Gramophone Magazine Editor's Choice

April 2015

Disc of the Month

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Vivaldi: L'estro armonico - 12 concerti, Op. 3

Awards:

Presto Disc of the Week

9th March 2015

Gramophone Awards 2015

Finalist - Baroque Instrumental

Gramophone Magazine

Disc of the Month - April 2015

BBC Music Magazine

Disc of the month - April 2015

Label:

Channel

Catalogue No:

CCSSA36515

Discs:

2

Release date:

16th March 2015

Barcode:

0723385365150

Medium:

SACD

Format:

Hybrid Multi-channel
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Vivaldi: L'estro armonico - 12 concerti, Op. 3


Rachel Podger (violin & director)

Brecon Baroque

SACD - 2 discs

$21.50

In stock - usually despatched within 1 working day.

Read Presto's complete review of this disc here.

Vivaldi augmented his reputation as ‘The Red Priest’ with ‘L'Estro Armonico’, Op. 3, a collection of twelve concertos for one, two and four violins. The title of the collection encapsulates the qualities that so entranced Vivaldi’s contemporaries. ‘L’Estro Armonico’, which might be translated as ‘musical rapture’, reflects the vitality and freshness of Vivaldi’s invention: its rhythmic energy, melodic and harmonic intensity, textural sensuousness, performative brilliance and dramatic flair.

“These pieces are truly exhilarating to play and perform and their fresh impact never fails to hit some target or other, judging by the reaction of a live audience. Not often do you witness four violins trying to outdo each other! During Brecon Baroque's concerts preceding the recording, the rapier-like turns in musical conversations between the four parts always seemed to lead to added expectation and excitement – all the more effective because of the contrasted moments of deep melancholy which Vivaldi somehow manages to express irrespective of mode” (Rachel Podger) The dynamic ensemble Brecon Baroque was founded in 2007 by violinist and director Rachel Podger as resident ensemble at her annual Brecon Baroque Festival. The international line-up consists of some of some of the leading lights in the period instrument world. Brecon Baroque specialises in the music of J.S. Bach and his contemporaries, mostly as a one-to-a-part ensemble based on the Cafe Zimmerman ensemble which Bach himself directed. They also appear as a small baroque orchestra for Vivaldi, Telemann, Purcell and Handel.

Antonio Vivaldi: Concerto No. 1 in D major, RV549

I. Allegro

II. Largo e spiccato

III. Allegro

Antonio Vivaldi: Concerto No. 2 in G minor, RV578

I. Adagio e spiccato - Allegro

II. Larghetto

III. Allegro

Antonio Vivaldi: Concerto No. 3 in G major, RV310

I. Allegro

II. Largo

III. Allegro

Antonio Vivaldi: Concerto No. 4 in E minor, RV550

I. Andante

II. Allegro assai

III. Adagio - Allegro

Antonio Vivaldi: Concerto No. 5 in A major, RV519

I. Allegro

II. Largo

III. Allegro

Antonio Vivaldi: Concerto No. 6 in A minor, RV356

I. Allegro

II. Largo

III. Presto

Antonio Vivaldi: Concerto No. 7 in F major, RV567

I. Andante

II. Adagio

III. Adagio - Allegro

Antonio Vivaldi: Concerto No. 8 in A minor, RV522

I. Allegro

II. Larghetto e spiritoso

III. Allegro

Antonio Vivaldi: Concerto No. 9 in D major, RV230

I. Allegro

II. Larghetto

III. Allegro

Antonio Vivaldi: Concerto No. 10 in B minor, RV580

I. Allegro

II. Largo - Larghetto

III. Allegro

Antonio Vivaldi: Concerto No. 11 in D minor, RV565

I. Allegro - Adagio

II. Largo e spiccato

III. Allegro

Antonio Vivaldi: Concerto No. 12 in E major, RV265

I. Allegro

II. Largo

III. Allegro

CD Review

14th March 2015

“Minimalist forces but maximum pleasure from the way in they explore every delicious detail in these 12 concertos, reacting to one another’s playing with freshness and delight that’s constantly engaging. It’s been captured in an excellent recording...I’ll be dipping into that again just for pure pleasure as soon as I can.”

Presto Classical

David Smith

9th March 2015

“Podger and her Brecon Baroque players make it sound like the easiest thing in the world, dashing off ornaments and runs without a backward glance, and the ensemble (led by Podger from the violin) play as if they were one musician.”

