Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Recorded live at the Royal Opera House, December 2012
Bryan Hymel (Robert), Patrizia Ciofi (Isabelle), John Relyea (Bertram), Marina Poplavskaya (Alice), Nicolas Courjal (Alberti), David Butt Philip (Master of Ceremonies), Pablo Bemsch (Second Chevalier/Herald), Ashley Riches (Prince of Granada), Jihoon Kim (Fourth Chevalier/Priest), Jean-Francois Borras (Raimbaut) & Dušica Bijelic (Lady-in-waiting to Isabelle) Royal Opera Chorus & Orchestra of the Royal Opera House, Daniel Oren (conductor) & Laurent Pelly (director) A grand opera that dominated the stages of Europe for most of the 19th century, Robert le diable is a masterpiece. Director Laurent Pelly breathes new life into Giacomo Meyerbeer’s great spectacle and audaciously entertaining moral fable, in this colourful new staging for The Royal Opera. The wonderful score includes brilliant arias, dramatic ensembles, rousing choruses and a ballet of ghostly nuns, and with the wavering hero of the title sung by Bryan Hymel, acclaimed for his role as Énée in Les Troyens for The Royal Opera and the Metropolitan Opera, this is an unmissable experience. Premiered in 1831, it was one of the first grand operas staged at the Paris Opéra. Meyerbeer’s European fame was initiated with “Robert” – performed 470 times in Paris alone by the time of the composer’s death in 1864. “It is a masterpiece...Meyerbeer has made himself immortal” (Frédéric Chopin) Extra features: ‘The legacy of Robert le diable, and a cast gallery. Running time: 122 minutes Subtitles EN/FR/DE/JP/KR Sound format: 2.0LPCM + 5.1(5.0) DTS | 
| | | Scheduled for release on 3 June 2013. Order it now and we will deliver it as soon as it is available. |
|
|
| |  | Live Recording from The Deutsche Oper Berlin, 1991sung in German as 'Die Hugenotten'
Angela Denning (Marguerite de Valois), Lucy Peacock (Valentine de Saint-Bris), Richard Leech (Raoul de Nangis), Hartmut Welker (Comte de Saint-Bris) & Martin Blasius (Marcel) Deutsche Oper Berlin, Stefan Soltesz (conductor) & John Dew (stage director) The grand opera Die Hugenotten was one of the greatest operatic successes of the 19th century, and its creator was hailed as the foremost composer of his time. Yet today, he is largely forgotten by the opera-going public and his works lie gathering dust in opera house repertories around the world. Die Hugenotten was performed at the opening of the new Covent Garden Opera in London in 1858. However, it was a performance at the New York Metropolitan Opera in 1890 which went into the history books. In the German translations by Ignatz Franz Castelli (1837 Vienna) and Charlotte Birch-Pfeiffer (1838 Munich), the conflict between Catholics and Protestants was heavily disguised; a new version was created by Gustaf Gründgens and Julius Kapp in Berlin in 1932. John Dew’s modern production, conducted by Stefan Soltesz, caused somewhat of a sensation when it was first performed in 1987 at the Deutsche Oper, Berlin. Giving the period and content of the work new reference points, his staging becomes almost oppressively contemporary: he sets the opera in divided Berlin, where the wall is a symbol of the separation of the two German states. Angela Denning, Lucy Peacock, Richard Leech and Martin Blasius fascinate with their wonderful voices and impressive acting. Sound Format: PCM Stereo Picture Format: 16:9 DVD Format: DVD 9 NTSC Subtitle Languages: GB, FR, ES, JP Running Time: 156 mins FSK: 0 | 
