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Brahms: Double Concerto & Beethoven: Violin Concerto

Brahms: Double Concerto & Beethoven: Violin Concerto

The Art of Violin 4


Beethoven:

Violin Concerto in D major, Op. 61

recorded 1964

Los Angeles Philharmonic Orchestra, Zubin Mehta

Brahms:

Double Concerto for Violin & Cello in A minor, Op. 102

recorded 1963

Gregor Piatigorsky (cello)

New York Philharmonic Orchestra, Leonard Bernstein

Dvorak:

Humoresque in G flat major, Op. 101 No. 7

recorded 1950

Bell Telephone Hour Orchestra, Donald Voorhees

Halvorsen:

Passacaglia for Violin & Cello/Viola (after Handel)

recorded 1963

Gregor Piatigorsky (cello)

Sarasate:

Danza Española No. 2: Habanera, Op. 21, No. 2

recorded 1950

Bell Telephone Hour Orchestra, Donald Voorhees


Released or re-released in last 6 months

Rhine Classics - RH004

(CD - 2 discs)

$26.75

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Water & Fire – Händel Revisited

Water & Fire – Händel Revisited


Handel:

Water Music Suites Nos. 1-3, HWV348-350 (highlights)

arr. Smits & Sleichim

Music for the Royal Fireworks, HWV351: excerpts

arr. Smits & Sleichim

Messiaen:

Le Verbe (second part, from: La Nativité du Seigneur)

Rebel, J-F:

Les Elémens: Le Cahos

arr. Sleichim


Reitze Smits (organ), BL!NDMAN (sax), Koen Maas (soprano saxophone), Pieter Pellens (soprano saxophone), Eric Sleichim (alto saxophone), Piet Rebel (tenor saxophone), Raf Minten (baritone saxophone)

Eric Sleichim

“WATER & FIRE - Handel revisited”, presenting Handel’s most iconic music arranged for 5 saxophones and grand organ.

Eric Sleichim (founder/leader of Bl!ndman) and Dutch organ player Reitze Smits arranged the Water Music suite and Music for the Royal Fireworks, for saxophone quintet (BL!NDMAN [sax] + Eric Sleichim (once again on alto for this album) and grand organ. Saxophone(s) and organ have already been combined several times in new music. The sound, as well as the dynamics of the instruments, mix splendidly, in the louder passages as well as in the quieter parts. The monumental character of Handel’s orchestral score is emphasized in this unique instrumentation.

Handel’s iconic orchestral suites flank the opening movement of Jean-Féry Rebel’s Les Elémens, a musical punch-in-the-face long ahead of its time.

Released or re-released in last 6 months

Warner Classics - 5419725105

(CD)

$14.00

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Noa Wildschut plays Mozart

Noa Wildschut plays Mozart


Mozart:

Violin Concerto No. 5 in A major, K219 'Turkish'

Netherlands Chamber Orchestra, Gordan Nikolić

Adagio for Violin and Orchestra in E, K261

Netherlands Chamber Orchestra, Gordan Nikolić

Violin Sonata No. 32 in B flat major, K454

Yoram Ish-Hurwitz (piano)


Noa Wildschut (violin)

The young Dutch violinist Noa Wildschut has been described as “a miracle of musicality”, while Anne-Sophie Mutter has singled her out as “undoubtedly one of the musical hopes of her generation”. For her debut as a Warner Classics recording artist, Noa has chosen a programme of Mozart that combines concertante and chamber works. As she says: “I’m showing two sides of Mozart – and also two sides of myself.”

“Mozart’s music has such a feeling of purity,” Noa says. “and the Fifth Violin Concerto is so gorgeous. Of all his violin concertos, this is the one that contains the most humour. It’s almost like a kind of opera, with all those different characters, really, a story is being told.” Noa herself composed the cadenzas she plays in the concerto, with some help from Dutch composer Max Knigge. “Max came up with the concept, and I invented some things around it … it really became something by us together. It has been written in a way that does justice to Mozart, including lots of little jokes.”

The album release coincides with the release date of the documentary ‘Zusjes’ (Sisters), about Noa and her family, which will run in cinemas in Holland in autumn 2017. Worldwide release of the documentary is planned for early 2018.

