The English Orpheus series

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Boyce: Trio Sonatas

Boyce: Trio Sonatas


Boyce:

Trio Sonata No. 1 in A minor

Trio Sonata No. 2 in F major

Trio Sonata No. 3 in A major

Trio Sonata No. 4 in G minor

Trio Sonata No. 5 in D major

Trio Sonata No. 6 in B flat major

Trio Sonata No. 7 in D minor

Trio Sonata No. 8 in E flat major

Trio Sonata No. 9 in C major

Trio Sonata No. 10 in E minor

Trio Sonata No. 11 in C minor

Trio Sonata No. 12 in G major

Trio Sonata No. 13 in A minor

Trio Sonata No. 14 in F major

Trio Sonata No. 15 in D major


The music of William Boyce has always retained a special place in the English repertory, it being written of him that, 'there is an original and sterling merit in his productions, founded as much on the study of our own old masters, as on the best models of other countries' (Burney).

This recording is of the Twelve Sonatas for Two Violins with a Bass for the Violoncello or Harpsicord, published in 1747, and three unpublished Trio Sonatas newly edited from a manuscript in the Fitzwilliam Museum, Cambridge. These particularly attractive works boast a wide range of stylistic features and forms and for many years held centre-stage in England as masterpieces in the genre. The performances are divided between a solo quartet and the full Parley of Instruments, so ensuring over two hours of varied and inspiring listening.

“The works, large and small, have an air of sweet reasonableness. The fugues are warmly greeted but never aggressively attacked; the string tone in the slow movements is very appealing, sweet and well blended. The two solo violins carry on an urbane and charming dialogue, their voices twining in and out of each other like those of a long-married couple who can anticipate what the other will say. In the final Gigues everyone lets their hair down for an end-of-concerto romp. Attractive music performed with skill” BBC Music Magazine

“Yet another treasurable document of England’s musical heritage” Gramophone Magazine

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Hyperion Dyads - The English Orpheus - CDD22063

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The English Orpheus 28 - Charles Avison Concerti Grossi after Scarlatti

The English Orpheus 28 - Charles Avison Concerti Grossi after Scarlatti


Avison:

Concerti Grossi (12) after Scarlatti


The Brandenburg Consort, directed from the violin by Roy Goodman

“A delightful set … if you are a lover of baroque concerti grossi do not fail to listen to these heartwarming records” Classic CD

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Hyperion Dyads - The English Orpheus - CDD22060

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The English Orpheus  7 - Thomas Arne Concertos

The English Orpheus 7 - Thomas Arne Concertos


Arne:

Keyboard Concerto No. 1 in C major

with harpsichord solo

Keyboard Concerto No. 2 in G major

with organ solo

Keyboard Concerto No. 3 in A major

with piano solo

Keyboard Concerto No. 4 in B flat major

with organ solo

Keyboard Concerto No. 5 in G minor

with harpsichord solo

Keyboard Concerto No. 6 in B flat major

with piano solo


Paul Nicholson (harpsichord, organ, piano)

The Parley of Instruments Baroque Orchestra

Helios - The English Orpheus - CDH55251

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The English Orpheus 14 - A Lyric Ode on the Spirits of Shakespeare

The English Orpheus 14 - A Lyric Ode on the Spirits of Shakespeare


Linley the younger:

A Lyric Ode on the Fairies, Aerial Beings and Witches of Shakespeare


Julia Gooding (soprano), Lorna Anderson (soprano) & Richard Wistreich (bass)

The Parley of Instruments, Paul Nicholson

Helios - The English Orpheus - CDH55253

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The English Orpheus 50 - Orpheus with his Lute

The English Orpheus 50 - Orpheus with his Lute

Music for Shakespeare from Purcell to Arne


Arne:

To fair Fidele's grassy tomb

When daisies pied (from Love's Labours Lost)

Honour, riches, marriage, blessing

Where the Bee Sucks

Chilcot:

Pardon, goddess of the night

Orpheus with his lute

Hark, hark the lark

Clarke, Jeremiah:

Overture to Titus Andronicus

Eccles, J:

Can life be a blessing

Fesch:

All fancy sick

Greene, M:

Orpheus with his lute

Leveridge:

When daisies pied, and violets blue

Purcell:

Dear pretty youth (from The Indian Queen, Z630)

Smith, J C:

You spotted snakes

Full fathom five

Weldon:

Take, O take those lips away

Dry those eyes which are o'erflowing

Woodcock, R:

Concerto No. 9 in E minor


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Hyperion - The English Orpheus - CDA67450

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The English Orpheus 49 - Nativity

The English Orpheus 49 - Nativity

Christmas Music from Georgian England


Adams, T:

Variations on Adeste Fideles

anon.:

Light of those whose dreary dwelling

Joy to the world

Hark! What mean those holy voices?

