Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Boyce: Trio Sonatas
The music of William Boyce has always retained a special place in the English repertory, it being written of him that, 'there is an original and sterling merit in his productions, founded as much on the study of our own old masters, as on the best models of other countries' (Burney). This recording is of the Twelve Sonatas for Two Violins with a Bass for the Violoncello or Harpsicord, published in 1747, and three unpublished Trio Sonatas newly edited from a manuscript in the Fitzwilliam Museum, Cambridge. These particularly attractive works boast a wide range of stylistic features and forms and for many years held centre-stage in England as masterpieces in the genre. The performances are divided between a solo quartet and the full Parley of Instruments, so ensuring over two hours of varied and inspiring listening. “The works, large and small, have an air of sweet reasonableness. The fugues are warmly greeted but never aggressively attacked; the string tone in the slow movements is very appealing, sweet and well blended. The two solo violins carry
on an urbane and charming dialogue, their voices twining in and out of each other like those of a long-married couple who can anticipate what the other will say. In the final Gigues everyone lets their hair down for an end-of-concerto
romp. Attractive music performed with skill” BBC Music Magazine “Yet another treasurable document of England’s musical heritage” Gramophone Magazine | | | In stock - usually despatched within 1 working day. |
|
|
| |  | The English Orpheus 28 - Charles Avison Concerti Grossi after Scarlatti
“A delightful set … if you are a lover of baroque concerti grossi do not fail to listen to these heartwarming records” Classic CD | | | In stock - usually despatched within 1 working day. |
|
|
| |  | The English Orpheus 7 - Thomas Arne Concertos
| | | In stock - usually despatched within 1 working day. |
|
|
| |  | The English Orpheus 14 - A Lyric Ode on the Spirits of Shakespeare
| | | In stock - usually despatched within 1 working day. |
|
|
| |  | The English Orpheus 50 - Orpheus with his LuteMusic for Shakespeare from Purcell to Arne
Arne: | To fair Fidele's grassy tomb When daisies pied (from Love's Labours Lost) Honour, riches, marriage, blessing Where the Bee Sucks | Chilcot: | Pardon, goddess of the night Orpheus with his lute Hark, hark the lark | Clarke, Jeremiah: | Overture to Titus Andronicus | Eccles, J: | Can life be a blessing | Fesch: | All fancy sick | Greene, M: | Orpheus with his lute | Leveridge: | When daisies pied, and violets blue | Purcell: | Dear pretty youth (from The Indian Queen, Z630) | Smith, J C: | You spotted snakes Full fathom five | Weldon: | Take, O take those lips away Dry those eyes which are o'erflowing | Woodcock, R: | Concerto No. 9 in E minor |
| | | In stock - usually despatched within 1 working day. |
|
|
| |  | The English Orpheus 49 - NativityChristmas Music from Georgian England
Adams, T: | Variations on Adeste Fideles | anon.: | Light of those whose dreary dwelling Joy to the world Hark! What mean those holy voices? | Cooke, B: | Angelic hymns thy natal day | Fawcett: | Strike! Seraphs, strike your harps of gold | Hill, John: | The people that walked in darkness | Key: | Come celebrate th' auspicious morn | Madan: | Lo! He comes with clouds descending | Marsh, W: | The branch, the mighty branch behold | Matthews, W: | How beauteous are their feet | Stephenson, J: | Arise and hail the sacred day | Storace, S: | Angels from the realms of glory | Taylor, R: | Hosanna to King David's son | Tremain: | In Bethlem fields as shepherds kept | Wade: | O come, all ye faithful (arr. Vincent Novello) | Wainwright, J: | Christians, awake, salute the happy morn |
As the season of turkey and stuffing looms in our minds, there could be no more homey a disc for Christmas than this unusual collection championing the village genius of local composers, whose settings of carols and hymns kept the congregations warm all those years ago - a time when the commercial excesses of today's Christmas were unknown. Modern clichés about community values have nothing in comparison to the humble pride and unity of villagers and townsfolk who gathered to sing settings that were the labour of love and skill on the part of the local composer or choirmaster ... or even excise officer! The foibles and fondness of community life combine here with all manner of interesting tastes in compositional technique, be it idiosyncratic fugal treatment or instrumentation designed to keep busy whatever musicians could be mustered.<br> <br> The organ on the recording dates from 1789 and the old temperament is used. | | | In stock - usually despatched within 1 working day. |
|
|
| |  | The English Orpheus 48 - Haydn and his English Friends
Burney: | Tell us, O women | Dahmen: | Hear my prayer, O Lord O thou that dwellest in the highest heavens Ye winged inhabitants of the grove | Foster, J: | The God of Gods, the Lord, hath call'd | Haydn: | What art expresses (Dr Harington's Compliment) Blest be the name of Jacob's God Maker of all! be thou my guard O let me in th' accepted hour The Emperor's Hymn Poco Adagio from the String Quartet in C major Op 76 No 3 Give to God our thankful songs (arr. William Gardiner of Leicester (1770-1853)) Long life shall Israel's king behold How oft, instinct with warmth divine The Lord, th' almighty monarch, spake | Shield: | My God, my King, with joyful view | Smith, J S: | Horrible is the end of th' unrighteous generation | Webbe, the older: | Where, Lord, shall I my refuge see? |
| | | In stock - usually despatched within 1 working day. |
|
|
| |  | The English Orpheus 44 - Vital Spark of Heav'nly Flame
Fawcett: | Spirit, leave thine house of clay! Now is Christ risen from the dead | Greatorex, T: | This is the day the Lord hath made | Handel: | Unveil thy bosom, faithful tomb (arr. Edward Miller of Doncaster) Rejoice, the Lord is King, HWV 286 (arr. Samuel Wesley) | Harington: | I heard a voice from heaven | Harwood, E: | Vital spark of heav'nly flame | Haydn: | O Lord, what is man! (arr. William Gardiner of Leicester) | Jarvis, S: | Christ being raised from the dead | Pixell: | When rising from the bed of death | Taylor, R: | Alas! and did my Saviour bleed? Yes! the Redeemer rose Angels, roll the rock away! | Wainwright, R: | The Lord is risen | Wesley, S: | Might I in thy sight appear |
This is a recording of Georgian music for Holy Week, Easter and funerals ranging from the simple psalmody associated with the galleries of rural parish churches to elaborate orchestral anthems written for the groups which developed into the Victorian choral society tradition. While the composers' names will not be familiar, this is nonetheless music of a striking and vigorous nature, here performed by the choir Psalmody - the experts in the field. | | | In stock - usually despatched within 1 working day. |
|
|
| |  | The English Orpheus 18 - Fairest work of happy Nature
John Mark Ainsley (tenor), Timothy Roberts (spinet, harpsichord, chamber organ), Paula Chateauneuf (theorbo, baroque guitar) “Full of interest, rich in its varied pleasures and in the high standard of recording and performance” Gramophone Magazine | | | In stock - usually despatched within 1 working day. |
|
|
| |  | The English Orpheus 25 - Keyboard Music by Peter Philips
Paul Nicholson (harpsichord and virginals) 'The complete restoration of a great composer's name may be beyond the capacity of a single CD, but if anything can do the trick, this one ought to. A release to treasure' (CDReview) | | | In stock - usually despatched within 1 working day. |
|
|
| |
|