Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  |
Albert Pesendorf (Hans Sachs), Jochen Kupfer (Sixtus Beckmesser), Michael Putsch (Walther), Michaela Maria Mayer (Eva), Leila Pfister (Magdalena), Tilman Lichdi (David), Guido Jentjens (Pogner), Martin Berner (Kothner), Randall Jakobsh (Ein Nachtwächter) Staatstheater Nürnberg Chorus & Staatsphilharmonie Nürnberg, Marcus Bosch The new General Music Director – Marcos Bosch discovers ‘light Wagner’ at his debut in Nuremberg. Under his direction in David Mouchtar-Samorai’s production, Wagner’s ‘Die Meistersinger von Nürnberg’ almost becomes a high-spirited, light-hearted comedy. | | | Usually despatched in 4 - 5 working days. |
|
|
| |  | Andris Nelsons and the Royal Concertgebouw Orchestra at Lucerne Festival, 4th September 2011
Andris Nelsons is one of the most sought-after young conductors on the international scene today and once again served notice of his extraordinary talent in Summer 2011 when he conducted two concerts with the Royal Concertgebouw Orchestra of Amsterdam at the prestigious Lucerne Festival. In this concert (available on DVD and Blu-ray) orchestra and conductor demonstrate their brilliance in some of the most spectacular orchestral works ever written. Total: 100 minutes DVD: DTS 5.1, PCM Stereo Picture 16:9, HD “the percussive glitter of Salome's dance is dispatched with Bartokian verve and dispassion...He treats new tempi as points of arrival rather than departure...bringing a human warmth to a structure that often derives its impact from implacable (not to say dour) relentlessness and encouraging his wind soloists to phrase personally and vocally...if you don't care for Shostakovich, you may find this performance surprisingly convincing.” Gramophone Magazine, September 2012 “It's an oddly balanced programme, but Nelson's passionate engagement and facial expressiveness in every facet, always balanced by his discipline with or without a baton, hold the spell...the monumental Shostakovich Symphony No. 8 has to be the reason for giving the concert permanence, and how singularly Nelsons plumbs its depths.” BBC Music Magazine, September 2012 ***** | | | Usually despatched in 2 - 3 working days. |
|
|
| |  | Recorded live at the Bayreuth Festival, August 2011
Hans Neuenfels’s striking new production of Wagner’s fairytale opera gives this medieval story of doomed love and sorcery the Bayreuth treatment. As controversial as it is stimulating, this production was the talk of the 2011 Festival, and showcases a new generation of Wagnerian singing talent including soprano Annette Dasch and tenor Klaus Florian Vogt. Running time: 84 minutes Subtitles: EN/FR/DE/ES Sound format: 2.0LPCM + 5.1(5.0) DTS “If the recording of the live performance had been on CD, I would have been mainly enthusiastic. Andris Nelsons is the most promising Wagner conductor I have heard for a long time, and his account of this glowing, radiant score is broad. The singing is good, too, with a lovely Elsa from Annette Dasch, and a Lohengrin who has magnificent moments.” BBC Music Magazine, September 2012 ** “This is a rather special Lohengrin...the spacious Bayreuth sound is moulded with exceptional tonal refinement and richness of colour...Vogt has more than enough stamina and vocal authority to sustain the role. All six solo singers are musically excellent and dramatically persuasive, with Petra Lang's excoriating Ortrud and Georg Zeppenfeld's grave yet warm-toned King Henry particularly memorable...The general air of conviction owes much to the excellent cinematography” Gramophone Magazine, October 2012 “In appearance and textual delivery Vogt is ideal, but his sweet, plaintive voice doesn't ring on top...Vogt hasn't an ideal legato style either, but his tenderness is extremely affecting...[Lang is] directed into overacting, but she sigs passionately into the text and for this role has transformed her mezzo into a bright-toned dramatic soprano. Bayreuth's incomparable chorus really deserves a medal for its performance here.” International Record Review, September 2012 | | | Usually despatched in 2 - 3 working days. |
|
|
| |  | Live Recording from The Wiener Staatsoper, 1990
Set Design by RUDOLF and REINHARD HEINRICH Wagner set the action of his “romantic opera” Lohengrin in the “first half of the 10th century” – an instruction which director Wolfgang Weber and his stage designers Rudolf and Reinhard Heinrich clearly took very seriously when they produced it at the Vienna State Opera in 1990. We do indeed experience the early, gloomy Middle Ages: muted colours, dark clouds, barren landscapes and simple shapes dominate the scene. Weber’s simplicity succeeds in evoking clear symbolism; his staging does not impress by means of the spectacular, but underlines the dramatic sense embodied in the music, allowing the outstanding singers full scope to express themselves in this remarkable production under Claudio Abbado. The main roles are taken by Cheryl Studer as Elsa, and Plácido Domingo as Lohengrin – which he first performed as his debut role at the Hamburg State Opera in 1968, at the age of 27. Sound Format: PCM Stereo Picture Format: 4:3 DVD Format: 1 x DVD 5 & 9, NTSC Subtitle Languages: DE (Original Language), GB, FR, IT, ES Running Time: 219 mins FSK: 12 | | | Usually despatched in 2 - 3 working days. |
|
|
| |  | Wagner’s Dream
