DVD Videos

John Tomlinson

Born in Accrington in 1946, John Tomlinson read Civil Engineering at Manchester University before studying voice at the Royal Manchester College of Music and with Otakar Kraus. He made his professional debut as a chorister at Glyndebourne in 1970 and initially made his name as a Handel singer, working regularly with Trevor Pinnock and John Eliot Gardiner among others. It is as a Wagnerian, however, that Tomlinson is best known today: after exploring bass roles such as Fafner, Hunding and King mark with Reginald Goodall, he made his debut at Bayreuth in 1988 and sang there for 18 consecutives seasons, most famously as Wotan in the Barenboim Ring Cycle.

His non-Wagnerian repertoire includes Baron Ochs, Bluebeard, Claggart and Boris Godunov and he has created numerous roles in contemporary operas, most notably the title-roles in Birtwistle's The Minotaur and Gawain. He was made a Commander of the Order of the British Empire (CBE) in 1997 for his services to music and was knighted in the 2005 Queen's Birthday Honours List.

See below for DVD Videos with John Tomlinson, or click here to see all records by this artist.

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Contemporary British Operas

Contemporary British Operas


Benjamin, G:

Written on Skin

Recorded live at the Royal Opera House, March 2013

Christopher Purves (Protector), Barbara Hannigan (Agnès), Bejun Mehta (First Angel/Boy), Victoria Simmonds (Second Angel/Marie) & Allan Clayton (Third Angel/John)

George Benjamin (conductor) & Katie Mitchell (director)

Birtwistle:

The Minotaur

Recorded live at the Royal Opera House, Covent Garden on the 25th & 30th April and 3rd May 2008

John Tomlinson (The Minotaur), Johan Reuter (Theseus), Christine Rice (Ariadne), Andrew Watts (Snake Priestess), Philip Langridge (Hiereus), Amanda Echalaz (Ker), Rebecca Bottone, Pumeza Matshikiza, Wendy Dawn Thompson, Christopher Ainslie, Tim Mead (Innocents)

Antonio Pappano (conductor) & Stephen Langridge (stage director)

Turnage:

Anna Nicole

Recorded live at the Royal Opera House, 23 & 26 February 2011. Contains very strong language and scenes of a sexual nature.

Eva-Maria Westbroek (Anna Nicole), Alan Oke (Old Man Marshall), Gerald Finley (The Lawyer Stern), Susan Bickley (Virgie), Jeremy White (Daddy Hogan), Loré Lixenberg (Cousin Shelley), Peter Hoare (Larry King), Rebecca de Pont Davies (Aunt Kay), Dominic Rowntree (Older Daniel), Allison Cook (Blossom), Andrew Rees (Doctor), Grant Doyle (Billy) & Wynne Evans (Mayor); John Parricelli (guitar), John Paul Jones (bass guitarist), Peter Erskine (drummer)

Antonio Pappano (conductor) & Richard Jones (director)


The Royal Opera Chorus & The Orchestra of the Royal Opera House

This collection celebrates the best of contemporary British opera, bringing together three acclaimed Royal Opera House productions: Harrison Birtwistle and David Harsent’s The Minotaur, a gripping, visceral drama based on the legendary bull-headed creature of Greek mythology; Anna Nicole, Mark-Anthony Turnage and Richard Thomas’s punchy yet compassionate morality tale exploring the doomed life of the eponymous Playboy model; and the sensuously beautiful Written on Skin, George Benjamin and Martin Crimp’s revenge opera which puts an otherworldly spin on its dark, medieval storyline.

Striking sets, innovative staging, compelling performances and consummate conducting – with Music Director Antonio Pappano at the orchestral helm for The Minotaur and Anna Nicole – unite these three very different but equally captivating operas, making for a collection rich in dramatic tension and first-class music making.

