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The Routes of Slavery 1444-1888

The Routes of Slavery 1444-1888

Africa, Portugal, Spain & Latin America


Kassé Mady Diabaté & Violet Diallo (Mali) & Jordi Savall (viola da gamba and Artistic director)

Hespèrion XXI - La Capella Reial de Catalunya & Tembembe Ensamble Continuo

A homage to the memory of victims of the slave trade.

This new multicultural project from Jordi Savall and his musicians on The Routes of Slavery (1444-1888) marks a world first in the history of music and of the three continents involved in the trade in African slaves and their exploitation in the New World, which are brought together through the early music of the colonial period, the musical traditions of Mali and the oral traditions of the descendants of slaves in Madagascar, Brazil, Colombia and Mexico. This 'Musical Memoir' is accompanied with historical texts on slavery, beginning with the early chronicles of 1444 and concluding with texts written by the Nobel Peace Prize-winner Martin Luther King shortly before his assassination in 1968.

Sponsored by UNESCO, this musical reconciliation is founded on equality, harmony and reciprocal inspiration, constituting the commemoration of a tragic and shameful chapter in the history of mankind. A vast historical and musical fresco, which throws light on the West’s attitude towards Africans in Latin America, the United States and Europe, as well as its indifference towards that 'forgotten' continent of Africa. But it is also a joyful celebration of hearts and spirits united through music and dance, offering us all a vital source of survival, a refuge of peace, consolation and hope.

2 hybrid SACD + 1 DVD filmed live at the Fontfroide Abbey (France) PAL zone 0

Booklet : English, French, German, Italian, Castillian, Catalan

“[Savall’s] latest project explor[es] the musical trail left by the slave trade, and instead of trying to describe it, the narrations of contemporary descriptions of slavery, the music from percussion and simple improvisation to more formal choral works and pieces from Africa and Madagascar, to Spain, Mexico, Latin America …None does this kind of thing quite like Savall and his label Alia Vox.” Record Review, February 2017

“It’s both a timely reminder of our ignoble instinct to subjugate and a moving gesture of reconciliation.” Sunday Times, 26th February 2017

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Llibre Vermell de Montserrat

Llibre Vermell de Montserrat

Red Book of Montserrat


Jordi Savall (rabec, rebab, viella & direcció)

Hespèrion XXI & La Capella Reial de Catalunya

Recorded live in Barcelona (Church Santa Maria del Pi) November 25th, 2013

Jordi Savall had every historical, geographical and emotional reason to pay a well deserved tribute to one of the most famous manuscripts of ancient music. The 'Llibre Vermell de Montserrat' is a collection of devotional texts containing late medieval songs and dances. The 14th-century manuscript was compiled in and is still located at the monastery of Montserrat outside Barcelona in Catalonia (Spain). The title describes the red binding in which the collection was placed in the 19th century. The songs were written in Catalan, in Occitan and in Latin for the pilgrims to have something appropriately «chaste and pious» to sing and dance. In this beautiful live recording made at the Santa Maria del Pi church in Barcelona, the colorful succession of songs and dances offers us a pleasant trip to the heart of the medieval music.

“The 10 numbers are punctuated by bells and interspersed with instrumental improvisations, so that as so often with Savall, it’s all undeniably atmospheric, but hard to separate what might be authentic from what is purely speculative.” The Guardian, 15th December 2016 ***

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Dixit Dominus: Vivaldi, Mozart, Handel

Dixit Dominus: Vivaldi, Mozart, Handel


Handel:

Dixit Dominus, HWV 232

Mozart:

Dixit and Magnificat, K. 193

Vivaldi:

Dixit Dominus, RV595


Marta Mathéu, Marta Bayodi-Hirt (sopranos), Anthony Roth Costanzo (alto), Makoto Sakurada (tenor), Furio Zanasi (bass) & Manfredo Kraemer (concertino)

La Capella Reial de Catalunya & Le Concert des Nations, Jordi Savall

Alia Vox presents three composers in three masterpieces based on a cornerstone of the Bible, the psalm 'Dixit Dominus' in the latest programme from Jordi Savall.

Following the critically acclaimed 'Magnificat & Concerti' two years ago, 'Dixit' highlights the full maturity of his ensembles.

The vivid orchestral colours, the ideal spacing of the instruments, the effortless virtuosity of the choir, the bright recorded sound bringing out the detail within the works all prove that Jordi Savall has established a new standard for the recording of 18th Century music.

