DVD Videos

This DVD, centered on the dazzling German soprano Diana Damrau, complements a ravishing recital with a fascinating documentary.

In March 2013, Damrau achieved “a daring victory” (in the words of the New York Times) when the Metropolitan Opera witnessed her first-ever performances of Verdi’s La traviata. In recent years she has made the transition from glittering, stratospheric roles such as Mozart’s Queen of the Night and Strauss’ Zerbinetta to lyrical heroines of greater emotional complexity, such as Gilda in Rigoletto, Adina in L’elisir d’amore and Lucia di Lammermoor. A series of triumphs at the Met have made her a favourite singer in New York – as she is in other leading opera houses around the world.

In the documentary, Diana Damrau – Diva Divina, the soprano explains that, when she was just 12 years old, it was La traviata (in Franco Zeffirelli’s lavish 1982 cinematic version) that inspired her to make a career in opera. The documentary, directed by Beatrix Conrad, follows Damrau over the course of nine months, covering operatic performances and rehearsals in Geneva, New York, Paris and Munich, recitals, recordings and the arrival of her first child, Alexander.

The recital, filmed at the impressive Festspielhaus in Baden-Baden, pairs Damrau with the French harpist Xavier de Maistre in an exquisite selection of songs by Schumann, Fauré, Debussy and Strauss. Among the best-loved items in the programme are: Schumann’s ‘Widmung’; both Fauré’s and Debussy’s settings of Verlaine’s poem ‘Clair de lune’; Fauré’s ‘Après un rêve’; a harp arrangement of Debussy’s piano Arabesque No 1; Strauss’ ‘Morgen‘ and ‘Ständchen’ and, among the encores, the famed Bach-Gounod ‘Ave Maria’.

In the course of 2013, Damrau and de Maistre will also perform together in concert seasons in Washington D.C., Paris, Geneva, Lyon, Reykjavik, Hamburg, Munich and London and at festivals in Menton, Gstaad, Schwarzenberg and Grafenegg.

Reviewing the performance in Baden-Baden – for which the audience joined Damrau and de Maistre on the stage, rather than being distanced from them in the expansive auditorium – the Badische Neueste Nachrichten wrote of Damrau as a recitalist “whose vocal material and abilities as a storyteller approach perfection”, while the Badisches Tagblatt said:” Damrau’s diction is a pleasure, her vocal flexibility amazing. She sings phrases with ample breath, while her nuanced shadings create subtle changes of mood from song to song.” Die Rheinpfalz described the “gentle, sometimes ethereal tones of the harp” as being in perfect harmony with the “exceptionally subtle and detailed vocal art of the soprano … particularly exceptional are the delicate tracery and colours of Diana Damrau’s singing. Her shaping and accenting of the text is meticulous, her phrasing is of great sensitivity and her dynamics are richly nuanced, yet her song performances are never mannered, rather always full of lyrical feeling.”

The Places

The scenes shown all breathe an air of peace and tranquillity. Starting with an evening landscape in Bohemia, we move to a lake in the Tyrol, to the Museo Vela, with its gesso figures, Bavarian craftsmen fashioning glass and the Corniche near Cannes, in the South of France. Other scenes include the ancient Chapel of St Sixtus at Eygalières, the Church of St Jakob at Tramin, night in Madrid, and a nocturnal view of Seville, the whole culminating in the great Basilica of St Mark in Venice.

The Music

The music chosen, like the scenes it accompanies, suggest the calm of night. There are movements from Handel and Telemann, from concertos by Mozart for horn and for flute, and a Chopin Prelude. There is a Spanish element in the music of two French composers, Bizet and Massenet, and an air of nostalgia evoked in Fauré’s Pavane.

Video Format • NTSC / Colour / 4:3

Audio Format • DTS 5.1 / Dolby Digital 5.1 / PCM Stereo 2.0

Region Coding • No Region Coding

Cappella Musicale Pontificia "Sistina" is one of the oldest and most prestigious musical institutions – the “Choir of the Pope”.

Under the direction of Massimo Palombella they perform works from some of the most beautiful and most popular composers of sacred music; from Gregorian chant to the Kyrie from Missa Papae Marcelli by Palestrina.

A highlight of the evening is also the premiere of "Qui operatus est" by Lorenzo Perosi, found recently in historical archives.

This DVD is the second part of a series of sacred music from Italian Basilicas – with attractive pricing.

