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| |  | Rudolf Schock: Original Opera Highlights
Adam: | Si j'étais roi: highlights sung in German as 'Wenn ich König wär' Georg Volker | Bizet: | Carmen (highlights) sung in German Sieglinde Wagner, Anny Schlemm | Giordano, U: | Nemico della patria (from Andrea Chénier) sung in German | Leoncavallo: | I Pagliacci (highlights) sung in German Anneliese Rothernberger, Hermann Prey | Mascagni: | Cavalleria Rusticana (highlights) sung in German Leonie Rysanek, Josef Metternich | Mozart: | Die Entführung aus dem Serail, K384 (highlights) Erna Berger, Lisa Otto, Gottlob Frick, Gerhard Unger | Offenbach: | Les Contes d'Hoffmann (highlights) sung in German Ruth-Margret Putz | Puccini: | Tosca (highlights) sung in German Lisa della Casa, Josef Metternich Madama Butterfly (highlights) sung in German Erna Berger La Bohème (highlights) sung in German Erna Berger | Smetana: | The Bartered Bride (highlights) sung in German Erna Berger | Strauss, R: | Ariadne auf Naxos (highlights) Lisa della Casa, Lisa Otto |
A delightfully natural and spontaneous style of singing. Like Fritz Wunderlich, tenor Rudolf Schock enjoyed a legendary reputation and great popularity. The opera highlights from the 1950's assembled here present French, Italian and German repertoire that shows the great tenor at the height of his vocal powers. Opera in German for the nostalgic – but fascinating for younger opera fans as well! |
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| |  | Edda Moser: Complete Lieder & Arias
Beethoven: | Abscheulicher! Wo eilst du hin? (from Fidelio) | Brahms: | Es träumte mir (No. 3 from Acht Lieder und Gesänge, Op. 57) Die Mainacht, Op. 43 No. 2 Ständchen, Op. 106 No. 1 Von ewiger Liebe, Op. 43 No. 1 | Gluck: | Divinités du Styx (from Alceste) | Handel: | Ah crudel! (from Rinaldo) | Mozart: | Ecco il punto...Non più di fiori vaghe catene (from La clemenza di Tito) O zittre nicht (from Die Zauberflöte) Der Hölle Rache kocht in meinem Herzen (from Die Zauberflöte) Martern aller Arten (from Die Entführung aus dem Serail) Non mi dir (from Don Giovanni) Tutte nel cor vi sento (from Idomeneo) Popoli di Tessaglia! - Io non chiedo, eterni Dei, K316 Ma che vi fece, o stelle...Sperai vicino il lido, K368 Agnus Dei (from Coronation Mass) Vesperae Solennes de Confessore, K339: Laudate Dominum | Pfitzner: | An die Mark, Op. 15, No. 3 Venus Mater, Op. 11 No. 4 Verrat 'Die Wasserlilie kirchert leis' ', Op. 2 No. 7 Unter den Linden, Op. 24 No. 1 Ich und du, Op. 11 No. 1 Sonst, Op. 15, No. 4 | Schumann: | Frauenliebe und -leben, Op. 42 Spanische Liebeslieder Op. 138 (selection) Spanisches Liederspiel, Op. 74 Sologesänge aus Friedrich Rückerts Minnespiel, Op. 101 | Strauss, R: | Brentano Lieder Op. 68, Nos. 1-6 Die Nacht, Op. 10 No. 3 Vier Lieder Op. 27 Es gibt ein Reich (from Ariadne auf Naxos) | Wagner: | Dich, teure Halle (from Tannhauser) | Weber: | Ozean, du Ungeheuer (from Oberon) | Wolf, H: | Mignon I 'Heiß mich nicht reden' (No. 5 from Goethe-Lieder) Mignon II 'Nur wer die Sehnsucht kennt' (No. 6 from Goethe-Lieder) Mignon III 'So lasst mich scheinen' (No. 7 from Goethe-Lieder) Mignon IV 'Kennst du das Land' (No. 9 from Goethe-Lieder) |
Edda Moser and EMI-Electrola – a special chapter in the history of recorded music.Two passions mark this longstanding cooperation: a love of opera – especially of Mozart–, and of the intimate art of Lieder singing. Talking to Thomas Voigt and Holger Wemhoff, Edda Moser recalls these “moments of musical bliss” in the recording studio and on the stage. With the two interviews, Edda Moser’s tribute to Mozart and the CD premières of five Lieder albums plus her aria recital, this edition paints a many-faceted and personal portrait of the great soprano. |