“glorious singing and playing of irrepressable effervescence ... Superb SACD sound and a lavishly designed booklet” Choir & Organ, July 2017

“The performances of all three pieces have an overall character that contrasts with the tendency these days for hard-driven interpretations…an individualistic and essentially musical approach, as one might expect from Savall” Gramophone Magazine, January 2017

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Vivaldi & Bach: Magnificats and Concerti

Vivaldi & Bach: Magnificats and Concerti


Bach, J S:

Keyboard Concerto No. 1 in D minor, BWV1052

Pierre Hantaï (harpsichord)

Magnificat in D major, BWV243

Hanna Bayodi-Hirt, Johannette Zomer (sopranos), Damien Guillon (countertenor), David Munderloh (tenor) & Stephan MacLeod (baritone)

La Capella Reial de Catalunya

Magnificat in D major, BWV243

bonus DVD

Hanna Bayodi-Hirt, Johannette Zomer (sopranos), Damien Guillon (countertenor), David Munderloh (tenor) & Stephan MacLeod (baritone)

La Capella Reial de Catalunya

Keyboard Concerto No. 1 in D minor, BWV1052

bonus DVD

Pierre Hantaï (harpsichord)

Vivaldi:

Concerto, Op. 3 No. 2 'Con due Violini e Violoncello obligato', RV 578

Manfredo Kraemer, Pablo Valetti (violins)

Magnificat in G minor, RV610

Hanna Bayodi-Hirt, Johannette Zomer (sopranos), Damien Guillon (countertenor), David Munderloh (tenor) & Stephan MacLeod (baritone)

La Capella Reial de Catalunya

Magnificat in G minor, RV610

bonus DVD

Hanna Bayodi-Hirt, Johannette Zomer (sopranos), Damien Guillon (countertenor), David Munderloh (tenor) & Stephan MacLeod (baritone)

La Capella Reial de Catalunya


JS Bach and Vivaldi’s' Magnificat's: desert island repertoire to illustrate the splendour of the orchestra Le Concert des Nations and choir of La Capella Reial de Catalunya. Jordi Savall offers a vivid and striking performance of these two masterpieces, recorded live at the Royal Chapel in Versailles in 2013. Each of them is introduced by a concerto by the same composer in the same tonality.

The superlative performance of Pierre Hantaï in the Concerto BWV1052 is another jewel to the crown of this album.

“with performers of this calibre…the performances were always going to be impressive. All fans of Savall will want the set.” Early Music Review, February 2015

“it’s a win-win situation with this disc in terms of programming. The young singers are quite fine, and Savall leads a quality performance.” Audiophile Audition, 6th February 2015

“To watch as well as hear two outstanding Baroque Magnificats is a thrilling experience. Jordi Savall's forces are in fine form, his soloists matched yet distinctively characterised...Savall paces the Magnificats to sustain the continuity of the text, despite the musical independence of each verse...the overall exuberance, technicaly control and commitment of the whole ensemble are infectious from the start.” BBC Music Magazine, March 2015 ****

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Isaac: In the time of Lorenzo de’ Medici and Maximilan I

Isaac: In the time of Lorenzo de’ Medici and Maximilan I

1450-1519


1. La morra (instrumental) - Henricus Isaac

2. Motet : Sustinuimus pacem ? 4 v. - Henricus Isaac

3. Fanfare of the Medicis: Palle, palle (instrumental) - Henricus Isaac

4. Motet : Parce, Domine - Henricus Isaac

5. Chanson : Innsbruck, ich mu? dich lassen - Henricus Isaac

6. Carnival song: Hora e di maggio - Henricus Isaac

7. Instrumental song: A la battaglia - Henricus Isaac

8. Lament: Quis dabit capiti meo aquan? Henricus Isaac / Angelo Poliziano

9. Motet : Sancti spiritus assit nobis gratia - Henricus Isaac

10. Motet : Angeli, Archangeli ? 6 v. - Henricus Isaac

11. Instrumental motet (Duc de Ferrara) : La Mi La Sol - Henricus Isaac

12. Motet : Optime Divino date munere pastor ovili ? 6 v. - Henricus Isaac

13. Motet (Choralis Constantinus) : Circumdederunt me - Henricus Isaac

14. Song : O Welt, ich mu? dich lassen - Henricus Isaac / Texte Anonyme

15. Motet (Contrafactum de Virgo prudentissima) : Christus, filius Dei ? 6 v. - Henricus Isaac


This new album is not only the opportunity to discover the music of Heinrich Isaac under the inspired direction of Jordi Savall ; it is also the portrait of an era during which the Hundred Year's War ended, the Medici family reached its peak, the idea of the Reformation surged and Charles V was crowned at the head of an Empire that redefined the idea of Europe, as did the music of this time.

