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The Very Best of Chopin

The Very Best of Chopin


Chopin:

Barcarolle in F sharp major, Op. 60

Étude Op. 10 No. 3 in E major 'Tristesse'

Nocturne No. 2 in E flat major, Op. 9 No. 2

Cello Sonata in G minor, Op. 65: Largo

Waltz No. 6 in D flat major, Op. 64 No. 1 'Minute Waltz'

Nocturne No. 8 in D flat major, Op. 27 No. 2

Scherzo No. 2 in B flat minor, Op. 31

Nocturne No. 20 in C sharp minor, Op. post.

Piano Concerto No. 2 in F minor, Op. 21: II. Larghetto

Nocturne No. 5 in F sharp major, Op. 15 No. 2

Mazurka No. 13 in A minor, Op. 17 No. 4


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Naxos - The Very Best of... - 8552107-08

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Vladimir Horowitz (1903-1989)

Vladimir Horowitz (1903-1989)

1949-1957 Recordings


Chopin:

Piano Sonata No. 2 in B flat minor, Op. 35 'Marche funèbre'

Recorded 13th May 1950,Town Hall

Barcarolle in F sharp major, Op. 60

Recorded 23rd February 1957, Carnegie Hall

Ballade No. 4 in F minor, Op. 52

Recorded 8th May 1952, Manhattan Center

Polonaise No. 7 in A flat major, Op. 61 'Polonaise-fantaisie'

Recorded live 23rd April 1951, Carnegie Hall

Étude Op. 10 No. 3 in E major 'Tristesse'

Recorded 29th April 1951, Hunter College Auditorium

Scherzo No. 1 in B minor, Op. 20

Recorded 28th-29th April 1951, Hunter College Auditorium

Ballade No. 4 in F minor, Op. 52

(withdrawn 1949 recording) Recorded 28th December 1949, Town Hall


All tracks were recorded in New York City

“Horowitz delivers an unusually expansive but structurally convincing account of the first movement of the Second Sonata. Another highlight is the grandiose performance of he Barcarolle.” BBC Music Magazine, June 2008 ****

“No pianist played closer to the edge than Vladimir Horowitz. And here, in this invaluable reissue of performances dating from 1949-57, you are once more made aware of that elemental violence and caprice that could leave his audiences in a state of stupefaction, provoked and seduced by his charismatic force and wicked ways. ” Gramophone Magazine, June 2008

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Naxos Historical Great Pianists - 8111282

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Great Singers - Caruso

Great Singers - Caruso

The Complete Recordings Volume 12


Bartlett, J C:

A Dream

Bracco:

Serenata

Caruso, E:

Liberty Forever

Ciampi:

Nina

Crescenzo:

Première caresse

Curtis, E:

Senza nisciuno

Donaudy:

Vaghissima sembianza

Fucito:

Scordame

Gioé:

I' m'arricordo 'e Napule

Gomes:

Mia piccirella (from Salvator Rosa)

Halévy:

Rachel, quand du Seigneur (from La Juive)

Handel:

Frondi tenere e belle ... Ombra mai fù (from Serse)

Lully:

Bois épais (from Amadis)

Meyerbeer:

Deh, ch'io ritorni (from L'Africaine)

Pasadas:

Noche feliz

Rossini:

Domine Deus & Crucifixus (from Petite Messe Solennelle)

Secchi:

Love me or not


Recorded 1919-1920

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Naxos Historical Great Singers - 8110753

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Ciardi - Music for Flute

Ciardi - Music for Flute


Ciardi:

L’Eco dell’Arno: Fantasia for flute and orchestra Op. 34

Revision and Orchestration by R. Fabbriciani: pub. Suvini Zerboni

Gran Concerto in D major for flute and orchestra Op. 129

Revision and Orchestration by R. Fabbriciani: pub. Suvini Zerboni

Il carnevale di Venezia, Op. 22; Scherzo on the canzonetta Cara mamma mia for flute and strings

Revision and Orchestration by R. Fabbriciani

Le Rossignol du Nord, Op. 45

Fantaisie for flute and piano

Un sospiro del cuore

Elegia for flute and piano

La Smorfiosetta

Capriccio for flute and piano

Di Chi?

Polka Mazurka for flute and piano

Piccola fantasia su due Stornelli napoletani for flute and piano


Roberto Fabbriciani (flute) & Massimiliano Damerini (piano)

Orchestra Sinfonica del Friuli Venezia Giulia, Stefan Fraas

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Naxos - 8557857

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Joachim Andersen - Etudes & Salon Music

Joachim Andersen - Etudes & Salon Music


Andersen, J:

Acht Vortragesstucke, Op. 55 : No. 4 Die Muhle

Acht Vortragesstucke, Op. 55 : No. 5 Legende

Acht Vortragesstucke, Op. 55 : No. 8 Tarantella

24 Grosse Etuden, Op. 15 : No. 3 in G major

24 Grosse Etuden, Op. 15 : No. 24 in D minor

Deuxième Morceaux de Concert Op. 61

Opern-Transcriptionen, Op. 45 : No. 5 Fantasy on Don Giovanni

Ciardi:

Le carnaval russe

with cadenzas by Andersen

Dannström:

Schwedische Polska-Lieder, Op. 50 : No. 3 in E minor

transcribed by Joachim Andersen

Schwedische Polska-Lieder, Op. 50 : No. 6 in F major

transcribed by Joachim Andersen


Kyle Dzapo (flute) & A. Matthew Mazzoni (piano)

Danish-born Joachim Andersen was a spectacular flautist who made his mark in Berlin in the 1880s, becoming a founding member of the Berlin Philharmonic and an important force during its early years.