The Times

20th March 2015

****

“You can’t imagine feathers getting ruffled by Rachel Podger’s approach to Vivaldi. Not that it’s remotely boring: as her fingers fly through the concerto 12-pack, L’Estro Armonico, your feet tap and your pulse quickens without the music being pushed to extremes”

Sunday Times

22nd March 2015

“[Podger's] Brecon-based players adopt a “chamber” approach to these virtuosic “orchestral” works, which means intimacy in the rapt slow movements and sizzling dash in the allegros. Such originality explains why L’estro was the publication sensation of the first half of the 18th century.”

The Observer

22nd March 2015

****

“This disproves the accusation that Vivaldi wrote the same concerto hundreds of times: even though strings are the only sonority...the combinations of one, two, and four violin soloists provide endlessly different colours which Brecon Baroque fully exploit...above all the electrifying drive of the famous No 8 leave[s] one breathless with admiration.”

BBC Music Magazine

April 2015

*****

“There's a sense of Podger and her players examining and analysing every note in their preparation, deciding on its role, and placing it carefully back into context, without ever disturbing the forward energy and integrity of the recorded performance...this recording of [the Concertos] outclasses any I've experienced.”

Gramophone Magazine

April 2015

“There is plenty of detail, but it is natural and never fussy, and ornamentation is always clever, sometimes humorous, often delightful...What really shoots this recording straight to the top of the pile, however, is the sheer joy of it, the spontaneity and the tireless, surging musical energy of its many sudden feints and sallies.”

Click here for alternative recordings of this work.

Editor's Choice

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Beethoven: Cello Sonatas Nos. 1-5 (complete) and variations

Beethoven: Cello Sonatas Nos. 1-5 (complete) and variations


Matt Haimovitz (cello), Christopher O'Riley (fortepiano)

Having shared ideas and projects for some time, there was no doubt for Pentatone to join forces with Oxingale Records. This is a union of two innovative and devoted recording companies with a long history of producing reputable records and collaborating with esteemed artists. We are pleased to have you join us in celebrating this milestone as it gives way to a tremendously intriguing and inquisitive series of co-productions for you, our customers and ourselves. The first title in the Pentatone Oxingale series in Beethoven, Period. This release features the complete sonatas and variations for fortepiano and violoncello, recorded on period instruments. In this collaboration, Matt Haimovitz plays his own Goffriller cello, crafted in Venice, Italy in 1710 – outfitted with ox-gut strings also from Italy and an early 19th Century rosewood tailpiece and drawn by a Dominique Peccatte bow of the same era, while Christopher O’Riley plays on an original Broadwood fortepiano made in 1823. Delivered in Pentatone’s signature warm, dynamic and detailed sound, this recording gives an opportunity for a straight encounter with the power of the rich interaction between the two instruments. Both Haimovitz and O’Riley engage themselves with the music, playing with welcome harmony and delightful phrasing from beginning to end, producing a dramatic and lyrical effect. Be prepared to be mesmerised by every single one of their electrifying phrases.

“Haimovitz and O'Riley are intelligent and sympathetic of these sonatas, and also of the three shorter sets of variations.” International Record Review, March 2015

GGramophone Magazine

Editor's Choice - April 2015

Super Audio CD

Format:

Hybrid Multi-channel

Pentatone Oxingale Series - PTC5186475

(SACD - 2 discs)

$23.50

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Bach, J S: Goldberg Variations, BWV988

Bach, J S: Goldberg Variations, BWV988

arr. D Sitkovetsky


The Britten Sinfonia’s Associate Leader, Thomas Gould directs the ensemble in Dmitry Sitkovetsky’s beautifully realised and heartfelt arrangement for strings of Bach’s great keyboard work, 'The Goldberg Variations'. Sitkovetsky’s arrangement (first conceived for string trio and later expanded for string orchestra), made in 1985 on the 300th anniversary of Bach’s birth, is lovingly and painstakingly done. He dedicates the string trio arrangement to Glenn Gould, and it is clear from much of the written-out ornamentation that Gould’s recordings of the Goldbergs were Sitkovetsky’s passport into the music.

The use of string instruments offers a range of expressive possibilities that a keyboard instrument does not, including the possibility of tuning notes expressively and colouring notes with vibrato but Sitkovetsky’s real triumph is to preserve the simplicity of texture and clarity of development that characterises Bach’s masterpiece, and as such is a true celebration of Bach’s vision.