Recorded December 23rd, 2016 - January 19th, 2017 in Spain

Format: digipak deluxe - 1 hybrid multichannel

SACD

Booklet: English, French, German, Italian, Castillan, Catalan

“a musical narrative assembled with real skill and the judicious interweaving of the instrumental forces of Hesperion XXI with the voices of La Capella Reial de Catalunya keeps it all fresh, lively and unpredictable” Record Review, 23rd July 2017

“a wide-ranging recital, associating each meticulously crafted, sumptuous piece with an event relevant to the composer, not least his time in the employ of de’ Medici and Maximilian I. It’s all beautifully performed and lavishly presented.” Sunday Times, 23rd July 2017

“There’s a vast range of expression, from laments and motets to carnival songs and ceremonial music. Jordi Savall and his musicians excel in this repertoire and seem more at home with this harmonious idiom than they do in later work.” The Observer, 30th July 2017 ****

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Granada 1013-1526

Granada 1013-1526


1. Invocación Qamti be-Ishon Layla (Cantar de los Cantares. Inspirado en Cantar 3, 1-4)

2. Taqsim instrumental & Danza morisca (Ney)

3. Moaxaja: Billadi askara min aadbi Llama - Al-Andalus

4. Preces: Penitentes orate - Plegaria mozárabe s. XI

5. Ductia (instr.) - Cantiga de Santa María (CSM 123) - Alfonso X El Sabio

6. Siónida: Yefe Nof - Yehudá Haleví (1075-1141)

7. Taqsim (Kanun) - Improvisación - Moaxaja: Ya gosan naqa - Ibn Zuhr - Tradición Al-Ándalus

8. Fragmento de la Carta sobre la conversión forzosa Iggeret ha-Shemad, cap. IV - Las Estrellas de los cielos

9. Danza morisca

10. Lamento: Plange Castella misera - Anónimo, Códice de Las Huelgas, f. 160, s. X

11. Danza de iniciación (instrumental)

12. Lamento hebraico-andaluz Dror yiqrá - Dunash ben Labrat, s. X

13. Poema en piedra de la Alhambra de Granada. Texto en árabe de Ibn Zamrak - Taqsim

14. Pero que seja a gente - Cantiga de Santa María (CSM 181) - Alfonso X El Sabio

15. Romance fronterizo: Cerco de Baeza - Anónimo, Cancionero de Palacio (CMP 106)

16. Lamento: El camino – La angustia - Improvisación andalusí

17. Propiñan del Melyor (instr.) - Anónimo, s. XV

18. Villancico: Aquella mora garrida - Gabriel, Cancionero de Palacio (CMP 254)

19. Villancico: Viva el gran Re Don Fernando - Carlo Verardi

20. Romance: El pan de la aflicción - Plegaria sefardí

21. Diario de abordo de Cristóbal Colón, Noche del 11 al 12 octubre 1492

22. Villancico: Todos los bienes del mundo - Juan del Enzina

23. Crónica de los Reyes de Castilla, cap. CXCVI

24. Lamento andalusí Maqam hijaz - Ibn Zaydún (Córdoba 1003-Sevilla 1071)


Jordi Savall examines 500 years of history in this portrait of a city that symbolises like no other the fruitful, and at the same time, conflictual encounter of the three monotheistic religions. The succession of the Zirid, Almoravid, Almohad and Nasrid dynasties, their relationship with the neighbouring Christian kingdoms and the often precarious situation of the Jews (the first inhabitants of this area) are reflected in this wide musical fresco, in which each culture displays its most advanced refinement.

“imaginatively chosen, memorably performed, well documented with essays and illustrations.” Record Review, 11th June 2016

“Here is a fascinating range of music Islamic, Jewish and Christian, charting half a millennium of history...The performances under Savall’s direction are always evocative, and some are touching and some vibrant.” Sunday Times, 3rd July 2016

“A classic Jordi Savall project with Iberian cultural history lesson and loads of misty reverb attached...the performances are full of finesse and intensity...What stands out for me is the Mozarabic polyphony – vibrant, poised singing from La Capella Reial de Catalunya.” The Guardian, 28th July 2016 ****

“The celebration of musical interconnectedness is manifest in the smoothness of Savall’s programme and its execution … Heart-rending moments of beauty abound such as Manuel Forcano’s (director, Institute Ramon Llull) recitation concerning the forced conversion of the Jews in 1148.” Gramophone Magazine, September 2016

