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Franz Grundheber (Wozzeck), Waltraud Meier (Marie), Graham Clark (Hauptmann), Günter von Kannen (Doktor), Mark Baker (Tambourmajor), Endrik Wottrich (Andres), Siegfried Vogel (1er Handwerkbursche), Roman Trekel (2er Handwerkbursche), Peter Menzel (Narr), Dalia Schaechter (Margret) Staatskapelle Berlin, Staatsoper Unter den Linden & Chor der Deutschen Staatsoper Berlin, Daniel Barenboim Staged by Patrice Chéreau The legendary production of Alban Berg’s Wozzeck, formerly released by Warner Music, again available on DVD. A splendid opera under the musical direction of Daniel Barenboim and staged by his close friend Patrice Chérau. When Alban Berg saw a performance of the existentialist drama Woyzeck by Georg Büchner, he said it left such a tremendous impression on him that he immediately made up his mind to set it to music. Berg is recasting Büchner’s fragmentary drama in a nearly expressionistic way. His music tears into the flesh. Berg’s Wozzeck is not just an opera about social compassion, it is an opera in which fear finds consummate musical expression. This extraordinary performance at the Staatsoper Unter den Linden was staged by Patrice Chéreau who can be called one of the greatest theatrical directors of this century. Outstanding opera singers Franz Grundheber, Waltraud Meier, Graham Clark, Günter von Kannen and Mark Baker and many others complete this great opera performance. Picture format DVD: NTSC 4:3 Sound format DVD: PCM Stereo Region code: 0 (worldwide) Subtitles: English, German, French, Italian, Spanish Booklet notes: English, German, French Running time: 97 min | 
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Georg Nigl (Wozzeck), Mardi Byers (Marie), Maxim Paster (Captain), Pyotr Migunov (Doctor) & Roman Muravitsky (Drum-major) Orchestra & Chorus of the Bolshoi Theatre, Teodor Currentzis Stage direction and set design: Dmitri Tcherniakov In 2010, for the first time in its history, the Bolshoi Opera presented Alban Berg’s masterpiece 'Wozzeck'. Dmitri Tcherniakov’s truly historic production is now available in this DVD. The Russian director’s aim with this bold, sensitive transposition was “to highlight the hidden sorrows of a late 20th-century man dwelling in a megalopolis.” The redoubtably complex title role was entrusted to Austrian baritone Georg Nigl. Nigl studied with Kammersängerin Hilde Zadek. Over the last few years he has worked with, among others, Thomas Hengelbrock and his Baltasar Neumann Ensemble, Jordi Savall and his Hesperion XXI Ensemble, and Giovanni Antonini and Luca Pianca and their Il Giardino Armonico. American soprano Mardi Byers plays Marie. A native of Colorado, she made her international debut as 'Tosca' in Lübeck and Elisabetta in 'Don Carlos' in Wiesbaden and Basel. She has also sung Donna Anna and Suor Angelica at the New York City Opera, as well as Elisabeth in 'Tannhäuser' and Ariadne. The Proms audience saw her in Mahler 8 in 2010 with Jiri Belohlavek. Greek conductor Teodor Currentzis directs the Bolshoi Theatre Orchestra and Chorus. Artistic director of the Perm Opera and founder and musical director of the Musica Aeterna ensemble, Currentzis is now to be seen in the world’s leading venues: the Opéra de Paris, Opernhaus Zurich, Bayerische Staatsoper Munich, the Royal Opera House Covent Garden and the Teatro Real in Madrid. “there's little doubt that much credit for this significant revival must be given to Teodor Currentzis, whsoe committed conducting inspires the Bolshoi Theatre Orchestra to deliver an urgent account of the score...Tcherniakov has chosen to recast Wozzeck in a contemporary context, as a purely psychological drama exploring the inertia of life in the metropolis.” BBC Music Magazine, February 2013 *** “Everyone involved...knows exactly where they are going and gets there triumphantly...Nigl's carefully paced Wozzeck (far less 'expressionist' than we may be used to) and Byers's pitch-perfect everyday working woman of a Marie are ably supported...unless you cannot cope with the loss of an early-19th century period setting, this production will furnish the clearest possible expose of the Berg-Buchner drama.” Gramophone Magazine, December 2012 “Wozzeck on DVD is an extraordinary experience when one encounters well-directed singers who respond to the camera with the ease of film actors … Georg Nigl’s attractively light-timbred voice deals with this music so easily...[Byers] owns a youthfully lovely spinto instrument that can ‘float’ and let loose with equal ease … All in all a magnificent release” International Record Review, November 2012 | | | In stock - usually despatched within 1 working day. |