Running Time: 265 minutes

Aspect Ratio: 16:9 Anamorphic

Subtitles: EN/FR/DE/ES/IT

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Opus Arte Royal Opera House Collection - OA1189BD

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Wagner: Der Ring des Nibelungen

Wagner: Der Ring des Nibelungen


Das Rheingold

John Tomlinson (Wotan), Graham Clark (Loge), Günter von Kannen (Alberich), Linda Finnie (Fricka), Matthias Hölle (Fasolt), Philip Kang (Fafner), Eva Johansson (Freia), Bodo Brinkmann (Donner), Kurt Schreibmayer (Froh), Helmut Pampuc (Mime), Birgitta Svendén (Erda), Hilde Leidland (Woglinde), Annette Küttenbaum (Wellgunde), Jane Turner (Flosshilde)

Die Walküre

Poul Elming (Siegmund), Nadine Secunde (Sieglinde), Matthias Hölle (Hunding), Anne Evans (Brünnhilde), John Tomlinson (Wotan), Linda Finnie (Fricka), Eva Johansson (Gerhilde), Ruth Floeren (Ortlinde), Shirley Close (Waltraute), Hitomi Katagiri (Schwertleite), Eva-Maria Bundschuh (Helmwige), Linda Finnie (Siegrune), Birgitta Svendén (Grimgerde), Hebe Dijkstra (Rossweisse)

Siegfried

Siegfried Jerusalem (Siegfried), Anne Evans (Brünnhilde), Graham Clark (Mime), John Tomlinson (Der Wanderer), Günter von Kannen (Alberich), Philip Kang (Fafner), Birgitta Svendén (Erda), Hilde Leidland (Waldvogel)

Götterdämmerung

Siegfried Jerusalem (Siegfried), Anne Evans (Brünnhilde), Philip Kang (Hagen), Bodo Brinkmann (Gunther), Günter von Kannen (Alberich), Eva-Maria Bundschuh (Gutrune), Waltraud Meier (Waltraute), Hilde Leidland (Woglinde), Annette Küttenbaum (Wellgunde), Jane Turner (Flosshilde), Birgitta Svendén (1. Norn), Linda Finnie (2. Norn), Uta Priew (3. Norn)

Bayreuth Festival Chorus & Bayreuth Festival Orchestra, Daniel Barenboim

Directed by Harry Kupfer, with designs by Hans Schavernoch.

This legendary Bayreuth Festival production of Wagner’s 'Der Ring des Nibelungen', directed by Harry Kupfer, with designs by Hans Schavernoch, and conducted by Daniel Barenboim, is considered perhaps the finest video recording of these four operas ever made. For their innovative modernist staging, Kupfer and his team turned away from the work’s time of origin and located The Ring at a “road of history”, a meeting-place of past, present and future, which sets the scene for the story’s struggles of power and love. Barenboim’s authoritative yet highly responsive reading of the immense score and the extraordinary performances of the cast help to make this a truly memorable Ring.

Subtitles: English, French, German, Spanish, Italian (operas) - French, German, Spanish, Italian (bonus feature)

“If a cycle is going as well as the Harry Kupfer/Daniel Barenboim Ring was, the super-test of Götterdämmerung brings out the best in everyone… Barenboim manipulates his orchestra with Furtwänglerian virtuosity, huge rits, pauses and all, tailor-made to the stage drama. This is the strongest of Hohlfeld’s four Ring filmings. It captures the Fritz Lang-like atmosphere of terror that Kupfer gets from this work, and is at the right angles for the moving depiction of Siegfried’s death and funeral march…” Gramophone Magazine

“For me the highlight of Daniel Barenboim's 1992 Bayreuth cycle is the matchless singing of John Tomlinson as Wotan, coupled with a radiant Brünnhilde from Anne Evans. Siegfried Jerusalem is movingly tender as Siegfried, and Philip Kang as Hagen is menacingly unsettling...Kupfer's production, with plentiful use of lasers, will not please everyone, but I think it's full of stunningly hypnotic imagery that blends beautifully with Wagner's music.” James Longstaffe, Presto Classical, March 2015

Presto Favourites

Recommended Recording

DVD Video

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Warner Classics Daniel Barenboim Complete Wagner Operas - 2564688804

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Glyndebourne Diamonds

Glyndebourne Diamonds

Five Great Opera Productions from the Glyndebourne Festival Opera


Beethoven:

Fidelio, Op. 72

(1979)

Elisabeth Söderström (Leonore), Anton de Ridder (Florestan), Curt Applegren (Rocco), Robert Allman (Pizarro), Elizabeth Gale (Marzelline), Ian Caley (Jaquino), Michael Langdon (Fernando), David Johnston (First Prisoner), Roger Bryson (Second Prisoner)

Bernard Haitink

Monteverdi:

Il ritorno d'Ulisse in patria

(1973)