Released or re-released in last 6 months

Warner Classics - 9029582843

(CD)

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Duets - Rolando Villazón & Ildar Abdrazakov

Duets - Rolando Villazón & Ildar Abdrazakov


Bizet:

Au fond du temple saint (from Les Pêcheurs de Perles)

Je suis Escamillo, torero de Grenade! (from Carmen)

Boito:

Son lo Spirito che nega (from Mefistofele)

Strano figlio del caos (from Mefistofele)

Donizetti:

La vostra ostinazione...Prender moglie? (from Don Pasquale)

Sogno soave e casto (from Don Pasquale)

Ardir! Ha forse il cielo ... Ecco il magico liquore ... Va, mortale fortunate (from L'Elisir d'amore)

Gounod:

Mais ce Dieu, que peut-il pour moi? (from Faust)

Me voici! (from Faust)

Hermann, Florian:

Ochi chyornye (Dark Eyes)

Ildar Abdrazakov (bass)

Lara, Augustin:

Granada

Rolando Villazón (tenor)

Verdi:

Propizio ei giunge! (from Simon Boccanegra)

Vieni a me, ti benedico (from Simon Boccanegra)


Three exceptional artists join forces for an operatic treat! Star tenor Rolando Villazón, who was just named artistic director of Salzburg Mozart week, Ildar Abdrazakov, one of the most sought-after young basses in the operatic world (Vanity Fair), who is debuting on Deutsche Grammophon with this album and the in-coming music director of the Metropolitan Opera Yannick Nézet-Séguin – a conductor full of vim and vigor – with Orchestre Métropolitain de Montréal.

Following Rolando’s and Yannick’s latest successful collaboration in DG’s Mozart opera cycle (Le Nozze di Figaro), this recording includes a wide range of beautiful French/Italian duets for tenor and bass presented with dedication and passion!

Rolando and Ildar go back to 2009 when they first performed together in a production of "Lucia di Lammermoor" at the Met. They re-unite to sing a colorful variety of beautiful opera duets from nineteenth century drammi giocosi and opéras comiques, such as the beloved “Au fond du temple saint” from Les pêcheurs de perles (Bizet) or “Ah, quando fia… Se inclinassi a prender moglie” from L’italiana in Algeri (Rossini) as well as the duet “Je suis Escamillo” from Bizet’s famous opera Carmen.

Besides the renowned repertoire the artists also recorded two tracks with special arrangements referring to their personal life: the legendary Granada, standing for Rolando’s Latin heritage, Ochi Chernye as a tribute to Ildar’s home country Russia.

Released or re-released in last 6 months

DG - 4796901

(CD)

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Amadeus Quartet: The Complete Recordings on DG

Amadeus Quartet: The Complete Recordings on DG

+ The Decca & Westminster Recordings


Beethoven:

String Quartets Nos. 1-16 (complete, inc. Grosse Fuge)

recorded 1959-1963

Piano Sonata arrangement Op. 14 No. 1 Hess 34

String Quintet in C major, Op. 29

Piano Quartets (3), WoO 36

Christoph Eschenbach (piano)

String Quartet No. 9 in C major, Op. 59 No. 3 'Rasumovsky No. 3'

Live Recording from the Wigmore Hall 1983

String Quartet No. 9 in C major, Op. 59 No. 3 'Rasumovsky No. 3'

Recorded 1987

String Quartet No. 10 in E flat major, Op. 74 'Harp'

Recorded 1987

String Quartet No. 12 in E flat major, Op. 127

Recorded 1978

String Quartet No. 14 in C sharp minor, Op. 131

Recorded 1981

String Quartet No. 15 in A minor, Op. 132

Recorded 1980

String Quartet No. 16 in F major, Op. 135

Recorded 1977

String Quartet No. 13 in B flat major, Op. 130

Recorded 1980

Grosse Fuge in B flat major, Op. 133

Recorded 1977

String Quartet No. 5 in A major, Op. 18 No. 5

Brahms:

String Quartet No. 1 in C minor, Op. 51 No. 1

Recorded 1951

String Quartet No. 2 in A minor, Op. 51 No. 2

Recorded 1955

String Quartet No. 3 in B flat major, Op. 67

Recorded 1957

String Quartet No. 1 in C minor, Op. 51 No. 1

Recorded 1959

String Quartet No. 2 in A minor, Op. 51 No. 2

Recorded 1959

String Quartet No. 3 in B flat major, Op. 67

Recorded 1960

Piano Quintet in F minor, Op. 34

Recorded 1968

Christoph Eschenbach (piano)