| | | Usually despatched in 2 - 3 working days. |
|
|
| |  | Berlin Opera NightRecorded live at the Deutsche Oper Berlin, 2011
Major stars of the international opera stage come together with the Chor und Orchester of the Deutsche Oper Berlin, under the internationally acclaimed conductor Donald Runnicles, in this opera gala in aid of the German AIDS Foundation. Highlights from operas by Rossini, Verdi, Meyerbeer, Wagner, Delibes, Sartori are performed by world-class musicians from around the globe. Heading the star-studded line-up were established artists of the calibre of Adrianne Pieczonka, Vivica Genaux and Simone Kermes, while the younger generation is represented by tenors Francesco Demuro, Antonio Poli and Teodor Illincai, as well as the exciting soprano Kristin Lewis and mezzo-soprano Anna Smirnova. The result was truly an evening to remember. Picture format DVD: NTSC 16:9 Sound format DVD: PCM Stereo Region code: 0 Booklet notes: English, German, French Runnning time: 75 mins “Familiar pieces variably sung, but enjoyable” BBC Music Magazine, May 2013 *** | 
| | | Usually despatched in 2 - 3 working days. |
|
|
| |  | A Musical Journey: Germany - Majestic MarchesA Musical Visit to Kulmbach and the Tin Soldier Museum
with excerpts from works byTchaikovsky, Mendelssohn, Wagner, Saint-Saëns, Delibes, Ippolitov-Ivanov, Halvorsen, Suppe, Rimsky Korsakov and Meyerbeer
The Places On a hill above the ancient town of Kulmbach stands the imposing 12th century Hohenzollern fortress of Plassenburg. Among various collections on display is the remarkable Tin Soldier Museum, with various figures and dioramas that recreate battles and mirror the great castle itself, with a variety of scenes from all periods of human history. The Music The March has an inevitable part to play in human history. Marco Polo remarked on the use of music by the armies of China to terrify the enemy before a battle. Military music, however, has a more precise purpose, whatever alarm it may strike into the hearts of those who hear it. Drums and trumpets may serve as useful signals, to advance or retreat, to eat or to sleep. The same instruments and their near relations may serve to keep an army moving together, and may serve to inspire feelings of bravery and patriotism. At the same time a march can provide a suitable accompaniment to an occasion of solemnity, a wedding, a funeral or a state ceremony. The music chosen for this tour offers a series of Marches by different composers, culminating in Mendelssohn’s Wedding March. Video Format • NTSC / Colour / 4:3 Audio Format • DTS 5.1 / Dolby Digital 5.1 / PCM Stereo 2.0 Region Coding • No Region Coding | | | Usually despatched in 2 - 3 working days. |
|
|
| |  | The Tokyo ConcertsLIMITED EDITION – Available while stocks last
Capua: | O sole mio Franco Corelli (tenor) NHK Orchestra, Alberto Ventura | Cardillo: | Core 'ngrato Franco Corelli (tenor) NHK Orchestra, Alberto Ventura | Cilea: | È la solita storia 'Lamento di Federico' (from L'Arlesiana) Alfredo Kraus (tenor) with Emiko Suga (soprano), Edelmiro Arnaltes (piano) & Asier Polo (cello) | Curtis, E: | Tu ca nun chiagne Franco Corelli (tenor) NHK Orchestra, Alberto Ventura | Donizetti: | Qui di sposa eterna...Ah! Verrano a te sull'aure (from Lucia di Lammermoor) Alfredo Kraus (tenor) with Emiko Suga (soprano), Edelmiro Arnaltes (piano) & Asier Polo (cello) | Giordano, U: | Un dì, all' azzurro spazio (from Andrea Chénier) Franco Corelli (tenor) NHK Orchestra, Alberto Ventura | Massenet: | Ah! Tout est bien fini... O souverain (from Le Cid) Franco Corelli (tenor) NHK Orchestra, Alberto Ventura Ouvre tes yeux bleus Alfredo Kraus (tenor) with Emiko Suga (soprano), Edelmiro Arnaltes (piano) & Asier Polo (cello) Pourquoi me reveiller (from Werther) Alfredo Kraus (tenor) with Emiko Suga (soprano), Edelmiro Arnaltes (piano) & Asier Polo (cello) | Meyerbeer: | Mi batte il cor … O paradiso (from L'Africana) Franco Corelli (tenor) NHK Orchestra, Alberto Ventura | Obradors: | Del cabello más sutil Alfredo Kraus (tenor) with Emiko Suga (soprano), Edelmiro Arnaltes (piano) & Asier Polo (cello) Coplas de curro dulce Alfredo Kraus (tenor) with Emiko Suga (soprano), Edelmiro Arnaltes (piano) & Asier Polo (cello) | Puccini: | Ch'ella mi creda libero e lontano (from La Fanciulla del West) Franco Corelli (tenor) NHK Orchestra, Alberto Ventura | Ruiz de Luna: | En el fondo de la mina Alfredo Kraus (tenor) with Emiko Suga (soprano), Edelmiro Arnaltes (piano) & Asier Polo (cello) | Scarlatti, A: | Chi vuole innamorarsi (from Il Flavio) Alfredo Kraus (tenor) with Emiko Suga (soprano), Edelmiro Arnaltes (piano) & Asier Polo (cello) | Serrano: | Te quiero moreno from El Trust de los Tenorios Alfredo Kraus (tenor) with Emiko Suga (soprano), Edelmiro Arnaltes (piano) & Asier Polo (cello) | Sorozábal: | La Taberna del Puerto – ‘No puede ser’ Alfredo Kraus (tenor) with Emiko Suga (soprano), Edelmiro Arnaltes (piano) & Asier Polo (cello) | Tosti: | A vucchella Franco Corelli (tenor) NHK Orchestra, Alberto Ventura | Verdi: | Questa o quella (from Rigoletto) Franco Corelli (tenor) NHK Orchestra, Alberto Ventura |
Box set comprising the following DVDs already available in the Dynamic catalogue: Alfredo KRAUS – The 1996 Tokyo Recital Franco CORELLI – The 1971 Tokyo Concert 2 DVDs for 1 Sound Format: LPCM 2.0 Picture Format: 4:3 Subtitles: It, Eng, Ger, Fr, Sp Running Time: 54+60 min Booklet Notes: It, Eng, Ger, Fr Available Worldwide | | | Usually despatched in 2 - 3 working days. |
|
|
| |  | Frederick Ashton: Les Patineurs, Divertissement & Scènes de ballet
Meyerbeer: | Les Patineurs Laura Morera, Samantha Raine, Steven McRae, Sarah Lamb, Rupert Pennefather, Christina Arestis, Francesca Filpi, Ryoichi Hirano, Kenta Kura, Liam Scarlett & Andrej Uspenski Paul Murphy | Stravinsky: | Scènes de ballet Miyako Yoshida, Ivan Putrov, Edward Watson & Lauren Cuthbertson Barry Wordsworth |
Divertissement Tchaikovsky: Awakening Pas de deux (1968) Darcey Bussell & Jonathan Cope Massenet: Thaïs Pas de deux (1971) Mara Galeazzi & Thiago Soares Paganini: Devil’s Holiday Variation (1939) Viacheslav Samodurov Brahms: Five Brahms Waltzes in the manner of Isadora Duncan (1975) Tamara Rojo Strauss: Voices of Spring Pas de deux (1977) Leanne Benjamin & Carlos Acosta Tommasini after Paganini: Devil’s Holiday Pas de deux (1939) Laura Morera & Ricardo Cervera Conductor Barry Wordsworth
Founder choreographer of The Royal Ballet, Frederick Ashton created more than 100 ballets over a 60 year career. Showcasing three of his shorter works, this disc reflects the breadth of his sophisticated, elegant and widely popular style. Les Patineurs evokes the Edwardian skating rink, with all its youthful charm and humour, in contrast to Scènes de Ballet where sharp geometric shapes and the music of Igor Stravinsky are combined to create perhaps Ashton’s most modernist work. Divertissements, a collection of eight short dances, features some of Ashton’s most lyrical choreography, including pas de deux set to Romantic masterpieces by Tchaikovsky and Massenet. Extra features: Interviews with dancers from Les Patineurs Running time 96 mins approx Region Code All regions Picture format 16:9 Anamorphic Sound format 2.0LPCM + 5.1(5.0) DTS Menu languages EN Subtitles EN/FR/DE/ES | | | Usually despatched in 2 - 3 working days. |