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| |  | Salzburg Festival Opening Concert 2011
Top cast with Pierre Boulez, Wiener Philharmoniker, Dorothea Röschmann and upcoming soprano Anna Prohaska. After two works by Mahler’s pupil Alban Berg, featuring Röschmann and Prohaska, the main event of the concert is Gustav Mahler’s Das klagende Lied – a “great spectral opera for the mind’s eye” (Wiener Zeitung) The Salzburg Festival is regarded by many as the world’s most renowned music festival. Running Time Total: 95 minutes Picture 16:9, HD Sound DVD: DTS 5.0, PCM Stereo Subtitles G, E, F, Sp, Kor., Chin. “a beautifully shaded performance [of the Mahler] by Boulez and a superb cast” BBC Music Magazine, Christmas 2012 ***** | | | In stock - usually despatched within 1 working day. |
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| |  | Recorded at the Felsenreitschule during the Salzburg Festival 2011
Patricia Petibon (Lulu), Pavol Breslik (The Painter/A Negro), Michael Volle∙(Dr. Schön/Jack the Ripper), Cora Burggraaf (Dresser/High_School Boy/Groom), Franz Grundheber (Schigolch), Thomas Piffka (Alwa), Thomas Johannes Mayer (An Animal Tamer/Rodrigo), Heinz Zednik (The Prince/The Manservant), Andreas Conrad (The Marquis), Martin Tzonev (The Theatre Manger/The Banker), Emilie Pictet (A Fifteen-year-old girl), Cornelia Wulkopf (Her Mother) Wiener Philharmoniker & Upper Austrian Jazz Orchestra, Marc Albrecht Vera Nemirova, staging Vera Nemirova’s challenging production of Berg’s operatic masterpiece Lulu won critical acclaim when first seen at the Salzburg Festival in 2010, and was successfully repeated in 2011, when the production was filmed for DVD. Supporting Nemirova’s powerful vision of corruption, decadence and death were the highly praised set designs by the young German artist Daniel Richter. Musically the production was led with style and assurance by the brilliant young German conductor Marc Albrecht, currently director of the Netherlands Opera. Singing Lulu with allure and passion was the lauded French soprano Patricia Petibon, whose charms gripped an outstanding cast of top European singers. Lulu is a very rarely performed work, which was also left unfinished by the composer. This performance includes the missing 3rd act, which was completed by Friedrich Cerha, winner of the Salzburg Music Award 2010. Picture format DVD: NTSC 16:9 Sound formats DVD: PCM Stereo, Dolby Digital 5.1, DTS 5.1 Region code: 2,3,4,5,6,8 Subtitles: English, French, German, Italian, Chinese, Japanese, Korean Booklet notes: English, German, French Runnning time: 173 mins “Musically there is plenty to admire...Ultimately, it is Volle as Dr Schon and Jack the Ripper who impresses most...Petibon's background in early music may be thought to give her an unusual degree of vulnerability...After a cautious start, her performance gains conviction as it proceeds...this is one of those recordings that takes time to reach the dark, disturbed heart of Berg's most ambivalently poised and perturbing work.” Gramophone Magazine, Awards Issue 2012 “The singing and acting of Patricia Petibon as Lulu is magnificent. She is that rare creature, a singer with the face and figure of a model...One does not have to wonder why men fall under her spell and even die of it...Almost all of the staging and costuming is dedicated to the service of this music. It is not necessary to suspend one's disbelief as so often happens in current opera staging: here one