String Quintet No. 1 in F major, Op. 88

Cecil Aronowitz (viola)

String Quintet No. 2 in G major, Op. 111

Cecil Aronowitz (viola)

Piano Quartet No. 1 in G minor, Op. 25

Emil Gilels (piano)

Clarinet Quintet in B minor, Op. 115

Karl Leister (clarinet)

String Sextet No. 1 in B flat major, Op. 18

Cecil Aronowitz (viola), William Pleeth (cello)

String Sextet No. 2 in G major, Op. 36

Cecil Aronowitz (viola), William Pleeth (cello)

Bridge:

Phantasy in F sharp minor for piano quartet

Benjamin Britten (piano)

Britten:

String Quartet No. 2 in C major, Op. 36

String Quartet No. 3, Op. 94

String Quartet No. 3, Op. 94

Live from the Wigmore Hall -35th Anniversary Recital

Bruckner:

String Quintet in F major

Cecil Aronowitz (viola)

Dvorak:

String Quartet No. 12 in F major, Op. 96 'American'

Recorded 1959

String Quartet No. 12 in F major, Op. 96 'American'

Recorded 1977

Fricker:

String Quartet No. 2 Op. 20

Haydn:

String Quartet, Op. 51 'Seven Last Words'

Recorded 1951

String Quartet, Op. 54 No. 1 in G major

Recorded 1957

String Quartet, Op. 54 No. 2 in C major

Recorded 1954

String Quartet, Op. 64 No. 3 in B flat major

Recorded 1957

String Quartet, Op. 74 No. 1 in C major

Recorded 1957

String Quartet, Op. 77 No. 1 in G major

Recorded 1956

String Quartet, Op. 103 in D minor

Recorded 1951

String Quartet, Op. 76 No. 2 in D minor 'Fifths'

Live Recording from the Wigmore Hall 1983

String Quartet, Op. 51 'Seven Last Words'

Recorded 1971

String Quartet, Op. 54 No. 1 in G major

String Quartet, Op. 54 No. 2 in C major

String Quartet, Op. 54 No. 3 in E major

String Quartet, Op. 55 No. 1 in A major

String Quartet, Op. 55 No. 2 in F minor 'The Razor'

String Quartet, Op. 55 No. 3 in B major

String Quartets, Op. 64 Nos. 1-6 (complete)

String Quartet, Op. 71 No. 1 in B flat major

String Quartet, Op. 71 No. 2 in D major

String Quartet, Op. 71 No. 3 in E flat major

String Quartet, Op. 74 No. 1 in C major

String Quartet, Op. 74 No. 2 in F major

String Quartet, Op. 74 No. 3 in G minor 'The Rider'

String Quartets, Op. 76 Nos. 1-6 (complete)

String Quartet, Op. 77 No. 1 in G major

String Quartet, Op. 77 No. 2 in F major

String Quartet, Op. 103 in D minor

String Quartet, Op. 76 No. 3 in C major 'Emperor'

MacMillan, E:

String Quartet in C minor

First Release on CD

Two Sketches based on French Canadian Airs

First Release on CD

Mendelssohn:

Four pieces for String Quartet, Op. 81

Recorded 1955

Mozart:

String Quartet No. 17 in B flat major, K458 'The Hunt'

Recorded 1951

String Quartet No. 16 in E flat, K428

Recorded 1951

String Quartet No. 23 in F Major, K590 'Prussian No. 3'

Recorded 1951

String Quartet No. 18 in A Major, K464 'Drum'

Recorded 1951

String Quartet No. 19 in C major, K465 'Dissonance'

Recorded 1954

String Quartet No. 21 in D major, K575 'Prussian No. 1'

Recorded 1954

String Quartet No. 15 in D minor, K421

Recorded 1953

String Quartet No. 20 in D major, K499 'Hoffmeister'

Recorded 1955

String Quartet No. 22 in B flat major, K589 'Prussian No. 2'

Recorded 1955

String Quintet No. 3 in C major, K515

Recorded 1953

Cecil Aronowitz (viola)

String Quintet No. 6 in E flat major, K614

Recorded 1957

Cecil Aronowitz (viola)

String Quintet No. 4 in G minor, K516

Recorded 1951

Cecil Aronowitz (viola)

