Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | 2012 Festival Massenet
Orchestre et Choeur Francais d'Oratorio, Jean-Pierre Lo Re Taken from the festival to celebrate the centenary of Jules Messenet, Erol brings this DVD containing the sacred operas of Massenet: Herodiade-Le Jongleur de Notre-Dame-Thais-Le Cid, performed by the Oratorio Choir of Cologne (conducted by Andreas Meisner), and the main work on this DVD, La Terre Promise. Accompanied by the Orchestre Francais d’Oratorio and the Choer Francais d’Oratorio, this production is a wonderful celebration of Massenet’s choral works. | 
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Tsveta Sarambelieva, Orlin Anastasov, Venteslav Anastasov, Silvia Teneva, Rositsa Pavlova-Indzheva, Krasimir Dinev, Plamen Papazikov & Alexander Georgiev Orchestra, Chorus and Ballet of the Sofia National Opera, Bulgaria., Francesco Rosa (conductor) & Palmen Kartaloff (stage director) Performed at the Sofia National Opera and Ballet in Bulgaria. This recording highlight’s Massenet’s brilliantly comedic Don Quichotte. This is accentuated by a superb cast and stage director, Palmen Kartaloff. Picture Format: 16:9 Subtitles: Fre, Eng, Ger, Spa, Ita and Bg. Booklet Notes: Ita/Eng Available Worldwide “Anastasov is the undoubted star of Kartaloff's staging, with a decent supporting cast. Hi-tech visuals partly make up for a contrived, modern-dress production.” BBC Music Magazine, June 2013 *** | 
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| |  | Philippe Jaroussky: La voix des rêvesGreatest Moments on Concerts
Philippe Jaroussky, described by Germany’s Die Zeit as “the Apollo of countertenors’, stands out among his many talented contemporaries as much for the soprano-like beauty of his tone as for the elegance and insight of his interpretations and his adventurous and erudite approach to repertoire – whether unearthing neglected scores by little-known composers or venturing beyond the Baroque into the 19th and 20th centuries. Established as one of Virgin Classics’ bestselling artists, Jaroussky, now aged 34, has been honoured three times in the Victoires de la Musique awards in his native France and has also received Germany’s most prominent music prize, the Echo Klassik. His diverse achievements are saluted in two new collections on Virgin Classics – the 2CD set “The Voice” and the DVD and Blu Ray “La Voix des rêves: Greatest moments in Concert”. “LA VOIX DES RÊVES - Greatest Moments in Concert” (available on DVD & Blu Ray) features video footage from a number of occasions and venues – including items from a concert given among the crystal chandeliers of the splendid Galerie des Glaces in the palace of Versailles, and works by Handel and Vivaldi performed in another jewel of French Baroque architecture, the sumptuously decorated Chapelle de la Trinité in Lyon. Also included are exclusive interviews an array of fellow musicians: Jean-Christophe Spinosi, Emmanuelle Haïm, Christina Pluhar; Jérôme Ducros, Quatuor Ebène, Gautier Capuçon, Marie-Nicole Lemieux and Renaud Capuçon. Jaroussky and his appeal were aptly summarised in a recent profile in the French magazine Balthazar: “Philippe Jaroussky alternates between opera and recitals, bringing his sensual, graceful voice and matinee idol looks, and this has made him a key star of classical music. But his recordings also reveal a skilled musicologist who has revived numerous forgotten artists like the castrato Carestini [and the composers] Johann Christian Bach and Caldara. Jaroussky simply glows. Anyone who has had the opportunity to meet him will find it hard to forget his enthusiastic conversation and his magnetic gaze.” The singer made his passions clear in an interview with Crescendo magazine, revealing that “I don’t like being told I have the ‘voice of an angel’, because that would just mean that it sounds pretty and takes people out of themselves … I want to be able to evoke more human emotions too: sorrow, despair, jealousy.” Speaking to the leading French newspaper Le Monde, he went into more detail on his philosophy as a maturing singer: “Ten years into your career, you reach a certain level of purity in your approach. You are always set on improving – strengthening your high notes, your low notes, your projection or your expressivity – but you also accept what it means to be an artist.” | | | In stock - usually despatched within 1 working day. |
