Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Schubert: Symphony No. 9
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| |  | Schubert: Symphony No. 9and overtures by Verdi and Wagner
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| |  | Schubert: Symphony No. 9and Four Sea Interludes from Peter Grimes
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| | | This item is currently out of stock at the UK distributor. You may order it now but please be aware that it may be six weeks or more before it can be despatched. |
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Walderdorff (Constantin), Okerlund (Kristin) | | | Usually despatched in 2 - 3 working days. |
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Holl (Robert), Richter (Konrad) | | | Usually despatched in 2 - 3 working days. |
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| |  | 1952 recording
This production, produced by the WDR in 1952, forms an early highpoint within Dietrich Fischer-Dieskau`s decade-long confrontation with the Winterreise. Dietrich Fischer-Dieskau presented ten interpretations of the song cycle between 1948 and 1990, and all of them clearly distinguish themselves from the other recordings which have appeared up until today. The WDR production of 1952 with Hermann Reutter as accompanist is not only a valid announcement of the two likewise successful if controversial recordings of 1955 (with Gerald Moore at the piano) and 1966 (with Jörg Demus). It also emphatically points forward towards Fischer-Dieskau’s future position as the most important German lied singer of the twentieth century. “Fischer-Dieskau's already remarkable dynamic range takes us to the very heart of the young, impassioned and dying Schubert, in a way which is never quite captured again.” BBC Music Magazine, July 2008 **** | | | Usually despatched in 3 - 4 working days. |
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| |  | Schwarzkopf sings Schubert Lieder
Beethoven: | Ah! Perfido, Op. 65 Recorded 20th September, 1954 in Watford Town Hall Philharmonia Orchestra, Herbert von Karajan Abscheulicher! Wo eilst du hin? (from Fidelio) Recorded 20th September, 1954 in Watford Town Hall Philharmonia Orchestra, Herbert von Karajan | Schubert: | An die Musik D547 Im Frühling, D882 Wehmut, D772 (Collin) Ganymed, D544 (Goethe) Das Lied im Grünen, D917 Gretchen am Spinnrade, D118 Nähe des Geliebten, D162 Die junge Nonne, D828 An Sylvia, D891 Auf dem Wasser zu singen, D774 Nachtviolen D752 (Mayrhofer) Der Musensohn, D764 (Goethe) Litanei auf das Fest Allerseelen, D343 Recorded 9th and 10th January, 1954 in EMI Abbey Road Studio 1 Gerald Moore (piano) Ungeduld (No. 7 from Die schöne Müllerin, D795) Recorded 9th and 10th January, 1954 in EMI Abbey Road Studio 1 Gerald Moore (piano) |
Recorded 4th - 7th October, 1952 in EMI Abbey Road Studio 1A “These studio sessions don’t really compare well with recordings of Schwarzkopf's live recitals - the voice can, at times, sound tired and over-studied - but there's a magnificent 'Abscheulicher!' from Fidelio.” BBC Music Magazine, December 2008 *** “a magical partnership, with even the simplest of songs inspiring intensely subtle expression from singer and pianist alike. Though Fischer's playing is not immaculate, he left few records more endearing than this, and Schwarzkopf's colouring of word and tone is masterly.” Penguin Guide, 2010 edition **** | | | (also available to download from $9.25) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Sergiu Celibidache - Die Orchesterkonzerte
Sergiu Celibidache (1912-96) continues to enjoy the reputation of a revolutionary genius, a conductor uniquely capable of realising his interpretations without any concessions. It was a reputation that accrued to him not only during his early years in Berlin and in the final stage in his career in Munich, but also in the late 1950s, when he spent just over two years as permanent guest conductor of the Cologne RSO (now the West German RSO, Cologne), a period which, in spite of his well-known aversion to recordings, is extremely well documented in the form of the tapes held by the archives of West German Radio.These recordings, released with the active participation of the Sergiu Celibidache Foundation, convey a fascinating impression of the conductor's concert repertoire at this time. For what we find here is not just the monumentality familiar from other recordings by Celibidache such as those of Ravel's Ma mère l'oye and the Second Daphnis et Chloé Suite and Tchaikovsky's Sixth Symphony, but also an abundance of the youthful passion remembered from his earlier career. Listeners keen to hear Celibidache in a vocal work, a field that he rarely explored, will be pleased to encounter his recording of Brahms's German Requiem. Like the same composer's First Symphony, it features in this new five-CD compilation of Celibidache's work and attests to the conductor's great affinity with Brahms. | | | Usually despatched in 3 - 4 working days. |
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