String Quintet No. 5 in D major, K593

Recorded 1957

Cecil Aronowitz (viola)

String Quartet No. 16 in E flat, K428

Recorded 1957

String Quartet No. 23 in F Major, K590 'Prussian No. 3'

Recorded 1957

String Quintet No. 4 in G minor, K516

Recorded 1957

Cecil Aronowitz (viola)

String Quartet No. 17 in B flat major, K458 'The Hunt'

Recorded 1956

String Quartet No. 17 in B flat major, K458 'The Hunt'

String Quartets (Complete)

Recorded 1963-76

String Quintet No. 2 in C minor, K406

Recorded 1968

Cecil Aronowitz (viola)

String Quintet No. 3 in C major, K515

Recorded 1967

Cecil Aronowitz (viola)

String Quintet No. 5 in D major, K593

Recorded 1968

Cecil Aronowitz (viola)

String Quintet No. 1 in B flat major, K174

Recorded 1974

Cecil Aronowitz (viola)

String Quintet No. 4 in G minor, K516

Recorded 1969

Cecil Aronowitz (viola)

String Quintet No. 6 in E flat major, K614

Recorded 1968

Cecil Aronowitz (viola)

Flute Quartets Nos. 1-4 (complete)

Andreas Brau (flute)

Oboe Quartet in F major, K370

Lothar Koch (oboe)

Horn Quintet in E flat, K407

Gerd Seiffert (horn)

Clarinet Quintet in A major, K581

Gervase de Peyer (clarinet)

Divertimento in E flat major, K563

Piano Quartet No. 1 in G minor, K478

Walter Klein (piano)

Piano Quartet No. 2 in E flat major, K493

Walter Klein (piano)

Serenade No. 13 in G major, K525 'Eine kleine Nachtmusik'

Ein musikalischer Spass K522

Adagio & Fugue in C minor for Strings, K546

Piano Quartet No. 1 in G minor, K478

Clifford Curzon (piano)

Piano Quartet No. 2 in E flat major, K493

Clifford Curzon (piano)

Schubert:

String Quartet No. 10 in E flat major, D87

Recorded 1955

String Quartet No. 8 in B flat major, D112

Recorded 1955

String Quartet No. 13 in A minor, D804 'Rosamunde'

Recorded 1954

String Quartet No. 15 in G Major, D887

Recorded 1951

String Quartet No. 14 in D minor, D810 'Death and the Maiden'

Recorded 1953

String Quartet No. 12 in C minor (fragment), D703 ‘Quartettsatz'

Recorded 1951

String Quartet No. 10 in E flat major, D87

Recorded 1980

String Quartet No. 8 in B flat major, D112

Recorded 1980

String Quartet No. 9 in G minor, D173

Recorded 1966

String Quartet No. 13 in A minor, D804 'Rosamunde'

String Quartet No. 15 in G Major, D887

String Quartet No. 12 in C minor (fragment), D703 ‘Quartettsatz'

Piano Quintet in A major, D667 'The Trout'

Emil Gilels (piano)

String Quartet No. 14 in D minor, D810 'Death and the Maiden'

Recorded 1959

String Quartet No. 14 in D minor, D810 'Death and the Maiden'

Recorded 1981

String Quintet in C major, D956

William Pleeth (cello)

String Quintet in C major, D956

Robert Cohen (cello)

Smetana:

String Quartet No. 1 in E minor 'From My Life'

Tchaikovsky:

String Quartet No. 1 in D major, Op. 11

Verdi:

String Quartet in E minor


The Amadeus were the most successful and highly-regarded Quartet of the 20th century. Benefitting from the jet aeroplane and from the record industry’s ability to reach out to world, they dominated chamber music making for nearly 40 years.

But concert tours are only successful if reviews are ecstatic and audiences delighted. They both were. For nearly 40 years, the Quartet (who styled themselves ‘The Wolf-Gang’) roved the world, argued, celebrated and worked like no other group, and changed not a single member: Norbert Brainin, Siegmund Nissel, Peter Schidlof and Martin Lovett had a recording career from 1951 to 1987, ending only with the death of Peter Schidlof in 1987.

These 70 CDs – presenting almost their entire discography, together with distinguished and extensive presentation – form one of the most extensive chamber music sets ever created, and stands as eloquent testimony to their thoughtful musicianship, technical calibre and to the immense esteem in which the world held them.