This unique film takes us deep into the artistic and musical challenges of staging Wagner’s epic Ring cycle, as a spectacular and groundbreaking new production is created for The Metropolitan Opera, New York. The stakes could not be higher as one of the theater's finest stage directors teams up with one of the world's leading opera companies to tackle opera's most monumental challenge. Robert Lepage’s visionary production – the most ambitious in the history of The Met - features a colossal set weighing 90,000-pounds (“The Machine”), designed to meet Wagner’s extraordinary theatrical demands. An outstanding cast of opera stars including Bryn Terfel and Deborah Voigt are joined by newcomer Jay Hunter Morris, who dramatically steps into the hugely demanding role of the hero Siegfried just days before the production’s world premiere. An intimate look at the challenges of live opera and the risks that must be taken, the film chronicles the creativity and unflagging determination behind this daring attempt to realize Wagner’s dream of a perfect Ring. | | | Usually despatched in 2 - 3 working days. |
|
|
| |  | Recorded live at Philharmonie Berlin, 2000
A unique synthesis of orchestral music from Wagner's Ring cycle. Arranged by Lorin Maazel, the work was designed to be free flowing (no breaks) and chronological, beginning with the first note of Rheingold and finishing with the last chord of Goetterdaemmerung. All the music is Wagner's, and even the transitional material is drawn from the original scores. To convey the breadth and scope of the entire work, Maazel also excerpted material from each opera in proportion to the whole cycle. The result is a 75-minute symphonic journey through Wagner's four great operas. Consisting of four monumental operas, Wagner's The Ring of Nibelung was one of the most ambitious musical projects ever composed, and has been successful in every respect. With its huge orchestras, sprawling mythological plot, and intense musical drama, the Ring changed the world of music. Orchestrally, they are probably the most complex operas in history, and only the most intrepid of orchestras are up to the challenge. One of the world's greatest ensembles, the Berlin Philharmonic, has built an unparalleled reputation in the music of Wagner and his contemporaries. This synthesis by conductor Lorin Maazel includes all the standard Ring orchestral excerpts such as Ride of the Valkyries and Siegfried's Rhine Journey, as well as most of the leitmotifs known to exist in the score. The result is a unique and innovative symphonic suite (played without interruption) performed by one of the world's most esteemed orchestras. Including the EuroArts & Idéale Audience Catalogue - this catalogue brings together two prestigious audio-visual production companies: EuroArts in Germany and Idéale Audience in France, including all new releases from 2012 and all available DVDs and Blu-ray Discs. Picture format: NTSC - 16:9 Sound formats: PCM Stereo, DD 5.1, DTS 5.1 Region code: All Booklet notes: English, German, French Bonus-Original Language: English Bonus-Subtitles: German, French, Japanese Running time: 88 mins (83 mins-Performance + ca. 5 mins-Bonus) | | | Usually despatched in 2 - 3 working days. |
|
|
| |  | C(H)OEURS: Choirs/Hearts: A Contemporary BalletRecorded 2012 Teatro Real, Madrid
Les ballets C de la B, Chorus and Orchestra of Teatro Real & Madrid Symphony Orchestra and Chorus, Marc Piollet (musical director) & Alan Platel (stage director) Dramaturge Hildegard De Vuyst Musical Dramaturg Jan Vandenhouwe Additional Music Steven Prengels Costume Designer Dorine Demuynck Lighting Designer Carlo Bourguignon Sound Designer Bart Uyttersprot Choirmaster Andrés Máspero C(h)oeurs, a mix of Choirs (choeurs) and Hearts (coeurs) in French, is a new musical drama set against the backdrop of contemporary international economic crisis and national protests, and the ensuing changes in society. Pursuing a reflection on the emotions felt by the individual and generated by the masses, singers from the internationally renowned Chorus of the Teatro Real perform alongside dancers of Alain Platel’s company les ballets C de la B in a spectacular presentation of excepts from Verdi’s and Wagner’s distinct works. Many works of Giuseppe Verdi and Richard Wagner are linked to the liberal revolutions of 1848, the "Springtime of Peoples", that swept away absolutism in Europe. Each musical piece blends seamlessly into the next, drawn by the actions of the individuals and groups through the expressiveness of their singing and movement. | | | Usually despatched in 2 - 3 working days. |
|
|
| |  |
Lisette Oropesa (Woglinde), Jennifer Johnson Cano (Wellgunde), Tamara Mumford (Flosshilde), Eric Owens (Alberich), Stephanie Blythe (Fricka), Bryn Terfel (Wotan), Richard Croft (Loge), Franz-Josef Selig (Fasolt), Hans-Peter König (Fafner), Wendy Bryn Harmer (Freia), Adam Diegel (Froh), Dwayne Croft (Donner), Patricia Bardon (Erda), Gerhard Siegel (Mime) Metropolitan Opera Orchestra and Chorus, James Levine Production by Robert Lepage | 
| | | Usually despatched in 2 - 3 working days. |
|
|
| |  |
Production by Robert Lepage “Deborah Voigt's Brunnhilde is attractively lyrical. Jay Hunter Morris's stand-in Siegfried is a discovery, a handsome, extrovert giant.” BBC Music Magazine, June 2013 **** | 
| | | Usually despatched in 2 - 3 working days. |
|
|
| |  |
Jay Hunter Morris (Siegfried), Deborah Voigt (Brünnhilde), Hans-Peter König (Hagen), Eric Owens (Alberich), Iain Paterson (Gunther), Wendy Bryn Harmer (Gutrune), Waltraud Meier (Waltraute), Maria Radner (Erste Norn), Elizabeth Bishop (Zweite Norn), Heidi Melton (Dritte Norn), Erin Morley (Woglinde), Jennifer Johnson Cano (Wellgunde), Tamara Mumford (Flosshilde) Metropolitan Opera Orchestra and Chorus, Fabio Luisi Production by Robert Lepage “Deborah Voigt's Brunnhilde is attractively lyrical. Jay Hunter Morris's stand-in Siegfried is a discovery, a handsome, extrovert giant...Iain Paterson's Gunther is so strong it's no surprise he's moving on to Wotan; Hans-Peter Konig is a brutish Hagen.” BBC Music Magazine, June 2013 **** | 
| | | Usually despatched in 2 - 3 working days. |
|
|
| |
|