Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Live Recording from The Theater An Der Wien, 2004
Commissioned by PLÁCIDO DOMINGO WORLD PREMIERE RECORDING ON DVD Stage & Costumes by STEFFEN AARFING Gian Carlo Menotti, who would have celebrated his hundredth birthday in the summer of 2011, was far from being a musical revolutionary – and yet he had a crucial influence on the history of 20th century opera. He wrote his first opera at the age of eleven and remained committed to this great art form for the rest of his life. His Amelia al Ballo, first performed in 1937, was an early example of the elements that were to bring him fame and lasting popularity: grand melodies, dense orchestration and an unerring sense of the dramatic. “What is important for me is to see living, singing people on the stage,” he once said – and it was with this in mind that he wrote all the libretti for his own works. One can imagine the conversation about music – in particular modern music – that took place when Menotti invited Domingo to dinner in 1977. It wasn’t long before the crucial question was raised: “Gian Carlo, why don’t you write an opera for me?” As they thought about an appropriate topic, Domingo mentioned the life of the great Spanish artist Francisco Goya, whose work he admired above all others. “Domingo suggested Goya and I agreed immediately”, said Menotti later. “I think it was the only time I accepted someone else’s idea.” “Gian Carlo Menotti, who celebrated his 93rd birthday a few days ago, received thundering applause at [GOYA‘s] Viennese première…Menotti himself once characterised the music as “impertinently melodic”. It is indeed...very effectively written - so effectively that at the première, applause broke out continually during the performance.” Neue Zürcher Zeitung, 2004 “Goya is strong, passionate, quite theatrical and overwhelmingly romantic....This opera is constructed on unabashed passion and most of all excitement…it’s intensive theater – comic, probing, visually spectacular.” Washington Post, 1986 Sound Format: PCM Stereo Picture Format: 4:3 DVD Format: DVD 9, NTSC Subtitle Languages: GB (Original Language), DE, FR, ES, IT, JP, Korean Running Time: 101 mins FSK: 0 | | | Usually despatched in 2 - 3 working days. |
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| |  | Menotti: Der KonsulSung in German
Eberhard Waechter (John Sorel), Melitta Muszely (Magda Sorel), Res Fischer (Mother), Willy Ferenz (Secret Police Agent), Hilde Konetzni (Vera Boronel), László Szemere (Magician), Gloria Lane (Secretary) Orchestra of The Wiener Volksoper, Franz Bauer-Theussl (conductor) & Rudolph Cartier (director) Set Design by Robert Posik Gian Carlo Menotti was one of the most important 20th-century composers of opera working in the United States. For his opera The Consul he won the Pulitzer Prize for Music and the New York Drama Critics Circle Award. This unique studio recording from the early years of television is performed by an extraordinary cast featuring Melitta Muszely, Eberhard Waechter, Res Fischer and Hilde Konetzni. The plot of the politically charged drama takes place in Europe of the 1950s. The Orchestra of the Wiener Volksoper is conducted by Franz Bauer-Theussl. An important document of operatic and film history, this restored recording is available on DVD for the first time. BONUS: Interview with Gian Carlo Menotti Sound Format: PCM Mono Picture Format: 4:3 DVD Format: DVD 9, NTSC Subtitle Languages: DE, IT, GB, FR, ES, JP Running Time: 99 mins (Opera), 4 mins (Bonus) FSK: 0 “Directed by Rudolph Cartier, it's shot in relentless close-ups that give neither the performers nor the viewers anywhere to hide. Melitta Muszely charts Magda's progress from desperation to hope to suicidal despair with uncompromising veracity. There are equally impressive performances from Eberhard Waechter as her husband and Gloria Lane as the consular secretary” The Guardian, 9th December 2010 ***** | | | Usually despatched in 2 - 3 working days. |
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| |  | Gian Carlo Menotti: Die Alte Jungfer Und Der Dieb & Das MediumHistorical Studio Production, 1961 & 1964