This 70CD set presents the Amadeus Quartet’s Complete Recordings on Deutsche Grammophon on the occasion of the Quartet’s 70th Anniversary.

Several recordings released for the first time ever, others new to CD.

Each album presented in original jackets with facsimiles of original recording session reports.

180-page book presents new notes by Daniel Snowman (author of The Amadeus Quartet: The Men and the Music), plus an introductory note by Martin Lovett, sole surviving member of the Amadeus Quartet; and previously unpublished photographs from the archives of the Quartet’s families.


Extra postage costs:
As this set is very heavy (we estimate around 3.5kg) we unfortunately need to charge extra postage on deliveries to addresses outside of the UK.
Prices vary by country - Please contact us for further details.

Released or re-released in last 6 months

DG - 4797589

(CD - 70 discs)

Normally: $235.50

Special: $188.25

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Tchaikovsky: Violin Concerto and Rococo Variations

Tchaikovsky: Violin Concerto and Rococo Variations


Tchaikovsky:

Violin Concerto in D major, Op. 35

Variations on a Rococo Theme, Op. 33


Released or re-released in last 6 months

DG - 4798089

(CD)

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Lost Leaf

Lost Leaf


Despair not, o heart (15th century hymn, Wittenberg/Germany)

Shore (Fredrik Schøyen Sjölin)

Polska From Dorotea (Swedish Traditional)

Tjønneblomen (Gjermund Haugen)

Minuet no. 60 (Danish traditional)

Æ Romeser (Danish traditional)

Intermezzo (Fredrik Schøyen Sjölin)

Shine you no more (Rune Tonsgaard Sørensen)

Stædelil (Traditional from Faroe Islands)

Drømte mig en drøm (Danish traditional)

Naja’s Waltz (Fredrik Schøyen Sjölin)

Unst Boat Song (Traditional from the Shetland Islands)

Fastän (Eva Sæhter)

Hur var du i aftes så sildig (Danish traditional)

The Dromer (Danish traditional)

Now Found Is The Fairest Of Roses (traditional)


The Danish String Quartet is widely recognised as the most exciting young string quartet of the present moment, bringing new insights to contemporary composition and core classical repertoire. In parallel, they have also made surprising and impressive forays into the world of Nordic folk music.

Their 2014 album Wood Works (Dacapo Records) was a left-field hit, and audiences around the world have been delighted by concert performances of the music. Now the Danish String Quartet bring their folk project to ECM with a stirring new recording. Fästan takes off from an unusual Christmas hymn, "Now found is the fairest of roses", published in 1732 by Danish theologian and poet H.A. Brorson. The hymn is set to a mysterious, dark melody: Brorson had chosen an old Lutheran funeral choral to accompany his Christmas hymn, elegantly showing how life and death are always connected.

"From here we embark on a travel through the rich fauna of Nordic folk melodies until returning to Brorson in the end," say the DSQ. "It is a journey that could have been made in many different ways, but we believe that we returned with some nice souvenirs. In these old melodies, we find immense beauty and depth, and we can't help but sing them through the medium of our string quartet. Brorson found the fairest of roses, we found a bunch of amazing tunes ? and we hope you will enjoy what we did to them."

Released or re-released in last 6 months

ECM - 4815746

(CD)

Normally: $15.00

Special: $13.25

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La grande danza: Aterballetto in Milan

La grande danza: Aterballetto in Milan


1 Opening

2 Words and Space (Jiří Pokorny)

3 Phoenix (Philippe Kratz)

4 Narcissus (Giuseppe Spota)

5 Applause & End Credits


Giuseppe Spota (Narcissus) & Philippe Kratz (Phoenix)

Aterballetto Dance Company

Words and Space (Jiří Pokorny)

Jiří Pokorny's “Words and Space” is a metaphor of an intrapersonal speech, a book full of floating stories. It is personal, intimate and very poetic.

“Phoenix” is inspired by the idea of the infinite circular motion of life: Birth, growth, immobility, death and finally birth again. Choreographer Philippe Kratz tries to understand who we were and what we are capable of becoming.

In “Narcissus” Giuseppe Spota takes a look at the youth of today. Are they ready to come out of their virtual frames and face the mirror of everyday life? Or will they all end up like Narcissus, alone to admire and cherish themselves?

