Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Sir Roger NorringtonIn Rehearsal and Concert with the Radiosinfonieorchester Stuttgart
Recording Date: 1996
Place of recording: Recorded at the Schwetzinger Festspiele
Running Time: 60 min
Picture Format: 4:3
Sound Format: PCM Stereo
Language: GB
Menu Languages NTSC: D, F, GB, SP
Subtitle Languages NTSC: D, F, SP
| | | Usually despatched in 2 - 3 working days. |
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| |  | Erich Leinsdorf in RehearsalA revealing documentary showing Erich Leinsdorf (1912-1993) during rehearsals and in two concerts.
Recording Date: 1984
Running Time: 120 min
Picture Format: 4:3
Sound Format: PCM Stereo
Language: D
Menu Languages NTSC: D, F, GB, SP
Subtitle Languages NTSC: F, GB, SP
| | | Usually despatched in 2 - 3 working days. |
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| |  | Pierre Boulez In Rehearsal
Recording Date: 1998
Running Time: 57 min
Picture Format: 4:3
Sound Format: PCM Stereo
Language: GB
Menu Languages PAL: D, F, GB, SP
Subtitle Languages PAL: D, F, GB, SP
“Watching Boulez hone his interpretations is fascinating and the interspersed interviews, recorded at Berg's apartment in Vienna, are an effective complement. The VPO's approach to Boulez's own Notations is fascinating and the sheer beauty of their playing in what cannot be very familiar music to them is impressive.” Gramophone Magazine, September 2003 | | | In stock - usually despatched within 1 working day. |
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| |  | John Eliot Gardiner In Rehearsal
This present film of the rehearsal of Bach’s Canata BWV 63 is intercut with comments from the singers and an interview with John Eliot Gardiner which reveals not only the depth of his knowledge of Bach’s music but also his profound love of the composer’s work. He talks incisively about Bach’s music as a whole, the place of the cantatas in the composer’s oeuvre, the particular structure and brilliance of “Christen, ätzet diesen Tag”, and explains something of his reasons for championing authentic rendition. Recording Date: 1999
Running Time: 59 min
Picture Format: 4:3
Sound Format: PCM Stereo
Menu Languages PAL: D, F, GB, SP
Subtitle Languages PAL: D, F, GB, SP
| | | In stock - usually despatched within 1 working day. |
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| |  | Claudio Abbado In Rehearsal
Recording Date: 1985 Place of recording: Church of San Marco, Milano, Italy Running Time: 119 min Picture Format: 4:3 Sound Format: Mono Menu Languages PAL: D, GB, F, SP Subtitle Languages PAL: D, GB, F, SP Menu Languages NTSC: GB, F, SP, JP Subtitle Languages NTSC: GB, F, SP, JP Specials: Arthaus Musik Trailer 8 min | | | In stock - usually despatched within 1 working day. |
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| |  | Claudio Abbado In Rehearsal
Recording Date: 1985 Place of recording: Church of San Marco, Milano, Italy Running Time: 119 min Picture Format: 4:3 Sound Format: Mono Menu Languages PAL: D, GB, F, SP Subtitle Languages PAL: D, GB, F, SP Menu Languages NTSC: GB, F, SP, JP Subtitle Languages NTSC: GB, F, SP, JP Specials: Arthaus Musik Trailer 8 min | | | Usually despatched in 2 - 3 working days. |
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| |  | Zubin Mehta In RehearsalRichard Strauss: Till Eulenspiegel
Recording Date: 1996
Place of recording: Tel Aviv
Running Time: 55 min
Picture Format: 4:3
Sound Format: PCM Stereo
Menu Languages PAL: D, GB, F, SP
Subtitle Languages PAL: D, F, SP
"We see Zubin Mehta teaching an experienced world-class band a well-known piece from scratch. He is affable and charismatic, oozing enthusiasm but also technically exacting...It is fascinating to watch the rehearsal process, expecially when, as here, the warts are included."
****Presentation
Stephen Pettitt, BBC Music Magazine, July 2002 | | | Usually despatched in 2 - 3 working days. |
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| |  | Christoph Von Dohnányi - In Rehearsal
Recording the In Rehearsal programme, the cameras were witnessing part of the process of development of a new relationship between an orchestra and its Music Director. Dohnányi is seen working with the Philharmonia on Haydn’s Symphony No. 88 in G for a concert in their 1998 Haydn/Bartók series at London’s Royal Festival Hall. It was to be Dohnányi’s first Haydn performance with the orchestra and so the limited time available for preparation was of vital importance. The musician’s appreciation of his musically precise and exacting approach is evident in the concentrated atmosphere of rehearsals and also in comments they make about working with the maestro. Recording Date: 1998
Place of recording: From the Royal Festival Hall London
Running Time: 59 min
Picture Format: 4:3
Sound Format: PCM Stereo
Menu Languages PAL: D, GB, F, SP
Subtitle Languages PAL: D, F, SP
| | | Usually despatched in 2 - 3 working days. |
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| |  | Solti In Rehearsal
Recording Date: 1966
Place of recording: Stuttgart
Running Time: 87 min
Picture Format: 4:3
Sound Format: PCM Stereo
Menu Languages PAL: D, F, GB, SP
Subtitle Languages PAL: F, GB, SP
Menu Languages NTSC: F, GB, SP
Subtitle Languages NTSC: F, GB, SP
"Have you ever asked yourself how a conductor moulds an orchestra and imbues it with his own musical vision? Well, I've never seen a more succinct demonstration than in these two black-and-white rehearsal sequences filmed in 1966 and 1968. The charismatic, awesomely well-prepared Solti puts the Stuttgart players through their paces as he rehearses Wagner's Tannhäuser Overture and Berlioz's Hungarian March, followed by complete performances of both short works. This is 87 riveting minutes of what it takes to be a great conductor. It should be required watching for all young maestros."
Jeremy Nicholas, classic fM, 03/2004 | | | Usually despatched in 2 - 3 working days. |
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| |  | Sir John BarbirolliIn rehearsal and performance
Mono, Black & White, recorded 1963 | | | Usually despatched in 4 - 5 working days. |
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