|
|
| |  |
Isabelle Philippe (Dinorah), Armand Arapian (Hoël), Frédéric Mazzotta (Corentin), Lucile Vignon (Le chevrier), Philippe Le Chevalier (Un chasseur), Pierre Espiaut (Un faucheur), Céline Victores-Benavente & Ruth Delaria (Deux pâtres) Orchestre de L’Opéra d’Etat Hongrais Failoni, Olivier Opdebeeck The second release in ‘L’Opéra Français Collection’ series of DVDs, covering the diverse repertoire of French Opera. This DVD, with a duration of 180 mins, comes in glowing 5.1 surround sound. “The production is attractively old-fashioned...It is very much in the style of a silent film of about 1920, with exaggerated gesticulating: pleasingly quaint.” International Record Review, April 2011 | | | This item is currently out of stock at the UK distributor. You may order it now but please be aware that it may be six weeks or more before it can be despatched. |
|
|
| |  | Edition Fondazione Teatro La Fenice, edited by Franco Rossi and Carlo Stefano RossiDirector, Set & Costume designer: Pierluigi Pizzi
Michael Maniaci (Armando d'Orville), Patrizia Ciofi (Palmide), Marco Vinco (Aladino), Laura Polverelli (Felicia), Fernando Portari (Adriano di Monfort), Iorio Zennaro (Osmino), Silvia Pasini (Alma), Luca Favaron (Primo Schiavo), Emanuele Pedrini (Secondo Schiavo) & Stefano Gibellato (fortepiano) Orchestra e Coro del Teatro La Fenice, Emmanuel Villaume Live Recording at Teatro La Fenice, Venezia, January 2007 “Meyerbeer's Il Crociato in Egitto this week opened La Fenice's current season. This production, the first staging in modern times of the last and most famous of the six operas Meyerbeer wrote for Italy early in his career, has already won praise from Milan's Corriere della Sera as ‘the most important musical event of 2007’….. Marco Vinco excelled” International Herald Tribune “The great performances come from Patrizia Ciofi, exquisite as the put-upon Palmide, and Marco Vinco, marvellously authoritative as Aladino.” The Guardian, 8th April 2010 **** | | | Usually despatched in 2 - 3 working days. |
|
|
| |  | Stage Director - Lotfi Mansouri
Joan Sutherland (Marguerite de Valois), Amanda Thane (Valentine), Anson Austin (Raoul de Nangis), Suzanne Johnston (Urbain), John Pringle (Count de Nevers), Clifford Grant (Marcel), John Wegner (Count de Saint Bris) The Australian Opera Chorus & The Elizabethan Sydney Orchestra, Richard Bonynge PICTURE FORMAT: 4:3
LENGTH: 200 Mins
SOUND: STEREO
SUBTITLES: EN
“Sutherland’s voice retains the sheen of old gold, and can still get up to its agile, vertiginous tricks” The Observer | | | Usually despatched in 2 - 3 working days. |
|
|
| |  | (The African Woman)
Recording Date: 1988
Place of recording: San Francisco Opernhaus
Running Time: 2 DVD / 194 min
Picture Format: 4:3
Sound Format: PCM Stereo
Menu Languages NTSC: D, F, GB, SP
Subtitle Languages NTSC: D, F, GB, I, SP
“Domingo was the honeyed, ringing Gama of everyone’s expectations, Verrett as lustrous and inward a Sélika as ever, Ruth Ann Swenson a gem-like Inès” (Opera) | | | Usually despatched in 2 - 3 working days. |
|
|
| |
|