Benjamin Luxon (Ulisse), Janet Baker (Penelope), Ian Caley (Telemaco), Robert Lloyd (Nettuno), Anne Howells (Minerva), Rae Woodland (Giunone), Brian Burrows (Giove)

Raymond Leppard

Stravinsky:

The Rake's Progress

(1975)

Leo Goeke (Tom Rakewell), Felicity Lott (Anne Trulove), Samuel Ramey (Nick Shadow), Richard Van Allan (Trulove), Rosalind Elias (Baba the Turk)

Bernard Haitink

Verdi:

Falstaff

(1976)

Donald Gramm (Falstaff), Benjamin Luxon (Ford), Kay Griffel (Alice Ford), Elizabeth Gale (Nannetta), Max René Cosotti (Fenton), Nucci Condò (Mistress Quickly), Reni Penkova (Meg Page), Bernard Dickerson (Bardolfo), Ugo Trama (Pistola), John Fryatt (Dr Cajus)

John Pritchard

Macbeth

(1972)

Kostas Paskalis (Macbeth), Josephine Barstow (Lady Macbeth), James Morris (Banco), Keith Erwen (Macduff), Ian Caley (Malcolm), Rae Woodland (Dama), Brian Donlan (Medico), Ian Caddy (Domestico), John Tomlinson (Sicaro)

John Pritchard


Recording Date: 2007
Place of recording: From the Glyndebourne Festival Opera
Running Time: 681 min
Picture Format: 4:3
Sound Format: PCM Stereo

Menu Languages NTSC: D, F, GB, SP
Subtitle Languages NTSC: D, F, GB, I, SP

“[On Falstaff] This performance is typical of the high standards of ensemble playing pertaining at Glyndebourne in the 1970s.” Gramophone Magazine

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Arthaus Musik - 101109

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Saint-Saëns: Samson et Dalila

Saint-Saëns: Samson et Dalila


Jon Vickers (Samson), Shirley Verrett (Dalila), Jonathan Summers (Le Grand Prêtre de Dagon), John Tomlinson (Abimélech), Gwynne Howell (Le Vieillard Hébreu), John Dobson (Le messager philistin), Maldwyn Davies (Premier philistin), Matthew Best (Deuxième philistin)

Orchestra & Chorus of the Royal Opera House Covent Garden, Colin Davis

“Vickers's account is well matched by Verrett. Committed conducting and strong visuals in Nolan's designs.” BBC Music Magazine, May 2006 *****

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Warner Classics Warner Vision - 5101122832

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Britten: Peter Grimes

Britten: Peter Grimes


Jon Vickers (Peter Grimes), Heather Harper (Ellen Orford), Norman Bailey (Balstrode), Elizabeth Bainbridge (Auntie), John Dobson (Bob Boles), Forbes Robinson (Swallow), Patricia Payne (Mrs Sedley), Phillip Gelling (Ned Keene), John Lanigan (Horace Adams), John Tomlinson (Hobson), Marilyn Hill Smith (First Niece), Anne Pashley (Second Niece)

The Royal Opera, Colin Davis, production by Elijah Moshinsky

“Colin Davis...proves an inspired interpreter, taut in control as well as warmly expressive, drawing vividly atmospheric playing from the orchestra to supplement the brilliantly effective sets, minimal but wonderfully evocative in their dark picture of the Borough.” Penguin Guide, 2010 ***

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Warner Classics Warner Vision - 0630169132

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Wagner: Die Walküre

Wagner: Die Walküre

Live Recording from The Teatro Alla Scala, Milan, 2010


Simon O’Neill (Siegmund), John Tomlinson (Hunding), Vitalij Kowaljow (Wotan), Waltraud Meier (Sieglinde), Nina Stemme (Brünnhilde) & Ekaterina Gubanova (Fricka)

Teatro Alla Scala, Daniel Barenboim (conductor) & Guy Cassiers (stage director)

Richard Wagner called Die Walküre the “first evening” of the Ring of the Nibelung; he called Das Rheingold the prologue or Vorabend. Musically and dramatically, we are introduced to a radically new and different world when the opening bars of Die Walküre resound. A fully developed orchestral palette of Leitmotivs paints a wild storm scene, and the curtain rises on a modest dwelling: a fully human scene that has nothing to do with the gods, dwarves and nymphs of Das Rheingold. At the same time, however, the way Die Walküre portrays radical beginnings reveals some telling reminiscences of the unfolding of Das Rheingold. Die Walküre is exciting and deeply feeling drama.

