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Specials: •Illustrated synopsis of the opera. •BBC feature looks behind the scenes at this production. •Conductor Sir Colin Davis talks about Die Zauberflöte. •24 page illustrated booklet in English, French and German. PICTURE FORMAT: 16:9 LENGTH: 185 MINS SOUND: DOLBY SURROUND / DOLBY STEREO SUBTITLES: EN/FR/ES/ [DE - Extras only] | | | In stock - usually despatched within 1 working day. |
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Giovanni Furlanetto (Figaro), Elzbieta Szmytka (Susanna), Ludovic Tézier (Count), Janice Watson (Countess), Francesca Provvisionato (Cherubino), Tiziana Tramonti (Marcellina), Marcello Lippi (Bartolo), Sergio Bertocchi (Basilio), Jorge Anton (Curzio), Gérard Théruel (Antonio), Rebecca Hoffmann (Barbarina) Opera National de Lyon, Paolo Olmi Recording Date: 1987
Place of recording: Opera National de Lyon
Running Time: 190 min
Picture Format: 4:3
Sound Format: PCM Stereo
Menu Languages PAL: D, F, GB, SP
Subtitle Languages PAL: D, F, GB, I, SP
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| |  | Cecilia Bartoli - Mozart
Specials: <br> •FILMING NOTES - Production diary of the camera team’s preparation for filming Cecilia Bartoli. <br> •IN REHEARSAL - Cecilia Bartoli and Nikolaus Harnoncourt discus the music of Mozart and work on performances in rehearsal. <br> •32 page, full colour illustrated booklet in English, French and German.<br> <br> PICTURE FORMAT: 16:9 <br> LENGTH: 113 MINS <br> SOUND: DOLBY SURROUND / DTS SURROUND / LPCM STEREO <br> SUBTITLES: EN/FR/DE/ES <br> | | | Usually despatched in 2 - 3 working days. |
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| | | Cecilia Bartoli - Mozart
Specials: <br> •FILMING NOTES - Production diary of the camera team’s preparation for filming Cecilia Bartoli. <br> •IN REHEARSAL - Cecilia Bartoli and Nikolaus Harnoncourt discus the music of Mozart and work on performances in rehearsal. <br> •32 page, full colour illustrated booklet in English, French and German.<br> <br> PICTURE FORMAT: 16:9 <br> LENGTH: 113 MINS <br> SOUND: DOLBY SURROUND / DTS SURROUND / LPCM STEREO <br> SUBTITLES: EN/FR/DE/ES <br> | | | Usually despatched in 2 - 3 working days. |
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| |  | Yehudi Menuhin
".....when we turn to the Bruch G minor Concerto, the partnership between Menuhin and Fricsay is a real symbiosis. One is completely caught up with the passion of the orchestral strings in their ardently energetic tuttis at the end of the first and second movements, while Menuhin plays superbly and his account of the Adagio is very moving. I was fascinated to see that Fricsay, like Stokowski, eschewed the use of a baton, and with equally impressive results. He, too, was a truly great conductor, as is very obvious here. Sir Adrian Boult takes over for the Beethoven Romance No 2, freshly played by Menuhin, warmly accompanied, and very well recorded. Gramophone 1/2003 “when we turn to the Bruch G minor Concerto, the partnership between Menuhin and Fricsay is a real symbiosis. One is completely caught up with the passion of the orchestral strings in their ardently energetic tuttis at the end of the first and second movements, while Menuhin plays superbly and his account of the Adagio is very moving. I was fascinated to see that Fricsay, like Stokowski, eschewed the use of a baton, and with equally impressive results. He, too, was a truly great conductor, as is very obvious here. Sir Adrian Boult takes over for the Beethoven Romance No 2, freshly played by Menuhin, warmly accompanied, and very well recorded” Gramophone Classical Music Guide, January 2003 | | | In stock - usually despatched within 1 working day. |
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Rodney Gilfry (Don Giovanni), Elizabeth (Rae) Magnuson (Donna Anna), Roberto Saccà (Don Ottavio), Cecilia Bartoli (Donna Elvira), László Polgár (Leporello), Matti Salminen (Il Commendatore), Oliver Widmer (Masetto), Isabel Rey (Zerlina) Chorus and Orchestra of the Opernhaus Zürich, Nikolaus Harnoncourt, Jurgen Flimm (stage director), Brian Large (film director) | | | Usually despatched in 2 - 3 working days. |
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Bryn Terfel (Figaro), Alison Hagley (Susanna), Rodney Gilfry (Count), Hillevi Martinpelto (Countess), Pamela Helen Stephen (Cherubino), Susan McCulloch (Marcellina), Carlos Feller (Bartolo), Francis Egerton (Basilio/Curzio), Julian Clarkson (Antonio), Constanze Backes (Barbarina) Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner Subtitles in German, English, French, Italian, Spanish, Chinese “the set is well worth acquiring...for a cast with no weak links and an inspiring conductor” Gramophone Magazine, Awards Issue 2011 | | | In stock - usually despatched within 1 working day. |
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Recorded: Glyndebourne, Sub Titles: English, French, German, Italian, Spanish | | | Usually despatched in 4 - 5 working days. |
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Gerald Finley (Figaro), Alison Hagley (Susanna), Andreas Schmidt (Count Almaviva), Renée Fleming (Countess Almaviva), Marie-Ange Todorovitch (Cherubino), Manfred Röhrl (Bartolo), Wendy Hillhouse (Marcellina), Robert Tear (Don Basilio), Donald Adams (Antonio), John Graham-Hall (Don Curzio), Susan Gritton (Barbarina) Glyndebourne Festival Opera & London Philharmonic Orchestra,, Bernard Haitink (conductor) & Stephen Medcalf (director) NVC ARTS returned to Glyndebourne in 1994 for the opening of the beautiful, new opera house and a recording of an opera closely associated with Glyndebourne; Mozart's The Marriage of Figaro. Stephen Medcalf's production is complemented by John Gunter's sparsely furnished sets, offset by the rich greens, reds and blues in the scenery and costumes. A perfect Glyndebourne cast includes Gerald Finley and Alison Hagley who give touching performances of Figaro and Susanna. Andreas Schmidt is a strong and handsome Count Almaviva, Renée Fleming is a ravishing Countess and Marie-Ange Todorovitch is an irresistably love-sick Cherubino. Bernard Haitink draws polished playing from the London Philharmonic. Sub Titles: English, French, German, Dolby Digital 2.0, Dolby Digital 5.1 Surround “I've fallen in love with new Glyndebourne's new Susanna and Figaro, Alison Hagley and Gerald Finley” The Observer “Pure magic ... Bernard Haitink conducted the LPO in an eloquent performance, beautifully played, and beautifully audible in the excellent new house” Opera “Gerald Finley and Alison Hagley are well-matched as the servant couple and Renee Fleming's creamy Countess is a joy.” Gramophone Magazine, Awards Issue 2011 | | | In stock - usually despatched within 1 working day. |
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Gramophone Magazine