Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Stage Director - Emilio Sagi
Sung in the original French with subtitles in English, German, Italian, Spanish and Chinese. BBC Music Magazine
DVD Choice - January 2007 |
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| |  | Sung in Italian
Dimitra Theodossiou, Roberto De Biasio, Enrico Giuseppe Lori, Nidia Palacios, Luigi Albani, Giuseppe Di Paola & Mauro Corna Orchestra and Chorus of the Bergamo Musica Festival Gaetano Donizetti, Tiziano Severini Director: Francesco Bellotto Filmed at the Teatro Donizetti, Bergamo, Italy, 30 November & 2 December 2007 Based on Victor Hugo’s most sensational play, Lucrèce Borgia, a scandalous tale of murder, torture, incest, homosexuality, drunkenness and orgies, Donizetti’s opera is one of the great masterpieces of Italian bel canto repertoire. While omitting some of its more excessive elements, the libretto by Felice Romani inspired Donizetti to compose superb arias, duets, ensembles and choruses, bringing each act to a stirring conclusion. Beautifully costumed and designed, brimming with high drama and pathos, this production stars in the infamous title rôle Greek diva Dimitra Theodossiou, praised for her stupendous acting and singing in Donizetti’s Roberto Devereux (Naxos DVD 2110232). | | | Usually despatched in 2 - 3 working days. |
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| |  | Recorded live Nationaltheater, Munich, July 2007
Edita Gruberova (Lucrezia), Pavol Breslik (Gennaro), Franco Vassallo (Don Alfonso), Alice Coote (Maffio Orsini), Bruno Ribeiro (Jeppo Liverotto), Christian Rieger (Don Aposto Gazella), Christopher Magiera (Ascanio Petrucci), Erik Årman (Oloferno Vitellozzo), Steven Humes (Gubetta), Emanuele D'Aguanno (Rustighello), Christian Van Horn (Astolfo) Chor der Bayerischen Staatsoper & Bayerisches Staatsorchester, Bertrand de Billy "The raison d'etre of this new production of Lucrezia Borgia at the Bayerische Staatsoper is undoubtedly the great Edita Gruberova. Sopranos come and go, but there is always Edita, who has been in front of the public for almost forty years and still going strong, thank you very much. At the age of 62, many of her contemporaries would likely have retired to a teaching post somewhere, or at least moved on to the old ladies, the maids, the witches, and other assorted "character roles" in opera, or disappeared from public view altogether. Not Edita Gruberova, who remains the undisputed Queen of Bel Canto. …Her coloratura - and the seemingly infinite variations in dynamics - is as amazing as ever. …Lucrezia is not exactly a charming character, poisoning everyone in sight, but Gruberova managed to make her sympathetic.The final scene was a vocal and dramatic tour de force that one rarely encounters these days. She was well partnered by a fellow Slovak, tenor Pavel Breslik, who was an exceptionally fine Gennaro. Celebrated in Mozart, I wasn't prepared for his idiomatic Italian, his plangent timbre and stylish yet heart-onsleeve singing/acting was an unalloyed pleasure. Looking handsome and youthful, he complemented the soprano perfectly…he is a natural candidate for any director wanting to show some flesh onstage, witness his Idamante last season. Christof Loy had him scraping a knee, taking off his shirt ostensibly to wipe off the blood.Another example - the libretto calls for Gennaro to destroy Lucrezia's coat of arms. In this contemporary production, it was replaced by her name in large illuminated letters attached to the gray background. Gennario rips the B off her name and throws it on the stage floor - rather amusing as "ORGIA" remains on the wall, the implications of which rather unmistakable. The production is extremely pared-down, with really no set to speak of, a bare stage save for a few office chairs.Yet there is something to be said about this approach, as it allows one to focus on