The Scala “Ring” Cycle by Guy Cassiers is continued here with, as in Rheingold, numerous outstanding opera stars. Most of all, the leading ladies, ever wonderful Waltraud Meier as Sieglinde, marvellous Nina Stemme as a strong Brünnhilde and Ekaterina Gubanova as a convincing Fricka are to be named. Simon O’Neill and John Tomlinson fight a stirring duel as Siegmund and Hunding and Vitalij Kowaljow gives his dark portrayal of Wotan.

Daniel Barenboim presents a fantastic musical interpretation of this second and inspiring evening of the “Ring”.

Sound Format: PCM Stereo, Dolby Digital 5.1

Picture Format: 16:9, 1080i High Definition

Format: 2 x DVD 9 / NTSC

Subtitles: DE (Original Language), GB, FR, ES, IT, Korean

Running Time: 238 mins

FSK: 0

Region Code: 0

Worldwide available, excluding Japan

“Any Daniel Barenboim Wagner performance is an event. True, his mannerisms are still apparent...but his poetic command of Wagner's phrasing tempers these...Gubanova is a steely, imperious Fricka. Best of all, though, is Nina Stemme's Brunnhilde. It's a radiant performance, occasionally effortful, but Stemme's golden tone stands the pressure.” BBC Music Magazine, February 2014 ****

“Meier is a tower of strength and dramatic ability just as one would expect...Stemme is properly fearless throughout as Brünnhilde...she is quite simply the best Brünnhilde since Nilsson, albeit of a very different stamp...Barenboim is a conductor at once powerful and sensitive.” MusicWeb International, 8th January 2014 ****

“Kowaljow as Wotan offers a smooth line, good top and a sense of stillness, in fact rather too much. Simon O’Neill is a tireless Siegmund and roused to dramatic heights by his outstanding Sieglinde, Waltraud Meier. Nina Stemme’s sheer presence and flood of rich tone make a strong Brünnhilde. Daniel Barenboim’s pulsing conducting is superlative.” Opera Now ***

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Arthaus Musik Barenboim La Scala Milan Ring Cycle - 101694

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Janet Baker

Janet Baker

Mary Stuart, Orfeo & Full Circle


 

Full Circle - documentary

Donizetti:

Maria Stuarda

sung in English

Janet Baker (Maria), Rosalind Plowright (Elisabetta), David Rendall (Leicester), John Tomlinson (Talbot), Angela Bostock (Anna), Alan Opie (Cecil)

Orchestra and Chorus of English National Opera, Charles Mackerras

Gluck:

Orfeo ed Euridice

Janet Baker (Orfeo), Elisabeth Speiser (Euridice), Elizabeth Gale (Amor)

London Philharmonic Orchestra, Raymond Leppard


Janet Baker (mezzo)

3 DVD and 2 CD

“This 1982 production [of Maria Stuarda] from English National Opera captures Dame Janet Baker in the final year of her operatic career, radiating authority and conviction as the ill-fated Mary. Sung in English, with a young Rosalind Plowright as Mary's antagonist Elizabeth (watch those sparks fly in the Confrontation Scene!), this is wonderful theatre as well as a fitting monument to one of the greatest singing actresses of the twentieth century.” Katherine Cooper, Presto Classical, June 2014

DVD Video

Region: 2

Format: PAL

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Warner Classics - 2564662027

(DVD Video - 3 discs)

Normally: $37.75

Special: $30.20

This item is currently out of stock at the UK distributor. You may order it now but please be aware that it may be six weeks or more before it can be despatched.

Wagner: Parsifal

Wagner: Parsifal

Recorded at Deutsche Staatsoper Berlin, 1992


Poul Elming (Parsifal), Waltraud Meier (Kundry), John Tomlinson (Gurnemanz), Günter von Kannen (Klingsor), Falk Struckmann (Amfortas), Fritz Hübner (Titurel)

Chor der Deutschen Staatsoper & Staatskapelle Berlin, Daniel Barenboim (conductor) & Harry Kupfer (stage director)

A new release from the series of Metropolitan Munich.

Parsifal represents the culmination of Wagner’s work as a revolutionary composer of opera. In it he created a powerful allegory on the conflict between Christianity and paganism, good and evil, light and dark, physical passion and spiritual abstinence.

