Gramophone Magazine Editor's Choice

Awards Issue 2003

Disc of the Month

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French Arias

Awards:

Gramophone Magazine

Disc of the Month - Awards Issue 2003

Label:

DG

Catalogue No:

E4742142

Discs:

1

Release date:

6th Oct 2003

Barcode:

0028947421429

Length:

76 minutes

Medium:

CD
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French Arias


Auber:

Le Domino noir: 'Je suis sauvée enfin - Ah! quelle nuit - Flamme vengeresse'

Berlioz:

La Damnation de Faust, Op. 24: Chanson gothique 'Autrefois un roi de Thulé'

Bizet:

Les tringles des sistres tintaient (from Carmen)

Boieldieu:

La Dame blanche: 'Chut! chut! ... D'ici voyez ce beau domaine'

Gounod:

Nuit resplendissante (from Cinq-Mars)

Depuis hier je cherche en vain mon maître...Que fais-tu, blanche tourterelle (from Roméo et Juliette)

Ô ma lyre immortelle (from Sapho)

Massenet:

J'ai versé le poison (from Cléopâtre)

Lorsque le temps d'amour ... Ne pensons qu'au plaisir d'aimer (from Don Quichotte)

Ah, que mes soeurs ... Reste au foyer, petit grillon (from Cendrillon)

Offenbach:

Une guitare...O reve de joie...Voyez-la sous son éventail (from Les Contes d'Hoffmann)

Ravel:

Oh! La pitoyable aventure (from L'heure espagnole)

Thomas, Ambroise:

Connais-tu le pays (from Mignon)

Verdi:

Sous ce bois au feuillage immense (from Don Carlos)

Au palais des fées (from Don Carlos)


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Daniel François Esprit Auber: Le Domino noir - Original Version / Act 3

playJe suis sauvée enfin - Ah! quelle nuit - Flamme vengeresse

Charles Gounod: Cinq Mars

playNuit resplendissante

Charles Gounod: Roméo et Juliette - original version / Act 3

playDepuis hier je cherche en vain mon maître

Jules Massenet: Cléopatre

playJ'ai versé le poison

Giuseppe Verdi: Don Carlos / Act 2

playChoeur et Scène: "Sous ces bois au feuillage immense"

playChanson du Voile: "Au palais des fées"

La Damnation de Faust, Op.24 / Part 3

playLe roi de Thulé (Chanson gothique). "Autrefois un roi de Thulé"

Maurice Ravel: L'heure espagnole, Comédie en un acte

playOh! la pitoyable aventure! (Scenes XVII-XIX)

Jules Massenet: Don Quichotte - Poème de Henri Cain, d'après Le Lorrain / Act 4

playLorsque le temps d'amour a fui - Par fortune - Alza! Alza! Ne pensons qu'au plaisier

Ambroise Charles Louis Thomas: Mignon / Act 1

playConnais-tu le pays?

François-Adrien Boiëldieu: La Dame blanche

playChut! Chut! écoutons

Charles Gounod: Sapho - opera in 3 Acts / Act 3

playOù suis-je?...O ma lyre immortelle

Jacques Offenbach: Les Contes d'Hoffmann / Act 2

playVoyez - la sous son éventail

Jules Massenet: Cendrillon - opera in 4 acts - Lib. Cain after Perrault / Act 1

playAh! que mes soeurs sont heureuses!

Georges Bizet: Carmen / Act 2

playChanson: "Les tringles des sistres tintaient"

Click on any of the works listed above for alternative recordings.

Editor's Choice

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See Terms & Conditions for p&p rates.
Takemitsu - Chamber Music

Awards:

Gramophone Magazine

Editor's Choice - Awards Issue 2003

Label:

Naxos

Catalogue No:

8555859
(8.555859)

Discs:

1

Release date:

29th Sept 2003

Barcode:

0747313585922

Length:

71 minutes

Medium:

CD (download also available)

20% off Naxos

click here for full details

special offer ends 29/05/2013

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Takemitsu - Chamber Music


Takemitsu:

And then I knew ‘twas Wind

Rain Tree, for three percussionists

Toward the Sea I for alto flute & guitar

Bryce

Itinerant

Voice

Air

Rain Spell


Robert Aitken (flute)

New Music Concerts Ensemble

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Toru Takemitsu: Soshite, sore ga kaze de aru koto wo shitta (And then I knew 'twas wind)

playAnd Then I Knew 'Twas Wind

Toru Takemitsu: Ame no ki (Rain Tree)

playRain Tree

Toru Takemitsu: Umi e (Toward the Sea)

playI - The Night

playII - Moby Dick

playIII - Cape Cod

Toru Takemitsu: Bryce

playBryce

Toru Takemitsu: Meguri (Itinerant)

playItinerant

Toru Takemitsu: Voice

playVoice

Toru Takemitsu: Air

playAir

Toru Takemitsu: Ame no jumon (Rain Spell)

playRain Spell

Gramophone Classical Music Guide

2010

“Takemitsu's work in the final decade of his life was gentle, full of tenderness, sentiment and sighs. But he never entirely discarded the starker beauty of his earlier work. Air distills much of the spirit of his music, evoking the French Impressionists, modernist asceticism and the pared-down elegance of Japanese traditional music and gardens. It was written for flautist Aurèle Nicolet and first played in public by Yasukazu Uemura, but it's hard to imagine Robert Aitken's performance being bettered.
Aitken invited Takemitsu to Canada in 1975 and 1983. From these visits grew a special relationship with the musicians featured on this outstanding album. They performed most of these works for the composer, so we can assume that the interpretations bear the hallmark of authenticity: they sound utterly convincing, with their perfect balance of the technical and the emotional. Itinerant (1989) is a case in point: Takemitsu pictures a garden where vegetable and mineral, motion and stability mingle in precisely designed harmony, yet each visitor's perspective discovers a fresh view.
The programming is as admirable as the playing, surveying Takemitsu's music for small forces from 1971 (Voice, with its references to Noh theatre) to 1995 (Air). From the pastoral, slightly eerie trio for flute, viola and harp AndThen I Knew – devised as a companion-piece to Debussy's 1915 Sonata for the same instruments – and the shimmering, celestial Rain Tree, to Rain Spell, brooding and turbulent in turns, this is yet another excellent 20th-century showcase from Naxos.”

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