Founded in 1992, the Britten Sinfonia is inspired by the ethos of Benjamin Britten through a deep commitment to bringing outstanding music to both the world’s finest concert halls but also the local community. One of the world’s most celebrated and pioneering ensembles it breaks the mould by not having a principal conductor or director, instead choosing to collaborate with a range of the finest international guest artists from across the musical spectrum, resulting in performances of rare insight and energy. Britten Sinfonia is an Associate Ensemble at the Barbican in London and has residencies across the east of England in Norwich, Brighton and Cambridge, where it is the University’s orchestra-in-association. The orchestra also performs a chamber music series at Wigmore Hall and appears regularly at major UK festivals including Aldeburgh and the BBC Proms. Their growing international profile includes regular touring including in February 2012, its North American debut at Lincoln Centre, New York.

“a patiently unfolding set of considered perspectives, taken to the edge in the delicacy of articulation and luminosity of counterpoint and by an inexhaustibly ambitious fleet-of-foot ensemble celebrating Bach's mesmerising au courant figurations...Stellar Bach-playing.” Gramophone Magazine, April 2015

“[Sitkovetsky's arrangement] opens up to the counterpoints within the music, as well as allowing the greater variation of colour and dynamics possible on strings...Led by Thomas Gould the Britten Sinfonia play with sinuous beauty and virtuosic clarity, with no clattering continuo instrument clogging the textures.” The Times, 21st March 2015 ****

“So bold are Glenn Gould's fingerprints on the score, not just in the intricate decorations but also the colours, the phrasing, the idiosyncratic articulation, that it is more an arrangement of his interpretation than it is an arrangement of the work itself...the Britten Sinfonia navigates the transcription with considerable panache.” BBC Music Magazine, April 2015 ****

“It is crisp, clear and buoyant with ornamentation deftly executed and rhythms kept on their toes. The playing recognises that this is not just a keyboard piece played on strings but also that Sitkovetsky idiomatically drew on the timbres and textures of strings to bring a new range of colour to the music.” The Telegraph, 12th April 2015 *****

“Without a weak moment in the entire work and in stunningly good SACD sound, this is a Goldberg Variations to acquire and hang onto for dear life, for it is indeed life-enhancing” MusicWeb International, April 2015

GGramophone Magazine

Editor's Choice - April 2015

Super Audio CD

Format:

Hybrid Multi-channel

Harmonia Mundi - HMU807633

(SACD)

$14.00

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Liszt: The Complete Songs Volume 3 - Gerald Finley

Liszt: The Complete Songs Volume 3 - Gerald Finley


Liszt:

Morgens steh ich auf und frage, S290

third version

Ein Fichtenbaum steht einsam, S309

second setting

Anfangs wollt ich fast verzagen, S311

fourth version

Weimars Toten, S303

Wer nie sein Brot mit Tränen ass, S.297

second setting

Sonetti di Petrarca (3) for voice & piano, S270

second version

Die Fischerstochter

Und wir dachten der Toten

Die Vätergruft, S.281

second version

Gastibelza

La tombe et la rose, S285

Le vieux vagabond, S304

Go not, happy day


Gerald Finley (baritone) & Julius Drake (piano)

A third volume in Hyperion’s Complete Liszt Songs cycle warmly welcomes to the series maestro Gerald Finley. The songs themselves encompass everything from finely honed miniatures to big-boned epics of tragic import, and these compelling performances elicit from the multi-award-winning pairing of Finley and Julius Drake a sense of paced drama and pathos which is rarely matched.

“The standard of the songs is impressively high...Julius Drake shines in all of them. So, too, does Finley, with his sensitivity to the fore in the fine Heine settings, bringing emotional engagement and a measure of Italianate warmth to the comparatively well known Petrarch settings...In excellent sound, the whole adds up to a delightful sequence of discoveries.” BBC Music Magazine, April 2015 *****

“This third volume deserves a special recommendation — first thanks to Gerald Finley, an inspiring champion of Liszt’s music, and secondly because this volume includes the exalted Three Petrarch Sonnets (in Liszt’s second version), where baritones usually fear to tread. Finley, accompanied by Julius Drake, is eloquent and impassioned in them.” Financial Times, 7th March 2015 ****

“The ever-rewarding song partnership of Gerald Finley and Julius Drake are persuasive advocates across the whole spectrum of Lisztian styles. Where theatrical panache is a sine qua non...the pair provide it in spades.” Gramophone Magazine, April 2015

GGramophone Magazine

Editor's Choice - April 2015

Hyperion & Helios - up to 50% off

Hyperion Liszt Complete Songs - CDA67956

(CD)

Normally: $15.25

Special: $11.89

In stock - usually despatched within 1 working day.