This dramatic production by the brilliant German stage director Harry Kupfer marked Daniel Barenboim’s appointment as the artistic director of the Berlin State Opera in 1992.

The cast is made up of the finest Wagnerian singers of the period, all of whom enjoyed substantial international careers. Barenboim’s superb conducting reveals Wagner’s multi-layered score in all its glory.

Picture format DVD: NTSC 4:3

Sounds formats DVD: PCM Stereo

Region code: 0

Subtitles: German, English, French, Japanese

Booklet notes: English, German, French

Runnning time: 245 mins

“a must for those who love this work...[Elming] is remarkable in the title role, his concentration and reactions on a par with Jon Vickers's and the voice in pristine shape...Meier remains the Kundry of our time and this, her third DVD, is her best...[Tomlinson's] is a magnetic portrayal, all too human and understanding, caring about details...[Barenboim] aims for and reaches the work's humanity without sacrificing grandeur...How magnificent this is!” International Record Review

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EuroArts - 2066738

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Birtwistle: The Minotaur

Birtwistle: The Minotaur

Recorded live at the Royal Opera House, Covent Garden on the 25th & 30th April and 3rd May 2008.


John Tomlinson (The Minotaur), Johan Reuter (Theseus), Christine Rice (Ariadne), Andrew Watts (Snake Priestess), Philip Langridge (Hiereus), Amanda Echalaz (Ker), Rebecca Bottone, Pumeza Matshikiza, Wendy Dawn Thompson, Christopher Ainslie, Tim Mead (Innocents)

The Royal Opera Chorus & The Orchestra of the Royal Opera House, Antonio Pappano (conductor) & Stephen Langridge (stage director)

This world premiere of a gripping new work by composer Harrison Birtwistle and librettist David Harsent, commissioned by The Royal Opera, brings the monstrous, Greek mythological character to the stage. The Minotaur, part man, part beast, trapped in his labyrinth and constrained by his bloodthirsty role there, longs to discover his true identity and his own voice. Athens must pay a blood sacrifice to Crete and among the innocents is Theseus, who has come to challenge the violent Minotaur, but who also attracts the attention of Ariadne, half-sister and keeper of the monster; it is with her help he succeeds.

‘Thanks to a superb cast and impeccable playing under Antonio Pappano, the evening is a glittering success. …what Birtwistle has done is give us one opera inside another. The outer one is strident and earthbound; the inner one – ending with the Minotaur's Caliban-like

dying aria – burns with visionary fire.’ The Independent

Bonus Documentary: ‘Myth is Universal'.

PICTURE FORMAT: 16:9
LENGTH: 175 Mins
SOUND: 2.0 LPCM STEREO/ 5.0 DTS SURROUND
SUBTITLES: EN/FR/DE/ES/IT

“This opera, premiered at the Royal Opera last April, seems to me to be a masterpiece, of the kind that one feels the greatness of before one has a complete understanding of it. …the Minotaur is a terrifying and pained figure. This performance is the climax of John Tomlinson's career, in a part written with his huge, gravelly voice in mind. The other compelling figure is Ariadne... Christine Rice, bearing the weight of exposition and of suffering, uses her wonderfully rich mezzo to stunning effect.” BBC Music Magazine, December 2008 *****

“The filming reinforces the strengths of Stephen Langridge's tightly controlled, potently expressive production in an economical yet atmospheric setting, with the whole ensemble totally engaged in the drama's dark enterprise. Repeated hearings underline that, in the end, this tragedy is the more convincing for the way its turn towards pathos does not involve any false consolation.” Gramophone Magazine, January 2009

“Birtwistle's latest large-scale music drama, written for Covent Garden, is a quite different experience on DVD: what might have been planned by composer and stage director to be witnessed from a distance is shown in unsparing close-up.
But this seething, monumental reinvention of one of the most disquieting Greek myths – with a pithy libretto by David Harsent – is neither betrayed nor diminished by this excellent film.
Only in its final stages does the opera's focus shift decisively to the doomed Minotaur from the scheming Ariadne, and the drama's most essential point is that this Ariadne – as different from Strauss's as Birtwistle's Orpheus is different from Gluck's – is in her own way as much of a monster as the half-man/half-bull. These demanding roles are projected with maximum musical eloquence by Christine Rice and Sir John Tomlinson, no doubt because – as Rice makes clear in the absorbing 30-minute documentary that accompanies the performance – what is demanding is also intensely rewarding to singers prepared to commit themselves to a steep learning curve. Equal commitment is evident in Johan Reuter's Theseus, the conventions of heroic posturing given new depth and relevance in text, music and vocal acting alike. We see little of Antonio Pappano and his orchestra, but the excellent sound never lets us escape the inexorable magnetism of the instrumental continuum.”
Gramophone Classical Music Guide, 2010