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| |  | A Musical Journey: Night Music Vol. 2Italy, France, Spain, Germany, Czech Republic & Switzerland
The Places The scenes shown all breathe an air of peace and tranquillity. Starting with an evening landscape in Bohemia, we move to a lake in the Tyrol, to the Museo Vela, with its gesso figures, Bavarian craftsmen fashioning glass and the Corniche near Cannes, in the South of France. Other scenes include the ancient Chapel of St Sixtus at Eygalières, the Church of St Jakob at Tramin, night in Madrid, and a nocturnal view of Seville, the whole culminating in the great Basilica of St Mark in Venice. The Music The music chosen, like the scenes it accompanies, suggest the calm of night. There are movements from Handel and Telemann, from concertos by Mozart for horn and for flute, and a Chopin Prelude. There is a Spanish element in the music of two French composers, Bizet and Massenet, and an air of nostalgia evoked in Fauré’s Pavane. Video Format • NTSC / Colour / 4:3 Audio Format • DTS 5.1 / Dolby Digital 5.1 / PCM Stereo 2.0 Region Coding • No Region Coding | | | Usually despatched in 2 - 3 working days. |
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| |  | A Musical Journey: SpainA Musical Visit to Madrid, La Mancha and Córdoba
Music by Chabrier, Massenet, Glinka & Rimsky-Korsakov
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This production of one of the late masterpieces of Massenet, 'Don Quichotte', in May 2010 from La Monnaie, was the last great role performed by the feted Belgian baritone, José van Dam. This very special context generates a real intensity, enhanced by the stage direction of Laurent Pelly and the expertise of Marc Minkowski in French opera repertoire, following numerous productions by Massenet, Debussy, Meyerbeer, Offenbach, Auber, Boieldieu, Gounod… The DVD includes a touching documentary on this production. José van Dam was born in Brussels. As a guest in the world’s leading opera houses, he has sung the title roles of countless operas but has become synonymous with Philip [Don Carlos] and Don Quichotte in particular. He has contributed to the success of many opera productions at La Monnaie, where he has also appeared in concerts and recitals. He also performs a vast concert, oratorio and song repertoire and has made many recordings. His cinema appearances include the title role in Gérard Corbiau’s 'Le Maître de musique' (The Music Teacher) and a brilliant Leporello in Joseph Losey’s 'Don Giovanni'. His interpretations have earned him numerous awards. He holds an honorary doctorate from the University of Montreal; the City of Berlin awarded him the honorary title of ‘Kammersänger’; the French Government has appointed him Commandeur des Arts et Lettres; and he has been ennobled by King Albert II of Belgium. “At almost 70, Van Dam's voice is not what it was, but his artistry is as consummate as ever. His relative vocal frailty only enhances a characerisation that is a masterclass in expressive understatement...this is both a profoundly moving take on Massenet's 'comedie heroique' and a treasurable souvenir of a great performer in his final role.” BBC Music Magazine, October 2012 ***** “This issue deserves particular praise because the central performance, on which so much of the opera hangs, was José van Dam’s farewell to the stage at La Monnaie...Van Dam is on very fine form here, clearly relishing the importance of the occasion. His gift for vocal flair is still there...Silvia tro Santafé is a very successful Dulcinée...Minkowski holds the whole evening together with charm, affection and his famous ear for detail” MusicWeb International, April 2013 BBC Music Magazine
DVD Choice - October 2012 |
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With Joyce DiDonato as Cinderella capturing all hearts – not just Prince Charming’s – Massenet’s enchanting, sophisticated retelling of the classic fairytale makes its debut at Covent Garden in a charming and witty production by Laurent Pelly. The Cinderella story seen through the eyes of the belle époque, Massenet’s Cendrillon was first performed at the Opéra-Comique in Paris in 1899 and its gorgeous score embraces pathos, pastiche, broad humour, subtle eroticism and sheer magic. Neglected for much of the 20th century, this entrancing and often surprising opera has found a firmer place in the repertoire over the past 30 years. In Summer 2011 its debut at London’s Royal Opera House was built around mezzo soprano Joyce DiDonato, who first took on the title