is gripped from beginning to the disturbing and bloody end.” MusicWeb International, August 2012 “Nemirova's vibrant Salzburg production deliberately removes Berg's provocative opera from direct association with a specific time or place, placing the drama in a more mythical context...Almost all the major protagonists are powerfully drawn...But the real stars of this superb performance are undoubtedly the Vienna Philharmonic and conductor Marc Albrecht, who bring a glorious richness, warmth and emotional intensity to Berg's astonishing score.” BBC Music Magazine, February 2013 ***** | | | Usually despatched in 2 - 3 working days. |
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Patricia Petibon (Lulu), Julia Juon (Countess Geschwitz), Ashley Holland (Dr. Schön/Jack the Ripper), Will Hartmann (Painter/Negro), Paul Groves (Alwa), Silvia de la Muela (Bell boy/Student), Franz Grundheber (Schigolch), Andreas Hörl (Athlete), Robert Wörle (Professor/Prince/Majordomo), Kurt Gysen (Banker/Theatre’s director) Symphony Orchestra of the Gran Teatro del Liceu, Michael Boder Lulu is opera’s rawest exposition of the fatal risks of untamed erotic power. No man who meets Lulu does not want her − but, like the wind, she cannot be possessed. As happens to the heroine herself, the men who attempt to subdue her, and the one woman who also adores her, are destroyed by the flip side of the life force that pours through Lulu: death Patricia Petibon is Lulu to the life. She sings Berg’s taxing music with easy, tonal beauty; the roles numerous acuti pose no problem. As The Weekend Australian observed: “Her top register, in particular, has a rich, luminous quality . . . that she exploits to great effect” This live DVD of the Liceu’s 2010 hit production by Olivier Py also stars Franz Grundheber and Julia Juon. Michael Boder’s conducting brings out the sensuality and psychological disequilibrium of Berg’s 12-tone score. The New York Times praised Petibon’s “earthy rawness” Please note: This production contains nudity and sexual situations “The French soprano is in confident, fearless voice over the entire range of this killer part and paces herself with skill...There is an almost constant display of sex on view but it never pulls focus in the wrong way...Hugely recommended: more satisfying, and demanding, and with a fuller central performance, than any filmed Lulu to date, save that elusive Chereau.” Gramophone Magazine, February 2012 | | | In stock - usually despatched within 1 working day. |
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Recorded live on 20th December 1980 “set at the turn of the 20th century, it's played naturalistically and with considerable restraint. But its toned-down quality also emphasises the underlying idea of a society unable to confront its own hang-ups, and the performances are faultless. Julia Migenes's Lulu is at once self-consciously provocative and disturbingly naive...Levine ratchets up the tension; the closing scenes are unforgettable.” The Guardian, 8th December 2011 | | | Usually despatched in 8 - 10 working days. |
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| |  | Live Recording from The Zurich Opera House, 2002
Laura Aikin (Lulu), Cornelia Kallisch (Gräfin Geschwitz), Alfred Muff (Dr. Schön), Peter Straka (Alwa), Steve Davislim (Painter), Katharina Peetz (Dresser), Andrea Bönig (Gymnast), Martin Zysset (Manservant), Rolf Haunstein (Animal Tamer/Athlete), Guido Götzen (Schigolch), Peter Keller (Doctor) Zurich Opera House, Franz Welser-Möst (conductor) & Sven-Eric Bechtolf (stage director) Set by Rolf Glittenberg When Lulu was premiered in Zurich in 1937, it immediately created a scandal. Even though the sexually explicit topic and the somewhat dubious characters of the drama barely cause a stir in the modern theatre world, stagings of the opera are still accompanied by divided opinion as to how to interpret the figure of Lulu and – since the advent of Friedrich Cerha’s completion – which version of the originally unfinished work to use. Arthaus presents a staging produced at the Zurich