“Birtwistle's idiom, always abrasive, has developed here a more lyrical strain...The impact of the opera is greatly heightened not just by the casting but by staging by Stephen Langridge...[Pappano] excels himself, conducting an electrifying performance with orchestra and chorus finely coordinated.” Penguin Guide, 2011 edition

“The work’s transition to high-definition video is marvellously achieved...the opera’s incarnation on DVD never appears stilted or ‘stagey...The sound qualities of the recording are also outstanding, capable of revealing—in all its shocking majesty—the detail, subtlety and visceral power of Birtwistle’s extraordinary score.” Opera

GGramophone Awards 2009

Finalist - DVD

GGramophone Magazine

DVD of the Month - January 2009

DVD Video

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Up to 70% off Opus Arte

Opus Arte Royal Opera House Collection - OA1000D

(DVD Video - 2 discs)

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Usually despatched in 2 - 3 working days.

Martinu: The Greek Passion

Martinu: The Greek Passion

Television film of the opera by Bohuslav Martinu based on the novel by Nikos Kazantzakis „Christ Recrucified“


John Mitchinson, Helen Field, John Tomlinson & Catherine Savory

Prague Philharmonic Choir, Kühn Children´s Chorus & Brno Philharmonic Orchestra, Sir Charles Mackerras

Supraphon 1981 Sung in English, subtitles: Czech, German, French

“The vocal performances are without exception magnificent: John Mitchinson as Manolios and Helen Field as Katerina, respectively Christ and Mary Magdalen, deliver near definitive readings of their roles. The transfer to a realistic open air set with actors taking the vocal roles is not particularly successful.” BBC Music Magazine, January 2008 ***

“The story of Martinu's penultimate opera begins with a priest allotting roles in the local Passion play to various congregation members.
When a group of refugees arrive begging land (their village having been sacked by the Turks) the would-be actors begin to assume the roles of their characters. Thus, after the priest rejects the refugees on the pretext that they carry cholera, Manolios, assigned to play Christ, directs them towards Mount Sarakina where there is room to spare, while the pedlar Yannakos, playing Peter, repents of a scheme to deprive the refugees of their valuables in exchange for essentials.
Panait, allotted the role of Judas, is incensed by the change of heart of Katerina, playing Mary Magdalene, who is drawn into a close spiritual bond with Manolios, who rejects his fiancée, Lenio, who in turn becomes engaged to another. In the end, Manolios's identification with Christ and sympathy for the plight of the refugees becomes too much for the priest, who excommunicates him. In a confrontation outside the church, Manolios is killed by Panait and the Passion play ended.
Supraphon's film is not of a stage or even studio performance, but was made for Czech Television in 1999 as a kind of outside broadcast, set around a real stone-built village and church.
The recording is that made in 1981 in Brno using the local orchestra and Czech choruses by Sir Charles Mackerras with soloists from Welsh National Opera. The live actors, for the most part Czechs, mouth the English text very well, though differences in mime technique are at times striking.
The outdoor setting works remarkably well, centred on the village square, the church, various cottages and the hillside where the refugees attempt to eke out a new home. The recording still sounds sumptuous, the elision of certain segments has been done expertly and for those unfamiliar with Martinu's radiant score, this film – ending with the iconic image of the dead Manolios on the church steps, should prove a compelling and moving experience.”
Gramophone Classical Music Guide, 2010

“Supraphon's film… was made for Czech Television… as a kind of outside broadcast, set around a real stone-built village and church. The recording still sounds sumptuous, the elision of certain segments has been done expertly and for those unfamiliar with Martinu's radiant score, this film - ending with the iconic image of the dead Manolios on the church steps, should prove a compelling and moving experience.” Gramophone Magazine, March 2008

DVD Video

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Supraphon - SU70149

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Special: $13.80

Usually despatched in 2 - 3 working days.

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