“The music itself is packed full of discoveries and treasures which often reveal themselves through juxtaposition … The choral work is also typically excellent … In short, this is a breathtaking achievement. It’s the kind of disc that often left me in quiet astonishment not just at its ambition, artistry or skill, but at the way it tries to further the human story and enrich the experience of us all. Bravo!” MusicWeb International, September 2016

“As ever, Savall points up the sources’ colour, vitality, expressiveness and socio-political context in an exciting, fascinating and utterly beguiling programme … The singers are superb, displaying gorgeous timbres and honest emotional dimensions … the realisations are consistently moving and beautiful. Even the spoken texts sound mellifluous and resonant.” BBC Music Magazine, November 2016 *****

“In yet another Tardis of a disc, time-traveller extraordinare Jordi Savall packs five centuries and seven epochs of Granada’s history into a haunting, atmospheric, evocative, heart-rending, -stopping, -warming by turns melange of three medieval cultures: Arabic, Christian and Jewish … this SACD with (as ever) stunningly beautiful booklet enthrals, enchants and demands total attention.” Choir & Organ, November/December 2016

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Ramon Llull (1232-1316)

Ramon Llull (1232-1316)

Era of Conquest, Dialogue, and Exhortation


Ramon Llull (1232-1316) was one of the most prominent writers and poets of medieval Catalonia. Llull lived at a time of great cultural splendour, marked by the coexistence, not always peacefully, of the three religious cultures of his time: Christian, Jewish, Muslim. While there is no direct evidence whether or not Ramon Llull was himself a musician, it’s clear that he deeply loved the art of singing; indeed, many of his poems were intended to be sung.

Jordi Savall leads La Capella Reial de Catalunya, Hespèrion XXI, and special guest artists in a programme entitled 'Ramon Llull: Era of Conquest, Dialogue, and Exhortation'.

“If you’ve come across Savall’s special projects on the Alia Vox label before you’ll know just what an attractive package they’ve put together; the music though, that’s the thing, colourful, imaginative, beautifully recorded” CD Review, 21st May 2016

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Biber: Baroque Splendor - Missa Salisburgensis

Biber: Baroque Splendor - Missa Salisburgensis

Recorded in Cardona (Catalunya) January 14-16, 2015 except for La Battalia à 10, recorded on February 11th, 2002


Biber:

Motet 'Plaudite tympana'

Battalia à 10

Sonata Sancti Polycarpi

Missa Salisburgensis

Fanfara


Hanna Bayodi-Hirt, Marianne Beate Kielland, Pascal Bertin, David Sagastume, Nicholas Mulroy, Lluis Vilamajó, Daniele Carnovich, Antonio Abete

La Capella Reial de Catalunya & Le Concert des Nations, Jordi Savall

cd book

The 'Missa Salisburgensis à 53 voci' (in comparison, 'Spem in alium' was written by Thomas Tallis for «only» 40 voices) is perhaps the largest-scale piece of extant sacred Baroque music, an archetypical work of the Colossal Baroque. It is a polychoral composition which takes advantage of the multiple organs and various locations available for groups of singers and musicians to perform in Salzburg Cathedral, probably for the 1682 celebrations marking the 1100th anniversary of the founding of the Archbishopric of Salzburg. This stunning recording features Jordi Savall’s ensembles at their best and fully reveals the «splendour» of this masterpiece. A recording of cosmic proportions that Jordi Savall has decided to illustrate with a celestial image of the Helix Nebula. Nothing less.

“Savall rallies his ensembles to scale the exultant heights but still keeps things nimble; the full ensemble sound is warm, vibrant and spacious, while shapely solo voices make clear work of all that counterpoint...Savall is in his element [in Battalia], leading the dance with supple, graceful swing.” The Guardian, 10th September 2015 ****

“an ingenious balancing act between solo voices, choirs and brass, particularly in the ensemble developments of the Gloria and the lengthy Credo, with its shift from angelic high voices to deep, sorrowful ones as the crucifixion weighs heavily.” The Independent, 10th October 2015

“[a] superb new recording … The venue chosen for this recording – the Romanesque chapel of Cardona Castle in Catalonia – also possesses generous reverberation, but Savall knows how to capitalise on it, allowing the music to bloom and blaze but also to withdraw intimately into itself … the overall impression of sumptuousness certainly lives up to the CD’s Baroque Splendour title.” The Telegraph, October 2015

“Savall marshals the music with a keen sensibility to momentum, balance and colour…[his] more organically natural acoustic makes for an easier overall listen [than the Koopman or McCreesh versions] while losing only a little in forthright splendour…[the Mass] makes its awesome point.” Gramophone Magazine, November 2015