Picture format DVD: NTSC 16:9

Sound formats DVD: PCM Stereo, DD 5.1

Region code: 0

Running time: 55 mins

A showcase for – and a love letter to – a century of amazing music” is how the creator of The Enchanted Island, Jeremy Sams, described this spectacular operatic pasticcio of music by Handel, Vivaldi, Rameau, Purcell and others. Premiered at the Metropolitan in New York on New Year’s Eve 2011, it stars Joyce DiDonato, David Daniels, Danielle de Niese and Plácido Domingo, and is conducted by William Christie.

New Year’s Eve 2011 brought the world premiere at New York’s Metropolitan Opera of a spectacular and star-studded opera, The Enchanted Island. With a story based on Shakespeare’s The Tempest and A Midsummer Night’s Dream, it was not the work of contemporary composer, but instead drew on works by figures of the Baroque era – Handel, Vivaldi, Rameau, Purcell, Campra, Ferrandini, Leclair and and Rebel. Devised by the British writer, librettist and translator Jeremy Sams, the piece revived the 18th century tradition of the pasticcio, taking arias from a variety of different sources and setting them to a new libretto.

If the work itself was an exotic hybrid, the cast comprised thoroughbreds. The leading roles were assigned to Joyce DiDonato as the sorceress Sycorax, David Daniels as the magician Prospero, Luca Pisaroni as Sycorax’s son Caliban and Danielle de Niese as Prospero’s spirit aide Ariel, while, making a special appearance as King Neptune and rising from the watery depths of the ocean to the bubbling strains of Handel’s Zadok the Priest, was the indefatigable Plácido Domingo. Meanwhile, a cornucopia of rising talent filled the roles of the opera’s six young lovers – Lisette Oropesa, Layla Claire, Elizabeth DeShong, Anthony Roth Costanzo, Paul Appleby and Elliot Madore – while the conductor was that established master of baroque opera, and an essential figure in the Virgin Classics catalogue, William Christie.

The sumptuous production, designed by Julian Crouch and blending 18th-century theatrical techniques with advanced video projections, was by Phelim McDermott.

Handel is the dominant figure among the composers enlisted by Jeremy Sams, and The Enchanted Island repurposes numbers from his operas (including Alcina, Ariodante, Partenope, Semele, Tamerlano and Teseo), his oratorios (Hercules and Judas Maccabaeus) and his cantatas.

The New York Times described the opera as an ”inventive concoction” and a “fanciful, clever and touching pastiche”, while the Associated Press found it “irresistibly entertaining. It's a light-hearted romp with enough fizz to send a dozen champagne corks popping.” Among the praise for the singers, the New York Times spoke of David Daniels’ “transfixing blend of melting sound and forceful delivery and the Financial Times described how “Joyce DiDonato cackled, curled and soared with virtuosic flair in the bitchy-witchy spasms of Sycorax”; the Wall Street Journal felt that “the best moments came from Ms DiDonato, a tragic heroine adrift in a sea of comedy.”

Jeremy Sams, writing about The Enchanted Island in The Guardian in January 2012, a couple of weeks after its premiere, said: “On New Year's Eve, we opened at the Met. The production, by Phelim McDermott, is sumptuous, and the cast quite simply the finest in the world. As for the piece, well, many New Yorkers have taken it to their hearts. Purists have been suitably and predictably outraged. My only hope is that it should be seen for what it is: a showcase for – and a love letter to – a century of amazing music.”

Music by Ravel, Offenbach, Chabrier, Fauré, Debussy, Saint-Saëns and Godard

Emmanuel Pahud, principal flutist of the Berliner Philharmoniker, celebrates the 300th birthday of Frederick the Great with a concert recorded in the historic Royal Theater of the Neues Palais Potsdam, one of the architectural gems within the world-heritage palace ensemble of Sanssouci built by the Prussian king.

Trevor Pinnock is one of the pioneers of the modern revival of early music performance and he appears as a guest conductor with many of the world's leading symphony orchestras. Emmanuel Pahud is one of today's most exciting and adventurous musicians. Accompanied by the Kammerakademie Potsdam, Phaud and Pinnock perform works by C.P.E Bach, Franz Benda, Johann Joachim Quantz and a composition written by Frederick the Great himself.