Opera, which offered an unusual and remarkable solution: it returned to the incomplete two-act version seen at the premiere. The finale consists of the Variations and the Adagio from the Lulu Suite, which conclude the work as a kind of coda. Musical Director Franz Welser-Möst felt that the unfinished state of the work was not merely due to the composer’s death in 1935, but also because Berg himself seems to have changed his concept of the opera. It seems that Berg’s final ideas, including the appearance of Lulu’s suitor as the reincarnation of her previous husbands in the third act and the equation of Dr. Schön with Jack the Ripper, fit Sven Eric Bechtolf‘s interpretation of the title figure extremely well. Opera performance and bonus film together provide the viewer of this DVD with an enlightened approach to one of the few post-tonal operas that enjoy ongoing success on stage. BONUS: Lulu – The Lethal Victim. A Film by Reiner E. Moritz Sound Format: PCM Stereo, DD 5.1, DTS 5.1 Picture Format: 16:9 DVD Format: DVD 9, NTSC Subtitle Languages: DE, GB, FR, ES, IT Running Time: 130 mins + 34 mins (bonus) FSK: 12 | | | Usually despatched in 2 - 3 working days. |
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| |  | Claudio Abbado conducts Prokofiev, Berg & TchaikovskyLucerne Festival at Easter 2010
Five years after first conducting the Simón Bolívar Youth Orchestra in their Venezuelan home, Claudio Abbado continues his commitment to this stunning ensemble in this first joint audiovisual concert recording. Prokofiev’s extrovert Scythian Suite is a gift for the boundless energy of these young players, while the intricacy and anguish of Berg’s Lulu-Suite are an Abbado speciality, with soprano Anna Prohaska, in her Lucerne Festival debut, singing the heroine’s dazzling statement of self-justification. The concert ends with an impassioned account of Tchaikovsky’s Pathétique, his final symphony, one of the most moving works in music history. Picture Format DVD: NTSC 16:9 Sound Formats DVD: Dolby Digital 5.1., DTS 5.1, PCM Stereo, Region Code: 0 (worldwide) Booklet notes: Songtexts in German Running Time: 111:45 Disc Format: DVD 9 FSK: 0 “It's amazing the way Abbado brings the melodic writing to the fore in the very different worlds of the Prokofiev and the Berg Lulu Suite, crowned by Anna Prohaska's meaningful characterisation...As for Tchaikovsky's Pathétique, I challenge you to sit unshaken through the way Abbado nurtures string tone, body and vibrato from his Latin players.” BBC Music Magazine, January 2011 ***** “It's scintillatingly communicative. Some of the players are noticeably a touch nervous; it makes the Tchaikovsky grippingly heartfelt while the Berg...has an edgy quality that really brings it alive...Watching Abbado's response to these young Latinos, and vice-versa, reminds you of those transcendental human qualities music has...I can't imagine there being a more engaging audio-visual recording of [these works]” Classic FM Magazine, March 2011 **** “Aided by superb camera work, we see him, gaunt but energised, bringing sophistication and élan to Prokofiev’s monster canvas, conjuring magic and fragrance from the Berg and driving the Pathétique to the edge of the abyss.” Financial Times, 14th January 2011 **** “the combination of [Abbado's] sophisticated ear for sonority with the band's raw energy and sheer strength in numbers make for some terrific music-making...his exquisite touch is evident throughout in what is obviously a meticulously prepared account as well as a suitably emotive one...[Prohaska] is marvellous.” International Record Review, April 2011 BBC Music Magazine
DVD Choice - January 2011 |
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| |  | Recorded live at the Royal Opera House, Covent Garden, London, in June 2009