Menotti: | The Old Maid and the Thief sung in German as 'Die Alter Jungfer und der Dieb' Elisabeth Höngen (Miss Todd), Olive Moorefield (Laetitia), Hilde Konetzni (Miss Pinkerton) & Eberhard Waechter (Bob) Wolfgang Rennert The Medium sung in German as 'Das Medium' Elisabeth Höngen (Madame Flora), José De Vine (Monika Maria), Nino Albanese (Toby) & Hilde Konetzni (Mrs. Nolan) Armando Aliberti |
Orchestra of The Wiener Volksoper Directed by Otto Schenk & Set Design by Gerhard Hruby Gian Carlo Menotti was one of the most important 20th-century composers of opera working in the United States. The Old Maid and the Thief and The Medium are brilliant studio recordings from the early years of television. The two operas depict everyday stories about personal relationships and crime in America during the first half of 20th century. The performances are given by a first-rate cast, including Elisabeth Höngen, Eberhard Waechter and Olive Moorefield. The Orchestra of the Wiener Volksoper is conducted by Wolfgang Rennert (The Old Man and the Thief) and Armando Alberti (The Medium). An important document of operatic and film history, this restored recording is available on DVD for the first time. BONUS: Interview with Otto Schenk Sound Format: PCM Mono Picture Format: 4:3 DVD Format: DVD 9, NTSC Running Time: 117 mins (Opera), 10 mins (Bonus) Subtitle Languages: DE, IT, GB, FR, ES, JP FSK: 0 | | | Usually despatched in 2 - 3 working days. |
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| |  | Elisabeth Schwarzkopfbroadcasts from 1961-1970
Works by: Brahms, Gluck, Mahler, Menotti, Mozart, Schubert, Schumann, Strauss, Verdi & Wolf
Booklet Notes:Tracklisting in English, French, German. Among the rediscovered treasures of the BBC archives are two recitals by soprano Elisabeth Schwarzkopf, filmed in 1961 and 1970.At the time, she was at the peak of her powers and was accompanied by the world's greatest accompanist: Gerald Moore. Footage of a public concert, filmed exclusively by French television further illustrates Elisabeth Schwarzkopf's musical excellence. Here, the soprano's voice melds wonderfully with the orchestra's instrumental sonorities in works by Mozart Verdi and Strauss. Her anthology of German Lieder takes us on a journey through the imaginative world of Mozart, Schubert and Wolf. These two recitals allow us to re-encounter Schwarzkopf in her favourite repertoire. "The pristine beauty of her lyric soprano and the charm of her person, combined with hard work and innate intelligence, lent her performances a compelling authority" The Guardian "…one of the most dazzling artists of her time" The New York Times “In two recitals with Gerald Moore Schwarzkopf is incomparable in her communication of German art-song. She is handicapped in the orchestral recital by Klobucar's poor conducting.” BBC Music Magazine, January 2009 **** | | | Usually despatched in 2 - 3 working days. |
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Rosemary Kuhlmann (Mother), Bill McIver (Amahl), Andrew McKinley (King Caspar), David Aiken (King Melchior), Leon Lishner (King Balthazar), Francis Monachino (Servant), John Butler, Glen Tetley, Carmen Gutierrez (Dancing Shepherds) Members of the Symphony of the Air, Thomas Schippers The yearly live telecasts of Gian Carlo Menotti’s Amahl and the Night Visitorswere a cherished Christmas tradition throughout the 1950s. In addition, since its premiere in 1951, Amahl has been performed regularly by community groups and small opera companies throughout the US, making it the single most popular American opera. This production, staged by the composer himself and originally telecast on Christmas Day, 1955, is a testament to the work’s enduring power to move the heart and stir the soul. Also on the DVD, from the same broadcast, is The Columbus Boychoir performing Christmas carols. The DVD also includes an exclusive 2007 interview with Rosemary Kuhlmann, who played the Mother in the premiere and all the subsequent telecasts. 55 minutes (plus 30 min. bonus), black & white, mono, all regions Live telecast, 25th December, 1955 | | | Usually despatched in 4 - 5 working days. |
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| |  | An Opera for Children. Original world première recording.