BD Picture: Full HD – 16:9

BD Sound: PCM Stereo, DTS-HD Master Audio 5.0

Region code: All (A1/B2/C3)

Language/subtitles: N/A

Running time: 75 mins (TBC)

Production: June 7th & 8th 2017

Released or re-released in last 6 months

Blu-ray Disc

Region: all

EuroArts - 8024264234

(Blu-ray)

$23.50

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Debussy: La mer & Ariettes oubliées

Debussy: La mer & Ariettes oubliées


Debussy:

La Mer

Ariettes Oubliées (6)

arr. Brett Dean

Magdalena Kožená (mezzo)

Fauré:

Prelude to Penelope

Pelléas et Mélisande, Op. 80 (suite)

arr. Charles Koechlin


To launch their exciting new partnership Robin Ticciati and the DSO present Debussy's La mer, Fauré's Pelléas et Mélisande and the premiere recording of composer Brett Dean's arrangements of Debussy's Ariettes oubliées featuring Magdalena Kozená.

Following his DSO debut Ticciati chose La mer to perform when he returned as the newly announced Principal Conductor in 2016. Ticciati has conducted La mer and Pelléas et Mélisande across Europe with the LPO, Concertgebouw Orchestra and the Budapest Festival Orchestra receiving excellent reviews.

Brett Dean's orchestration of the Ariettes premiered in Sydney in 2015 and at once displayed Debussy's music in a new light. Dean's new arrangements expand on the colours heard in Debussy's original six songs applying unbelievably delicate orchestration that sounds like gossamer; The Daily Telegraph declared it a revelation.

The all-French programme also includes the prelude to Fauré's opera Pénélope and his orchestral suite Pelléas et Mélisande in a perfectly judged recording which augurs well for this exciting new partnership.

“Magdalena Kožená ’s voice is far from conventional in Debussy, and one might sometimes wish for more defined French diction, but her tone has a glowing inner radiance and access to a seemingly limitless wealth of colours. The result is beguiling interpretations, performed with controlled intensity” BBC Music Magazine, October 2017 ****

“It’s exciting, and it bodes well. The orchestra has a powerful engine that always feels on the verge of breaking loose, but Ticciati harnesses the depth and drive of that energy and adds some gorgeously febrile stuff...Kožená sings with a steely grandeur.” The Guardian, 14th September 2017 ****

“[Dean’s approach] suits Ticciati’s considered way with Debussy uncommonly well. Everything is beautifully balanced and clear. Shifts in colour and texture are carefully teased out, and the underlying sense of erotic regret is finely sustained…The playing is exemplary...though the orchestral and recorded sound are very bright…Ticciati’s Pelléas is darker in tone than many, and beautiful in its discreet sensuality.” Gramophone Magazine, Awards Issue 2017

Released or re-released in last 6 months

Up to 25% off Linn

Linn - CKD550

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Beethoven: Violin Sonatas Nos. 3, 7 & 10

Beethoven: Violin Sonatas Nos. 3, 7 & 10


Beethoven:

Violin Sonata No. 3 in E flat major, Op. 12 No. 3

Violin Sonata No. 7 in C minor, Op. 30 No. 2

Violin Sonata No. 10 in G major, Op. 96


Baptiste Lopez (violin) & Maude Gratton (piano)

With these three sonatas for piano and violin, Baptiste Lopez and Maude Gratton give us an overview of fifteen years in Beethoven’s life; the joie de vivre of the impetuous young composer, still strongly influenced by Classical forms, gradually gives way to a violent aesthetic break, the eccentricity of which was decried by contemporary critics. If, in Beethoven’s view, music confronts humanity with the difficulties of our condition, it also enables us to overcome them; the composer himself transcended his battle against deafness by finding in it the profundity of a creative force.

Born in 1980, Baptiste Lopez studied at the Conservatoire National Supérieur de Paris in the class of Jean-Jacques Kantorow, obtaining his diploma in 2005. Baptiste joined the Gaudi Quartet in 2003, where he played first violin between 2006 and 2008, and he is regularly invited to play with prestigious ensembles, such as the Collegium Vocale, l’Orchestre des Champs Elysées and l’Opera National de Paris. Baptiste is currently first violin of the ensemble ‘Le Banquet Céleste’, under the direction of the counter tenor, Damien Guillon, and first violin of the Edding Quartet since it’s formation in 2007.

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Mirare - MIR360

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$15.00

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