Beethoven: The Complete String Quartets Volume 1

Beethoven: The Complete String Quartets Volume 1

Recorded live at Wigmore Hall, London, on 20 February 2014


Beethoven:

String Quartet No. 4 in C minor, Op. 18 No. 4

String Quartet No. 10 in E flat major, Op. 74 'Harp'

String Quartet No. 13 in B flat major, Op. 130

Grosse Fuge in B flat major, Op. 133


At the heart of Beethoven’s life’s statement as a composer lies the cycle of sixteen string quartets, which, to this day, has retained a special status and reverence. Since 2012, the Elias String Quartet has been immersed in its Beethoven Project, performing all Beethoven’s string quartets at venues throughout the UK. In this live recording, the ensemble captures both the intimacy and grandeur of the works. With an ever-expanding recording catalogue that has been met with widespread critical acclaim, the quartet is delighted to release this disc, the first volume of its complete Beethoven cycle to be recorded live at Wigmore Hall over the coming Seasons.

“Rhythmically alive and emotionally responsive…this seems the most auspicious start to a Beethoven cycle.” Classical Music, March 2015

“The young Elias Quartet, former BBC New Generation artists, offer a splendid introduction to the three periods into which Beethoven’s string quartets are usually divided in a well-recorded live concert from the Wigmore Hall. I’m already looking forward to the next instalment.” MusicWeb International, April 2015

“a fresh and invigorating account.” The Strad, June 2015

GGramophone Magazine

Editor's Choice - April 2015

Wigmore Hall Live - WHLIVE0073/2

(CD - 2 discs)

$16.25

(Sorry, download not available in your country)

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And the Bridge is Love

And the Bridge is Love

English Music for Strings


Delius:

Aquarelles (2)

arr. E. Fenby

Elgar:

Introduction & Allegro for strings, Op. 47

Serenade for Strings in E minor, Op. 20

Chanson de Nuit, Op. 15 No. 1

arr. W.H. Reed

Julian Lloyd Webber (cello)

Chanson de Matin, Op. 15 No. 2

arr. W.H. Reed

Julian Lloyd Webber (cello)

Goodall, H:

And the Bridge is Love

World Première Recording

Julian Lloyd Webber (cello)

Ireland:

A Downland Suite - Minuet

Lloyd Webber, W:

The Moon

World Première Recording

Vaughan Williams:

Charterhouse Suite: Prelude

Walton:

Passacaglia - Death of Falstaff and Touch her soft lips from Henry V


This wide-ranging programme of English music for strings includes the world première recording of Howard Goodall’s moving And the Bridge is Love, in which Julian Lloyd Webber plays cello, and of William Lloyd Webber’s The Moon, only performed for the first time in 2014. There are also established classics such as Elgar’s Introduction and Allegro, Op. 47, as well as novelties in the case of the never-before-recorded arrangements by Elgar’s friend and biographer W.H. Reed of the two Chansons.

From the late nineteenth-century British music experienced a flourishing of compositions for strings, spearheaded by the genius of Elgar. His Introduction and Allegro, Op.4 is one of the masterpieces of the genre, but smaller pieces such as the two Chansons – heard in never-before-recorded arrangements by his friend and biography W.H. Reed - distil his lyric essence and are performed by one of the world’s leading musicians, Julian Lloyd Webber. He also plays cello in the world première recording of Howard Goodall’s moving And the

Bridge is Love. He has also included the poetic Moon written by his father, William, and unperformed until 2014.

“as a conductor, he evidently has the ability to make a difference to collective performance-level (the English Chamber Orchestra plays characteristically and vividly at every point) while not getting in the music's way - a combination of qualities nicely suited to this line-up of string works.” BBC Music Magazine, April 2015 *****

Presto Discs of 2015

Finalist

GGramophone Magazine

Editor's Choice - April 2015

Naxos - 8573250

(CD)

$7.50

(also available to download from $7.00)

In stock - usually despatched within 1 working day.

