Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Benjamin Britten and His Festival
Music featured includes: A Midsummer Night's Dream, The Burning Fiery Furnace, The Building of the House, Nocturnal, Young Person’s Guide to the Orchestra, The Golden Vanity, A Ceremony of Carols, and the Spring Symphony.
With: Benjamin Britten, Peter Pears, Imogen Holst, John Culshaw, Sviatoslav Richter, Julian Bream, Margaret Price, Henry Moore, Colin Graham, James Bowman, Owen Brannigan, Robert Tear, Heather Harper, Sir William Walton, Joyce Grenfell, E. M. Forster & Osian Ellis The Vienna Boys Choir & The English Chamber Orchestra. Ahead of next year’s Britten centenary, Tony Palmer’s 1967 classic film is made available again. It’s a behind-the-scenes look at the Aldeburgh Festival, cofounded by Benjamin Britten along with singer Peter Pears and writer Eric Crozier, and the opening by The Queen of the new concert hall at Snape. Sean Day-Lewis of The Daily Telegraph raved, "A superb film (which) may well achieve the status of a classic, repeated again and again over the years... the brilliant editing (was) of the highest quality, making a natural partnership of music and picture." DVD specifications: Region: 0 (All Regions) Rating: E (Exempt from Certification) Duration: 53 mins Picture Format: NTSC (all regions) | | | In stock - usually despatched within 1 working day. |
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| |  | Death in Venice: The Opera By Benjamin Britten
Tony Palmer’s film of Benjamin Britten’s opera Death in Venice, shot on location, is released on DVD for the first time on the director’s own label. Based on Thomas Mann’s masterly novella - also the source for Visconti’s famous movie - it follows the last days of a writer, disillusioned, in despair and nearing death, in disease-ridden Venice. The cast includes Robert Gard as Gustav von Aschenbach, John Shirley-Quirk as The Traveller, James Bowman as The Voice of Apollo, Vincent Redman as Tadzio, the object of Aschenbach’s infatuation, and Deanne Bergsma as Tadzio’s Mother. Steuart Bedford conducts the English Chamber Orchestra, and Peter Pears makes a special appearance. Death in Venice was to be Britten's last full-length opera, first performed at Snape Concert Hall on 16 June, 1973. The composer was already ill with heart problems, and completing the work at all had clearly been a struggle. But he was determined to write an opera and a leading part specifically for his long-time lover and inspiration, Peter Pears. And it was Pears who gave the triumphant American première in October the following year at his own debut in the Metropolitan Opera House, New York. It was soon after Britten had died, in December 1976, that Pears first asked Tony Palmer to film the entire opera with all the original cast, if possible on location in Venice. After all, apart from Suffolk, Venice was the place which meant most to Britten. Despite a miniscule budget (less than £100,000), Palmer eventually managed to fulfil Pears' ambition in 1980 - but without the tenor himself as Aschenbach. By then, a couple of strokes had effectively ended his singing career, but the Australian tenor Robert Gard frequently looks (and sounds) almost more like Pears than Pears himself. Director & editor: Tony Palmer Photography: Nic Knowland Sound: Brian Saunders Costumes: Charles Knode Choreographer: Ian Spink Production Design: Kenneth E. Carey DVD specifications: Region: 0 (All Regions) Rating: E (Exempt from Certification) Duration: 131 minutes Picture Format: NTSC (all regions) | | | In stock - usually despatched within 1 working day. |
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James Bowman (Oberon), Ileana Cotrubas (Tytania), Lieuwe Visser (Thesius), Claire Powell (Hippolyta), Ryland Davies (Lysander), Dale Duesing (Demetrius), Cynthia Buchan (Hermia), Felicity Lott (Helena), Curt Applegren (Bottom), Roger Bryson (Quince), Patrick Power (Flute), Damien Nash (Puck) Bernard Haitink Sub Titles: English, German, Spanish “a magical production...The atmospheric sets of John Bury brilliantly exploit the limited space of the Glyndebourne stage...Peter Hall, as ever at Glyndebourne, is an inspired director...A fine memorial to traditional stage values in opera.” Penguin Guide, 2010 edition *** | | | In stock - usually despatched within 1 working day. |
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| |  | England, My England - Tony Palmer’s Film about Henry Purcell
