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When Mrs Dashwood is forced by an avaricious daughter-in-law to leave the family home in Sussex, she takes her three daughters to live in a modest cottage in Devon. For Elinor, the eldest daughter, the move means a painful separation from the man she loves, but her sister Marianne finds in Devon the romance and excitement which she longs for. The contrasting fortunes and temperaments of the two girls, as they struggle to cope in their different ways with the cruel events which fate has in store for them, are portrayed by Jane Austen with her usual irony, humour and profound sensitivity.

Arrogant, self-willed and egotistical, Emma is Jane Austen’s most unusual heroine. Her interfering ways and inveterate matchmaking are at once shocking and comic. She is ‘handsome, clever and rich’ and has ‘a disposition to think too well of herself’. When she decides to introduce the humble Harriet Smith to the delights of genteel society and to find her a suitable husband, she precipitates herself and her immediate circle into a web of misunderstanding and intrigue, from which no-one emerges unchanged.

In Sodom and Gomorrah, Part II, Marcel continues his voyage of discovery through the homosexual world, where the affairs of the ageing Baron de Charlus lead to unexpected and hilarious adventures. But the discovery of a secret in the past of his mistress, Albertine, fills Marcel with fear and forces him to change his plans. Sodom and Gomorrah – Cities of the Plain addresses the subject of homosexual love with insight and understanding.

Gulliver’s Travels is renowned as a playful and comic children’s classic. The book itself, rather than the bowdlerized versions that have been derived from it, is a savage, rude and brilliant satire, timeless in its appeal and unerringly accurate. The images of Gulliver among the miniature Lilliputians and the giants of Brobdingnag, the crazy scientists, and the rational horses create a series of novel delights and challenging insights.

In this, Dickens’ most openly political novel, we discover the terrible human consequences of a ruthlessly materialistic philosophy in the lives of Thomas Gradgrind’s family, brought up to believe that only ‘Facts! Facts! Facts!’ have any meaning. Set in Coketown, a typical Lancashire milltown, the novel graphically exposes the truth about Victorian ‘progress’.

Kenneth Branagh heads an outstanding cast in playing one of Shakespeare’s strongest characters. The eighth production in the widely admired series of Shakespeare plays presented by Naxos AudioBooks in association with Cambridge University Press.

Here are twelve short stories by Anton Chekhov, one of the finest masters of what is acknowledged to be a difficult genre. There is the richly comic Oh! The Public, about a hassled ticket inspector, a wry look at morals and manners in The Chorus Girl, and the melancholic tale of a cab driver in Misery. Perhaps the finest of all is the novella In The Ravine, a minutely observed look at life in a village through the eyes of one family. All the characters come to life with their foibles, their strengths and their hopes. Kenneth Branagh uses his natural talent for characterisation to bring this village to life.

Fiery, strong-willed Deb Grantham, who presides over a gaming house with her aunt, is hardly the perfect wife for the young and naive Lord Mablethorpe. His lordship’s family are scandalised that he proposes to marry one of ‘faro’s daughters’, and his cousin—the proud, wealthy Max Ravenscar—decides to take the matter in hand. Ravenscar always gets his way, but as he and Miss Grantham lock horns, they become increasingly drawn to each other. Amidst all the misunderstandings and entanglements, has Ravenscar finally met his match?