Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Roma 1969
First release on any format. | | | Usually despatched in 2 - 3 working days. |
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| |  | 4/4/1959
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Maria Pedrini (Elisabetta di Valois), Mirto Picchi (Don Carlo), Enzo Mascherini (Rodrigo), Fedora Barbieri (Eboli), Laura Cavalieri (Tebaldo), Nicola Rossi-Lemeni (Filippo II), Romeo Morisani (Il Grande Inquisitore), Armando Torti (Un Frate) Orchestra Del Teatro Carlo Felice Di Genova, Franco Capuana Recorded on 6th March 1953 NB Despite the title on the cover of this disc, this is the Italian version of the opera and not the five-act French version. | | Gala - GL100761 (CD - 2 discs) Normally: $13.25 Special: $11.26 |
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Live recording, Buenos Aires, 15th September 1962 | | | Usually despatched in 2 - 3 working days. |
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Live recording, New York, 7th March 1964 | | | Usually despatched in 2 - 3 working days. |
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Gwyneth Jones (Elisabetta), Charles Craig (Don Carlo), Jerome Hines (Filippo II), Gabriel Bacquier (Rodrigo), Fiorenza Cossotto (Eboli), William Wilderman (Il Grande Inquisitore), Susana Rouco (Tebaldo), Victor De Narké (Un Frate), Orazio Mastrango (Lerma), Nelly Romanella (Una voce dal cielo) Orquestra e Coro del Teatro Colón, Oliviero de Fabritiis Recorded in Buenos Aires in 1967 | | | Usually despatched in 2 - 3 working days. |
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This Royal Opera House performance was recorded on 12th May 1958. | | | This item is currently out of stock at the UK distributor. You may order it now but please be aware that it may be six weeks or more before it can be despatched. |
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| |  | 15/4/1961 Live Recording
Incredible cast, in splendid sound with lots of spontaneous applause - rightly so – a must for every opera lover. Corelli is in stupendous form. [Possibly the first time this has been available?] Mary Curtis-Verna was born in Salem, Massachusetts on May 9, 1921, she studied at Hollis College in Virginia, and in Italy with Ettore Verna, whom she latter married. She made her debut in Milan as Desdemona, in 1949. She sang throughout Italy and made guest appearances in Vienna, Munich and other important venues, all in Italian. Her Metropolitan Opera debut was as Leonora in 'Il trovatore', in 1957. At the Met the presence of such divas as Tebaldi, Milanov and Leontyne Price relegated Mary Curtis-Verna to the rank of cover and her husband’s failing health did not afford her the luxury of spending entire seasons away from home, so stability won over super-stardom. Her CV at the Met comprises Mimi, Violetta, Amelia (both the Ballo and Boccanegra), Alice Ford, Santuzza, Adriana Lecouvreur, Gutrune, Aida, Turandot, Elisabeth di Valois, Tosca, Manon Lescaut, Leonora (both of them), Maddalena di Coigni, and both Donna Anna & Donna Elvira (sung to Leontyne Price’s Anna). She was also a staple of the annual tour across the country. Curtis-Verna sang at the Met for 10 seasons, 96 performances and the 19 roles listed above. Her career with the company ended the day they said farewell to the old theatre. After her retirement in 1969, she chaired the voice department in the University of Washington for 20 years. Her recorded output is shamelessly small and hard to find. | | | Usually despatched in 3 - 4 working days. |
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Ramón Vargas (Don Carlos), Alastair Miles (Philippe II), Bo Skovhus (Rodrigue), Nadja Michael (La Princesse Eboli), Iano Tamar (Elisabeth de Valois), Simon Yang (Le Grand Inquisiteur), Cornelia Salje (Thibault), Dan Paul Dumitrescu (Un Moine), Benedikt Kobel (Le Compte de Lerme), Inna Los (Un Voix d'en Haut), Cosmin Ifrim (Un Hérault Royal) Orchester der Wiener Staatsoper, Chor der Wiener Staatsoper, Bertrand de Billy “This is an issue of major importance, which all lovers of Verdi should acquire, since it will enable them to hear about 45 minutes of his most mature music which is otherwise not available… For this production…Bertrand de Billy came as close as possible to presenting Verdi's score as originally written for the Paris Opera... the opera... a work of such grandeur and intimate passion that it carries all before it, and on the whole, apart from some languorous tempos, de Billy's conducting is idiomatic. Don Carlos... is given a high profile by the ardour of Ramón Vargas. The two leading ladies, singing Elisabeth and Eboli respectively, have surprisingly similar voices, guttural and raw, but exciting... Bo Skovhus is Rodrigue, the work's most moving figure, well up to his role.” BBC Music Magazine, January 2006 **** BBC Music Magazine
Opera Choice - January 2006 |
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Recorded 1969 | | | Usually despatched in 2 - 3 working days. |
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