“This is Biber in gargantuan mode … superbly recorded. Groups ranging from solo voices with a pair of recorders to the full ensemble complete with brass and drums are thrown across the huge spaces of the chapel with palpable excitement and thrilling effect. The reverberation lasts over five seconds, yet every detail in the small scale passages is crystal clear, and the sheer weight of the full forces is shattering.” BBC Music Magazine, Christmas 2015

“The central work on the disc is the astonishing Missa Salisburgensis, but Savall surrounds this with a range of other works, choral and instrumental, that show this remarkable composer off to a dazzling degree. It's my greatest musical discovery of the year so far...It's very well sung but the effect when the voices, trumpets and drums all combine is breathtaking, and the engineers deserve credit for capturing it so faithfully...Overall, tremendous.” MusicWeb International, February 2016

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Monteverdi: L'Orfeo

Monteverdi: L'Orfeo


Montserrat Figueras (La Musica), Furio Zanasi (Orfeo), Arianna Savall (Euridice), Sara Mingardo (Messaggiera), Cécile van de Sant (Speranza), Antonio Abete (Caronte), Adriana Fernández (Proserpina), Daniele Carnovich (Plutone), Fulvio Bettini (Apollo), Mercedes Hernández (Ninfa), Marília Vargas (Ninfa), Gerd Türk (Pastore & Eco), Francesc Garrigosa (Pastore & Spirito), Carlos Mena (Pastore) & Iván García (Pastore & Spirito)

La Capella Reial de Catalunya & Le Concert des Nations, Jordi Savall

This live recording made on January 31st, 2002 at the Liceu Theatre in Barcelona is already a cornerstone of any Monteverdi discography. It has been released on DVD by Opus Arte (but is now unavailable in most countries and reaches pretty high scores on the market place...), with a slightly different editing. This new and original multichannel mastering reveals the full scale of the inspiration of Jordi Savall and his ensembles, as well as the soloists, who include the late Montserrat Figueras, Furio Zanasi and Sara Mingardo.

“Savall’s performance is bold and full-bodied, especially in the warm choral singing and orchestral playing. The soloists are more variable, often placed far back in the sonic picture...the finest singing is from Sara Mingardo as a plangent Messenger.” The Observer, 14th June 2015 ***

“The singing and playing is of a very high standard.” Early Music Review, 1st July 2015

“Savall's ideas may not satisfy everyone, but there's never a hint of formulaic complacency, and this live performance is an engaging alternative view to experience alongside the best studio versions.” Gramophone Magazine, September 2015

“This is an opulent L’Orfeo rich in drama and contrast; the complete musico-dramatic article, utterly engrossing. Savall achieves a nigh-pefect balance between ravishing resonance and sound on the one hand, and gripping, pacey narrative on the other … a sumptuous production that must have been the ticket of the year.” Early Music Today, March/May 2016

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War & Peace 1614-1714

War & Peace 1614-1714


Lully, Handel, Charpentier, Scheidt, Biber, Schein, Cabanilles, Dumanoir, Rosenmüller, Jenkins, Cererols, Blow: this double SACD-book gathers the who’s-who of European music, to mention but a few, of the 17th and the beginning of the 18th centuries. Deeply affected by the Thirty Years War as well as the War of Spanish Succession, the finest music inspired by this turmoil is vividly performed by Jordi Savall and his ensembles. The set ends with a fantastic and complete performance of Handel’s 'Jubilate Deo'; and, as you have come to expect from Alia Vox, the booklet is lavishly documented.

CD-Book 2 hybrid multichannel SACD

Booklet : English, French, German, Italian, Castilian, Catalan

“I was left repeatedly amazed that Savall and his performers are so good at such a wider range of repertoire...This isn't just an impressive musical release: it's a whole cultural festival within two covers. Both for its ambitions and for its artistic standards, it deserves to do well” MusicWeb International, 3rd March 2015

“there is some fine music making here.” Early Music Review, April 2015

“Ambitious, magnificent, extraordinary, compelling, fabulous: Jordi Savall’s indomitable vision recreates the soundworld of 100 years of conflict, from the 30 Years War to the War of the Spanish Succession. It is simultaneously a history lesson and an extraordinary artistic achievement … Robin plays with daring, verve and with unflinching attention to colouristic detail. The result is a triumph” Choir & Organ, July/August 2015

“the Turkish music is played with particularly brilliant swagger and feel for the orientalism of it all, reminding us that Savall is one of the greatest World Musicians working in classical music. All told, then, this is an incredibly impressive achievement, both as a curated festival of culture — music, art, literature and philosophy — and as a humanitarian exploration. This isn't just an impressive musical release: it's a whole cultural festival within two covers.” MusicWeb International

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