Music performed by Susan Graham, Stephen Varcoe, Lynne Dawson, Nancy Argenta, James Bowman, Michael Chance, Paul Agnew, Peter Harvey, David Thomas, Robert Johnston, Teresa Shaw & Jennifer Smith The Monteverdi Choir & English Baroque Soloists, John Eliot Gardiner Tony Palmer directs this prize-winning film about the great English composer Henry Purcell. Very little is known about his life, but the script - by Charles Wood and the late John Osborne - solves this problem by launching a group of actors in the 1960s on a voyage of discovery into the 1660s & late-17th century England, the extraordinary period in which Purcell lived. But it is Purcell’s music which is the driving force of the drama, with a stunning soundtrack conducted by John Eliot Gardiner. Features an all-star cast with Simon Callow as Charles, Michael Ball as Henry Purcell, Letitia Dean as Barbara, Nina Young as Mrs Purcell, Corin Redgrave as William III, Lucy Speed as Nell, John Shrapnel as Pepys, Robert Stephens as Dryden, Murray Melvin as Shaftesbury, Terence Rigby as Cooke, Peter Woodthorpe as Kiffen, John Fortune as Clarendon, Edward Michie as young Harry and Bill Kenwright as Bill. Subtitles included: English, German, Spanish and Italian “Tony Palmer has created a fantasy not just about the period but about its many great figures, from Milton and Locke to Pepys, Newton and Wren...The musical side is presented splendidly...The result is a kaleidoscope of impressions, carefully put together, which adds up to a most moving whole.” Penguin Guide, 2011 edition | | | Usually despatched in 4 - 5 working days. |
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| |  | England, My EnglandThe Story of Henry Purcell
Tony Palmer directs this unique film drama about the great English composer Henry Purcell. Very little is known about his life, but the script, by Charles Wood and the late John Osborne, solves this problem by launching a group of actors in the 1960s on a voyage of discovery into the 1660s & late-17th century England, the extraordinary period in which Purcell lived. The all-star cast includes Michael Ball, Simon Callow, Corin Redgrave, Letitia Dean, John Shrapnel, Robert Stephens and many other well-known names. But it is Purcell’s music which is the driving force of this dramatisation, with a stunning soundtrack performed by a line-up of superb artists such as Susan Graham, Stephen Varcoe, Lynne Dawson, Nancy Argenta, James Bowman and Michael Chance. The Monteverdi Choir and English Baroque Soloists are conducted by John Eliot Gardiner. “What this time-travelling fantasy has to do with the music of Henry Purcell, you will discover in the course of 153 very long minutes. As the camera pans across the years of the Plague, through executions and Pope-burning, it connives in the time-worn fallacy of linking musical affect with historical chronicle, confusing and misleading the listener.” BBC Music Magazine, November 2007 ** “An imaginative matching of history, ideas, the man and his music.” Gramophone Magazine, November 2007 “Looks and sounds like a masterpiece - wonderful to hear as it is to behold. Overwhelming...it will blow you out of your seat.” The Australian | | | Usually despatched in 4 - 5 working days. |
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| |  | Handel: Julius Caesar
Recording Date: 1984
Place of recording: From the English National Opera
Running Time: 180 min
Picture Format: 4:3
Sound Format: PCM Stereo
Menu Languages PAL: D, F, GB, SP
Subtitle Languages PAL: D, F, GB, SP
“This is a 1984 studio re-creation, with the original cast, of John Copley's ENO production. Mackerras's performing edition is by no means literally 'authentic'; arias are removed, including much of Sextus's role, recitatives are trimmed, and much of Caesar's role is transposed – inevitably, since it was written for the exceptionally low contralto castrato Senesino. The result is no travesty, however: it's fast-moving and dramatically satisfying, and conducted by Mackerras in the same spirit. Copley also strives to avoid tedium, for instance backing da capo passages with stage activity – sometimes rather obviously. However, his staging, combining John Pascoe's warm-hued, vaguely 18th-century designs with more naturalistic acting, translates quite well to the screen – not least because the singers are so committed. Janet Baker displays great Handelian affinity. She not only delivers these difficult, florid arias with fiery élan and appropriate ornament, but infuses them with a real emotional intensity that sweeps one over the credibility gap. Sarah Walker makes the lachrymose Cornelia almost as intense, and Valerie Masterson carries off Cleopatra's gorgeous music with admirable if slightly self-conscious virtuosity and a kittenish seductiveness reminiscent of Vivien Leigh. Della Jones is a splendid Sextus, and John Tomlinson a thunderously melodramatic Achilles. Though James Bowman's hooting tone is rather obtrusive, he plays Ptolemy as a petulantly Farouk-ish villain to fine comic effect.” Gramophone Classical Music Guide, 2010 “Janet Baker sings and acts commandingly in the title-role...[Jones, Bowman and Tomlinson] are all ideal in their roles, with Michael Stennett's sumptuous cotumes adding to the success of the production. Sir Charles Mackerras paces the music masterfully...The full, vivid studio sound makes this one of the very finest of the invaluable series of ENO opera recordings in English” Penguin Guide | | | Usually despatched in 2 - 3 working days. |
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