Dohnányi: The Complete Solo Piano Music, Vol. 3

Dohnányi: The Complete Solo Piano Music, Vol. 3


Dohnányi:

Ruralia hungarica, Op. 32a

Variations on a Hungarian Folk Song Op. 29

Three Pieces, Op. 23

Gavotte and Musette in B flat

Waltz for Piano from Delibes' "Naila"

Schatz Waltz (Treasure Waltz)

Strauss, J, II:

Du und Du Walzer, Op. 367

arr. Ernő Dohnányi


The penultimate volume in Hyperion’s four-part survey of the complete solo piano music of Ernő Dohnányi focuses on music from the period when the composer’s pre-eminent position was being assured. The titles of the largest works here, Ruralia hungarica and the Variations on a Hungarian Folksong, mask in their nationalistic ostentation the skill of a true master of piano composition.

Martin Roscoe inhabits the world of Dohnányi’s music like no other—appraisals of the earlier volumes attest to this—and this new recording is a joy.

“The most substantial item...is undoubtedly the suite Ruralia Hungarica...It's an enormously attractive work, by turns exhilarating...and rhapsodic...Roscoe relishes these contrasts in mood with playing that is both exuberant and expressive. Similar qualities abound in Roscoe's masterly performances of the 1971 Variations on a Hungarian folksong and the Three Pieces Op. 23.” BBC Music Magazine, Awards Issue 2015 *****

“[Roscoe] is the one for repeated listening. His finesse of colouring as well as his strong rhythmic impulse and lyrical astuteness are qualities that fit the music ideally and allow it to bloom...an eloquently expressive advocate for an unduly neglected master of the keyboard.” The Telegraph, 8th March 2015 ****

GGramophone Magazine

Editor's Choice - April 2015

Hyperion & Helios - up to 50% off

Hyperion Dohnányi Complete Solo Piano Music - CDA68033

(CD)

Normally: $15.25

Special: $11.89

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A Painted Tale

A Painted Tale


Blow:

Fairest work of happy Nature - song with theorbo

The self-banish'd (A Minuet) - song with theorbo

O turn not those fine eyes away song with harpsichord

Of all the torments, all the cares

Dowland:

My Thoughts Are Wing'd With Hopes

Can she excuse my wrongs? (First Booke of Songes, 1597)

In darkness let me dwell

Now, O now, I needs must part

Come heavy sleep

Ferrabosco, A II:

So so, leave off this last lamenting kisse

Johnson, R:

Have you seen the bright lily grow?

Lanier:

Fire, Fire!

No more shall meads be deck’d with flowers

Stay silly heart

Morley:

A painted tale

Purcell:

O solitude, my sweetest choice, Z406

Sweeter than Roses (from Pausanius, the Betrayer of his Country, Z585)

She loves and she confesses too, Z413

Not all my torments can your pity move, Z400

An Evening Hymn 'Now that the sun hath veiled his light', Z193


Nicholas Phan (tenor), Michael Leopold (lute), Ann-Marie Morgan (viola da gamba)

On ‘A Painted Tale’, his third solo album for AVIE, tenor Nicholas Phan turns to songs of the English Renaissance and Baroque by Blow, Dowland, Ferrabosco, Lanier and Purcell, in a program which tells a story of love gained and then lost.

The composers presented on ‘A Painted Tale’ were greatly influenced Benjamin Britten, the muse of his two previous recordings - ‘Still falls the Rain’ (AV2258) and ‘Winter Words’ (AV2238), his solo debut recording which topped the Best Classical Recordings lists of NPR, The New Yorker, and The New York Times. ‘A Painted Tale’ - the title taken from a lyric by 16th century composer Thomas Morley - features songs with lute and viola da gamba by Blow, Dowland, Ferrabosco, Lanier and Purcell. Describing the programme, which tells a story of love gained and then lost, Nick says, “Reading the poetry in these songs I am fascinated by how little the human experience has changed over the centuries. By assembling these various songs into what I call ‘a pastiche song cycle,’ I hope that creating a dramatic context for these pieces will highlight how relevant this material still is today.”

