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AVSA9922: Isaac: In the time of Lorenzo de’ Medici and Maximilan I

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Isaac: In the time of Lorenzo de’ Medici and Maximilan I

Label:

Alia Vox

Catalogue No:

AVSA9922

Discs:

1

Release date:

2nd June 2017

Barcode:

8435408099226

Length:

75 minutes

Medium:

SACD (download also available)

Format:

Hybrid Multi-channel

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Isaac: In the time of Lorenzo de’ Medici and Maximilan I

1450-1519


1. La morra (instrumental) - Henricus Isaac

2. Motet : Sustinuimus pacem ? 4 v. - Henricus Isaac

3. Fanfare of the Medicis: Palle, palle (instrumental) - Henricus Isaac

4. Motet : Parce, Domine - Henricus Isaac

5. Chanson : Innsbruck, ich mu? dich lassen - Henricus Isaac

6. Carnival song: Hora e di maggio - Henricus Isaac

7. Instrumental song: A la battaglia - Henricus Isaac

8. Lament: Quis dabit capiti meo aquan? Henricus Isaac / Angelo Poliziano

9. Motet : Sancti spiritus assit nobis gratia - Henricus Isaac

10. Motet : Angeli, Archangeli ? 6 v. - Henricus Isaac

11. Instrumental motet (Duc de Ferrara) : La Mi La Sol - Henricus Isaac

12. Motet : Optime Divino date munere pastor ovili ? 6 v. - Henricus Isaac

13. Motet (Choralis Constantinus) : Circumdederunt me - Henricus Isaac

14. Song : O Welt, ich mu? dich lassen - Henricus Isaac / Texte Anonyme

15. Motet (Contrafactum de Virgo prudentissima) : Christus, filius Dei ? 6 v. - Henricus Isaac


SACD

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(also available to download from $10.00)

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This new album is not only the opportunity to discover the music of Heinrich Isaac under the inspired direction of Jordi Savall ; it is also the portrait of an era during which the Hundred Year's War ended, the Medici family reached its peak, the idea of the Reformation surged and Charles V was crowned at the head of an Empire that redefined the idea of Europe, as did the music of this time.

Recorded December 23rd, 2016 - January 19th, 2017 in Spain

Format: digipak deluxe - 1 hybrid multichannel

SACD

Booklet: English, French, German, Italian, Castillan, Catalan

Heinrich Isaac: Fanfare des Médicis: Palle, palle (Instrumental)

Fanfare des Médicis: Palle, palle (Instrumental)

Heinrich Isaac: Motet: Parce, Domine

Motet: Parce, Domine

Heinrich Isaac: La morra (Instrumental)

La morra (Instrumental)

Heinrich Isaac: Motet: Sustinuimus pacem à 4 v.

Motet: Sustinuimus pacem à 4 v.

Heinrich Isaac: Chanson: Innsbruck, ich muß dich lassen

Chanson: Innsbruck, ich muß dich lassen

Heinrich Isaac: Chanson de carnaval: Hora e di maggio

Chanson de carnaval: Hora e di maggio

Heinrich Isaac: Chanson instrumentale: A la battaglia

Chanson instrumentale: A la battaglia

Heinrich Isaac: Lamentation: Quis dabit capiti meo aquan?

Lamentation: Quis dabit capiti meo aquan?

Heinrich Isaac: Motet

Sancti spiritus assit nobis gratia

Angeli, Archangeli à 6 v.

Heinrich Isaac: Motet instrumental (Duc de Ferrara): La Mi La Sol

Motet instrumental (Duc de Ferrara): La Mi La Sol

Heinrich Isaac: Motet: Optime Divino date munere pastor ovili à 6 v.

Motet: Optime Divino date munere pastor ovili à 6 v.

Heinrich Isaac: Motet (Choralis Constantinus): Circumdederunt me

Motet (Choralis Constantinus): Circumdederunt me

Heinrich Isaac: Lied: O Welt, ich muß dich lassen

Lied: O Welt, ich muß dich lassen

Heinrich Isaac: Motet (Contrafactum de Virgo prudentissima): Christus, filius Dei à 6 v.

Motet (Contrafactum de Virgo prudentissima): Christus, filius Dei à 6 v.

Record Review

23rd July 2017

“a musical narrative assembled with real skill and the judicious interweaving of the instrumental forces of Hesperion XXI with the voices of La Capella Reial de Catalunya keeps it all fresh, lively and unpredictable”

Sunday Times

23rd July 2017

“a wide-ranging recital, associating each meticulously crafted, sumptuous piece with an event relevant to the composer, not least his time in the employ of de’ Medici and Maximilian I. It’s all beautifully performed and lavishly presented.”

The Observer

30th July 2017

****

“There’s a vast range of expression, from laments and motets to carnival songs and ceremonial music. Jordi Savall and his musicians excel in this repertoire and seem more at home with this harmonious idiom than they do in later work.”

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