long forgotten, thanks to the relentless work of Millicent Hodson, Nijinsky’s original choreography was recreated. 'The Firebird' is a Russian folk tale in two scenes commissioned from the young Stravinsky by Diaghilev and premiered at the Paris Opera House in 1910. The ballet was an immediate success. The Ballets Russes enabled the choreographer Fokine to bring to this enterprise the right amount of novelty needed to captivate but not alienate the audience. It was a total success. CONTENTS: DVD BOOK, 2 ballets 85 min. Bonus: Documentary on the Ballets Russes (8 min), interviews with Millicent Hodson & Kenneth Archer (30 min), 36pp illustrated in 3 languages Format: Colour, 16/9, NTSC, Sound: PCM Stereo - Dolby Digital 5.1. | 
| | | Scheduled for release on 3 June 2013. Order it now and we will deliver it as soon as it is available. |
|
|
| |  | Eddie ‘Lockjaw’ Davis - Live in Copenhagen
Eddie “Lockjaw” Davis (tenor saxophone), Ed Thigpen (drums), Niels Jorgen Steen (piano) & Jesper Lundgaard (bass) “Davis developed one of the most unmistakable tenor sax sounds in post war jazz. With a full bodied yet reedy tone that was equally at home in rhythm & blues settings as more modern contexts, his playing always had a direct, singing quality that was a huge influence on the next generation of sax men.” Allaboutjazz.com | | | Usually despatched in 2 - 3 working days. |
|
|
| |  | Morton Subotnick: Electronic Works 3
Morton Subotnick (live electronics), Miguel Frasconi (glass harp & live electronics) & Sue Costabile (SUE-C) (live video) This disc brings the first release of 4 Butterflies for quadrophonic tape on CD and in surround release, and the first recordings of Subotnick’s live remix/recomposition of the classic tape piece Until Spring: Revisited plus A Sky of Cloudless Sulphur: Revisited. Until Spring was first conceived in 1975 on the Buchla synthesizer using only analogue techniques. “It was about 10 years from Silver Apples to Until Spring,” Subotnick explains, “and I’d evolved a whole concept and a technique, but I had gone as far as I could go with it. I could do everything I wanted to do, but I couldn’t do it in real time.” As computers and software developed in the coming decades, Subotnick created a software-based instrument that he felt could allow him to complete his original vision, which led to Until Spring: Revisited, a reinterpretation constructed around source materials from Until Spring, recorded live in San Francisco. The work has been performed many times by the ensemble of Morton Subotnick (live electronics) and Miguel Frasconi (live electronics and glass harp). Four Butterflies was originally released as a stereo LP on Columbia Records. This is its first release on CD. Mode has made a high-resolution transfer from the analogue master tapes, which was then given a new mix by the composer. Set in four sections separated by two interludes, Four Butterflies is a floating, mysterious electronic landscape. See also mode237dvd Liner notes by Andy Battaglia and Morton Subotnick The DVD also contains special BONUS FEATURES: Subotnick and SUE-C collaborate on A Sky of Cloudless Sulphur: Revisited, based on the analogue tape piece A Sky of Cloudless Sulphur and created especially for this DVD. BONUS INTERVIEW: Subotnick, Miguel Frasconi and Sue Costabile discuss their collaboration together. BONUS INTERVIEW: Subotnick and Ramon Sender speak of the early years experimenting with electronic music and creating the historic San Francisco Tape Center. | | | Usually despatched in 3 - 4 working days. |
|
|
| |  | Karaoke Opera Volume 3: Gilbert & Sullivan10 Favorite Arias
A more Humane Mikado – The Mikado As Someday it may Happen – The Mikado Three Little Maids – The Mikado On a Tree by a River – The Mikado I am the Very Model – Pirates of Penzance When a Felon’s not Engaged – Pirates of Penzance When Maiden Loves She Sits and Sighs – The Yeomen of the Guard I Have a Song to Sing O – The Yeomen of the Guard Take a Pair of Sparkling Eyes – The Gondoliers I’m Called Little Buttercup – HMS Pinafore
The Savoy operas of William Gilbert and Arthur Sullivan have some of the most memorable music of all time written for the English language. Using DVD technology you can easily be the star of these great songs as the words are presented on the screen. The joys, sorrows, ecstasy and anguish of Opera are here for you to create your own performance. Using DVD technology, the words are displayed for optimum ease so that you can be the opera star with full orchestral and choral accompaniment. Guide Vocals and Libretti included | | | In stock - usually despatched within 1 working day. |
|
|
| |  | Gilbert & Sullivan (Box Set)
Sullivan, A: | The Mikado The most successful of their ‘Savoy’ operas, The Mikado made fun of English bureaucracy, thinly disguised by its Japanese setting. Enjoying over 650 performances at the Savoy Theatre, this work remains their most frequently performed work, and has been translated into numerous languages. Anne-Maree Mcdonald, Graeme Ewer, Heather Begg, Peter Cousens & Gregory Yurisich The Australian Opera Chorus & The Elizabethan Sydney Orchestra, Andrew Greene The Gondoliers The last of Gilbert & Sullivan’s great successes, The Gondoliers, takes place partly in Venice and partly in the kingdom of Barataria. The lilting score contains some of their most sparkling and tuneful music, and plenty of dancing. David Hobson, Roger Lemke, Suzanne Johnson, Christine Douglas, Robert Gard & Graeme Ewer The Australian Opera Chorus & The Elizabethan Philharmonic Orchestra, Dobbs Franks HMS Pinafore HMS Pinafore was Gilbert & Sullivan’s first international hit, satirising the rise of unqualified people to positions of authority, and poking good-natured fun at the English obsession with social status. As with many of their operas, a surprise twist at the end of the story turned the drama on its head. Anthony Warlow, David Hobson, Colette Mann, John Bolton Wood, Tiffany Speight, Ali McGregor, Roxane Hislop & Richard Alexander Opera Australia Chorus & Orchestra Victoria, Andrew Greene Trial by Jury Composed in a matter of weeks, Trial by Jury pokes humorous fun at the law and the legal profession, based on Gilbert’s own experiences as a barrister. The outrageous antics of the characters led to the work being the toast of London, and was a runaway success. Patience The last of Gilbert & Sullivan’s great successes, The Gondoliers, takes place partly in Venice and partly in the kingdom of Barataria. The lilting score contains some of their most sparkling and tuneful music, and plenty of dancing. Christine Douglas, Heather Begg, Anthony Warlow & Dennis Olsen The Elizabethan Philharmonic Orchestra, David Stanhope |
During their long and successful partnership, William Gilbert and Arthur Sullivan collaborated on fourteen operas, many of which are still regularly performed throughout the English speaking world today. ‘...this production has assembled a cast that simply could not be bettered.’ The Sydney Morning Herald Running time 8 hours 56 mins approx Region Code All regions Picture format 16:9 Anamorphic Sound format 2.0LPCM + 5.1(5.0) DTS Menu languages EN Subtitles EN | | | In stock - usually despatched within 1 working day. |
|
|
| |  |
Anne-Maree Mcdonald, Graeme Ewer, Heather Begg, Peter Cousens & Gregory Yurisich The Australian Opera Chorus & The Elizabethan Sydney Orchestra, Andrew Greene PICTURE FORMAT: 4:3
LENGTH: 151 Mins
SOUND: STEREO
SUBTITLES: EN
“Wit, ingenuity, and a veritable riot of colourful and restless spectacle continue to make The Australian Opera production of The Mikado an experience designed to seduce the eye, charm the ear, and tickle the rib.” Sydney Morning Herald | | | Usually despatched in 2 - 3 working days. |
|
|
| |
|