“here's a disc disc to remember come all those end-of-year round-ups... There's a directness to Phan's delivery, a clarity to his diction that has previously found its home in Britten's text-driven settings...Simple pleasures - musical interplay among sympathetic colleagues, text and music each revealing the other, a voice doing what it does best - are celebrated, amplified here.” Gramophone Magazine, April 2015

GGramophone Magazine

Editor's Choice - April 2015

Avie - AV2325

(CD)

$15.25

(also available to download from $10.00)

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Valls, F: Missa Scala Aretina

Valls, F: Missa Scala Aretina


La Grande Chapelle

The Missa Scala Aretina by Francesc Valls is considered to be one of the most important works of Spanish music history. Written in the polychoral tradition and based on Guido d’Arezzo’s hexachord, and named after him, the work was composed for the cathedral of Barcelona, possibly to celebrate the closing of the Catalonian Parliament in January 1702. It owes its fame to the heated controversy over aesthetics which arose as a result of one of its passages. At one point the controversy involved over 50 musicians including Alessandro Scarlatti, and against the political backdrop of the Spanish War of Succession (1700-1714). La Grande Chapelle tackles the fascinating challenge of rediscovering this unique work in its original setting and presents us with a number of excellent unpublished pieces from Valls’ huge musical production.

“The surface of the music is immediately engaging but it grows in interest with repeated listening. The performances are on a level with the programming and the music (and, incidentally, the handsome presentation)...La Grande Chapelle's championing of Iberian polyphony has been winning them many admirers, and they've hit another bull's eye here.” Gramophone Magazine, April 2015

GGramophone Magazine

Editor's Choice - April 2015

A Musical Picture - up to 40% off

Lauda - LAU014

(CD)

Normally: $15.75

Special: $12.12

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Stanford: Piano Trio No. 2 & Piano Quartet No. 1

Stanford: Piano Trio No. 2 & Piano Quartet No. 1


Stanford:

Piano Trio No. 2 in G minor, Op. 73

Piano Quartet No. 1 in F

with David Adams (viola)


One of Britain’s leading composers and educators of his day, Stanford considered chamber music an essential representation of ‘absolute music’. His mastery of extended instrumental forms truly comes of age in the First Piano Quartet, a work which breathes a confidence and fluency to rival Brahms. An adventurous harmonic palette distinguishes the Second Piano Trio, the Beethovenian pathos of its slow movement contrasting with the defiant turbulence of its cyclically related outer movements. The Gould Trio is ‘magnificently stylish’ (Gramophone) in their recording of Stanford’s First Piano Trio (8572452).

Our catalogue of Charles Villiers Stanford already includes four volumes of his complete symphonies, and our coverage of his excellent chamber music has already gone from strength to strength. The Gould Trio’s world première recording of his Third Piano Trio (8570416) was a Gramophone ‘Editor’s Choice’ and acclaimed as “absolutely first-class”, while the First Piano Trio and Second Piano Quartet (8572452) with David Adams was a MusicWeb International ‘Recording of the Year’, American Record Guide ‘Critic’s Choice’, and with Gramophone concluding that, with “top-notch production values throughout, this generously filled disc should be snapped up without delay.”

“The relative smallness of piano trio repertory is partly due to the medium's balance difficulties...Such is Stanford's skill in the Piano Trio No. 2 that the problem seems not to exist: its three performers clearly revel in the music's transparency and freedom, Benjamin Frith's piano-playing a feast of tonal loveliness and supple phrasing.” BBC Music Magazine, April 2015 ****

“outstanding playing - consistently engaging, always intelligent and constantly assured” MusicWeb International, April 2015

“the excellent Gould Trio are making a case for [Stanford's chamber works]. The confident, expertly worked outer movements sound to me a bit too Brahmsian for their own individuality, but the middle movements — the quartet’s incisive scherzo, the trio’s beautiful andante — are true inventions.” Sunday Times, 22nd March 2015

GGramophone Magazine

Editor's Choice - April 2015

Naxos - 8573388

(CD)

$7.50

(also available to download from $7.00)

This item is currently out of stock at the UK distributor. You may order it now but please be aware that it may be six weeks or more before it can be despatched. (Available now to download.)

Carl Schuricht conducts Bruckner & Mozart

Carl Schuricht conducts Bruckner & Mozart

Previously unpublished


Bruckner:

Symphony No. 7 in E Major

Mozart:

Symphony No. 38 in D major, K504 'Prague'


GGramophone Magazine

Re-issue of the Month - April 2015

Testament - SBT21498

(CD - 2 discs)

$21.00

Usually despatched in 4 - 5 working days.

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