Berg’s masterful and thought-provoking opera tells the gripping story of the rise and fall of an alluring, destructive but vulnerable woman, culminating in her death at the hands of Jack the Ripper. Christof Loy’s austere, minimalist production allows the complexities of the drama to unfold through the sumptuous, taut beauty of the score. Agneta Eichenholz and Michael Volle lead an all-star cast under Antonio Pappano. Philip Langridge took the role of the Prince, in his last stage appearance before his sudden death earlier this year. Recorded in High Definition and true surround sound. (Contains Scenes of Violence) “It is immaculately rehearsed and executed – one doesn't often see opera acted with such freedom and honesty and absence of flummery. And its unsparing analytic clarity forces one to confront the bitter truth about Lulu's inner life and the corruption and idiocy of the men who are infatuated by her. … Antonio Pappano's electrifying conducting is razor-sharp in the manner of Pierre Boulez, and the orchestral playing is magnificent. … Singing with an extraordinary grace and insouciance, Eichenholz manages to make this monster chillingly real and hauntingly beautiful.” The Telegraph Extra features: Cast gallery Interview with Antonio Pappano Interview with Agneta Eichenholz Running time 205 mins Region code All regions Picture format 16:9 Anamorphic Sound format 2.0 LPCM & 5.1 DTS Digital Menu language EN Subtitles EN/FR/DE/ES “Robin Lough's direction for the cameras is faithful to Loy's conception and the outstanding cast...Volle holds the stage as Dr Schön/Jack the Ripper; Eichenholz's Lulu ensnares and is also vulnerable...As presented here, Lulu is an emotional and musical roller-coaster.” International Record Review, July/August 2010 “Pappano has a firm grip of every nuance of the music, from the gossamer-like delicacy after the dialogue at the end of Act II to the various moments of wrenching, disturbing power.” BBC Music Magazine, November 2010 *** “[Loy] wants us to work hard, to forget chasing any scent or taint of voyeurism...while Pappano is keen to bring clarity, both in his conducting and his talking...Like many productions now staged with an eye to DVD release, the 16:9 shape of the stage and intimacy of gesture certainly make more sense now than they did in the theatre...Will Hartmann is a wonderfully open, naive Painter, a Schubertian young Wanderer” Gramophone Magazine, July 2011 | | | Usually despatched in 2 - 3 working days. |
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| |  | Berg - Violin Concerto & DocumentaryLive Recording from The Herkulessaal Munich
Recorded live from the Herkulessaal Munich, Sir Colin Davis conducts the Bayerischer Rundfunk Symphony Orchestra, with soloist Gidon Kremer, in a performance of Alban Berg‘ s elegiac Violin Concerto. Alban Berg completed this concerto for violin and orchestra in 1935, impelled by the news of the death of Manon Gropius, the beautiful eighteen-year-old daughter of Mahler‘s widow by her second marriage, to the architect Walter Gropius. He dedicated it “to the memory of an angel”. THE SECRET LIFE OF ALBAN BERG (DOCUMENTARY) Alban Berg (1885-1935) lived in the mainstream of well-to-do Austrian society. His marriage to the beautiful Hélène was thought to be made in heaven. But how can this doyen of Viennese respectability be reconciled with the composer who wrote the dark operas Wozzeck and Lulu? In this multi-layered film, director Krišs Rusmanis explores the private world behind the composer’s public image and reveals the double life Berg led, despite his moving protestations of fidelity and devotion to his wife. While condemning the moral hypocrisy of society in Lulu, he concealed the existence of his illegitimate daughter, Albine, continued more than one clandestine love affair and frequented the sleazy haunts that flourished in Vienna. This multi-layered film explores Berg‘s double life. Soprano Kristine Ciesinki, who features in specially-staged extracts from Lulu and Wozzeck, travels to Vienna, Prague, the USA and Germany to track down important archive documents and people who can recall the composer‘s presence in their lives. Running Time: 82 min
Picture Format: 16:9
Sound Format: PCM Stereo, DD 2.0
Language: D, F, GB, SP
Menu Languages NTSC: GB
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