Principal flutist of the Peoria Symphony, Kyle Dzapo has been praised for her “full, lovely tone and her expressive, masterful phrasing,” and the way “she executed dazzlingly complex lines with seeming ease.”

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Naxos - 8572277

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Cimarosa: Keyboard Sonatas Volume 1

Cimarosa: Keyboard Sonatas Volume 1


Cimarosa:

Keyboard Sonata in B flat major, R.1

Keyboard Sonata in A major, R.2

Keyboard Sonata in D major, R.3

Keyboard Sonata in C major, R.4

Keyboard Sonata in D major, R.5

Keyboard Sonata in G major, R.6

Keyboard Sonata in F major, R.7

Keyboard Sonata in A major, R.8

Keyboard Sonata in G minor, R.9

Keyboard Sonata in G minor, R.10;

Keyboard Sonata in B flat major, ‘Perfidia’, R.11

Keyboard Sonata in C minor, R.12

Keyboard Sonata in A major, R.13

Keyboard Sonata in G major, R.14

Keyboard Sonata in A major, R.15

Keyboard Sonata in F major, R.16

Keyboard Sonata in E flat major, R.17

Keyboard Sonata in A major, R.18


Victor Sangiorgio (piano)

Domenico Cimarosa was the most famous and popular Italian opera composer of the second half of the eighteenth century. In the course of a brilliantly successful career he composed more than 65 operas as well as a significant number of other works.

Although nothing is known about the origins of the keyboard sonatas, they are attractive, small-scale works probably intended for study purposes or for domestic performance.

The crystalline brilliance of many of the fast outer movements is very appealing and the slow movements, although somewhat conservative in style, often possess a surprising expressive depth.

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Naxos - 8570718

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Cimarosa: Keyboard Sonatas Volume 2

Cimarosa: Keyboard Sonatas Volume 2


Cimarosa:

Keyboard Sonata in C major, R.19

Keyboard Sonata in G major, R.20

Keyboard Sonata in C major, R.21

Keyboard Sonata in A major, R.22

Keyboard Sonata in B flat major, R.23

Keyboard Sonata in D major, R.24

Keyboard Sonata in C minor, R.25

Keyboard Sonata in B flat major, R.26

Keyboard Sonata in D minor, R.27

Keyboard Sonata in D major, R.28

Keyboard Sonata in B flat major, R.29

Keyboard Sonata in C major, R.30

Keyboard Sonata in G major, R. 31

Keyboard Sonata in F major, R.32

Keyboard Sonata in C major, R.33

Keyboard Sonata in B flat major, R.34

Keyboard Sonata in A major, R.35


Victor Sangiorgio (piano)

Nothing is known about the origins of the keyboard sonatas although from their style and structure they appear to date from relatively early in Cimarosa’s career. These attractive, small-scale works were probably intended for study purposes or for domestic performance. The crystalline brilliance of many of the fast outer movements is very appealing and the slow movements, although somewhat conservative in style, often possess a surprising expressive depth. Of the first volume (8570718) ClassicsToday wrote: ‘Sangiorgio’s clean, even-handed, excellently engineered performances are ideal.’

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Naxos - 8572689

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Cimarosa - Overtures Volume 1

Cimarosa - Overtures Volume 1


Cimarosa:

Il matrimonio segreto: Overture

First recording of Vienna version

Voldomiro Overture

La baronessa Stramba Overture

Le stravaganze del conte Overture

L’infedeltà fedele Overture

Il ritorno di Don Calendrino Overture

Il falegname Overture

Cleopatra Overture

Il convito Overture

La vergine del sole Overture

Il credulo Overture

L’impresario in angustie Overture


Nicolaus Esterházy Sinfonia, Alessandro Amoretti

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Cimarosa - Overtures Volume 2

Cimarosa - Overtures Volume 2


Cimarosa:

L’Armida immaginaria Overture

Oreste Overture

L’Italiana a Londra Overture

Artaserse Overture

Alessandro nell’Indie Overture

La donna sempre al suo peggior s’appiglia Overture

La Circe Overture

Il fanatico per gli antichi Romani Overture

Giannina e Bernardone Overture


Toronto Chamber Orchestra, Kevin Mallon

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Cimarosa: Requiem in G minor

Cimarosa: Requiem in G minor


Adriana Kucerová (soprano), Terézia Kružliaková (alto), L’udovit Ludha (tenor), Gustáv Belácek (bass) & Marianna Gazdíková (organ)

Capella Istropolitana & Lúcnica Chorus, Kirk Trevor

Domenico Cimarosa’s abilities as an operatic composer are evident in his large-scale Requiem.

In this mournful work the soloists and chorus range from the mournful supplication of the opening movements, through vivid evocations of the ‘day of wrath’ and the praises uttered by the heavenly hosts in the Sanctus, to the prayers for mercy, peace and eternal light which conclude the work.

Composed to commemorate the death in 1787 of the wife of the French ambassador in St Petersburg, its overall character is one of classical restraint.

“The Capella Istropolitana is an excellent group.”The Penguin Guide

“Kirk Trevor is in impressive command of his Slovak forces” Classic FM Magazine, November 2010 ***

“The two women soloists are both fine, especially the shining-toned soprano Adriana Kucerová” Gramophone Magazine, December 2010

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Naxos - 8572371

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