role at the Santa Fe festival in 2006; there, as at Covent Garden, the staging was by French director Laurent Pelly, celebrated for his production of Donizetti’s La Fille du regiment with Natalie Dessay and Juan Diego Flórez (Virgin Classics DVD 5099951900298). The décor is inspired by a venerable volume of Charles Perrault’s fairy tales bound in red morocco leather, and the dominant colours are white, black and crimson, though mauve is chosen for the body-hugging gown worn by the voluptuous, capricious Fairy Godmother of Eglise Gutierrez as she scales spellbinding coloratura heights. Joyce DiDonato,“singing the title-role with all the gleaming tone, pellucid projection and smiling warmth for which she is justly celebrated” (Daily Telegraph), brings a touching simplicity and honesty to her portrayal of the downtrodden daughter. The New York Times found her performance “thoroughly enchanting. She won sympathy for the girl’s plight at once, and her exquisite articulation of the repeated phrase “Vous êtes mon Prince Charmant” in the first love duet — surely the opera’s most ravishing moments — was flawless.” Her Prince, whose fin de siècle world-weariness evaporates when he meets his true love, is sung en travesti by another mezzo, Alice Coote, described by the Financial Times as “the most perfectly elegant Prince Charming ... she sings with glorious fullness and confidence”. The only principal role sung by a man is Cendrillon’s good-hearted, but ineffectual father, Pandolfe, portrayed here by bass-baritone Jean-Philippe Lafont, a mainstay of the opera scene in France, but here making his Covent Garden debut. His gentle character hardly stands a chance against his armour-plated wife, the formidable Madame de la Haltière, here embodied in flamboyant vocal and physical style by Polish contralto Ewa Podles: her cavernous lower notes shake the Royal Opera’s foundations, while her opulently padded derrière sweeps all before (and behind) it. “Vocally, Coote and DiDonato have very different mezzo qualities so that they blend well in duet, while retaining their individual timbres...Bertrand de Billy leads a highly sympathetic reading of the score...revelling in the pomposity of the court dances while conjuring magic in the duets.” International Record Review, July/August 2012 “Pelly's production has a style all of its own...DiDonato is winning in Cinderella's smiles and tears, though vocally a little edgy. But she's well ballasted by...Alice Coote, who is intense and incandescent - the star of the performance. Also in a class of her own is Ewa Podles, as a suitably parodic stepmother.” BBC Music Magazine, July 2012 **** “the cast is a strong one. Joyce DiDonato brings star quality to the title-role...Alice Coote [is] in simply stunning form, pouring out a stream of molten mezzo ardour...Ewa Podles brings her ten-ton cannon of a contralto to bear as Madame de la Haltiere...de Billy's sparkling style makes him an ideal conductor for Massenet and he obtains first-rate orchestral playing.” Gramophone Magazine, September 2012 “the strong colour of [DiDonato's] distinctive mezzo comes into its own in this role...her wide-eyed delight at her magical transformation is lovely to see and hear... The chorus are fully signed up to the tongue-in-cheek humour of the piece and de Billy conducts the orchestra with all the lightness of touch that the piece needs.” MusicWeb International, August 2012 | | | In stock - usually despatched within 1 working day. |
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| |  | The Tokyo ConcertsLIMITED EDITION – Available while stocks last
Capua: | O sole mio Franco Corelli (tenor) NHK Orchestra, Alberto Ventura | Cardillo: | Core 'ngrato Franco Corelli (tenor) NHK Orchestra, Alberto Ventura | Cilea: | È la solita storia 'Lamento di Federico' (from L'Arlesiana) Alfredo Kraus (tenor) with Emiko Suga (soprano), Edelmiro Arnaltes (piano) & Asier Polo (cello) | Curtis, E: | Tu ca nun chiagne Franco Corelli (tenor) NHK Orchestra, Alberto Ventura | Donizetti: | Qui di sposa eterna...Ah! Verrano a te sull'aure (from Lucia di Lammermoor) Alfredo Kraus (tenor) with Emiko Suga (soprano), Edelmiro Arnaltes (piano) & Asier Polo (cello) | Giordano, U: | Un dì, all' azzurro spazio (from Andrea Chénier) Franco Corelli (tenor) NHK Orchestra, Alberto Ventura | Massenet: | Ah! Tout est bien fini... O souverain (from Le Cid) Franco Corelli (tenor) NHK Orchestra, Alberto Ventura Ouvre tes yeux bleus Alfredo Kraus (tenor) with