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| |  | Schöne Nacht, du LiebesnachtFrench & Italian Opera Highlights sung in German
The 7-CD box Schöne Nacht, du Liebesnacht presents original sets of highlights sung in German (plus bonus material) from the Italian and French repertoire – classics such as Offenbach's Hoffmanns Erzählungen, Rossini's Barbier von Sevilla, Donizetti's Lucia di Lammermoor and rarities like Adam's Postillon von Lonjumeau, featuring such major Electrola singers as Erika Köth, Anneliese Rothenberger, Rita Streich, Edda Moser, Nicolai Gedda, Hermann Prey, Josef Metternich, Dietrich Fischer-Dieskau and Kurt Moll. |
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| |  | Mir ist die Ehre widerfahrenGerman Opera Highlights
The 7-CD box Mir ist die Ehre widerfahren contains original sets of highlights (plus bonus material) from the German-language repertoire, from such classics as Strauss's Rosenkavalier, Nicolai's Lustigen Weiber von Windsor, Humperdinck's Hänsel und Gretel to rarities like Kienzl's Evangelimann and Kreutzer's Nachtlager von Granada. The Electrola big names here include Anneliese Rothenberger, Erika Köth, Elisabeth Grümmer, Leonie Rysanek, Nicolai Gedda, Hermann Prey and Gottlob Frick. |
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| |  | sung in German
Bizet’s masterpiece sung in German by an all German cast, led by mezzo diva Christa Ludwig as Carmen, Rudolf Schock as the fiery Don José and macho-like Hermann Prey as Escamillo. A true highlight in the legendary Electrola Collection series of opera sung in German! |
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| |  | sung in German
Jeanette Scovotti (Olympia), Norma Sharp (Giulietta), Dietrich Fischer-Dieskau (Lindorf, Coppelius, Dapertutto, Mirakel), Julia Varady (Antonia), Gisela Schunk (Stella), Hanna Schwarz (Stimme der Mutter), Siegfried Jerusalem (Hoffmann), Klaus Hirte (Spalanzani), Norbert Orth (Nathanael) & Kurt Moll (Crespel) Chor des Bayerischen Rundfunks & Münchner Rundfunkorchester, Heinz Wallberg Jacques Offenbach’s grand opera Les Contes d’Hoffmann sung in German, following a German tradition up to nowadays. The 1980 Electrola recording is led by an all-star cast including Siegfried Jerusalem, Dietrich Fischer-Dieskau, Julia Varady and Hanna Schwarz, conducted by Heinz Wallberg. “German-language edition offers high musical standards, with Siegfried Jerusalem lithe in the title-role and Fischer-Dieskau memorable as the four villains.” BBC Music Magazine, June 2013 **** |
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Kurt Böhme (Hans Stadinger), Lotte Schädle (Marie), Hermann Prey (Ritter Graf von Liebenau), Gerhard Unger (Georg), Fritz Ollendorff (Ritter Adelhof) & Gisela Litz (Irmentraut) Mitglieder des Chores und des Orchesters der Bayerischen Staatsoper München, Fritz Lehan Following Undine, Zar und Zimmermann und Der Wildschütz, this is the last gem in the highly acclaimed Electrola Collection series of comic operas by Albert Lortzing on Electrola, led by Hermann Prey, Lotte Schädle, Kurt Böhme and Fritz Ollendorff under the baton of Fritz Lehan. |
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| |  | Wie einst in schönen TagenSalon music of the Belle Epoque
Cathy Berberian (soprano), Bruno Canino (piano), Karlheinz Zoller (flute), Wolfgang Boettcher (cello) Cathy Berberian, avant-garde cult diva of the 70s, leading a unique and highly entertaining programme of vocal and instrumental Belle Epoque gems from David Popper, Gioachino Rossini to Anton Rubinstein, Gabriel Fauré and Reynaldo Hahn – served with ironic delicacy and assisted by Bruno Canino (piano), Ludwig Boettcher (cello) and Karlheinz Zöller (flute). A true Electrola Collection find, never released on CD before! |
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