the emotional and dramatic core of the work. ...Ultimately this is a vehicle for the prima donna so nothing else really matters, especially when the diva delivered in spades like last evening…The third vocal standout was British mezzo Alice Coote as Maffio Orsini.The Gennaro-Maffio duet was a highlight of the evening…her Act Two extended scena was terrific. BONUS: The Art of Bel Canto - Edita Gruberova A Portrait an empathic portrait of the Queen of coloratura, Edita Gruberova, prima donna assoluta. NTSC 16:9, PCM Stereo, Dolby Digital 5.1, DTS 5.1 Region Code: 0 Original language: Italian Subtitles: English, German, French, Italian Booklet Notes: English, German, French Running Time: 129 mins + 54 mins Documentary German FSK: 6 “Christof Loy's serious contemporary production has simple modern clothes… and little scenery… Entries, exits and who is onstage are treated in deconstructionist fashion. This is exciting in Act 2 where the constant presence of the Duca (Alfonso) and his oily henchman Rustighello at Princess Negroni's party is not realistic but hugely underlines the threat to Gennaro, Maffio Orsini and their friends visiting Ferrara. The Slovak soprano legend Edita Gruberová... produces a dramatic performance of concentration, at its most convincing in Act 2 where her age meshes well with the character of distraught mother. The handsome Slovakian tenor Pavol Breslik is a star Gennaro of passion and agility, and Alice Coote is a convincingly butch Maffio. The orchestra play richly for de Billy who sounds at home in this repertoire.” Gramophone Magazine, March 2010 “the major vocal honours of the evening belong to Pavol Breslik as Gennaro. He sings with excellent diction, variety of tone and good characterisation whilst acting with conviction...If the production and staging lacks cohesion and conviction, thankfully those convictions are present in the pit under the direction of Bertrand de Billy.” MusicWeb International, June 2012 | | | This item is currently out of stock at the UK distributor. You may order it now but please be aware that it may be six weeks or more before it can be despatched. |
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Joan Sutherland (Marie), Anson Austin (Tonio), Heather Begg (Marquise of Berkenfield), Gregory Yurisich (Sulpice), Gordon Wilcock (Hortensius), Stephen Bennett (A Peasant), David Lemke (Corporal), James Huxtable (Dancing Master), Drew McFarlane (Notary) The Australian Opera Chorus & The Elizabethan Sydney Orchestra, Richard Bonynge PICTURE FORMAT: 4:3
LENGTH: 119 Mins
SOUND: STEREO
SUBTITLES: EN
“…a lively and picturesque production of a romantic comedy.” Sydney Morning Herald | | | Usually despatched in 2 - 3 working days. |
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Joan Sutherland (Lucrezia Borgia), Ronald Stevens (Gennaro), Margreta Elkins (Maffio Orsini), Richard Allman (Don Alfonso), Robin Donald (Jacopo Liveretto), Lyndon Terracini (Don Apostolo Gazella), Gregory Yurisich (Ascanio Petrucci), Lamberto Furlan (Oloferno Vitellozzo), Pieter Van der Stolk (Gubetta), Graeme Ewer (Rustighello), John Germain (Astolfo), Neville Grave (Un servo), Eddie Wilden (Un coppiere) The Australian Opera Chorus & The Elizabethan Sydney Orchestra, Richard Bonynge Lucrezia Borgia, infamous noblewoman of the Renaissance, has outlived three husbands and is now married to Don Alfonso, Duke of Ferrara. After the Borgia’s palace is defaced by vandals, Lucrezia demands the desecrator’s death to avenge the insult. When the noble young soldier Gennaro is arrested for the crime, Lucrezia’s thirst for vengeance and murder sets in motion a tragic chain of events that eventually destroys her enemies and herself. PICTURE FORMAT: 4:3
LENGTH: 140 Mins
SOUND: STEREO
SUBTITLES: EN