Picture Format: 16:9, HD

Sound Format: DVD: DTS 5.0, PCM Stereo

Running Time: 78 minutes

Booklet: English, German, French

AVAILABLE WORLDWIDE

On November 10, 2011, Nobuyuki Tsujii, the blind pianist from Japan who was the winner of the Van Cliburn International Piano Competition Gold Medal in 2009 appeared on the stage of Carnegie Hall.

His dream had come true. Arguably the most important event in the career of any performer, for “Nobu” it was a miracle. With his brilliant technique and beautiful tone, he contrasts familiar warhorses with newer pieces, including one of his own compositions, written in memory of the victims of the Japanese earthquake and tsunami in March 2011. Nobu brought the usually reserved Carnegie Hall audience to its feet.

Interviewed after Nobuyuki Tsujii’s recital, Van Cliburn observed: ‘What a thrill to hear this brilliant, very gifted, fabulous pianist. You feel God’s presence in the room when he plays. His soul is so pure, his music is so wonderful and it goes to infinity, to the highest heaven.’

Picture format: NTSC 16:9

Sound formats: PCM Stereo, HD Master Audio

Region code: 0

Booklet notes: English, German, French

Running time: 97 mins

Staged by Giancarlo del Monaco

Released for the first time on DVD and Blu-ray!

A national monument in Spain, Manuel de Falla’s La vida breve is perhaps the greatest opera ever written in the Spanish language. A kind of ‘tragic zarzuela’, it unites verismo atmosphere, Andalusian local colour and a score shimmering with reminiscences of French Impressionism.

La vida breve is the story of a poor gypsy and her lover, who is engaged to wed a wealthy girl. “Simply a stroke of genius” wrote Spain’s Opera Viva about Guancarlo del Monaco’s austere, minimalist staging at Valencia’s Palau de les Arts Reine Sofia. Giancarlo del Monaco has worked with most important opera houses and festivals (MET, La Scala, Bregenz etc.)

Running Time Total: 82 minutes

DVD: DTS 5.0, PCM Stereo

Subtitles English, German, French, Spanish

The Places

Brittany and Normandy, in Northern France, have a character all their own, preserving, as they do, ancient Celtic traditions in a countryside bounded on one side by a rocky coast-line. The great Abbey of Mont St-Michel remains a centre of pilgrimage and secular interest, and in Normandy we catch glimpses of the Bayeux Tapestry, with its near contemporary record of William of Normandy’s successful expedition in 1066 to conquer England.

The Music

The music chosen for this tour of Northern France is the Organ Symphony of Camille Saint-Saëns, a work written in memory of Franz Liszt that takes its name from the use of the organ in its grandiose final movement. The other music to be heard is an orchestral version of the Belgian-born composer César Franck’s Prelude and Chorale, written two years earlier, in 1884, and the Romance in C major, Op. 48, of Saint-Saëns.

Video Format • NTSC / Colour / 4:3

Audio Format • DTS 5.1 / Dolby Digital 5.1 / PCM Stereo 2.0

Region Coding • No Region Coding

This DVD explores the interaction between the members whilst performing these four key 20th Century works for String Quartet.

The quartet firmly believes that music should be seen as well as heard. The mechanics of playing and the communication of the players are what create the art.

The Kreutzer Quartet comprise Peter Sheppard Skærved (violin), Mihailo Trandafilovski (violin), Morgan Goff (viola) and Neil Heyde (cello).

The Kreutzer Quartet has forged an enviable reputation as one of the Europe’s most dynamic and innovative string quartets. The ‘Independent’ newspaper summed up their playing as ‘Passion, Grace and Steel…’.

They are the dedicatees of numerous works, and over many years forged creative partnerships with composers including Sir Michael Tippett, David Matthews, Michael Finnissy, Judith Weir, and Haflidi Hallgrimsson. They have a particularly strong relationship to a cross-section of leading American composers, having collaborated intensively with the great George Rochberg in the last few years of his life, as long as working closely with figures as Elliott Schwartz, and the prolific symphonist Gloria Coates.

As recording artists they have won critical acclaim for their discs on the Naxos, Metier, and Chandos labels. Their work in collaboration with art galleries has garnered much attention, and large audiences, particularly their annual residency at the Tate Gallery, St Ives. In 2008 they appeared at several Festivals including the Venice Biennale, and the Montpelier Festival. They are ‘Artists in association’ at York University.

Double sided DVD - one side NTSC, one side PAL