Cooke, B:

Angelic hymns thy natal day

Fawcett:

Strike! Seraphs, strike your harps of gold

Hill, John:

The people that walked in darkness

Key:

Come celebrate th' auspicious morn

Madan:

Lo! He comes with clouds descending

Marsh, W:

The branch, the mighty branch behold

Matthews, W:

How beauteous are their feet

Stephenson, J:

Arise and hail the sacred day

Storace, S:

Angels from the realms of glory

Taylor, R:

Hosanna to King David's son

Tremain:

In Bethlem fields as shepherds kept

Wade:

O come, all ye faithful

(arr. Vincent Novello)

Wainwright, J:

Christians, awake, salute the happy morn


As the season of turkey and stuffing looms in our minds, there could be no more homey a disc for Christmas than this unusual collection championing the village genius of local composers, whose settings of carols and hymns kept the congregations warm all those years ago - a time when the commercial excesses of today's Christmas were unknown. Modern clichés about community values have nothing in comparison to the humble pride and unity of villagers and townsfolk who gathered to sing settings that were the labour of love and skill on the part of the local composer or choirmaster ... or even excise officer! The foibles and fondness of community life combine here with all manner of interesting tastes in compositional technique, be it idiosyncratic fugal treatment or instrumentation designed to keep busy whatever musicians could be mustered.<br>&nbsp;<br> The organ on the recording dates from 1789 and the old temperament is used.

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Hyperion - The English Orpheus - CDA67443

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The English Orpheus 48 - Haydn and his English Friends

The English Orpheus 48 - Haydn and his English Friends


Burney:

Tell us, O women

Dahmen:

Hear my prayer, O Lord

O thou that dwellest in the highest heavens

Ye winged inhabitants of the grove

Foster,  J:

The God of Gods, the Lord, hath call'd

Haydn:

What art expresses (Dr Harington's Compliment)

Blest be the name of Jacob's God

Maker of all! be thou my guard

O let me in th' accepted hour

The Emperor's Hymn

Poco Adagio from the String Quartet in C major Op 76 No 3

Give to God our thankful songs

(arr. William Gardiner of Leicester (1770-1853))

Long life shall Israel's king behold

How oft, instinct with warmth divine

The Lord, th' almighty monarch, spake

Shield:

My God, my King, with joyful view

Smith, J S:

Horrible is the end of th' unrighteous generation

Webbe, the older:

Where, Lord, shall I my refuge see?


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Hyperion - The English Orpheus - CDA67150

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The English Orpheus 44 - Vital Spark of Heav'nly Flame

The English Orpheus 44 - Vital Spark of Heav'nly Flame


Fawcett:

Spirit, leave thine house of clay!

Now is Christ risen from the dead

Greatorex, T:

This is the day the Lord hath made

Handel:

Unveil thy bosom, faithful tomb

(arr. Edward Miller of Doncaster)

Rejoice, the Lord is King, HWV 286

(arr. Samuel Wesley)

Harington:

I heard a voice from heaven

Harwood, E:

Vital spark of heav'nly flame

Haydn:

O Lord, what is man!

(arr. William Gardiner of Leicester)

Jarvis, S:

Christ being raised from the dead

Pixell:

When rising from the bed of death

Taylor, R:

Alas! and did my Saviour bleed?

Yes! the Redeemer rose

Angels, roll the rock away!

Wainwright, R:

The Lord is risen

Wesley, S:

Might I in thy sight appear


This is a recording of Georgian music for Holy Week, Easter and funerals ranging from the simple psalmody associated with the galleries of rural parish churches to elaborate orchestral anthems written for the groups which developed into the Victorian choral society tradition. While the composers' names will not be familiar, this is nonetheless music of a striking and vigorous nature, here performed by the choir Psalmody - the experts in the field.

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Hyperion - The English Orpheus - CDA67020

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The English Orpheus 18 - Fairest work of happy Nature

The English Orpheus 18 - Fairest work of happy Nature


Blow:

No more, the dear, lovely nymph's no more song with theorbo and organ

Prelude in G spinet solo

The self-banish'd (A Minuet) song with theorbo

Lovely Selina, innocent and free song with spinet and guitar

Morlake Ground spinet solo

O turn not those fine eyes away song with harpsichord

Sett (Suite) No. 1 in D minor (Almand - [Tune] - Tune [Gavott] - Jigg) harpsichord solo

Fairest work of happy Nature song with theorbo

additional songs and keyboard works


John Mark Ainsley (tenor), Timothy Roberts (spinet, harpsichord, chamber organ), Paula Chateauneuf (theorbo, baroque guitar)

“Full of interest, rich in its varied pleasures and in the high standard of recording and performance” Gramophone Magazine

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Hyperion - The English Orpheus - CDA66646

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The English Orpheus 25 - Keyboard Music by Peter Philips

The English Orpheus 25 - Keyboard Music by Peter Philips


Philips, P:

Chi fara fed'al cielo (FVB9)

Intabulation of a five part madrigal by Alessandro Striggio

Pavan 1580

'The first one Philips made'

Galliard (FVB18)

Tirsi morir volea - Freno Tirsi il desio - Cosi moriro

Intabulation of a five part madrigal by Luca Marenzio

Aria del Glan Duca

Variations on a passage from a ballo by Emilio de' Cavalieri 1589

Pavan and Galliard Pagget

Veni Sancte Spiritus

Fece da voi partita (FVB4)

Intabulation of a six-part madrigal by Philips

Pavan and Galliard 'Deloroso Tregian' (FVB11,2)

Bon jour mon cueur 1602 (FVB10)

Intabulation of a four part chanson by Orlande de Lassus

Almande Tregian

Passamezzo Pavan and Galliard (FVB7,8)

Fantasia in G (FVB15)


Paul Nicholson (harpsichord and virginals)

'The complete restoration of a great composer's name may be beyond the capacity of a single CD, but if anything can do the trick, this one ought to. A release to treasure' (CDReview)

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Hyperion - The English Orpheus - CDA66734

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