“Lucrezia Borgia is a lyrical masterly example of Donizetti's art that delights the ear endlessly… Sutherland made the low key arias breathtaking vehicles for the most ravishing singing one is likely to hear on any opera stage in the world” The Financial Review | | | Usually despatched in 2 - 3 working days. |
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| |  | Live Recording from the Ravenna Festival 2006
Claudio Desderi (Don Pasquale), Mario Cassi (Malatesta), Francisco Gatell (Ernesto), Laura Giordano (Norina) Orchestra Giovanile Luigi Cherubini, Riccardo Muti Recording Date: 2006
Place of recording: Live from the Ravenna Festival
Running Time: 124 min
Picture Format: 16:9
Sound Format: PCM Stereo, Dolby Digital 5.1, DTS 5.1
Language: I
Menu Languages NTSC: D, F, GB, SP
Subtitle Languages NTSC: D, F, GB, I, JP, SP
“[On Riccardo Muti] One of the towering musicians of our time” New York Times “[Giordano] is fully equal to the vocal bravura demanded of her...But the opera is dominated by Desderi's dignified portrayal of Pasquale, and it is given greater pathos than usual...Muti keeps the action alive through every moment of Donizetti's miraculous score” Penguin Guide, 2011 edition | | | Usually despatched in 2 - 3 working days. |
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| |  | Live Recording from The Teatro Alla Scala, 1996
Ewa Podles, Bruno Praticó, Paul Austin Kelly & Mariella Devia Orchestra and Chorus of The Teatro Alla Scala, Donato Renzetti (conductor) & Filippo Crivelli (director) After the Second World War, La Fille du Régiment gradually fell into oblivion. Small wonder, as it had become difficult to treat the anything but contemporary chauvinism of such a work. Dramatic and musical reasons raise their heads, making it impossible to gloss over the military-nationalistic traits or to interpret them any other way. The Director, Filippo Crivelli, therefore chose the reverse way for his production at the Scala Milan. He presented the events with the disarming ingenuousness of a picture book. Right from the beginning he and his illustrious stage set designer, Franco Zeffirelli, left no one in any doubt that this idyllic Tyrol was nothing but painted scenery and was thus the place of an unrealistic, playful event. The Italian soprano Mariella Devia, especially renowned as Bellini and Donizetti interpreter, proved with this role not only her fantastic vocal ability but also her talent for comedy as well as Paul Austin Kelly who brilliantly masters the notorious famous eight (!) high Cs of his cavatina Pour son amen. Sound Format: PCM STEREO, DD 5.1, DTS 5.1 DVD Format: DVD 9, NTSC Picture Format: 4:3 Running Time: 135 mins FSK: 0 Subtitle Languages: GB, DE, FR, ES, IT, CN | | | Usually despatched in 2 - 3 working days. |
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Filmed in 1981, live from the Metropolitan Opera, Luciano Pavarotti sings Nemorino in Donizetti's comic opera. This one of his Pavarotti's most famous roles and here he sings it in his prime joined by an all-star ensemble: Judith Blegen sings the role of Adina and the great comic baritone Sesto Bruscantini plays the wily Dr Dulcamara. Nicola Rescigno conducts. Kirk Browning's production is traditional and entertaining. Now available worldwide for the first time on Decca DVD. | | | Usually despatched in 2 - 3 working days. |
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| |  | Donizetti - La Fille du Régiment & Don Pasquale
Donizetti: | La Fille du Régiment Recorded Teatro Carlo Felice Genoa Italy 2005 Juan Diego Flórez (Tonio), Patrizia Ciofi (Marie), Nicola Ulivieri (Sulpice), Francesca Franci (La Marquise de Birkenfeld) Orchestra e Coro del Teatro Carlo Felice, Riccardo Frizza Don Pasquale Recorded live at the Royal Opera House, Covent Garden, January 2007 Juan Diego Flórez (Ernesto), Isabel Rey (Norina), Ruggero Raimondi (Don Pasquale), Oliver Widmer (Malatesta) Zurich Opera House Orchestra & Chorus, Nello Santi |
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