Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Antonín Dvorák und seine Zeit
Brahms: | Die Mainacht, Op. 43 No. 2 Von ewiger Liebe, Op. 43 No. 1 Vier Ernste Gesänge, Op. 121 | Cadman: | Four American Indian Songs, Op. 45 | Dvorak: | Vier Lieder, Op. 2 Abendlieder, Op. 3 Four Songs, Op. 82: No. 1, ‘Leave Me Alone’ Am Bache, Op. 82 No. 4 Gypsy Melodies (7), Op. 55 (B104) Moravian Duets, Op. 32, B. 60 & B. 62 Liebeslieder (8), Op. 83: extracts Biblical Songs, Op. 99: selection | Farwell: | Three Indian Songs, Op. 32 | Grieg: | Zur Rosenzeit (No. 5 from Seks Sange, Op. 48) Seks Sange, Op. 48 No. 6 'Ein Traum' | Ives, C: | Songs My Mother Taught Me | MacDowell: | Eight Songs, Op. 47 | Mahler: | Urlicht (from Symphony No. 2) |
“The real stars of the show, though, are Wolfram Rieger whose delicately imagined piano accompaniments illuminate every second of the programme; and Hampson himself - magnificent not only in Dvořák's Gypsy and Biblical songs, but in the strong, primitive contours of American-Indian songs set, in true National-Romantic style, by Arthur Farwell and Charles Wakefield Cadman, and in Ives's own 'Songs my Mother taught me'.” BBC Music Magazine, December 2005 **** “It was the brainchild of Thomas Hampson, who contributes some of the key sections in this fascinating survey of Dvořák as song-composer and the influences both on him and from him. Hampson's four Gypsy Songs include the most famous of all, usually translated as 'Songs my mother taught me', before a half-hour devoted to 13 of Dvořák's Moravian Duets, enchantingly sung by Bonney and Breedt... The final 'World of Faith' section, provides a satisfying climax: Brahms's Four Serious Songs are beautifully sung by George Zeppenfeld, with velvet tone, Mahler's Knaben Wunderhorn setting 'Urlicht', later used in the Resurrection Symphony, is sung by Breedt, and five of Dvořák's Biblical Songs are powerfully and sensitively delivered by Hampson. Altogether an illuminating package.” Gramophone Magazine, March 2006 | | | Usually despatched in 3 - 4 working days. |
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Recorded 1964 | | | Usually despatched in 3 - 4 working days. |
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“Ludwig excels herself in a deeply moving, strongly characterized reading of the Wayfaring Lad songs. The spontaneity of the performance makes up for any incidental flaws of the moment, with the voice gloriously rich and firm...every word is clear” Penguin Guide, 2010 *** | | | This item is currently out of stock at the UK distributor. You may order it now but please be aware that it may be six weeks or more before it can be despatched. |
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Live Recording 12/11/1954 | | | Usually despatched in 3 - 4 working days. |
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| |  | Bruno Walter
| | | (also available to download from $9.25) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Bruno Walter conducts Mahler & Mozart
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| |  | Bruno Walter conducts Tchaikovsky & Mahler
The New York Philharmonic and Vladimir Horowitz play Tchaikovsky’s Piano Concerto No. 1 in a performance recorded live at the Carnegie Hall April 1948 – a legendary performance! Also the Romeo and Juliet Overture with the Los Angeles Philharmonic Orchestra from June 1942. | | | Usually despatched in 2 - 3 working days. |
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| |  | Bruno Walter in Vienna - The Mahler Recordings
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| |  | Carl Schuricht conducts Mahler
Live recordings, 1960/1958 | | | Usually despatched in 2 - 3 working days. |
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| |  | Carl Schuricht Rarities
Recordings 1951-57 | | | Usually despatched in 2 - 3 working days. |
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