Emiko Suga (soprano), Edelmiro Arnaltes (piano) & Asier Polo (cello) Pourquoi me reveiller (from Werther) Alfredo Kraus (tenor) with Emiko Suga (soprano), Edelmiro Arnaltes (piano) & Asier Polo (cello) | Meyerbeer: | Mi batte il cor … O paradiso (from L'Africana) Franco Corelli (tenor) NHK Orchestra, Alberto Ventura | Obradors: | Del cabello más sutil Alfredo Kraus (tenor) with Emiko Suga (soprano), Edelmiro Arnaltes (piano) & Asier Polo (cello) Coplas de curro dulce Alfredo Kraus (tenor) with Emiko Suga (soprano), Edelmiro Arnaltes (piano) & Asier Polo (cello) | Puccini: | Ch'ella mi creda libero e lontano (from La Fanciulla del West) Franco Corelli (tenor) NHK Orchestra, Alberto Ventura | Ruiz de Luna: | En el fondo de la mina Alfredo Kraus (tenor) with Emiko Suga (soprano), Edelmiro Arnaltes (piano) & Asier Polo (cello) | Scarlatti, A: | Chi vuole innamorarsi (from Il Flavio) Alfredo Kraus (tenor) with Emiko Suga (soprano), Edelmiro Arnaltes (piano) & Asier Polo (cello) | Serrano: | Te quiero moreno from El Trust de los Tenorios Alfredo Kraus (tenor) with Emiko Suga (soprano), Edelmiro Arnaltes (piano) & Asier Polo (cello) | Sorozábal: | La Taberna del Puerto – ‘No puede ser’ Alfredo Kraus (tenor) with Emiko Suga (soprano), Edelmiro Arnaltes (piano) & Asier Polo (cello) | Tosti: | A vucchella Franco Corelli (tenor) NHK Orchestra, Alberto Ventura | Verdi: | Questa o quella (from Rigoletto) Franco Corelli (tenor) NHK Orchestra, Alberto Ventura |
Box set comprising the following DVDs already available in the Dynamic catalogue: Alfredo KRAUS – The 1996 Tokyo Recital Franco CORELLI – The 1971 Tokyo Concert 2 DVDs for 1 Sound Format: LPCM 2.0 Picture Format: 4:3 Subtitles: It, Eng, Ger, Fr, Sp Running Time: 54+60 min Booklet Notes: It, Eng, Ger, Fr Available Worldwide | | | Usually despatched in 2 - 3 working days. |
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| |  | Great Dancers of Our TimeRecorded at Theater am Halleschen Ufer, Berlin, Apollosaal, Staatsoper Unter den Linden, Berlin, September 2003
Music by Bach, Bruckner, Chopin, Massenet, Mozart, Tchaikovsky and Weber
Renowned dancers from the world of international ballet introduce and perform choreographies that are especially close to their hearts. The solo- or pas-de-deux-choreographies, the personal favorites of the great dancers, are recorded in a series of three productions (25', 26', 27'). The dancers introduce the choreographies to the audience in a few words. The dancers are the internationally well known star dancer Vladimir Malakhov, the pricewinner of the Nijinsky Award 2002 Lucia Lacarra and the Japanese prima ballerina Kiyoko Kimura. Choreographies by Michail Fokine, Renato Zanella, Marius Petipa, Uwe Scholz, Kenneth MacMillan and Val Caniparoli featuring music by Bach, Bruckner, Chopin, Massenet, Mozart, Tchaikovsky and Weber. Picture format: NTSC 16:9 Sound formats: PCM-STEREO, DD 5.1, DTS 5.1 Region code: 0 Subtitles: English, German, French, Italian, Spanish Booklet notes: English, French, German Running time: 78 mins | | | Usually despatched in 2 - 3 working days. |
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| |  | Berlin Opera NightRecorded live at the Deutsche Oper Berlin, 2003
Chor und Orchester der Deutschen Oper Berlin, Kent Nagano Major stars of the international opera stage come together with the Chor und Orchester of the Deutsche Oper Berlin, under the baton of the illustrious Kent Nagano, in this opera gala in aid of the German AIDS Foundation. Highlights from operas by Mozart, Puccini, Leoncavallo, Saint-Saëns, Massenet, Dvorák, Wagner, Richard Strauss, Lehár and Johann Strauss II are performed by world-class musicians from around the globe. Proceeds from the sales of this title go to support the work of the German AIDS Foundation. Picture format DVD: NTSC 16:9 Sounds formats DVD: PCM Stereo, DD 5.1, DTS 5.1 Region code: 0 Subtitles: English, German, French, Spanish, Italian Booklet notes: English, German, French Running time: 78 mins FSK: 0 “In a rather mixed bag, there are a number of class acts...the highlight performance of the night in respect of bringing a role alive...[is]
Kasarova singing an expressive and beautifully realised Werther!...The audience might have been more thrilled by the tenors at full throttle, but this is the highlight for me - a gold nugget in this collection.” MusicWeb International, June 2011 | | | Usually despatched in 2 - 3 working days. |
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