Edith Mathis, Arlene Saunders, Raymond Wolansky, William Workman, Kurt Marschner, Ursula Boese, Franz Grundheber & Noel Mangin Members of the Corps de ballet of the Hamburg State Opera
and two children’s choirs, Gian-Carlo Menotti, directed for TV by Joachim Hess, artistic direction by Rolf Liebermann Recording Date: 1969
Place of recording: Historical Studio Production from the Hamburg State Opera
Running Time: 71 min
Picture Format: 4:3
Sound Format: Mono
Language: D
Menu Languages NTSC: D, F, GB, SP
Subtitle Languages NTSC: D, F, GB, I, SP
“Menotti's own studio production of his sci-fi children's opera was filmed following its 1968 Hamburg premiere. Mixed film quality scarcely detracts from the stylish visuals and the piece itself is good fun.” BBC Music Magazine, May 2007 **** “Directed by the composer with all the colourful melodrama of an American B-movie, the soloists of Hamburg's late-1960s house ensemble get a real chance to shine in what is virtually the world premiere of Menotti's children's sci-fi opera. In the libretto – a jolly collision between The War ofthe Worlds, the Munchkins from the land of Oz and Hansel and Gretel – only (tonal) music and musicians can save the earth from the invading Globolinks and their electronic (ie, non-musical) voices. Nikolas Schöffler (lighting) and Alwin Nikolais (costumes and Globolink choreography) make essential contributions to the visual realisation of the aliens as sinister, flexible lampshades, and the creation of a spooky atmosphere a cut above most contemporary TV series. The score is an eclectic mix of Menotti's trademark second-generation verismo – handy for the tantrums of the principal role, Madame Euterpova, a wacky mid-European music teacher – and Kurt Weill-like recitative and marching rhythms for the children and their driver whose school trip goes astray in the forest. This musical storytelling has a compelling narrative simplicity which, like Benjamin Britten's, never becomes saccharine or patronising. The characters, especially the three supporting teachers, have a pleasing Roald Dahl wackiness, making them natural stage roles. It's not everyday you get to see Edith Mathis as a violin-playing schoolgirl, or Arlene Saunders (the company's Agathe and Eva) as the eccentric music teacher with a Bewitched-style nose. Wolansky too is genuinely funny as the confused, and unmusical, head of the school who becomes the one human sacrifice to the Globolinks. Sterling digital restoration seconds the fine balance of the production between comic and serious, making for an unintended but most effective tribute to Menotti's wide-ranging theatrical creativity.” Gramophone Classical Music Guide, 2010 “A completely charming little production which I recommend unreservedly” MusicWeb International | | | Usually despatched in 2 - 3 working days. |
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Marie Powers (Madame Flora 'Baba'), Anna Maria Alberghetti (Monica), Leo Colman (Toby) Symphony Orchestra of Rome Radio Italiana, Thomas Schippers This 1950s adaptation of the opera includes more than thirty minutes of additional scenes and music which Menotti wrote specifically for the film. Produced by Walter Lowendahl. Based on the Broadway production presented by Chandler Cowles and Efrem Zimbalist, Jr. | | | This item is currently out of stock at the UK distributor. You may order it now but please be aware that it may be six weeks or more before it can be despatched. |
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| |  | A Musical Drama
Patricia Neway (Magda Sorel), Chester Ludgin (John Sorel), Regina Sarfaty (Secretary of the Consulate), Evelyn Sachs (Mother), Maria Marlo (Foreign Woman), Leon Lishner (Secret Police Agent), Maria di Gerlando (Anna Gomez), Ruth Kobart (Vera Boronel), Arnold Voketaitis (Mr. Kofner) A major discovery! A dramatically powerful 1960 television production of Menotti’s most provocative work. Patricia Neway, the famed creator of the role of Magda Sorel in the Broadway run of this opera, brings the character to life here with astonishing realism. The superlative supporting cast includes baritone Chester Ludgin. 125 min., B&W. The Consul is sung in English with optional subtitles in English, French, German and Italian. | | | Usually despatched in 4 - 5 working days. |
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Maureen Forrester (Madam Flora), Shawna Farrell (Monica), Stello Calagias (Toby), Rosemarie Landry (Mrs Gobineau), Gino Quilico (Mr Gobineau), Barbara Ianni (Mrs Nolan) Stratford Opera Ensemble, Raffi Armenian Maureen Forrester stars in this powerful production which originated at the Comus Music Theatre of Canada. Sung in English with optional English, French, German and Italian subtitles. 1978 telecast | | | Usually despatched in 4 - 5 working days. |
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